Get ready for an off-the-wall new series from Image Comics. Creators Eliot Rahal (Bleed Them Dry, Cult Classic) and Mattia Monaco (Eat Your Young, Knock ‘Em Dead) are teaming up to bring us Crimes Against Nature, a neo-noir buddy-crime comedy arriving in comic shops on September 23, 2026.
Described by its creators as “Koko the gorilla meets The Usual Suspects,” the story centers on the unlikely bond between a man and his primate companion. The plot follows Hollywood animal trainer Dr. Kermit Groedan and his only client—Amigo the Ape, the first gorilla ever to be nominated for an Academy Award—as they find themselves framed for a crime they did not commit. Now on the run, the pair must confront their dark secrets and hidden pasts to clear their names and survive.
For artist Mattia Monaco, the project represents a significant return to traditional pen-and-ink illustration. “This book is about coming home,” said Monaco. “After nearly six years of working digitally, this was the first project that brought me back to pen and ink and gave me a renewed sense of freedom and experimentation on every page.”
Writer Eliot Rahal echoed the sentiment, noting the emotional weight and partnership behind the book: “Every panel and page is lightning in a bottle. It’s one of the greatest partnerships of my life. And I think all of that joy and trust spills out into our book about a guy and his gorilla.“
Crimes Against Nature #1 hits shelves on September 23.
The light had its turn, and Marvel is making sure the darkness takes over completely. Following last month’s initial reveal of the horror-tinged Midnight Universe, Marvel Comics has just announced a massive, unprecedented adjustment to their release strategy: all three flagship titles are dropping simultaneously on October 7, 2026.
And here’s the kicker—Marvel is clearing the entire deck for it. In a highly rare and impactful move, no other Marvel titles will be published on October 7. For one week, the House of Ideas belongs exclusively to the dark.
From the original New Universe to two Ultimate Universes, Marvel has a long history of creating and inspiring bold worlds filled with unforgettable characters and fresh ideas that feel new yet recognizable at the same time. With the new Midnight line, we’ve given some of our most outstanding creators the opportunity to delve into the darkest corners of their imaginations and birth some of the creepiest, most terrifying takes on the Marvel Universe you’ve ever seen.
-Editor in Chief C.B. Cebulski
Originally scheduled to trickle out month-by-month starting in August, the corporate realignment spearheaded by Brad Winderbaum has shifted the Midnight Universe (Earth-1031) into a singular, coordinated launch event. The three ongoing titles reimagining Marvel icons through creator-owned horror sensibilities will now collide on day one:
MIDNIGHT X-MEN #1 (Written by Jonathan Hickman, Art by Matteo Della Fonte): The franchise architect returns to the mutants, but there’s no dream of peaceful coexistence here. This universe sees mutantkind fractured into competing “Mutant Empyres” and vampire covens, turning the species into bloodthirsty predators vying for control.
MIDNIGHT FANTASTIC FOUR #1 (Written by Benjamin Percy, Art by Kev Walker): A cosmic-horror tragedy. The story tracks an obsessive Reed Richards delving into secrets of the universe that should have remained unknown, leaving the First Family warped into strange, horrifying, and destructive monsters.
MIDNIGHT SPIDER-MAN #1 (Written by Phillip Kennedy Johnson, Art by Scie Tronc): Leaning heavily into visceral body-horror. Rather than a friendly neighborhood hero, a young Peter Parker is grotesque, violently transformed into a hideous spider-hybrid by an Oscorp Corporation desperate for eternal life.
The more we talked about Midnight, the more we realized it was far more than just the birth of another new universe—it was on an entirely different scale creatively, a doorway to something that was not only immediately exciting, but had immense long-term promise.
-Dan Buckley
To enhance the eerie vibe, each book will utilize a “Cloaked Cover” program. The main covers will arrive at comic shops partially obscured, meaning readers will literally have to open the book or turn the page to unmask the hidden artwork inside.
