Throughout the episode, Morph operates flawlessly as the team’s emotional anchor, navigating the cockpit, absorbing immense mental trauma, and physically shifting into figures like Cyclops solely to keep Logan’s fracturing mind tethered to his humanity.
The deep tragedy of Episode 5 lies in the total asymmetry of their dynamic. During the original 1992 animated series, Logan famously risked everything and defied the rest of the X-Men team to drag a corrupted, brainwashed Morph out of Mister Sinister’s shadow. Now, the Season 2 creative team smartly turned the tables with a devastating, toxic twist. Logan actively weaponizes that history of loyalty, exploiting Morph’s protection to lead Team X straight into a biological slaughterhouse.
Logan’s willingness to let his friends pay the ultimate price just so he can “get his groove back” shatters the pure wartime brotherhood they once shared. It leaves Morph anchoring a tragic realization: the heroic Logan who once saved their soul has been entirely consumed by the very feral animal the Weapon X program designed him to be.
Marvel Animation is not pulling its punches. Following last week’s massive, time-skipping three-episode premiere block, today’s highly anticipated fourth episode—”Rise of Apocalypse: Part II”—delivers a devastating, tragic conclusion to the series’ ancient Egyptian arc.
The episode formally seals the fate of En Sabah Nur, proving that despite the X-Men’s desperate multiversal intervention, the loop of history remains entirely unbreakable.
Picking up directly from the cliffhanger in 3000 B.C., the episode opens with Magneto utilizing the absolute peak of his magnetic capabilities to shield himself and the time-displaced team from a catastrophic blast. While they survive, so does a highly traumatized En Sabah Nur following the death of his nomadic mentor, Baal.
In a desperate, final bid to alter the future, Xavier unmasks their identities to Nur, convincing him to form a temporary, uneasy alliance to hunt down the ancient, Celestial temple housing Rama-Tut’s reality-altering technology. However, the philosophical rift between the team’s founders immediately dooms the mission. Xavier attempts to counsel Nur toward passive diplomacy and integration, while a deeply hardened, post-Genosha Magneto reinforces Nur’s raw survivalist rage, accidentally acting as the catalyst for his radicalization.
When the team finally breaches the inner sanctum of the futuristic temple–which is revealed to be Ship–they are intercepted by Rama-Tut (the time-traveling variant of Kang the Conqueror), who telepathically warns Xavier that preventing Nur’s evolution is simply not possible. A massive, multi-tiered brawl erupts, but the X-Men ultimately fail to restrain Nur. Driven by an overwhelming “Survival of the Fittest” ethos, Nur steps directly into the Celestial-tech machinery, permanently merging his biology with the alien infrastructure to formally transform into Apocalypse.
The Ultimate Sacrifice
With an omnipotent tyrant unleashed, the city descends into utter chaos. Apocalypse launches a devastating black hole directly above Rama-Tut’s city to erase the timeline’s variables. While Rama-Tut cowardly boards his Sphinx-ship to escape back to the future–but not before a little tease about the future of one of his top people–Magneto steps up to save the innocent population.
In a staggering, visually breathtaking display of raw power that’s becoming a staple of X-Men ’97‘s animation, Magneto single-handedly repels Apocalypse’s gravity weapon, but the feat leaves him gravely, life-threateningly injured. Recognizing they are outmatched, a battered Magneto takes the blame and uses the temporal energy to send Rogue, Nightcrawler, and Beast hurtling back toward the 1990s. However, before the portal snaps shut, Apocalypse violently intercepts the beam, trapping a horrified Charles Xavier behind in the ancient past to mourn over the loss of his friend…until Bishop time hops to his rescue.
The brilliance of X-Men ’97 lives in its memory. It refuses to treat massive narrative events as isolated, episodic blockbusters. Instead, the Season 2 premiere meticulously connects its time-spanning narrative straight back to the psychological trauma of Genosha and the final, haunting warnings of the Season 1 finale.
Throughout the first three episodes, the writers introduce a brilliant, unifying motif in the Eternal Shore speech. Originally delivered as a booming, grandiose declaration of survival-of-the-fittest dominance by Apocalypse in the classic ’90s animated series, the speech is re-framed here as an ancient, multi-century prophecy.
We hear it echoed by Mother Askani’s cultists in the far future, whispered by historical records in the present, and muttered by a young, conflicted En Sabah Nur in ancient Egypt. By turning a villain’s boastful monologue into an immutable law of cosmic gravity that spans thousands of years, the show highlights that no matter what the X-Men do to rewrite time, Apocalypse is…inevitable.
The thematic genius of shifting Charles Xavier and Magneto back to 3000 B.C. is that it forces them to confront the monster before he put on the armor. The En Sabah Nur we meet in Episode 3 isn’t a god; he is an outcast mutant navigating a brutal, unforgiving ancient world that fears and hates him just as much as the world of the 1990s does.
This creates an agonizing ideological conflict between the stranded X-Men founders. Charles naturally views the young mutant through a lens of empathy and education, believing they can guide him down a path of coexistence and prevent his descent into tyrannical madness. Fresh off the genocide of Genosha, Magneto looks at Nur and sees the absolute, terrifying logical extreme of his own philosophy. He understands exactly how a lifetime of systematic persecution can turn an outcast into a monster that wants to burn the world to ashes.
The tragedy of the premiere block is that the X-Men’s very attempt to alter the timeline is what ultimately triggers the threat. The intervention of Rama-Tut and the ensuing time-travel chaos shatter the young Egyptian’s faith in ordinary humanity, setting his transformation into motion.
As the spirit of a defeated, future Apocalypse flees backward into the 1990s to target the remaining mutants at their most vulnerable, X-Men ’97 pulls off a flawless narrative loop. They didn’t just kick off a fun, sci-fi adventure—they proved that the fight for the future isn’t about lasers or giant robots; it’s a permanent, psychological war for the soul of the people we choose to become when the world gives us every reason to break.
While the live-action side of the MCU is currently dominating the headlines, Marvel’s streaming skipper, Brad Winderbaum, is quietly prepping the studio’s secret weapons.
Here is exactly what to expect from Marvel’s remaining 2026 animation slate.
X-Men ’97 Season 2 — July 1, 2026 (Disney+)
The mutants are coming back, and according to the cast, “a lot of people die.” Following the explosive, time-shattering finale of Season 1, the uncanny team has been split across the timestream. Marvel is kicking off the hype train with a world premiere event at New York’s Tribeca Festival in June 2026, paving the way for a full streaming debut later this summer.
The Timestream Split: The season will actively manage three distinct timelines.
The “Very Dark” Return: Voice actress Jennifer Hale (Jean Grey) has warned fans to brace themselves, noting that Disney greenlit an incredibly dark and mature narrative for the sophomore outing. With Bastion’s legacy still lingering, a new, massive cosmic entity is rumored to target the remaining mutants left in the present day.
The Comic Prelude: To bridge the gap, Marvel has launched an official X-Men ’97: Season Two comic prelude series, which lays the groundwork for how the remaining team members on Earth are operating without their core leadership.
Your Friendly Neighborhood Spider-Man Season 2 — Fall 2026 (Disney+)
The alternate-universe Peter Parker, voiced by Hudson Thames, who caught everyone by surprise with his cell-shaded, retro style is sliding straight into his second year. Showrunner Jeff Trammell is expanding the writing room for a massive 56-page narrative arc that changes the entire power balance of this universe.
The Succession Dynamic: Winderbaum dropped a fascinating comparison for Season 2, stating that the character interactions and political power struggles within the Osborn-funded ecosystem will mirror the prestige drama Succession. Expect power scaling and intense psychological warfare as characters challenge Norman Osborn’s grip on the city.
Enter Gwen Stacy & Venom: The official casting roster for the fall return has officially confirmed the introduction of Gwen Stacy/Ghost-Spider and the arrival of Venom, bringing two of the most iconic pieces of the Spider-Verse into Peter’s localized, alternate MCU timeline.
The Returning Heavy Hitters: Charlie Cox’s Matt Murdock/Daredevil and Hugh Dancy’s Otto Octavius are both locked in for major roles, ensuring that the intersection of street-level vigilantes and high-tech supervillains continues to test Peter’s neighborhood loyalties.
Marvel Animation is no longer treated as a side project; under Winderbaum’s new corporate umbrella, it is acting as the premier destination for long-form character drama. Whether you are looking for the devastating, apocalyptic opera of the X-Men this summer, or the corporate, street-level chess match of Spider-Man this fall, the animated slate is locked, loaded, and ready to dominate your screen.
One single line from the first teaser for HBO’s Lanterns has sent the internet into a tailspin as the first cracks in the continuity of the all-new, all-different DCU could be showing.
In a world where Nathan Fillion’s Guy Gardner is already an established, public-facing hero–as seen in last year’s Superman–why is Kyle Chandler’s Hal Jordan acting like he’s the only human to ever touch a power ring?
The Line That Launched a Thousand Theories
The moment in question occurs early in the teaser when Hal Jordan refers to himself as the only human Green Lantern in a conversation with new recruit John Stewart.
For the casual viewer, it’s a line that establishes Hal’s veteran status. For the die-hards who just watched Guy Gardner trade quips with David Corenswet’s Superman, it’s a massive continuity red flag. As seen in Superman, Guy Gardner is not just a Lantern; he’s a celebrity. So, did Marvel’s “Quality over Quantity” rival just make its first major continuity blunder?
Probably not. Knowing James Gunn, the answer is either a very specific character trait or, more likely, a shift in the timeline.
The Case for the Prequel
The leading theory—and truly the more interesting one—is that Lanterns is a prequel set years before the events of Superman.
The official synopsis for the show repeatedly refers to John Stewart as a “new recruit.” If the show were set in the current DCU timeline (late 2025/early 2026), John would be joining a world already populated by Guy Gardner and potentially other Earth-based heroes.
As has been widely discussed since the teaser debuted, Hal’s gear looks ancient. It’s weathered, tactical, and looks like it belongs in a world where the Justice Gang doesn’t exist yet. Setting the show in the early 2010s or 2020s would allow the “Earth-based mystery” to feel isolated and high-stakes without the interference of other caped icons.
While Nathan Fillion is confirmed to appear in the series, his role has been described as “smug and devious.” Fillion himself recently teased in Gizmodo that “Guy Gardner is no longer comfortable” by the end of the show. Could this suggest that Lanterns may also be Guy’s origin story—perhaps a moment where the ring chooses him after Hal’s era comes to an end?
The “Hal is a Jerk” Alternative
Of course, there is a second, much more “Green Lantern” explanation: Hal Jordan is just being Hal Jordan.
