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  • REVIEW: “Far, Far Away” Provides Some Calm Before the Storm

    REVIEW: “Far, Far Away” Provides Some Calm Before the Storm

    Episode 6 of Ahsoka, “Far, Far Away” left fans feeling pretty fantastic…and we should all have a bad feeling about that. Dating back to his work on Star Wars Rebels, Dave Filoni has occasionally chosen to end seasons of his series with two-part blockbusters. Those blockbusters, however, don’t typically go well for the heroes and often leave things unresolved until the two-part premiere of the next season. With only two episodes left in the first season (to be directed by Geeta Vasant and Rick Famuyiwa, respectively) of Ahsoka, things are trending in that direction again.

    With most of the action taking place on Peridea, “Far, Far Away” gave us the first Star Wars story set outside of the galaxy far, far away we’ve all come to know and love and that means, to some extent, all bets are off. No matter what you think you know about Star Wars, things are likely to be a little different in this new galaxy. And indeed despite intentionally layering in some of the familiar Star Wars tropes like marauders reminiscent of Tusken Raiders and horseshoe crabs who dress like Jiminy Cricket reminiscent of Jawas, Ewoks or whichever strange species you want to compare them to, something just ain’t quite right on Peridea. Revealed to be the ancestral home of the Nightsisters of Dathomir–a group of witches who have already been well-established to view and use the Force quite differently than groups like the Jedi or Sith–Peridea, as explained by Baylan Skoll, is a place of great and terrifying power. “Far, Far Away” reveals just the tip of that iceberg as any further exploration of it takes a back seat to the reunion of Sabine and Ezra and the return of Thrawn. However, as wonderful as Ezra looks sporting a beard reminiscent of his father’s, as perfect as Lars Mikkelsen is bringing his Thrawn to live-action and as terrifying as Thrawn’s Chimaera full of some interesting-looking Stormtroopers is, Ahsoka isn’t done with Peridea just yet.

    Ahsoka Tano (Rosario Dawson) in Lucasfilm’s STAR WARS: AHSOKA, exclusively on Disney+. ©2023 Lucasfilm Ltd. & TM. All Rights Reserved.

    First and foremost, it’s made very clear that Ahsoka and Huyang–who may have been revealed to be the narrator of every Star Wars story we’ve ever been told–are indeed on their way to Peridea thanks to the Purrgil. Ironically enough, while Sabine and Ezra are entirely unaware that Ahsoka is on her way, Thrawn is, as Thrawn does, preparing for the possibility of her throwing a monkey wrench into his long-gestating plans. The Grand Admiral has already indicated that he’s low on troops and it now seems only a matter of time before Baylan Skoll and Shin Hati face off with the reunited, Ahsoka, Sabine and Ezra, who could do quite a bit of damage to the Heir to the Empire’s plans.

    And so it seems that “Far, Far Away”, while a very neat episode of the ongoing Filoni-verse narrative in its own right, is the calm before a very nasty storm and likely the conclusion “second act” of the New Republic era of stories. Though the cavalry, in the form of Ahsoka, is coming to Peridea, there’s almost certainly nothing she can do to prevent Thrawn and his minions from making the jump back to the galaxy from whence they came. Expect, as is often the case in Filoni’s stories, for the heroes to suffer–and perhaps even die–as they fight valiantly against the evil Empire. While Filoni has done a masterful job of putting his own spin on Star Wars, specifically the Force, he still loves to follow the path laid out by George Lucas and the master storytellers from whom he drew inspiration. So, if Ahsoka is the end of the second act of a larger story–in the way that Attack of the Clones, The Empire Strikes Back and The Last Jedi were in their corresponding trilogies–the next two episodes are going to hurt.

  • ‘Loki’ Season 2 Gets a New Premiere Date

    ‘Loki’ Season 2 Gets a New Premiere Date

    Following in the footsteps of Lucasfilm’s most recent Star Wars streaming series, Ahsoka, the upcoming second season of Marvel Studios’ Loki has shifted its release date just a couple of weeks away from its premiere. Originally intended to debut on Friday, October 6th, Tom Hiddleston will instead make his glorious return to Disney Plus on October 5th.