Because Marvel is giving October 7 over entirely to these three books, they are pairing the unified launch with exclusive promotional mailers, unique incentive programs, and a massive Midnight variant cover initiative to ensure the horror line completely dominates comic shop walls.
The world these creators are building is truly special and the passion behind the stories they’re envisioning was palpable. We wanted to match their ambition with this unique launch plan, one that allows both retailers and fans to fully immerse themselves into this new line right from the start. When the clock strikes Midnight on October 7, these three series will unleash a bold new energy that we hope echoes throughout the industry for the foreseeable future.
-Dan Buckley
By utilizing writers known for grit, dread, and action—like Benjamin Percy (Wolverine) and Phillip Kennedy Johnson (Incredible Hulk)—Marvel is ensuring the horror isn’t just window dressing. It’s a poisoned, terrifying alternative reality that has been given a massive runway to grow.
The line separating the Marvel Cinematic Universe and the comic book source material just got a lot thinner. In a monumental corporate restructuring announced on Marvel.com, Brad Winderbaum has been promoted to the newly created position of Head of Marvel Television, Animation, Comics & Franchise.
The promotion effectively hands the creative steering wheel of Marvel Comics over to the executive who championed the streaming renaissance of X-Men ’97 and Daredevil: Born Again. Concurrently, the studio announced the retirement of longtime Marvel veteran Dan Buckley and the arrival of Disney’s David Abdo.
After nearly 30 years shepherding the brand through bankruptcy, corporate buyouts, and the ultimate explosion into Hollywood royalty, Dan Buckley is officially stepping down. Buckley isn’t walking out the door immediately. He will remain with Marvel through mid-2027 in an advisory role to ensure a smooth transition of the publishing empire. In an official statement, Marvel Studios President Kevin Feige praised Buckley’s immense footprint, noting his stewardship of legendary publishing events ranging from Civil War and House of X to the upcoming Midnight imprint.
“Brad’s exceptional creative leadership and David’s deep experience in operations and digital innovation will be a powerful pairing as we begin building out the next 90 years of Marvel’s comic book legacy,” said Marvel’s One Above All. “Brad brings a proven ability to lead creative teams and craft ongoing, episodic narratives that resonate with our fans around the world, while David offers a strong track record of operational excellence and strategic growth. I’m excited for what they’ll be able to do together.”
While Winderbaum now commands the creative blueprint, David Abdo is stepping in to run the physical business as the new General Manager, Comics & Franchise. Abdo moves over to Marvel following a highly successful tenure as General Manager of the Disney Music Group, where he was credited with driving massive revenue growth and digital innovation. Abdo will report directly to Winderbaum, focusing heavily on digital distribution, subscription models, and expanding Marvel’s global footprint into newer multimedia sectors.
While some purists may worry about the MCU-ification of the comic line, Winderbaum’s recent creative successes—particularly the deep reverence for comic history displayed in X-Men ’97—suggests the publishing house is in the hands of a true believer. With Buckley easing out through 2027, this transition prepares Marvel Comics for a heavily synchronized future just as Avengers: Secret Wars looks to reshape the corporate canvas.
If you thought Marvel’s publishing house was done with “industry-shaking” events after the fallout of One World Under Doom, think again. The publisher has officially pulled back the curtain on its next massive crossover, Avengers: Armageddon, and they are bringing the heavy hitters from the tabletop world along for the ride.
Marvel confirmed that every first-printing copy of Avengers: Armageddon #1—hitting shelves on June 3, 2026—will come sealed in a special polybag containing an exclusive Magic: The Gathering promo card.
The exclusive card, titled Warstorm Surge, features stunning new artwork by Marvel superstar Ryan Stegman. The art depicts a desperate battle in the ruins of Latveria, with Wolverine, Iron Man, and Spider-Man attempting to halt a rampaging Red Hulk.
A dramatic turning point in Avengers history, AVENGERS: ARMAGEDDON promises to change the face of Earth’s Mightiest Heroes in a way not seen since Avengers Disassembled and leads directly into a new era of Avengers kicking off later this year.