In the comics, Hal’s relationship with Guy Gardner is defined by mutual loathing. Hal famously views himself as the True Lantern of Earth. It’s entirely possible that Lanterns takes place in the present day, and Hal simply refuses to acknowledge Guy Gardner as a legit Lantern. To Hal, a loudmouth like Guy is a glitch in the system, not a partner.
However, this doesn’t explain why John Stewart—a man who presumably watches the news—wouldn’t mention the flying ginger with the bowl cut who just helped save Metropolis.
3 CENTURIES AGO, the first superpowered beings, known as METAHUMANS, appeared on earth, ushering in a new era of GODS AND MONSTERS.
3 DECADES AGO, an extraterrestrial baby was sent in a spacecraft to Earth, and adopted by Kansas farmers.
3 YEARS AGO, the baby, now grown, announced himself as SUPERMAN, the most powerful metahuman of all.
3 WEEKS AGO, Superman stopped the country of BORAVIA from invading JARHANPUR, sparking controversy around the world.
3 HOURS AGO, a metahuman called THE HAMMER OF BORAVIA attacked Superman in the city of METROPOLIS.
3 MINUTES AGO, Superman lost a battle for the first time.
From a production standpoint, the prequel angle is the smartest play for HBO. The key to prestige TV is making the story feel standalone, and setting Lanterns before Superman–especially when it’s been established that metahumans have been known for some time–opens some intriguing doors.
By setting Lanterns in the past, Gunn, Chris Mundy, and Tom King can deliver a True Detective style thriller that isn’t burdened by the “Where was Superman during this?” question. It allows the Hal/John dynamic to be the center of the universe, building the foundation of the Green Lantern Corps lore before we see them fully integrated into the larger DCU battles of 2027 and beyond.
And then it leaves plenty of room to ask questions about why neither Hal nor John are present in Superman. Do Hal and John get wrapped up in something that takes them both into space to investigate further? Or maybe just John?
Whether it’s a prequel or just a case of selective memory from a jaded Hal Jordan, the mystery is officially part of the marketing and the human Lantern discrepancy is likely the first breadcrumb in a trail that leads directly to the ancient horror at the heart of the series.
Described by Marvel Studios’ Head of TV, Streaming, and Animation, Brad Winderbaum, as a “love letter to Hollywood” and a story “that anyone who came up in Hollywood or in the arts in general can relate to,” Marvel Television’s Wonder Man may indeed be just that…though at times anyone who did not come up in Hollywood might find themselves feeling a bit like a fifth grader on the outside of an inside joke. True to the word of Winderbaum, Wonder Man is entirely unlike anything Marvel has done because, at least in part, it feels as though it was created for the enjoyment of those who create.
A character study at its core, Wonder Man is almost entirely devoid of superhero action, choosing rather to spend its narrative currency peeling back the layers of the psyches of Simon Williams and Trevor Slattery. Like Midnight Cowboy, the film that brings the two together, Wonder Man is indeed, as advertised, a two-hander in which each of the dual protagonists recognizes the other as, perhaps, the first genuine human connection either has ever had. Over the course of seven of the eight episodes (an entire episode of Wonder Man is dedicated to NEITHER Simon nor Trevor), the leads’ personas are stripped bare, with Simon’s history told through fragmented flashbacks that deconstruct the damaged and insecure boy that lives behind the facade of an overconfident man. Simon is ALWAYS acting; however, it’s only when he realizes that he’s acting that he struggles.
As a character study devoted to the genre, Wonder Man stands apart from traditional superhero fare. By the design of co-creators Destin Daniel Cretton and Andrew Guest, the stakes of its plot are emotional rather than physical. Despite Simon being perhaps one of the MCU’s most powerful individuals, the series eschews the genre’s classic climax for one that is simply anticlimactic. The earliest marketing for the series gave away the fate of Simon’s pursuit of his dream role, even if it did cleverly conceal the project’s best twist which isn’t a revelation about Simon. As such, Wonder Man follows a couple of actors talking about acting while pursuing acting roles for the vast majority of its runtime, with very little time spent on the unnatural abilities possessed by Simon Williams. By focusing on the mundane aspects of being a powered individual in the film industry (auditions, stunt work, publicists), the show humanizes Simon. While Wonder Man does provide Simon with the occasional opportunity to show off his powers on street-level cannon fodder, there’s more tension present in scenes where he’s trying to crack the backstory of his character in American Horror Story.
Though the time spent with Simon is rewarding, such little time is devoted to his innate ionic powers that the presence of the series de facto antagonists, the Department of Damage Control, feels shoehorned and contrived. Arguably, this is the one area in which Wonder Man taking place within a deeply developed shared universe based on superheroes forces a betrayal of Cretton and Guest‘s intent. Classic character studies rarely involve a conflict with an external aggressor, focusing rather on how the protagonist’s psyche prevents him from achieving his desired purpose. Given that Wonder Man thoroughly and expertly explores that avenue, it seems clear that the DODC’s inclusion was *suggested* by the Marvel Parliament rather than being narratively native. While it seems Marvel’s intent is that the DODC is destined to become the precursor of the MCU’s anti-Mutant division–even though it is not clear if Simon is a mutant in the MCU–their presence is one of the primary perplexities of the series.
Another is why Simon William is the protagonist of Wonder Man at all. Though it’s hardly the first time it has done so, Marvel Studios significantly reinvents Simon Williams–and those around him–for the MCU. And strangely, given the series’ designation as a Marvel Spotlight project–there’s no guarantee the decision to do so will eventually be paid off or explained. Yes, this Simon is prone to bouts of self-doubt, works in Hollywood and has incredible ionic powers; however, the decision to make Simon a mutant rather than a mutate strips him of the agency that made him such a polarizing character in his early adventures in the pages of Marvel Comics. An interesting choice to be sure and one that may never be liquidated. From his background to his family connections to the source of his powers, the MCU’s Simon has surprisingly little in common with his comic book counterpart…but nearly none of that matters when a star the caliber of Yahya Abul-Mateen II is involved.
In Wonder Man, Cretton and Guest created the equivalent of an HBO prestige streaming series. Rather than fill the runtime with superhero moments, Wonder Man lingers on the mundane, revealing the true natures of Simon and Trevor in a strangely slow burn for a series with such short runtimes. In the case of Simon, Wonder Man introduces an insecure man seeking validation. But brilliantly, the series uses Trevor as a dark mirror to Simon. If Wonder Man presents Simon as a study of a man trying to find himself through fame, Trevor is a study of a man who has completely lost himself to the performance. Trevor’s character study is built on the tragedy of a failed artist who finally found his greatest role by accident.
Whether he’s in a high-security prison or a warlord’s compound, Trevor’s constant performing ensures people find him too entertaining to kill. This reveals a deep instinct for self-preservation: Trevor doesn’t know how to be authentic because, in his world, being yourself gets you hurt. Strip away the accents and the anecdotes about “the stage” and his “mum” and you meet a man with a fundamental void of identity. Trevor is a character study in codependency. He needs an audience to tell him he exists. Without someone watching him, Slattery effectively vanishes. Using Trevor as a secondary character study reveals a man who uses acting as a survival mechanism and a psychological shield, serving as a near-perfect foil to Simon Williams’s worldview. And in Simon, he meets his co-dependent.
Where Trevor’s patience and experience provide him the relief of being the consummate actor, Simon holds the power of a god but the temperament of a struggling artist, creating a fish-out-of-water dynamic that makes Wonder Man such a particularly clever choice for a character study. While most superhero projects focus on the hero’s journey, Wonder Man is designed as a satirical character study, peeling back the layers of a man who is literally and figuratively performing for a living.
Tonally, Wonder Man balances comedy with a sense of isolation. Tragicomical character studies often use humor to mask a character’s deep-seated loneliness and Wonder Man is no different here, other than that it is led by Yahya Abdul-Matteen II, whose filmography reveals a generational talent.
Despite the series’ shortcomings in terms of its utility as another entry in the MCU’s shared narrative tapestry (it’s only in its last 15 minutes that Wonder Man feels like it belongs in the MCU), the series is undoubtedly one of Marvel Television’s best and, despite some other heavy competition, is carried by the studio’s strongest cast. At the end of the day, the only question that remains is why is was developed as a superhero study at all.
Marvel’s 2026 slate kicks off on January 27th with the eight-episode streaming series Wonder Man. Revealed to be in development in the summer of 2022, Wonder Man was shrouded so heavily in mystery that some fans questioned its existence. Developed for Disney Plus by Shang Chi and the Legend of the Ten Rings and Spider-Man: Brand New Day director Destin Daniel Cretton and Hawkeye and Brooklyn Nine-Nine writer Andrew Guest, the series will see Yaha Abdul-Mateen II step into the role of Simon Williams, a longtime Avenger in the pages of Marvel Comics whose jump to the MCU took a little longer than expected after Avengers and Avengers: Age of Ultron director Joss Whedon divulged he could never “figure out what he was for.”
You know it’s a two-hander between two amazing characters. There’s this odd couple of Simon Williams and Trevor Slattery and you get a little bit of glimpse of that in the trailer. I don’t wanna go too much into story details, it’s very fun to see people speculating about what the plot will be.
With Whedon long-since out of the loop, the Marvel Parliament determined that the best way to use Simon Williams was to satirize Hollywood. Marvel Television top dog Brad Winderbaum has said that the Marvel Spotlight series “is a love letter to Hollywood in a lot of ways,” including providing the audience with “a peek behind the curtain of the entertainment industry.”
As the viral and meta marketing for the project has revealed, the series will follow Williams as he attempts to land the role of a lifetime as the lead in a remake of the classic, in-universe superhero film Wonder Man. However, with super-powered folks not allowed to work in the industry, Simon will be forced to try to hide his powers from not only those in Hollywood but also the Department of Damage Control, the organization first seen on screen in Spider-Man: Homecoming and the de facto villains of the series
That is part of the fun of it. If you’re a fan of West Coast Avengers and know a little bit about Simon Williams you’re going to be… I mean, I hope if you’re anything like me, you’re going to be very excited to see how much homage to the source material there is.
Unlike Ironheart, which followed up on Riri Williams after her MCU debut in Black Panther: Wakanda Forever, Wonder Man marks the first MCU appearance of the character but that doesn’t mean there’s not a little homework to do before checking out the Marvel Spotlight series. And so we bring you the Ultimate List of What to Watch Before Wonder Man!
Iron Man 3 (2013)
🍅 79%
Though Simon Williams is making his MCU debut in Wonder Man, the other half of the show’s odd couple, Trevor Slattery, has had plenty of screentime over the last decade and change.