    The new promo also revealed that, like Ahsoka, new episodes of Loki will roll out at 6 PM PT/9 PM ET rather than the 12 AM PT/3 AM ET slot that Disney’s streaming shows had previously been attached to. While it’s still to early to know exactly how big of a difference the new time slot will make, anecdotal evidence suggests that fans are much happier not having to wait until the middle of the night to catch their favorite show.

    Loki Season 2 picks up in the aftermath of the shocking season finale when Loki finds himself in a battle for the soul of the Time Variance Authority. Along with Mobius, Hunter B-15 and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie, Judge Renslayer, Miss Minutes and the truth of what it means to possess free will and glorious purpose.

  • Den Den Murphy 35 – New ‘One Piece’ Fan Shares Experience (w/ The Streamr’s Mo)

    Den Den Murphy 35 – New ‘One Piece’ Fan Shares Experience (w/ The Streamr’s Mo)

    Joe and Suki have a special guest in The Streamr’s Mo, who recently started reading the One Piece manga due to his experience with the live-action adaptation. Join the three as he shares his journey into taking the plunge into the iconic series.

  • ‘Loki’ Season 2 Premiere Runtime Revealed

    ‘Loki’ Season 2 Premiere Runtime Revealed

    The Season 2 premiere of Marvel Studios Disney Plus streaming series Loki is now just 3 weeks away and, as such, hype is starting to build. While the pre-show build-up looks a little different as ongoing strikes by the SAG and WGA unions keep talent from their usual rounds on talk shows and websites, fans are still looking forward to the further adventures of the God of Mischief and one of the most pressing questions for these series is, apparently, runtime. Now thanks to a solid source, fans know what to expect from the first episode of Season 2!

    Cryptic HD Quality, who has repeatedly come through with accurate reports on the runtimes of shows such as Ahsoka, Secret Invasion and more, has revealed that the first episode of the sophomore season of Loki will clock in at 45 minutes.

    https://twitter.com/Cryptic4KQual/status/1702643532182258163

    As usual, the account has broken the runtime down to reveal just how much time will be spent on action and how much on the credits and it looks like fans will get a relatively short 39-minute premiere episode. Of course, that’s plenty of time to make a great episode of TV. Some of the episode will surely be spent catching up a bit before jumping into the main plot of Season 2 so it’s possible that fans will have to wait until the second episode to really see the new season kick into high gear.

    If you’d like to catch up on everything you need to know before the second season stream, check out our Ultimate List of What to Watch Before Season 2 of Loki!

    Loki begins streaming on Disney Plus on October 6th.

  • ‘One Piece’ Creator Shares Season 2 Renewal for Live-Action, Teases Chopper

    ‘One Piece’ Creator Shares Season 2 Renewal for Live-Action, Teases Chopper

    In just two weeks, Netflix has done the impossible and already renewed the live-action One Piece series. Okay, might be overdoing it but in a clever little message from Eiichiro Oda, who seems to be loving his puppet Transponder Snail, used the opportunity to confirm that the live-action series is indeed going to return for a second season. Not only that, but he goes out of his way to highlight the arrival of an iconic ship’s doctor for the Straw Hats. As an adorable little extra, he even draws up an adorable drawing based on his manga look and states that it’ll still take some time to finish the scripts.

    It’s great news and hopefully a reflection of how much the studio believes in this project. Of course, we don’t know when a second season will be able to release given that Hollywood is still on strike. Hopefully, they will finally have a resolution to solve the issue; being them not paying their actors and writers fairly. It’s interesting that he says the scripts still need time given that Tomorrow Studios already confirmed they are pretty much ready to shoot.