-Official synopsis for Avengers: Armageddon
This isn’t just a random pull; the card is a direct tie-in to the upcoming Magic: The Gathering | Marvel Super Heroes set launching globally on June 26. By bundling this promo with the comic, Marvel and Wizards of the Coast are essentially creating a collector’s must-have that bridges the gap between the direct market and the booming TCG scene.
This is a major cross-media play that signals Marvel is treating Armageddon as the definitive turning point for the 616. Tying a watershed comic event to a massive Magic: The Gathering launch is a move straight out of the 90s hype playbook, but with modern prestige.
While the MTG card is a massive draw, the narrative stakes of Armageddon are what should have 616 fans worried. Written by Chip Zdarsky (Captain America, Daredevil) with art by Frank Alpizar and Delio Diaz, the five-issue event is being internally compared to 2004’s Avengers: Disassembled.
The story kicks off when General Thaddeus “Thunderbolt” Ross seizes control of the vacuum left in Latveria following the death of Doctor Doom. His aggressive, security-first takeover triggers a global geopolitical crisis that forces the Avengers, the Fantastic Four, and Wolverine into a conflict that Marvel promises will leave the team fundamentally transformed.
As the official solicitation puts it:
There will be a pre-Armageddon Marvel Universe and a post-Armageddon Marvel Universe. Be here to bear witness to the transformation.
Zdarsky has spent the last year in the pages of Captain America and, now, Wolverine: Weapons of Armageddon seeding the idea that a Hulk operating with state authority is the ultimate ticking time bomb. This isn’t just a physical fight; it’s a battle over who gets to decide the fate of nations. If this truly is the “Origin of the End” for Earth’s Mightiest Heroes, the Marvel Universe is about to look very different by July.
The monster creative team of Deniz Camp, Eric Zawadzki, Jordie Bellaire and Hassan Otsmane-Elhaou have teamed up on an ongoing anthology book published by Image Comics. Set on a world where “time is having a crisis”, Assorted Crisis Events will “follow in the footsteps of normal people who are just trying to get through a normal day, but instead have to deal with time loops and space portals, confused time travelers from different eras, and alternate dimensional versions of themselves…all while just taking a stroll down the street.“
In Assorted Crisis Events, time is having a crisis. Mingling in the red-light district, you can find actual cavemen, medieval knights, and cyborg soldiers on leave from World War IV. Victorian debutantes amble their way into cell phone stores, confused and bewildered (what is a data plan?). On their way to work, bleary-eyed commuters get trapped in time-loops, assaulted by alternate-reality versions of themselves, and try to avoid post-apocalyptic wastelands. And LOOK: the 3:15 bus just took a wrong turn…into the neolithic era. Rising stars Camp and Zawadzki, and Eisner-winners Bellaire and Otsmane-Elhaou, are proud to present Assorted Crisis Events, an ongoing, zig-zagging anthology series about the compromised clicks of our clocks—full of one-shot stories both beautiful and ugly, tragic and redemptive, surreal and somehow all too familiar. Stories of people (and reality) in crisis—trying to keep it together while the world is falling apart, second by twisted second…
-Official Description provided by Image Comics
“Assorted Crisis Events is like Crisis on Infinite Earths if it was happening to normal, everyday people, or Black Mirror, if the fabric of space and time were breaking down,” said the book’s writer, Deniz Camp. “But going deeper, Assorted Crisis Events has been one of the most ambitious and rewarding creative experiences of my life. The challenge of making every issue complete and personal and inventive, while playing out the larger story of the Crisis—what is causing it, can it be solved, who is The Broken Man?—across the series has been thrilling! Every member of the creative team adds so much to every issue—no one is just doing a job, they’re all artists in the truest sense, and I think every issue ranks among some of the best I’ve ever been a part of. If you’ve liked anything I’ve ever written before, please pick this up. You will not be disappointed.”