When we look back at the Infinity Saga, few moments caused quite the seismic divide in the fandom as the “Mandarin Twist” in Shane Black’s Iron Man 3. At the center of that controversy? A washed-up, drug-addled British actor named Trevor Slattery. To understand Slattery’s role, you have to separate the marketing from the movie, because that was the genius—and for some, the betrayal—of the character.
It kind of has this trilogy feeling. After ‘Wonder Man’ Season 1 you can map out…
-Brad Winderbaum
For the first half of the film, Slattery (played to perfection by Sir Ben Kingsley) was presented as The Mandarin. He was the ultimate boogeyman, a classic warlord broadcasting lessons of terror to the United States. Then came the scene in the Miami stronghold. Tony infiltrates the headquarters, expecting a final showdown with a mastermind. Instead, he finds Slattery fresh out of the bathroom, popping open a beer, and rambling about his drug supply in a thick Liverpudlian accent.
Slattery wasn’t a warlord. He was a struggling stage actor with a substance abuse problem and a history of failed pilots. Aldrich Killian, the film’s real villain, hired Slattery to be the face of his Extremis experiments. Killian needed a terrorist narrative to cover up the volatile explosions caused by his unstable super-soldiers.
Despite the hate, Slattery’s role was crucial for Tony Stark’s character arc. It forced Tony to stop chasing ghosts and face the reality that his demons were of his own making, not some foreign mystic.
All Hail the King (2014)
If Iron Man 3 was the movie that divided the fanbase, All Hail the King was the olive branch Kevin Feige and crew extended to bring us all back together. Released with Thor: The Dark World‘s home media, this 14-minute short film is arguably one of the most important pieces of canon in the Infinity Saga, fundamentally retconning the MCU to make room for the real Mandarin.
We pick up with Trevor Slattery living his absolute best life inside Seagate Prison. He’s not being treated like a terrorist; he’s being treated like a celebrity. He has his own “butler,” a fan club, and he’s still completely oblivious to the gravity of the crimes in which he was complicit.
The narrative frame is a documentary being filmed by a journalist named Jackson Norriss, played by Scoot McNairy. Norriss is digging into Trevor’s past, looking at his failed pilots and his childhood. Trevor thinks this is just another puff piece to stroke his ego. He’s rambling about his acting method, completely unaware that the vibe in the room is shifting. Norriss isn’t there to celebrate Trevor; he’s there to bury him. In the final act, Norriss drops the act. He pulls a gun, kills the guards, and reveals his true allegiance. He isn’t a journalist. He is a member of the Ten Rings.
The Ten Rings are furious that a drug-addled British actor made a mockery of their leader’s name. Norriss isn’t there to kill Trevor in prison. He’s breaking him out to take him to the boss. As Norriss puts it, the boss “wants his name back.”
By revealing that Killian merely co-opted the iconography of a real ancient warlord, they satisfied the comic purists without invalidating the events of Iron Man 3. It was a brilliant bit of retroactive continuity that kept Trevor Slattery on the board as a comedic pawn while setting the stage for Wenwu’s eventual debut in Shang-Chi and the Legend of the Ten Rings.
Spider-Man: Homecoming (2017)
🍅 92%
While everyone was busy watching Tom Holland stick the landing as the friendly neighborhood Spider-Man in Homecoming, what appears to have been a massive piece of world-building was also taking place with the introduction of the Department of Damage Control (DODC).
A construction company that cleans up after superhero battles, in the comics, Homecoming rebranded them as a federal executive department that’s part of a joint venture between the U.S. Government and Stark Industries. After the Battle of New York in 2012, the city originally hired Michael Keaton‘s Adrian Toomes for the cleanup. But then, in swooped Anne Marie Hoag and the DODC, flashing federal badges and ultimately forcing Toomes and his crew into the choice to become weapons dealers.
It’s a brilliant narrative flip for the MCU where organizations like S.H.I.E.L.D. or the Avengers are meant to be the “good guys.” Here, the DODC represents the cold, corporate side of heroism. They locked down the alien tech not just to keep people safe, but to hoard it.
The DODC’s debut in Homecoming set a dark precedent. They started as a cleanup crew, but as seen No Way Home and Ms. Marvel, they’ve evolved into a much more aggressive, enforcement-heavy agency.
Shang-Chi and the Legend of the Ten Rings (2022)
🍅 92%
After being dragged out of Seagate Prison by the Ten Rings, presumably to face a gruesome execution at the hands of the real Mandarin, Slattery disappeared from the MCU for nearly a decade. Rather than killing him, Wenwu kept Trevor as a sort of “court jester” to perform Shakespeare recitals whenever the warlord needed entertainment. In a hilarious twist, the terrifying terrorist from Iron Man 3 saved his own skin solely by doing acting improvisations of Macbeth and Planet of the Apes.
He manages to escape from the real Mandarin and from Shang-Chi land, and he flies back into Hollywood to give his career a second chance and to prove to his dear mother Dorothy, who always had faith in him and his talents, that he was truly the actor his mom always hoped he would be and that he always aspired to be.
-Ben Kingsley on Trevor Slattery’s role in Wonder Man
Slattery’s inclusion here isn’t just comic relief; it’s narrative utility. He is the only person who can communicate with Morris, the mythological Dijiang, who knows the safe path through the dangerous bamboo forest to reach Ta Lo. During the final battle against the Soul Eaters, Trevor pulls off his greatest performance yet: playing dead. He survives the chaos by pretending to be a corpse, a meta-commentary on his cowardly nature that somehow ends up saving him.
Trevor sees in Simon a friend, a colleague, but he also sees Simon as someone he can absolutely exploit for his own ends,” Kingsley teases. “It’s quite a classic, basic human condition story. You are associated with somebody and you have an affinity with that person, but at the same time, you know that you’re going to have to exploit that person to get to where you need to be.
-Ben Kingsley
Director Destin Daniel Cretton pulled off a magic trick. He took a character that half the fanbase hated because of the “Mandarin Twist” and made him undeniably lovable. By pairing him with Morris and stripping away the drug-addled malice of Iron Man 3, Slattery became a sympathetic, wholesome uncle figure, setting him up for his role in Wonder Man, which Cretton co-created.
Spider-Man: No Way Home (2021)
🍅 93%
Though Spider-Man: Homecoming introduced the DODC as a bureaucratic nuisance, Spider-Man: No Way Home took the gloves off. In No Way Home, the DODC stopped being the janitors and started being the cops. The moment Mysterio outed Peter Parker’s identity, the DODC was on the scene—and not to help. The DODC, led by Arian Moayed’s Agent Cleary, took lead on the investigation, seized Stark Industries’ assets, putting Happy Hogan in legal limbo, and dragged Peter, MJ, Ned, and May into interrogation rooms.
Beginning with No Way Home, the DODC has absorbed massive legal authority regarding “enhanced individuals.” They aren’t just managing the tech anymore; they are managing the people connected to it. The DODC is no longer the “Stark Joint Venture” trying to do good. With Tony gone, the checks and balances seem to have evaporated. They are now a government entity with access to the most dangerous tech on Earth and a mandate to police superheroes without oversight. If you are looking for the bad guys in the post-Endgame world, look no further than the windbreaker-wearing DODC.
She-Hulk: Attorney at Law (2022)
🍅 80%
While She-Hulk was lighter in tone, the implications for the DODC were arguably the most dystopian yet. They aren’t just investigating “enhanced” individuals anymore; they are now the primary jailers of the MCU.
She-Hulk gave us our best look yet at the DODC Supermax Prison. This facility, located in the middle of nowhere, is where they were holding Emil Blonsky. This is a massive shift in power dynamics. A long way from cleaning up rubble, the DODC now manages long-term incarceration for high-threat assets.
Taking it a step further, She-Hulk showed the weaponization of bureaucracy via the inhibitor chip. When Jennifer Walters “hulked out” at the Gala, thanks to Intelligencia’s provocation, the DODC was on the scene instantly to detain her. But they didn’t just lock her up; they forced a plea deal that required her to wear an inhibitor device preventing her transformation.
This is a game-changer for the MCU: the DODC now possesses the legal and technical ability to strip a superhero of their identity. They aren’t just arresting villains; they are regulating heroes. They turned She-Hulk into a monitored civilian with the stroke of a pen.
Ms. Marvel (2022)
🍅 98%
No Way Home and She-Hulk acted as a bridge for the DODC’s portrayal in Ms. Marvel. The aggressive tactics we saw Cleary use against a teenager (Peter) were dialed up to eleven when they went after Kamala Khan. In Ms. Marvel, the DODC officially crossed the line from antagonists to straight-up villains and the Jersey City incident wasn’t just an investigation; it was a witch hunt.
The DODC’s good cop/bad cop bit in Ms. Marvel gave a closer look at the agency’s internal friction. While Agent P. Cleary, represented the bureaucratic, “by the book” side of the agency, Agent Sadie Deever represented the radicalized arm of the DODC—agents who view enhanced individuals not as assets to be managed, but as threats to be neutralized. This dynamic is crucial because it shows the DODC isn’t a monolith; it’s a volatile organization struggling to control its own power.
The most disturbing aspect of the DODC’s role in this series was the targeted harassment of the Muslim community. The DODC is now effectively the MCU’s version of the Sentinel program’s early days—a government body driven by fear and prejudice against the “other” and it’s clear that will be further explored not only in Wonder Man but also in Spider-Man: Brand New Day.
About Marvel Television’s Wonder Man:
The eight-episode series is created by Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings, Spider-Man: Brand New Day) and Andrew Guest (Community, Hawkeye) and stars Emmy Award winner Yahya Abdul-Mateen II as Simon Williams and Academy Award winner Ben Kingsley, who reprises his role as Trevor Slattery following appearances in Iron Man 3, Shang-Chi and the Legend of the Ten Rings, and All Hail the King.
Aspiring Hollywood actor Simon Williams is struggling to get his career off the ground. During a chance meeting with Trevor Slattery, an actor whose biggest roles may be well behind him, Simon learns legendary director Von Kovak is remaking the superhero film “Wonder Man.” These two actors at opposite ends of their careers doggedly pursue life-changing roles in this film as audiences get a peek behind the curtain of the entertainment industry.
-Official synopsis for Wonder Man
All eight episodes will stream exclusively on Disney+ at 6pm PT January 27.
The first season of Lucasfilm’s Star Wars streaming series Andor hooked audiences right away and, over the course of 12 episodes, never let them off that hook. A tense and vast tale about the earliest days of the Rebellion, Andor gambled on itself and won big. Unlike so many other of Lucasfilm’s D+ Star Wars fare, Andor managed to captivate without relying on cameos and by diverging from the Dave Filoni-era narrative while still feeling very much like a key piece of the universe developed by George Lucas.