    Their big goal would be to avoid taking longer than two years for the second season to release, as that commonly has not been beneficial due to the long wait time outside of a well-established IP The show is #1 two weeks in a row and it’s uncertain if it’ll keep it up going into its third week, where they commonly see a drop. Maybe a cynical outlook could see this renewal as a way to boost its viewership going into the third week to see if it’s worth it. Either way, it’s great that we’ll get to see the Arabasta saga come to life.

    source: Twitter

  • Showrunner on How ‘One Piece’ Stands Out from Other TV Series

    Showrunner on How ‘One Piece’ Stands Out from Other TV Series

    Showrunners Steven Maeda and Matt Owens had quite the challenge when adapting a series like One Piece. Not only is it quite unique with its more cartoon-inspired style, but generally adapting anime or manga is considered quite challenging. While there have been a few projects that did manage to pull it off, any adaptation from some of the bigger names hasn’t left the impression many would hope they would.

    Tackling a series like One Piece was considered “unadaptable” due to the way Eiichiro Oda drew and wrote the series. It’s crazy to think after some of the earlier reactions to the teaser that the series actually has a strong critical reception across multiple platforms for its hopeful message and more optimistic outlook; especially in how it avoids being a very dark series. In an interview with IGN, Steven Maeda highlights that they wanted to make the series stand out with the “sunny and blue skies and open water” just to make sure “it felt good” watching the series.

    That was a very conscious choice to have the show be fun and sunny and blue skies and open water and to have it feel good in addition to fun and thrilling, and a little traumatic at times when you get into some of those emotional moments and character backstories.

    Steven Maeda

    He also talks about how it was quite a new experience adapting the iconic series in a live-action adaptation that isn’t just for younger audiences, but also teenagers and adults. Monkey D. Luffy’s story is definitely something that also can inspire anyone of every age, no matter if they know the series or not.

    It was definitely a breath of fresh air to be putting something out that felt like it had a sunnier view. And the trick in that is to take that optimism and not have it seem treacly and separate. You don’t want it to just be for little kids. You want it to resonate with teens and with adults and people who fell in love with the manga or the anime. We want to bring all those fans in. And then we also want to rope in new fans who have no idea what One Piece is, which was another challenge to find that balance between the fans of the underlying material and new people who had never heard of it before.

    Steven Maeda

    They also set one important rule: “embrace silly.” In an era where comic book adaptations try to either be super serious or keep everything as realistic as possible, having a show just being what it is makes it stand out. Not every show can have a pirate pillage a ship with glitter in her canons while the cannonballs have hearts painted on them.

    As far as tone though, it was always: Let’s embrace silly. Let’s embrace the over-the-top nature of it. But at the same time, let’s try to make the emotion feel real and grounded. And then let’s take something like the Love Duck, which is, let’s face it, a big pirate ship that fires glittering cannonballs and has hearts on its sails, and could be absolutely ridiculous. But let’s take that ship and paint it and do all the things we need to do, build it, and then sand it down and make it look like it’s been at sea for 15 years, in order to try and at least bring some level of grit to what is otherwise a sunny and silly look.

    Steven Maeda

    The only challenge they had was to ensure that even with all the fun, the set design and costumes needed to showcase that time passed. Some early criticisms of the teaser trailer where that it looked “too clean” which led to some statements of it being more like cosplay rather than the real world. Still, once we saw the entire series we got a better look at everything in context.

    Source: IGN

  • ‘One Piece’ Live-Action Showrunner Talks Replacing One of the Iconic East Blue Villains

    ‘One Piece’ Live-Action Showrunner Talks Replacing One of the Iconic East Blue Villains

    We all knew that there would be changes to the live-action adaptation of One Piece. There are a variety of characters that don’t quite serve the story the way an eight-episode structure would allow. Still, it seems that they have gone through quite a few different versions before landing on the one they currently have according to showrunner Steven Maeda. One big part was also including Arlong much earlier in the season to tie the East Blue together.