Artist Eric Zawadzki was tasked with bringing the wild concept to life but was happy to take on the challenge. “This comic has been a dream project from the start. Deniz’s ambitions with pushing the boundaries of the medium of comics match my own,” he said. “Every script is a new challenge for me and it’s resulted in the proudest work of my career. I can’t believe my luck, being able to work with one of the best colourists and one of the best letterers in the comics industry, Jordie and Hassan, both of whom won the Eisner award for their respective crafts in 2024.“
The all-star award-winning team of writer Deniz Camp (20th Century Men, The Ultimates, Absolute Martian Manhunter), artist Eric Zawadzki (Heart Attack, House of El), colorist Jordie Bellaire (They’re Not Like Us, Birds of Prey), and letterer Hassan Otsmane-Elhaou (Time Before Time, Poison Ivy) are teaming up for the new timeless ongoing anthology series, Assorted Crisis Events. Time has no bounds in this world, and readers will follow in the footsteps of normal people who are just trying to get through a normal day, but instead have to deal with time loops and space portals, confused time travelers from different eras, and alternate dimensional versions of themselves…all while just taking a stroll down the street. Meanwhile, the overarching story dives into what caused the rules of time to suddenly shift, and if it’s possible to reverse the damage. Fans of Crisis on Infinite Earths, Black Mirror, and Doctor Who will enjoy this time-bending, clock-shattering new series, with the first issue hitting shelves this March.
Assorted Crisis Events #1 will available in your LCS on March 12, 2025.
It’s safe to say that the “death” of Ms. Marvel was probably one of the most controversial decisions by Marvel Comics. Yet, it seems they had some big moves happening while the special issue Fallen Friend: The Death of Ms. Marvel remains a sour spot for some, there was a pretty expected strategy. Just as we were mourning the fallen hero, we already have an update on what we can expect from her comic’s future.
The big reveal is that Iman Vellani, who plays Kamala Khan in the Disney+ series, is actually co-writing the project alongside Sabir Pirzada, who worked on the series. Carlos Gomez and Adam Gorham are providing the art with Sara Pichelli involved with the comics’ main covers. As part of the reveal, Vellani reveals what it was like moving on from writing fan fiction to the real thing.
This was way scarier than joining the MCU for me. Those projects feel like they live in their own dimension, so I guess I can separate myself easier. But you can hold a comic book! I’ve never written anything before in my entire life, but I have read many comics, so I just wrote what I would want to read. I was given a very professional tool to write what is essentially my own fan fiction.
Iman Vellani
Check out the cover for the new series.
As the cover unveils, Ms. Marvel is moving on from her Inhuman story towards embracing a new identity. The first Muslim superhero for Marvel is now a mutant, just as it was revealed in the Disney+ series. For those still mad at this revelation, it was the creator’s original intention to have her a mutant but ended up as an Inhuman due to the story that was written at the time. Of course, we’ll see just how long Kamala is going to stick around with the X-Men before once again embracing her Captain Marvel roots, which will be the focus of the upcoming The Marvels film.
Immortal Hulk, Guardians of the Galaxy and Ultimates writer Al Ewing and Sabretooth and Sabretooth & The Exiles artist Leonard Kirk are launching a brand new take on the Avengers this Fall featuring one of the founding members of Earth’s Mightiest Heroes. OG Avenger Janet Van Dyne will headline Avengers Inc., an ongoing series that will see her “out to solve the most amazing, fantastic and uncanny whodunnits the Marvel Universe has to offer!” according to Ewing.
Her name is Janet Van Dyne. She’s a hero. She’s a celebrity. She’s hunting a killer. His name is Victor Shade. He’s a villain. He’s an enigma. He just got killed. And together, they’re out to solve every mystery in the Marvel Universe…starting with their own.