The second and final season of Andor will begin streaming on Disney+ on April 22nd and it’s unique storytelling structure will be mirrored in its release schedule. While the first season was wholly set in 5 BBY (five years before the Battle of Yavin), Season 2 will cover four years and will dovetail directly into the opening of Rogue One. To accomplish that, every three episodes will cover one year of time and so D+ will release the season in three episode pods each week. And since the series look to be doubling down on what was already an anxiety-filled Season One, audiences should prepare for some intense evenings at home. And speaking of preparing, with the three-episode debut creeping closer by the day, it’s time for…The ULTIMATE List of What to Watch before Season 2 of Andor.
Tier One
The only project that should be considered “must see” in preparation for Season 2 of Andor is Season 1. The season finale’s Rix Road riot felt like an inciting moment in the formation of the Rebellion and Season 2 should pick up right where that left off, so it would be safe to say not having any context from Season 1 might make things a bit confusing. Beyond that, Season 1 introduced at least a half dozen characters who will be integral to the new episodes, including Stellan Skarsgård‘s delicious bastard, Luthen Rael. Like Season 2, Season 1’s story was also told in three-episode pods, so try to carve out enough time to watch them together to really take in what’s happening in each one.
Tier Two
For a series named Andor, Season 1 certainly spent a great deal of time with other characters at the center of many of its episodes. Season 2 looks to do the same, with characters such as Mon Mothma, Saw Gerrera and Orson Krennic sure to have major arcs. Outside of those characters, it doesn’t seem like a stretch to wonder if others such as Bail Organa, Sleepy Sheev Palpatine or even Darth Vader might show up. And given the timeline of the final season–which will coincide with the timeline of Star Wars Rebels and The Bad Batch–any number of other surprise appearances could be in store. With that in mind, we’ve put together a list of episodes from Lucasfilm’s animated series that could directly or indirectly be related to what we expect to happen in Season 2. By no means should this list be considered official or all-inclusive but if you’re a Star Wars fan, you’ll enjoy revisiting some of these great episodes!
Without having seen the series, it wasn’t possible to accurately place some projects (Revenge of the Sith, some episodes of the animated series) on the list, so we did our best by sorting things out by year. Hopefully, in this case, our best is good enough.
NOTE: All official descriptions were taken from the Star Wars website. Additionally, the opening scrolls from the episodes of Star Wars: The Clone Wars and the first episode of Star Wars: The Bad Batch were included because they are awesome.
Star Wars: The Clone Wars, Season 2, Episode 19, “The Zillo Beast Strikes Back” (21 BBY)
The Zillo Beast arrives on Coruscant and Chancellor Palpatine orders Dr. Sinovar Boll to study and then kill the creature. Instead, the Zillo Beast escapes from the lab with devastating consequences for the city and its inhabitants.
-Episode synsopsis per StarWars.com
A calculated risk! Following a costly victory on the planet Malastare, Chancellor Palpatine orders Jedi Knights Mace Windu and Anakin Skywalker to transport a fearsome Zillo Beast captured during the battle back to Coruscant. After seeing that not even a lightsaber could harm the beast, Chancellor Palpatine hopes to unlock the secret of its invulnerability to create new armor for the Republic’s clone troopers. Tensions run high as the most dangerous life form in the galaxy touches down on the Republic’s most populous planet….
Chronologically set ahead of episode 2.04, “Senate Spy” (and thus also before episode 2.14, “Duchess of Mandalore”), “The Zillo Beast Strikes Back,” a continuation of the prior episode, plunges Coruscant into chaos as the captured Zillo Beast, transported for scientific study, breaks free from its containment. Chancellor Palpatine’s interest in the creature’s impenetrable hide quickly transforms from scientific curiosity to a city-wide disaster, as the enormous beast rampages through the urban landscape, evoking classic monster movie tropes reminiscent of King Kong and Godzilla. The Jedi, faced with the escalating threat, grapple with the ethical dilemma of destroying the last of a species to safeguard the populace. The episode highlights the contrast between Palpatine’s cold, calculated pursuit of military advantage and the Jedi’s struggle with moral responsibility, ultimately culminating in a desperate attempt to neutralize the Zillo Beast before it causes further destruction.
Star Wars: The Clone Wars, Season 2, Episode 14: “Duchess of Mandalore” (21 BBY)
On Coruscant, word reaches Duchess Satine that Death Watch is mobilizing, sparking a Republic invasion. On the run from Republic authorities, Satine turns to her old friend Obi-Wan Kenobi for help.
-Episode synopsis per StarWars.com
A diplomatic mission! As dissent threatens to tear apart the peaceful Mandalore system, Duchess Satine struggles to protect her people against the escalating violence. Betrayed by two of her trusted allies, Satine now travels to Coruscant. There, she hopes to convince the Senate that a destructive splinter group, Death Watch, does not represent the entire Mandalorian government…
“Duchess of Mandalore” focuses on Duchess Satine Kryze’s efforts to maintain neutrality for Mandalore during the Clone Wars. The episode, and the arc it belongs to, explores the political complexities of the conflict, demonstrating that not all systems are willing to take sides. Satine, a pacifist, struggles to keep her world out of the war’s grasp, facing pressure from both the Republic and the Separatists. Her commitment to neutrality is constantly challenged, particularly by the growing presence of Death Watch, a Mandalorian terrorist group led by Pre Vizsla, who seeks to restore Mandalore’s warrior traditions. The episode highlights the internal conflict within Mandalorian society, pitting Satine’s peaceful vision against the violent ambitions of Death Watch. Obi-Wan Kenobi’s presence adds another layer of complexity, as his past relationship with Satine and his respect for her ideals create a personal stake in Mandalore’s fate. The episode reveals the fragility of neutrality in a galaxy consumed by war, and Satine’s unwavering dedication to her principles in the face of overwhelming odds. It also lays the groundwork for the later unraveling of Mandalore’s stability, setting the stage for future conflicts.
Star Wars: The Clone Wars, Season 3, Episode 7: “Assassin” (21 BBY)
Aurra Sing, the ruthless Palliduvan bounty hunter presumed dead, returns in premonitions plaguing Padawan Ahsoka Tano. Now Ahsoka must protect Senator Padmé Amidala during a political mission to Alderaan and try to stop the assassination attempt in her visions — if they can be trusted.
-Episode synopsis per StarWars.com
Criminals captured! Jedi Master Plo Koon and Padawan Ahsoka Tano successfully thwarted an attempt on Mace Windu’s life, killing bounty hunter Aurra Sing in the process. Since that time, young Ahsoka has grown strong in the ways of the Force. Now, after several harrowing adventures alongside her Master, the two Jedi have returned to the Temple on Coruscant to receive their next mission….
A pivotal episode in Season 3, “Assassin” delves into Ahsoka Tano’s growing connection to the Force and her ability to perceive visions. The narrative unfolds as Ahsoka begins experiencing disturbing premonitions, revealing a plot to assassinate Senator Padmé Amidala. These visions, initially dismissed by the Jedi Council, become increasingly vivid and urgent, forcing Ahsoka to take matters into her own hands. The episode masterfully blends suspense and mystery, as Ahsoka races against time to uncover the identity of the assassin and thwart the impending attack. Her investigation leads her through the bustling underworld of Coruscant, where she encounters dangerous individuals and navigates treacherous alliances. The episode highlights Ahsoka’s developing skills as a Jedi, showcasing her resourcefulness and determination. It also underscores her emotional vulnerability, as she grapples with the weight of her visions and the responsibility of protecting Padmé. The episode’s climax features a tense confrontation with the assassin, Aurra Sing, revealing a deeper conspiracy and testing Ahsoka’s abilities to their limits. “Assassin” not only advances Ahsoka’s character development but also foreshadows the darker turns of the Clone Wars, hinting at the hidden forces manipulating events from the shadows.
Star Wars: The Clone Wars, Season 3, Episode 4: “Sphere of Influence” (21 BBY)
Chairman Papanoida’s daughters, Chi Eekway and Che Amanwe, are kidnapped and held for ransom and it’s up to Ahsoka Tano and the Senator from Pantora, Riyo Chuchi, to aid the new chairman and his son in recovering their family members.
-Episode synopsis per StarWars.com
Pantora in peril! The newly elected Chairman of Pantora, Baron Papanoida, is caught in a deadly political game. The Trade Federation has blockaded Pantora and suspended all commerce with the system. Isolated from the rest of the Republic, the people of Pantora are beginning to rally against the Senate, who have seemed unsympathetic to their plight. To make matters worse, Count Dooku has come forward offering aid if Pantora joins the Separatist Alliance. Chairman Papanoida has dispatched Senator Chuchi to Coruscant with the hope that she can motivate the Senate to act in favor of Pantora before Lott Dod can legitimize the blockade….
Another example of episodes not aligning chronologically with their release, “Sphere of Influence” explores the political machinations and personal vendettas that permeate the Clone Wars. The narrative centers on Chairman Papanoida, a Pantoran politician, who seeks the Jedi’s assistance after his daughters are kidnapped. Anakin Skywalker and Ahsoka Tano investigate, uncovering a web of intrigue involving the Trade Federation and Separatist forces, highlighting the delicate balance of power between the Republic and the Separatists. Mon Mothma appears as a senator, alongside Padmé Amidala, within the Senate scenes, demonstrating her early involvement in Republic politics. Her presence emphasizes the political ramifications of the Pantoran crisis and the Senate’s role in addressing intersystem conflicts. She is seen supporting Padmé’s and Papanoida’s efforts to bring the kidnappers to justice and restore stability to Pantora. The episode showcases the contrast between Anakin’s more impulsive nature and Papanoida’s calm, reasoned approach, highlighting the different ways individuals navigate the complexities of war and diplomacy. Mon Mothma’s inclusion underscores the importance of political solutions and the challenges of maintaining peace amidst widespread conflict, foreshadowing her later role as a leader in the Rebel Alliance. The episode highlights the personal cost of the conflict, as Papanoida’s desperation to save his daughters underscores the human toll of the war.
Star Wars: The Clone Wars, Season 3, Episode 8: “Evil Plans” (21 BBY)
On Coruscant, C-3PO is abducted by the bounty hunter Cad Bane, who is working for Jabba the Hutt and searching for information about the Senate building. Finding C-3PO devoid of useful information, Bane and his accomplices kidnap R2-D2 and extract the vital data, before memory-wiping the droids and sending them on their way.
-Episode synopsis per StarWars.com
Evil plans! With the Jedi Council focused on the war effort, criminal minds are left unchecked to spread fear and corruption. Galactic gangster Jabba the Hutt has sent bounty hunter Cad Bane on a nefarious mission, which shall strike at the heart of the Republic. Meanwhile, the unsuspecting citizens of Coruscant go about their daily lives….