    A lot of different versions of the show were discussed. Some that were a little further away from the manga, some that were closer. We ended up going a lot closer, which I’m really glad we were able to do. And it really was a discussion about why we were doing what we were doing. And so for example, with Arlong, the idea was, in an eight-episode television season, you want to have the sense that there is some big obstacle standing at the end of your journey. And so to introduce Arlong in Episode 7 and 8 only would’ve felt like: “Well, wait, who is this guy? Okay, yeah. He’s really ferocious, but I don’t really know him yet. I’ve got to get to know him.”

    Steven Maeda

    Of course, moving Arlong earlier into the story, it leads to a bigger challenge. Having to avoid adding just more characters to a story beat, someone had to be replaced and it seems Don Krieg was the easiest choice given how he’s more a physical threat rather than one relevant to the overall journey. His failure at the Grand Line, which remains in the story, is the one element that did make it into the story.

    And so we said: “Hey, let’s move him up. Let’s introduce him in an early episode as a big bad threat that would return later in the season. And then rather than Krieg, who is a standalone antagonist who doesn’t take us really anywhere new, let’s introduce Arlong there instead.” And we still got Krieg in the show. But let’s try something a little bit different so the new audience gets the sense that there is something big and forbidding out there waiting for us.

    Steven Maeda

    While not everyone will enjoy the change; change is famously difficult to accept, it still offers a clever way to have the East Blue connect better. Originally, One Piece started off as a weekly story with quite a few disconnected stories outside of the surprise reveal surrounding Nami. It wasn’t until Alabasta that the series took on the structure that it famously has and it would be interesting to see if they have an easier time structuring a potential second season.

    Source: IGN

  • ‘One Piece’ Producer on Why They Filmed in South Africa

    ‘One Piece’ Producer on Why They Filmed in South Africa

    The live-action adaptation of One Piece gave us a unique backdrop with many iconic sets. More than what one would expect from most modern adaptations nowadays after the pandemic limited productions in many ways. Plus, it’s a pirate adventure that’ll take place across the wide seas of the East Blue. One of the reasons they decided to film in South Africa seems to be due to executive producer Chris Symes‘ experience working on Black Sails according to producer Becky Clements.

    We knew we were going to shoot there because Chris Symes, our executive producer, produced Black Sails, and he built many pirate ships for that series. There were a couple of them in place already that we knew we would have an advantage and be able to refurbish.

    Becky Clements

    While the location offered some beautiful and fitting backdrops for the various islands, it did bring with it, its own challenges. Clements highlights that the weather was a big challenge as it limited when they could film the various sequences; not too surprising for the long production time in 2022.

    One of the challenges you have in South Africa is weather, you can shoot best at a certain time of year, so that always comes into play, and even the weather cooperated, which isn’t always the case. So we had many challenges, but we had the most professional and awe inspiring team there that just helped us pull it off.

    Becky Clements

    Of course, future seasons have the advantage that they have some experience in, and who knows if they will fully stick to South Africa due to the variety of climates they will face in the Grand Line. Of course, though, there are many potential ways they can make that work with the sound stages provided, as they will still need to travel with the Going Merry from island to island. Here’s hoping a season two renewal is just around the corner.

    Source: Deadline

  • Live-Action ‘One Piece’ Producers Tease 6-Season Roadmap and “Hope for 12 Seasons”

    Live-Action ‘One Piece’ Producers Tease 6-Season Roadmap and “Hope for 12 Seasons”

    Marty Adelstein and Becky Clements from Tomorrow Studios were big drivers for pushing their work on the live-action adaptation. After the series managed to debut at a strong 18.5M viewers in its first premiere weekend, it went on to remain at the top spot in an otherwise soft first week of September. The show’s future still remains a mystery as no official confirmation has been made for a second season, but the producers are definitely just waiting for the chance.

    Clements points out that they “have hopes for 12 seasons, there’s so much material” given that the series is still ongoing after 26 years and it’s unsure if it’ll end in the next three or five years after entering its “final saga.” Though there’s no certainty that the series to last that long given just how these streaming models work, it does seem that they at least have a roadmap for at least the next six years.