Marvel.com
The new book–which will feature “direct connections” to Jed MacKay and C.F. Villa’s main Avengers title–will begin “with a deadly conspiracy rooted in the ghosts of the Avengers’ past that only founding Avenger Wasp can solve. But she won’t be alone as she finds a new partner in Victor Shade! This former alias of Vision mysteriously resurfaces just as Janet discovers a score of Super Villain murders. Will he guide Wasp to the truth or is his familiar guise hiding the very clues Janet needs to crack the case?“
As Ewing explains, “Avengers Inc. takes the beating, buzzing heart of the original Avengers, teams her up with an undead mystery man with an identity so secret even he doesn’t know it, and sends them both out to solve the most amazing, fantastic and uncanny whodunnits the Marvel Universe has to offer!” “It’s kind of a classic ‘will-they-won’t-they’ crime-solving partnership—or it would be if the ‘will-they’ in question was ‘save the world from…’ Well, that’d be telling. See you in September!” teased the author.
“I am unsure what can be said of Avengers Inc. without spoiling anything for the readers,” said Kirk. “I can say this is a fun and intriguing take on some familiar characters that leans more into detective skills over super strength, wit rather than eye beams and cunning instead of small, genetically mutated, furry creatures. Al is doing a bang up job with this and I am having a load of fun. I hope the audience does too.“
In October 2000, Marvel Comics modernized its classic heroes through its line of Ultimate comics. Those comics significantly influenced the Marvel Cinematic Universe (and may continue to do so when the X-Men make their way into the MCU) and were a major part of Jonathan Hickman‘s 2015 event, Secret Wars. Now, as Hickman and Bryan Hitch‘s 4-issue Ultimate Invasion prepares to launch, Marvel has revealed that the series will lead into a relaunch a new line of Ultimate Comics.
After the Maker’s desperate attempt to restore the Ultimate Universe unleashes massive, unintended consequences, a group of Marvel’s heroes are caught in a war between timelines. As universes collide, the foundation of a new line of ULTIMATE COMICS will be built.
To no one’s surprise, the Ultimate version of Reed Richards, known as The Maker, will be front and center in Ultimate Invasion and it seems his actions will be key in the creation of the new line of Ultimate Comics. That line will kick off in November with a one-shot, Ultimate Universe #1, written by Hickman and illustrated by Stefano Caselli. Much like the 2000 launch, the Ultimate Universe will modernize Marvel’s major players.
“The breathtaking epic will introduce readers to this new line that will be home to an array of brand-new hard-hitting series. A fresh start for a new generation, prepare to see your favorite characters redefined for today’s world. Stay tuned in the coming months for more information about this exciting new universe crafted by some of today’s greatest comic book visionaries.”
“It’s kind of shocking how much the world has changed in that period of time [since the 2000 launch of the original Ultimate Universe],” said Hickman. “The idea of what it would be like to see the genesis of Super Heroes in a brand new world is a really fascinating exercise.” According to Hitch, familiarity with the old version of the Ultimate Universe isn’t necessary to enjoy this “brand new world”. “You don’t ever have to have read any of the Ultimate Universe to enjoy this,” Hitch explained. “There’s some great comics in there, but this doesn’t need you to be familiar with that stuff. You just need to get in on page one and enjoy this because the story takes you where you need to go.”
The first of the four-issue Ultimate Invasion hits retailers on June 21st and Ultimate Universe #1 will be on shelves in November.
After a long hiatus from Marvel Comics following the controversial One More Day mini-series he co-created with Joe Quesada, J. Michael Straczynski has returned to writing a monthly ongoing series for the publisher. In an interview with Gizmodo, Straczynski revealed that he and artist Jesús Saiz, who most recently worked with Jason Aaron on The Punisher, will be the creative team behind the new Captain America series launching in September.