“Evil Plans,” a lighter episode from Season 3, offers a brief respite from the war’s heavier themes, focusing on R2-D2 and C-3PO’s unexpected adventure. The episode begins with the two droids being inadvertently separated from Anakin and Ahsoka during a mission to Naboo. Stranded and tasked with delivering crucial tactical data, R2-D2 and C-3PO find themselves caught up in a series of comedic mishaps and encounters. Their journey takes them through the bustling streets and hidden corners of Naboo, showcasing the planet’s diverse environments and inhabitants. Along the way, they encounter Cad Bane, who, unbeknownst to them, is also on Naboo to steal plans for the Senate building. The episode’s humor stems from the droids’ contrasting personalities – R2-D2’s resourceful ingenuity and C-3PO’s anxious prattling – as they navigate the challenges they face. The episode cleverly weaves in elements of suspense and adventure, as R2-D2’s quick thinking and C-3PO’s accidental involvement lead them into a collision course with Cad Bane’s nefarious scheme. While primarily a comedic interlude, “Evil Plans” also subtly advances the overarching narrative, setting the stage for future events and highlighting the crucial role that droids play in the Clone Wars.
Star Wars: The Clone Wars, Season 3, Episode 10: “Heroes on Both Sides” (21 BBY)
When the Senate begins debating a bill that would eliminate government oversight of the Banking Clan’s activities in order to fund the war, Padmé and Ahsoka travel in secret to the capital of the Confederacy of Independent Systems and gain fresh perspective on the conflict in a meeting with Mina Bonteri and her son, Lux.
-Episode synopsis per StarWars.com
Conflict with no end in sight! Across the galaxy, the quagmire of war continues. While clone troopers suffer casualties at alarming rates, the Galactic Senate convenes an emergency session to debate the true cost of the war….
“Heroes on Both Sides” delves into the complexities of the conflict, challenging the simplistic notion of good versus evil. The narrative follows Padmé Amidala and Ahsoka Tano as they embark on a diplomatic mission to Raxus Secundus, the Separatist capital, to negotiate a potential end to the war. Padmé, driven by her belief in peace, seeks to bridge the divide between the Republic and the Separatists, hoping to find common ground. During their time on Raxus, they encounter Mina Bonteri, a Separatist senator and an old friend of Padmé’s, offering a human face to the enemy. The episode highlights the shared experiences and concerns of ordinary citizens on both sides of the conflict, demonstrating that not everyone is driven by malice or ideology. It explores the moral ambiguity of war, revealing that individuals within the Separatist Alliance have legitimate grievances against the Republic. The episode also underscores the challenges of diplomacy in a time of widespread conflict, as entrenched political interests and the influence of figures like Count Dooku threaten to derail any progress. “Heroes on Both Sides” ultimately serves as a powerful reminder that war is not a black-and-white issue, and that understanding the perspectives of those on the opposing side is crucial for achieving lasting peace.
Star Wars: The Clone Wars, Season 3, Episode 11: “Pursuit of Peace” (21 BBY)
Padmé Amidala, Bail Organa, and Onaconda Farr attempt to rally Senators in opposition to a bill that would have disastrous financial consequences for the Republic, but their actions make them targets for intimidation and attacks by hired thugs.
-Episode synopsis per StarWars.com
Peace shattered! Once-promising negotiations between the Republic and the Separatists are now in shambles following a droid suicide bombing on the capital city planet of Coruscant.
As fear and anger prevail, the Senate overwhelmingly passes a bill to deregulate the banks, opening a gateway to additional troops, and an increase in fighting….
“Pursuit of Peace,” a continuation of the themes explored in “Heroes on Both Sides,” further examines the fraught attempts at diplomacy during the Clone Wars. Padmé Amidala, ever the advocate for peace, leads a delegation to the Senate to propose a bill aimed at reducing military spending and fostering negotiations with the Separatists. However, her efforts are met with staunch opposition from senators who prioritize military solutions, particularly those influenced by Palpatine’s subtle manipulations. The episode showcases the political gridlock and entrenched interests that hinder any progress towards peace, highlighting the war profiteering and the pervasive atmosphere of fear and distrust. Padmé’s struggle to garner support for her bill reveals the difficulty of maintaining idealism in a galaxy consumed by conflict. The episode also introduces Senator Rush Clovis, whose complex relationship with Padmé adds another layer of political intrigue. The narrative delves into the ethical dilemmas politicians face during wartime, as they grapple with the consequences of their decisions. The episode underscores the growing divide within the Republic, as some senators become increasingly disillusioned with the war and others remain steadfast in supporting military action. Ultimately, “Pursuit of Peace” portrays the uphill battle faced by those seeking a peaceful resolution, emphasizing the insidious forces working to prolong the conflict.
Star Wars: The Clone Wars, Season 2, Episode 15: “Senate Murders” (21 BBY)
War on many fronts! While battles are fought by clones in the field, a different war is waged in the Galactic Senate. As heavy losses add up, a group of senators led by Halle Burtoni of Kamino propose an escalation of troop production.
Senator Padmé Amidala, recognizing that more troops will only prolong the fighting, works tirelessly with her allies to introduce a bill to cut down military spending and stopthe creation of more clone troopers….
Though it aired during Season 2, “Senate Murders” chronologically fits into Season 3 between “Pursuit of Peace” and “Nightsisters.” The suspenseful episode delves into the treacherous political landscape of the Republic Senate. When Senator Onaconda Farr is found murdered, Padmé Amidala, a close friend, becomes determined to uncover the truth behind his death. The investigation, in which Mon Mothma plays a supporting role, reveals a web of political intrigue and hidden agendas, as Padmé and her allies navigate the complex power dynamics of the Senate. The episode masterfully builds tension, as Padmé and her security team race against time to identify the killer before they can strike again. Suspicion falls upon several senators, each with their motives and secrets, creating a sense of paranoia and distrust. The episode highlights the vulnerability of the Republic’s democratic institutions, demonstrating how easily they can be manipulated by those seeking power. It also showcases Padmé’s unwavering commitment to justice and her ability to navigate the treacherous political arena. As the investigation progresses, the true nature of the conspiracy is revealed, exposing a plot designed to destabilize the Senate and further the aims of the Separatists. The episode culminates in a tense confrontation, where Padmé must use her wit and courage to expose the murderer and bring them to justice. “Senate Murders” serves as a stark reminder of the hidden dangers lurking within the Republic, and the constant struggle to maintain integrity in a time of war.
Star Wars: The Clone Wars, Season 4, Episode 14: “A Friend in Need” (20 BBY)
Divided by war! In an effort to end the galactic conflict, the first ever sanctioned meeting between the Republic and the Separatists will be held and Mandalore is chosen as neutral ground for these precarious meetings. Tensions run high as many hold hope for these important negotiations….
“A Friend in Need,” a politically charged episode from the fourth season of Star Wars: The Clone Wars, tackles the complexities of intervention and the consequences of supporting rebel movements. The narrative focuses on Lux Bonteri, the son of the late Separatist senator Mina Bonteri, who seeks the Republic’s assistance in liberating his planet, Onderon, from the Separatist-backed monarchy. Padmé Amidala, driven by her friendship with Lux and her belief in self-determination, advocates for providing aid, while Anakin Skywalker and Ahsoka Tano are dispatched to Onderon to train the rebel forces led by Lux and Saw Gerrera. The episode delves into the ethical dilemmas of arming and supporting insurgencies, showcasing the potential for unintended consequences and the slippery slope of involvement. It portrays the challenges of training inexperienced rebels and the inherent risks of guerrilla warfare. The clash of ideologies between Padmé’s diplomatic approach and Anakin’s more pragmatic, military-focused perspective highlights the ongoing debate within the Republic about the best course of action. The episode also explores the personal cost of rebellion, as Lux and Saw grapple with the sacrifices required to fight for their freedom. “A Friend in Need” ultimately serves as a cautionary tale about the complexities of foreign intervention, demonstrating that good intentions can often lead to unintended and far-reaching consequences.
Star Wars: The Clone Wars, Season 4, Episode 15: “Deception” (20 BBY)
A terrorist threat! Moralo Eval, mastermind of a Separatist plot to kidnap Chancellor Palpatine, has been captured by Republic forces. But even with the criminal behind bars, rumors swirl in the underworld of Coruscant that Moralo’s plot has already been set in motion.
With precious time running out, the Jedi Council hatches their own plot to keep the Chancellor safe….
“Deception” lures the audience into a web of subterfuge and disguise. The narrative centers on a daring plan devised by Obi-Wan Kenobi, Anakin Skywalker, and Ahsoka Tano to infiltrate a Separatist stronghold and capture Cad Bane, who holds vital information. To accomplish this, Obi-Wan undergoes a radical transformation, assuming the identity of the deceased bounty hunter Rako Hardeen. The episode masterfully builds suspense as Obi-Wan navigates the treacherous underworld of bounty hunters, attempting to gain Cad Bane’s trust while maintaining his cover. The tension escalates as Anakin and Ahsoka, posing as fellow criminals, work to support Obi-Wan’s mission, facing constant threats and the risk of exposure. The episode delves into the psychological toll of deception, as Obi-Wan grapples with the moral compromises inherent in his undercover operation. The narrative cleverly utilizes misdirection and reveals, keeping the audience on edge as the characters navigate the dangerous game of espionage. The episode’s climax features a thrilling confrontation, testing the limits of Obi-Wan’s disguise and the loyalty of his allies. “Deception” showcases the strategic brilliance of the Jedi and the lengths they are willing to go to achieve their objectives, highlighting the complex and morally ambiguous nature of warfare.
Star Wars: The Clone Wars, Season 5, Episode 2: “A War on Two Fronts” (20 BBY)
Separatist takeover complete! Another Republic planet has fallen. Onderon has seceded to the Confederacy of Independent Systems under the rule of a new king. However, a small band of rebels have taken refuge deep within the vast and savage wilderness.
From an abandoned outpost, they plot to take back the heavily fortified capital city of Iziz and end the Separatist occupation….
“A War on Two Fronts” marks the beginning of the Onderon arc and deepens the exploration of the rebellion against Separatist occupation. The episode follows Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano as they return to Onderon to further train the rebel forces led by Lux Bonteri and Saw Gerrera. This time, however, the training intensifies, focusing on strategic planning and coordinated attacks to liberate the capital city. The episode highlights the growing determination and resourcefulness of the Onderon rebels, showcasing their transition from a ragtag group to a more organized fighting force. Saw Gerrera’s aggressive tactics and unwavering commitment to freedom drive the narrative, contrasting with Lux’s more measured approach. The episode delves into the complexities of guerrilla warfare, demonstrating the challenges of fighting against a technologically superior enemy. The strategic planning and execution of the rebels’ attacks emphasize the importance of teamwork and adaptation in the face of overwhelming odds. “A War on Two Fronts” sets the stage for the intense conflict to come, establishing the stakes and showcasing the resilience of the Onderon people as they fight to reclaim their home. It also lays the groundwork for further character development, particularly for Saw Gerrera, whose radicalism begins to take center stage.