    Everything we do is in concert with Netflix, [manga publisher] Shueisha and Oda-san, they are a part of that conversation. We’ve definitely had more thorough conversations about what we would do with Season 2 should we have the opportunity, and then less extensive conversations about where we would go for season three to six. The one thing I would say, we’re all unified in the parts of the manga that you just absolutely cannot eliminate, and that’s our guiding principle, the stories that we know and the characters that we know are important to the fans. So that really is the start in breaking future seasons. It will require a lot of conversations, but we feel lucky to have have the roadmap.

    Becky Clements

    We recently heard that the second season is already mapped out and ready script-wise. So, Netflix and the other studios just need to pay their writers and actors fairly so that they can jump straight into the next season. They know that getting these seasons out at regular intervals will ensure that viewership will rise, but it all depends on when they can start filming. With a strong exterior shot-focused production, they are just waiting to see how things move along before they can jump in.

    I don’t know what Netflix is thinking. It would benefit us to move more quickly. Once you get into the summer months there it can get pretty windy and wet — our summer months, their winter months. It didn’t stop us last year, we did some reshooting and we shot later than we anticipated, and it worked out just fine. We try to find ways to minimize exteriors to create a safe environment for shooting and we do stuff inside when we need to.

    Becky Clements

    So, here’s hoping that Netflix will finally push the market to heal as there will definitely be quite a drought next year. The show’s initial viewership does seem promising for a potential second season to grow even more if they play their cards right and with a show that has the potential to grow beyond, it may be smart to think in advance to keep people interested to come back and even grow its audience.

    Source: Deadline

  • ‘One Piece’ Remains #1 on Netflix in Second Week

    ‘One Piece’ Remains #1 on Netflix in Second Week

    Many wondered if One Piece could keep up its current placement in its second week, especially with the worry it might be enough for Netflix to renew it. A drop of any kind would not bode well given just how invested Netflix is to ensure they have their next “Stranger Things” after Wednesday and The Night Agent surprised with a massive viewer base early on. Still, an adaptation of a manga that’s a bit more “cartoony” would still be a challenge and raises questions if something more out there could still get an audience.

    Luckily, it seems the new live-action adaptation held strong in its second second week. While Deadline says it “ballooned” the numbers aren’t quite what one saw with the previously mentioned shows or even Queen Charlotte earlier this year. Still, it pulled in 18.5M views in its first week and grew to add another 19.3M in its second. While it got dethroned in a few countries, such as big markets like the US by Virgin River’s fifth season and the final season of Top Boy, it still is around double what those shows pulled in their first four days. A bigger discrepancy when compared to its competition last week with Who is Erin Carter? that dropped to third place this week.

    The view count now stands at a total of 285.8M viewed hours with 37.8M views. There’s still some time to go if it wants to kick Queen Charlotte from its 10th spot at around 526.8M hours viewed over 91 days, it’s certainly a good start for a new series. Some fans might be hoping for the series to absolutely destroy the ratings but even with strong word-of-mouth, it’s still a bit more of a jump to get people to try out a new show. The big question is how will it hold in its third week, as a big drop could certainly hurt its chances for a second season.

    It should be noted that audience data for One Piece, according to Deadline, might be a very enticing factor for Netflix. They love Social Media and it seems on TikTok alone the hashtag #onepiecenetflix has led to 4 billion search impressions. That’s a strong number for them seeking social engagement and hoping to build a new brand that could compete with others. Not everything will perform like Wednesday, perhaps not even Wednesday when its second season drops.

    We don’t know if Netflix deems their investment worth and with the new calculations, their data assessment might also be quite a bit different moving forward. Plus, while many like to compare to other shows we do need to take into account that this is a summer release which doesn’t always mean the same amount of people are spending it at home when compared to another time frame like Wednesday’s fall release. With it still ranking as one of the highest openings and a decent hold, it does have a good chance for that renewal. Here’s hoping Netflix just pays its writers and actors fairly.

    Source: Deadline, Twitter, Netflix