The new book will launch following the completion of the current Cold War crossover series which is running between both of the publisher’s current Captain America titles, Captain America: Sentinel of Liberty and Captain America: Symbol of Truth. Straczynski‘s return to Marvel Comics, for whom he wrote ongoing Thor and Spider-Man solo books, is major news and, according to the writer, was a slow-developing process. “Like most things, the process was incremental,” said Straczynski of his return to monthly Marvel Comics. “It started when Wil Moss asked me to do a short piece for the big Thor anniversary issue, which ended up getting a fair bit of attention. Then he asked me to do a Thanos story for that big issue, which also drew a lot of eyeballs, which led to me writing yet another piece for Marvel Age 1000 coming out soon. During all this, Wil Moss asked if I’d write a six-issue mini-series that would be a bit of an Event. I did so, it was a ton of fun for everyone involved, and Wil gave Alanna [Smith, Marvel comics editor] one of my scripts that involved Captain America.“
While we all await news on just what that event that his six-issue mini-series might be, Straczynski reminded everyone that he’s always had Cap on the brain. “Alanna liked how I handled the character, and sends an email asking if I’d like to take over the monthly Captain America book…and that was pretty much the best thing ever, because I’ve always had a strong affinity for Cap, which is why I would sneak him into just about everything I wrote for Spider-Man and Thor.” Longtime fans of Marvel Comics will remember that Straczynski slipped Cap into Amazing Spider-Man #537 where the character gave one his most memorable speeches…one that made its way into Captain America: Civil War.
As for what he has planned for Steve Rogers in the new book, Straczynski says “it’s all about servicing the main character first and foremost.” That’s going to entail tackling a period of time never before explored in depth in Cap comics: Cap’s early, transformative years. “One thing about Steve Rogers that’s never really been addressed is the period between when his parents died, and when he became Captain America. We’re talking about a sickly, skinny 17-year-old kid, trying to survive on his own for because he’s stubborn and independent, on the street for several years, hustling for any gig he can get, even if it’s bigger than he is, trying to afford food and a place to stay. So we will counterpoint a present-tense story in which Captain America faces off against a new villain of supernatural origin, with a story about his younger self, with both stories tightly interwoven.“
By exploring those years, Straczynski hopes he’ll get at what makes Steve Rogers–not Captain America–tick. “Because there’s one other, key aspect to that period that we will be addressing. The years young Steve was on his own were the same years during which the American Bund – for all intents and purposes the Nazi Party in America – was growing very powerful in real-world New York, blocks from where he lived. They held public marches and rallies, harassed people, and spread hate, all part of an effort to get America on the side of the Nazis, a campaign that came to a head with the biggest Nazi rally on American soil in history, as tens of thousands of people, Nazis and Nazi sympathizers, crammed into Madison Square Garden to celebrate their dream of a thousand-year Reich.“
And Straczynski hopes that by exploring that era, he’ll find in Steve the same type of motivation to be a hero that Peter Parker found after the death of his Uncle Ben. “We are going to put young Steve right into the middle of that real-life vortex, where despite terrible odds he will make a crucial difference at an even more crucial moment. For a young Peter Parker, the murder of his uncle Ben was a transformational event putting him on the path to becoming Spider-Man. This story will be equally transformational, putting a young Steve Rogers on the path to being the hero he eventually becomes.”
It’s a novel pitch from Straczynski and one that could either go a long way in redefining the character or threaten to anger hardcore fans. See for yourself when Captain America #1 hits stores this September.
As successful as comic book movies are, there has always been a divide between the writers that create comics and the movies that are based on their comics. Royalties, attribution, and just overall recognition for comic creators have been a sore topic as of late. It makes the reveal that writer Tom King is included in the DC Studios writer’s room somewhat surprising.
The news comes with the announcement of a live-action film Supergirl: Girl of Tomorrow, based on the acclaimed comic by King and artist Bilquis Everly, among many others. When asked to elaborate on the project, DC Studios co-president James Gunn had this to say:
“We’re pretty far away from ‘Supergirl: Woman of Tomorrow, other than knowing that Tom King’s books are the basis of the story.” King is part of the writers room that Gunn and Safran have assembled.
King has garnered both praise and controversy for his work on Batman and Mister Miracle. His involvement with the DCU bodes well for the cinematic universe’s future as he is one of the best comic writers working today.
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.