Star Wars: The Clone Wars, Season 5, Episode 3: “Front Runners” (20 BBY)
Jedi form rebel alliance! Led by Anakin Skywalker, the Jedi have trained a band of rebels to fight the Separatists on the planet Onderon. With the help of the Jedi, the rebels escaped capture and infiltrated the heavily fortified city of Iziz.
Now our heroes have launched an armed campaign to subvert the Separatist occupation of the planet. The Jedi Council continue to observe and advise as the rebels strive to gain momentum against the Separatist forces. Despite the absence of civilian casualties, public fear has ensued as reports of the rebels’ daring strikes circulate throughout the city….
“Front Runners,” the second installment of the Onderon arc, escalates the rebellion’s efforts to liberate the planet from Separatist control. This episode focuses on the rebels’ strategic planning and execution of a daring mission to disrupt the Separatist supply lines. Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano continue to guide and train the rebels, emphasizing the importance of coordinated attacks and tactical awareness. The narrative highlights the growing leadership of Saw Gerrera and Lux Bonteri, who are forced to make difficult decisions that test their resolve. The episode delves into the challenges of guerrilla warfare, showcasing the rebels’ ingenuity and resourcefulness as they utilize unconventional tactics to overcome the Separatists’ superior firepower. The tension builds as the rebels execute a series of increasingly risky operations, demonstrating their growing confidence and determination. The episode also explores the internal dynamics of the rebellion, highlighting the conflicts and compromises inherent in a diverse group united by a common goal. The strategic importance of disrupting the Separatist supply lines is emphasized, showcasing the rebels’ understanding of the larger conflict and their ability to exploit weaknesses. “Front Runners” effectively builds momentum for the Onderon arc, showcasing the rebels’ progress and setting the stage for the climactic battles to come.
Star Wars: The Clone Wars, Season 5, Episode 4: “The Soft War” (20 BBY)
After a rebel attempt to rescue Onderon’s true king, Ramsis Dendup, an unexpected ally steps forward to halt Dendup’s execution and aid the rebel cause.
The rebels elect a new leader! With their training complete, Obi-Wan and Anakin have left Ahsoka on Onderon to monitor and advise the rebels as they continue to strike Separatist targets under the command of Steela Gerrera. Facing an escalation of rebel attacks, the Separatists have sent reinforcements to straighten their hold on the city of Iziz as the battle for the planet unfolds…
“The Soft War,” the pivotal third installment of the Onderon arc in Star Wars: The Clone Wars season five, escalates the rebellion’s efforts through strategic infiltration and psychological manipulation. Saw Gerrera, a driving force behind the resistance, spearheads the daring mission to liberate King Ramsis Dendup from his Separatist-imposed captivity. This episode pivots from overt warfare to covert operations, highlighting the rebels’ adaptability and the crucial role of intelligence gathering. Saw’s unwavering determination and tactical ingenuity are central, as he guides the rebels through the treacherous Separatist-controlled cityscape. The narrative delves into the nuanced challenges of liberating an occupied population, underscoring the necessity of both military precision and strategic cunning. The tension mounts as the rebels navigate the perilous environment, facing constant threats and the looming risk of discovery. Saw’s leadership galvanizes the rebels, and their actions become a beacon of hope for the oppressed Onderon citizens, fueling their resolve to resist. The episode emphasizes the delicate interplay between military strategy and political maneuvering, showcasing Saw’s understanding of the importance of securing the populace’s support. Ultimately, “The Soft War” amplifies the anticipation for the impending confrontation, underscoring the rebels’ escalating confidence and the Separatists’ growing desperation, with Saw’s radical approach driving the rebellion’s momentum.
Star Wars: The Clone Wars, Season 5, Episode 5: “Tipping Points” (20 BBY)
As a full-scale revolt embroils Onderon, the rebels strike a decisive blow against the planet’s Separatist-aligned king. Unfortunately, such victory comes at a high price.
-Episode synopsis per StarWars.com
War in the Inner Rim! Rebel leader Steela Gerrera has joined forces with General Tandin after boldly rescuing Onderon’s former king from execution, evading a trap set by Separatist ally King Rash and the droid general Kalani. Amid growing public support and rising unrest, Ahsoka continues to monitor the rebels’ efforts as they rally around Ramsis Dendup to restore his reign as the rightful king and finally put an end to the Separatist occupation of Onderon….
“Tipping Points,” the dramatic conclusion to the Onderon arc in Star Wars: The Clone Wars season five, culminates in a hard-won victory shadowed by tragedy. The episode showcases the rebels’ final, coordinated assault to reclaim their capital, with Saw Gerrera leading the charge with unwavering determination. The rebels, employing guerrilla tactics, clash with the Separatist forces, demonstrating their tactical ingenuity and hard-earned skills. Saw’s leadership is crucial, but his decisions are fraught with peril, balancing strategic necessity with the preservation of civilian lives. The liberation of King Ramsis Dendup ignites a surge of hope, symbolizing the rebels’ triumph. However, amidst the celebration, Steela Gerrera, Saw’s sister and a key rebel leader, faces a fatal fall. Despite Ahsoka Tano’s desperate attempt to save her with the Force, a stray shot from a damaged Separatist gunship causes Steela to plummet to her death. Her loss casts a somber pall over the rebels’ victory, highlighting the devastating cost of war. The episode powerfully illustrates the sacrifices made in the pursuit of freedom, and how even in victory, profound loss can leave an indelible mark. Saw’s grief and the harsh realities of the conflict begin to visibly shape his radicalism, foreshadowing his later, more extreme actions.
Star Wars: The Clone Wars, Season 5, Episode 18: “The Jedi Who Knew Too Much” (19 BBY)
As the Republic military takes over the Temple bombing case, Ahsoka finds herself accused of murder and running out of allies and alternatives.
-Episode synopsis per StarWars.com
Terror at the Temple! The Jedi Temple is in disarray after a vicious terrorist attack. Anakin Skywalker and Ahsoka Tano set out to find the truth of who was really behind this horrendous catastrophe. Their investigation led them to discover the true saboteur, Letta Turmond.
Now the Jedi attempt to return the Temple to normalcy. But first, Master Yoda must give a eulogy to the fallen Jedi warriors….
“The Jedi Who Knew Too Much” plunges Ahsoka Tano into a harrowing ordeal that tests her loyalty and trust. The narrative unfolds as Ahsoka is framed for the murder of Letta Turmond, a suspect in the bombing of the Jedi Temple hangar. Suddenly a fugitive, Ahsoka finds herself hunted by both the Republic forces and the Jedi Order, forcing her to rely on her own skills and instincts to clear her name. The episode masterfully builds a sense of paranoia and isolation, as Ahsoka struggles to understand the conspiracy against her. Mon Mothma, a senator known for her integrity, plays a crucial role by providing Ahsoka with vital information and support, demonstrating her unwavering belief in Ahsoka’s innocence. Mon Mothma’s presence underscores the political undercurrents of the situation, hinting at the manipulation and hidden agendas that permeate the Republic Senate. The episode delves into the psychological toll of being falsely accused, showcasing Ahsoka’s resilience and determination to uncover the truth. The tension escalates as Ahsoka navigates the treacherous underworld of Coruscant, facing constant threats and the growing suspicion of her former allies. “The Jedi Who Knew Too Much” sets the stage for the dramatic conclusion of Ahsoka’s arc, highlighting the fragility of trust and the dangers of unchecked power within the Republic.
Star Wars: The Clone Wars, Season 5, Episode 20: “The Wrong Jedi” (19 BBY)
On trial for murder, Ahsoka faces her greatest challenge.
-Episode synopsis per StarWars.com
Ahsoka Tano captured! While on the run to prove her innocence, Padawan Tano teamed up with the deadly Asajj Ventress to find the rogue Jedi who framed Ahsoka for murder. The Jedi Council sent Anakin Skywalker and Master Plo Koon to track Ahsoka down and bring her back to the Temple.
Now captured and imprisoned, Ahsoka faces punishment for crimes she did not commit….
“The Wrong Jedi,” the devastating conclusion to Ahsoka Tano’s arc in the fifth season of Star Wars: The Clone Wars, brings her trial to a climax. Framed for murder and facing mounting evidence, Ahsoka finds herself stripped of her Padawan status and put on trial before the Republic Senate and the Jedi Council. The episode intensifies the sense of betrayal and isolation, as Ahsoka’s former allies and mentors struggle to reconcile their belief in her innocence with the seemingly overwhelming evidence against her. Mon Mothma, a steadfast advocate for justice, continues to be a vital ally, speaking out in Ahsoka’s defense and questioning the integrity of the proceedings. Her presence highlights the political machinations at play and the growing corruption within the Republic. The episode delves into the emotional turmoil of Ahsoka, who must confront the possibility of being abandoned by the very people she trusts. Anakin Skywalker’s desperate attempt to uncover the true culprit, Barriss Offee, leads to a shocking revelation, exposing a conspiracy that shakes the foundations of the Jedi Order. The trial scenes are fraught with tension, showcasing the clash between justice and political expediency. Ahsoka’s eventual exoneration is bittersweet, as she chooses to walk away from the Jedi Order, disillusioned by their lack of faith in her. “The Wrong Jedi” serves as a powerful commentary on the erosion of trust and the devastating consequences of unchecked power, with Mon Mothma’s role emphasizing the importance of standing for truth in the face of overwhelming opposition.
Star Wars: The Clone Wars, Season 6, Episode 7: “Crisis at the Heart” (19 BBY)
Rush Clovis’s deal with the Separatists backfires and brings war to the banking world of Scipio.
-Episode synopsis per StarWars.com
Corruption discovered at the core of the Banking Clan! Reunited, Rush Clovis and Senator Amidala discover the full extent of the deception. Anakin Skywalker is sent to the rescue – he refuses to trust Clovis, and asks Padmé not to work with him. Determined to save the banks, she refuses her husband’s request, throwing their relationship into turmoil. Voted for by both the Separatists and the Republic, Clovis is elected new leader of the Galactic Banking Clan. Now all attention is focused on Scipio, as the important transfer of power begins….
“Crisis at the Heart” delves into the growing corruption within the Republic Senate and the insidious influence of corporate greed. The episode centers on a financial crisis that threatens to cripple the Republic, stemming from the mismanagement and manipulation of the Banking Clan. Padmé Amidala, alongside Senator Rush Clovis, investigates the intricate web of financial deceit, uncovering a conspiracy that implicates powerful figures within the Senate and the Banking Clan itself. Mon Mothma, a voice of reason and integrity, plays a crucial role by supporting Padmé’s efforts and demanding transparency in the Senate proceedings. Her presence underscores the importance of ethical governance and the need to hold those in power accountable. The episode explores the complex relationship between politics and economics, showcasing how easily corruption can infiltrate even the highest levels of government. The narrative highlights the challenges of exposing wrongdoing in a system where powerful interests are deeply entrenched. Padmé and Clovis face numerous obstacles, including attempts on their lives, as they strive to uncover the truth and restore stability to the Republic. The episode serves as a stark reminder of the dangers of unchecked corporate influence and the erosion of democratic principles, with Mon Mothma’s unwavering commitment to justice providing a beacon of hope amidst the growing darkness.
Star Wars: The Clone Wars, Season 6, Episode 8: “The Disappeared, Part I” (19 BBY)
The peaceful world of Bardotta and its mystic ways are threatened by an ancient prophecy, and its top spiritual leaders have vanished. Queen Julia of Bardotta calls for help from her most trusted friend in the Senate, Jar Jar Binks. Recognizing the importance of Bardotta’s spiritual balance, the Jedi Council sends Mace Windu to accompany Binks and investigate.
-Episode synopsis per StarWars.com
Mystery on Bardotta! An oasis of peace during the Clone Wars, the galaxy-wide conflict now threatens the ancient ways of the Bardottan people. With their spiritual leaders mysteriously vanishing, the foundations of order in its system are near collapse. In desperation, the Queen of Bardotta has called upon the Republic Senate with a puzzling request – to help save her people from certain doom….
“The Disappeared Part 1” sees Anakin Skywalker and Mace Windu look into a mystery surrounding the disappearance of the Bardottan spiritual leaders, the Dagoyan Masters. The narrative unfolds as the peaceful planet of Bardotta, aligned with the Republic, suddenly faces a crisis, with its revered leaders vanishing without a trace. Anakin and Mace, tasked with investigating the disappearances, find themselves entangled in a web of ancient prophecies and hidden dangers. The episode explores the clash between the Jedi’s rational approach and the mystical beliefs of the Bardottans, highlighting the limitations of relying solely on logic. Mon Mothma, a senator known for her diplomatic skills and concern for the Republic’s allies, plays a significant role in urging the Jedi to intervene and assisting in the investigation. Her presence underscores the political implications of the disappearances and the importance of maintaining stability within the Republic’s allied systems. The episode introduces a sense of foreboding and unease, as Anakin and Mace delve deeper into the Bardottan culture and uncover the potential involvement of a dangerous cult. The narrative skillfully blends mystery and suspense, hinting at a darker force at play. “The Disappeared Part 1” sets the stage for a perilous journey into the unknown, highlighting the Jedi’s role as protectors and the importance of understanding diverse cultures in maintaining peace.
Star Wars: The Clone Wars, Season 7, Episode 9: “Old Friends Not Forgotten” (19 BBY)
The Siege of Mandalore begins, and Ahsoka turns to Anakin and Obi-Wan for help.
-Episode synopsis per StarWars.com
Outer Rim under siege! Separatist forces have launched a major offensive. Led by the evil droid General Grievous, Republic forces are pushed to the brink. In response to this overwhelming attack, the Jedi Council has dispatched its Generals, sending them far from the Core Worlds to bolster the beleaguered clones. On the distant planet of Yerbana, we find Commander Cody of the 212th in desperate need of reinforcements….
“Old Friends Not Forgotten,” a crucial episode in the final season of Star Wars: The Clone Wars, sets the stage for the Siege of Mandalore, intertwining familiar characters and foreshadowing the tragic events to come. Ahsoka Tano, now leading a portion of the 501st Legion under Commander Rex, responds to Bo-Katan Kryze’s plea to liberate Mandalore from Maul’s grasp. This episode acts as a reunion, highlighting the enduring bond between Ahsoka and Anakin Skywalker, despite the growing darkness surrounding them. During the strategic planning for the assault, Mon Mothma makes a brief but significant appearance, representing the nascent Rebel Alliance’s interest in disrupting Maul’s influence, as his criminal activities pose a threat to their fledgling operations. Her presence underscores the burgeoning resistance against the encroaching Empire. Additionally, a subtle nod is made to Saw Gerrera’s growing radicalism. While not physically present, his extremist tendencies and growing distrust of the Republic are referenced, subtly foreshadowing the future divergence of his path from the mainstream rebellion. The episode masterfully balances action and emotion, weaving together the personal relationships of the characters with the larger political context of the Clone Wars. The impending confrontation with Maul, combined with the subtle hints of Order 66, creates a palpable sense of tension, setting the stage for the devastating conclusion of the Clone Wars era.
Star Wars: Episode III-Revenge of the Sith (19 BBY)
Star Wars: Tales of the Jedi, Episode 6, “Resolve” (19 BBY-5BBY)
A former Jedi is faced with the truth that they cannot be something they are not.
“Resolve,” the final episode of Tales of the Jedi, portrays Ahsoka Tano’s struggle to survive in the aftermath of Order 66. Seeking anonymity on a remote planet, she attempts to conceal her Force abilities, but is compelled to reveal them to save a local villager. This act of heroism draws the attention of an Inquisitor, forcing Ahsoka to confront her past and fight for her survival. The episode delves into Ahsoka’s internal conflict, showcasing her efforts to reconcile with the trauma of the Clone Wars and the Jedi Purge. Crucially, Captain Rex appears, carrying a message from Bail Organa. Bail’s involvement is pivotal, as he extends a hand of support to Ahsoka, offering her assistance and a path toward a greater cause. His actions highlight the nascent stages of the rebellion, demonstrating his commitment to resisting the Empire’s tyranny. Bail’s role emphasizes the growing network of individuals who oppose the Empire’s oppressive rule, and underscores Ahsoka’s potential as a key figure in the burgeoning resistance. The episode ultimately showcases Ahsoka’s resolve to continue fighting for justice, even in the darkest of times, and the start of her journey to a wider rebellion with the help of Bail Organa.
Star Wars: The Bad Batch, Season 1, Episode 1, “Aftermath” (19 BBY)
Separatists pushed to the brink! Republic forces continue to mount victories on battlefronts across the galaxy. After the Jedi Knights thwarted an attempt to kidnap Chancellor Palpatine, the evil droid general Grievous retreated to the Outer Rim. With his legions of battle droids severely depleted, Grievous mounts a desperate and brutal counterattack across several star systems. We find Republic clone troopers locked in deadly combat on the besieged world of Kaller. Led by Jedi Master Depa Billaba, they struggle to hold their position as they wait for reinforcements to arrive….
“Aftermath,” the premiere episode of Star Wars: The Bad Batch, picks up in the chaos following the execution of Order 66. The episode opens with Clone Force 99, the Bad Batch, witnessing the chilling transformation of their clone brethren as they turn against the Jedi. Their unique genetic modifications, however, render them immune to the inhibitor chip’s influence, leading to their growing isolation and suspicion within the newly formed Galactic Empire. The narrative follows the Bad Batch’s struggle to understand the seismic shift in the galaxy, as the Republic they served is replaced by an oppressive regime. During this turbulent period, Bail Organa makes a brief but significant appearance, offering a glimmer of hope amidst the darkness. He expresses his concern for the clones and hints at his nascent efforts to resist the Empire’s growing tyranny. Simultaneously, Saw Gerrera, already exhibiting his radical tendencies, emerges as a volatile figure, clashing with the Bad Batch’s more pragmatic approach. His appearance foreshadows his future role as a leader of extremist rebel factions. The established political landscape and Bail’s actions hint at the growing resistance she will eventually be a key part of. The episode emphasizes the Bad Batch’s disorientation and moral ambiguity, as they grapple with their place in a galaxy that has drastically changed. “Aftermath” effectively sets the stage for the series, introducing the central conflict and foreshadowing the emergence of the rebellion, with Bail and Saw’s roles highlighting the diverse responses to the Empire’s rise.
Star Wars: The Bad Batch, Season 2, Episode 15, “The Summit” (18 BBY)
An infiltration proves more challenging than expected.
“The Summit” delves into the burgeoning resistance against the Empire’s tightening grip. The narrative centers on a clandestine meeting on the planet of Safa Toma, where key figures of the emerging rebellion gather to strategize and coordinate their efforts. Mon Mothma plays a crucial role, representing the moderate and politically-minded faction, advocating for a measured approach and emphasizing the importance of securing public support through legal and diplomatic means. In stark contrast, Saw Gerrera, already exhibiting his radical and uncompromising tactics, pushes for immediate and violent action, showcasing the growing divide within the resistance. Bail Organa, ever the mediator, attempts to bridge the gap between these opposing viewpoints, emphasizing the need for unity and a coordinated strategy. He highlights the dangers of fracturing the rebellion and the importance of finding common ground. The episode underscores the challenges of forming a cohesive resistance movement, showcasing the diverse ideologies and conflicting approaches that threaten to undermine their efforts. The Bad Batch, caught in the middle of these political machinations, are tasked with a dangerous mission that tests their loyalty and forces them to confront the moral complexities of the rebellion. “The Summit” effectively portrays the nascent stages of the rebellion, highlighting the tensions and ideological clashes that will shape its future, with Mon Mothma, Saw Gerrera, and Bail Organa each playing distinct roles in defining its trajectory.
Star Wars: The Bad Batch, Season 2, Episode 16, “Plan 99” (18 BBY)
The heroes are tested.
“Plan 99,” a deeply impactful episode from The Bad Batch season two, delivers a tragic blow to the team, highlighting the escalating dangers of Imperial control. The episode revolves around the Bad Batch’s perilous mission to rescue captured clones from an Imperial facility, a mission that culminates in Tech’s heroic sacrifice, executing “Plan 99” to save his brothers. This act underscores the profound loyalty and familial bond within the team, and the immense cost of resistance. While Bail Organa and Mon Mothma are absent, the episode’s narrative is driven by the very threat they are working to combat: the expanding power of the Empire. Orson Krennic, appearing as a ruthless Imperial official, plays a significant role in demonstrating the Empire’s growing military might and its willingness to sacrifice its personnel for strategic advantage. His presence emphasizes the cold, calculating nature of the Imperial regime and the escalating stakes for those who dare to oppose it. Saw Gerrera is also not present, but the episode’s focus on the brutal reality of Imperial oppression mirrors the very conditions that fuel his radicalism. The captured clones, and the Bad Batch’s desperate attempt to save them, represent the broader struggle against Imperial tyranny, a struggle that Krennic’s actions exemplify. “Plan 99” serves as a stark reminder of the sacrifices required to resist the Empire, and the growing urgency to oppose its oppressive reign, with Krennic’s involvement highlighting the formidable enemy they face.
Andor, Season 1 (5 BBY)
Andor, Season 2, Episodes 1-3 (4 BBY)
Andor, Season 2, Episodes 4-6 (3 BBY)
Star Wars Rebels, Season 3, Episodes 12 & 13, “Ghosts of Geonosis (2 BBY)
After the legendary Saw Gerrera and his rebel squad go missing on Geonosis, the Ghost crew is sent in to investigate.
“Ghosts of Geonosis,” a two-part episode from the third season of Star Wars Rebels, focuses on the lingering consequences of the Empire’s actions on Geonosis and the growing desperation of the rebellion. The Ghost crew, tasked with investigating the disappearance of Saw Gerrera and his team, uncover a disturbing Imperial project: the continued development of weapons technology on the ravaged planet. The episode highlights the lasting devastation wrought by the Clone Wars and the Empire’s subsequent exploitation of Geonosis’s resources and population. Saw Gerrera, portrayed as increasingly radical and paranoid, plays a central role in the narrative. His obsession with uncovering the Empire’s secrets leads him to take extreme measures, clashing with the Ghost crew’s more cautious approach. Saw’s actions demonstrate his growing distrust of the Rebellion’s leadership, foreshadowing his eventual splintering from the main movement. His determination to expose the Empire’s weapons development, even at great risk, underscores his unwavering commitment to fighting tyranny, albeit through increasingly extreme methods. The episode reveals the existence of a surviving Geonosian, Click-Clack, who provides crucial information about the Imperial project, adding a poignant layer to the narrative. “Ghosts of Geonosis” serves as a stark reminder of the Empire’s cruelty and the lengths to which they will go to maintain power, while also showcasing Saw’s descent into extremism and his growing isolation.
Andor, Season 2, Episodes 7-9, (2 BBY)
Star Wars Rebels, Season 3, Episode 18, “Secret Cargo” (2 BBY)
The Ghost crew must escort Senator Mon Mothma, now wanted by the Empire, to a meeting that can change the galaxy.
“Secret Cargo” centers on the Ghost crew’s critical mission to safely transport Senator Mon Mothma. The episode underscores the perilous nature of building a unified rebellion against the Empire. Mon Mothma, a key figure in the burgeoning resistance, is portrayed as a beacon of hope and strategic leadership, her calm resolve contrasting sharply with the relentless pursuit of Imperial forces. The narrative emphasizes the delicate balance between diplomacy and direct action, highlighting Mon Mothma’s commitment to forging alliances and unifying disparate rebel cells through strategic planning and communication. The Ghost crew’s mission becomes a high-stakes operation, showcasing the risks and sacrifices involved in transporting such a vital figure. The episode effectively portrays the challenges of coordinating resistance efforts, demonstrating the importance of trust and collaboration in the face of overwhelming Imperial power. The narrative highlights the strategic importance of Mothma’s efforts in laying the groundwork for a cohesive Rebel Alliance, and the dangers involved in such operations. “Secret Cargo” serves as a significant step in the rebellion’s growth, showcasing the political maneuvering and strategic planning essential to its success.
Star Wars Rebels, Season 3, Episodes 21 & 22, “Zero Hour” (2 BBY)
While the rebels plot to attack the Imperial stronghold on Lothal, Grand Admiral Thrawn discovers the location of their secret base, leading to an epic clash.
“Zero Hour,” the intense two-part finale of Star Wars Rebels Season Three, depicts the Rebel Alliance’s desperate defense of their base on Atollon against Grand Admiral Thrawn’s calculated assault. The episode showcases the rebels’ struggle against overwhelming Imperial forces, forcing them to make critical decisions under extreme pressure. While the primary focus is on the Ghost crew’s fight for survival, the episode also subtly reinforces the growing unity of the rebellion. Mon Mothma, though not physically present, is referenced as a key figure in coordinating the larger rebel movement. The episode underscores the importance of the alliances she’s been building, as the rebels rely on reinforcements from various cells to bolster their defenses. Bail Organa’s influence is also felt, as his commitment to supporting the rebels and his diplomatic efforts are implied through the arrival of those reinforcements. His dedication to the rebellion, even from afar, reinforces his critical role. Saw Gerrera is absent, which serves to highlight the growing divergence between his extremist tactics and the more unified, strategically minded approach of the larger rebellion. The episode’s focus on coordinated rebel action underscores the value of the alliances being forged by Mon Mothma and Bail Organa, contrasting with Saw’s increasingly isolated and radical path. “Zero Hour” effectively portrays the high stakes of the rebellion’s fight for survival, while subtly emphasizing the importance of unity and strategic alliances in the face of Imperial might.
Star Wars Rebels, Season 4, Episodes 3 & 4, “In the Name of the Rebellion (1 BBY)
Saw Gerrera returns, determined to uncover an Imperial secret — no matter the cost.
“In the Name of the Rebellion,” a two-parter from Season 4, continues to examine the moral complexities of rebellion and the sacrifices required in the fight against tyranny. The episodes follow the Ghost crew as they set out to steal vital Imperial data, a mission that tests their resolve and forces them to confront the ethical implications of their actions. The episode explores the internal conflict within the rebellion, as the characters grapple with the consequences of their choices and the blurring lines between right and wrong in a time of war. Ezra Bridger, in particular, faces a moral dilemma, as he witnesses the harsh realities of rebellion and the sacrifices made by those fighting for freedom. The episode highlights the growing desperation of the rebellion, as they are forced to take increasingly risky actions to undermine the Empire’s power. The tension escalates as the crew encounters Saw Gerrera and his radical faction, whose extreme methods clash with the Ghost crew’s more measured approach. This encounter serves as a stark reminder of the diverse ideologies within the rebellion and the potential for conflict among those fighting for the same cause. “In the Name of the Rebellion” serves as a poignant exploration of the moral ambiguities of war and the difficult choices faced by those who dare to resist tyranny.
Star Wars Rebels, Season 4, Episode 5, “The Occupation” (1 BBY)
Ezra and the Ghost crew return to Lothal, but find that the Imperial occupation has taken a much darker turn.
“The Occupation” sees the Ghost crew return to occupied Lothal, where they undertake covert operations to ignite resistance against Governor Pryce’s oppressive regime. Mon Mothma plays a crucial role, sending a vital message to Ezra and the crew, directing their mission to gather intelligence on the Imperial TIE Defender project. Her communication underscores the strategic importance of Lothal to the wider rebellion, emphasizing the interconnectedness of rebel cells and the coordinated effort to weaken the Empire’s hold on key systems. The episode portrays the harsh realities of Imperial occupation, showcasing the fear and desperation of the Lothal citizens, and the challenges of guerrilla warfare. The crew’s clandestine operations highlight the risks and sacrifices involved in resisting Imperial tyranny, while Mon Mothma’s directive reinforces the strategic significance of their actions within the larger rebellion’s fight for freedom.
Star Wars Rebels, Season 4, Episode 7, “Kindred” (1 BBY)
The rebels look to move a stolen Imperial hyperdrive and flight data recorder off Lothal, while the mystery of the loth-wolves deepens.
“Kindred” intensifies the conflict between the Ghost crew and Grand Admiral Thrawn, focusing on acquiring vital intelligence about his TIE Defender project. The episode centers on a perilous mission to extract a captured Imperial freighter pilot, a key source of information, from Imperial custody. Ezra Bridger, Sabine Wren, and Zeb Orrelios undertake a dangerous infiltration, facing Thrawn’s forces and the relentless Rukh. Mon Mothma plays a crucial role by relaying the urgency of the mission and emphasizing the strategic importance of the TIE Defender data to the wider rebellion. Her communication underscores the high stakes of the operation and the necessity of acquiring this information to counter Thrawn’s tactical advantage. The narrative highlights the escalating tension and desperation of the rebellion, as they race against time to thwart Thrawn’s plans. The episode showcases Thrawn’s calculated tactics and his ability to anticipate the rebels’ moves, underscoring the formidable challenge they face. The introduction of the purrgil foreshadows their vital role in the future. “Kindred” serves as a critical turning point, escalating the conflict and setting the stage for the climactic confrontation, with Mothma’s strategic directives driving the rebels’ mission.
Star Wars Rebels, Season 4, Episode 8, “Crawler Commandeers” (1 BBY)
In need of a long-range transmitter, the rebels look to infiltrate one of the Empire’s massive ore crawlers.
“Crawler Commanders” centers on a crucial mission to disrupt Imperial supply lines on Lothal, highlighting the rebels’ strategic resourcefulness and the broader rebellion’s coordinated efforts. The episode centers on Ezra, Sabine, and Chopper’s infiltration of an Imperial mining operation, where they aim to disable massive crawler transports used to move vital resources. Importantly, the episode directly connects to the wider Rebel Alliance through a scene on Yavin 4. Here, Hera Syndulla briefs Mon Mothma on the progress of the Lothal operation. Mon Mothma emphasizes the strategic importance of disrupting these supply lines, underscoring how this localized action directly contributes to the larger rebellion’s goals. This meeting highlights Mothma’s involvement in coordinating and directing rebel activities across various fronts, showcasing her role in strategically guiding the rebellion’s actions. The episode also implicitly acknowledges the logistical support and strategic directives provided by the Alliance.
Andor, Season 2, Episodes 10-12 (1 BBY)
About Andor Season 2
Andor Season 2 stars Diego Luna, Stellan Skarsgård, Genevieve O’Reilly, Denise Gough, Kyle Soller, Adria Arjona, Alan Tudyk, Faye Marsay, Varada Sethu, Elizabeth Dulau, with Ben Mendelsohn and Forest Whitaker.
The second season takes place as the horizon of war draws near and Cassian becomes a key player in the Rebel Alliance. Everyone will be tested and, as the stakes rise, the betrayals, sacrifices and conflicting agendas will become profound. Rife with political intrigue and danger, the series is a prequel to Rogue One: A Star Wars Story, which portrayed a heroic band of rebels who steal the plans to the Empire’s weapon of mass destruction—The Death Star—setting the stage for the events of the original 1977 film. Andor sets the clock back five years from the events of Rogue One to tell the story of the film’s hero, Cassian Andor, and his transformation from disinterested, cynical nobody into a rebel hero on his way to an epic destiny.
-Official synopsis, Andor Season 2
Andor is created by Tony Gilroy. Season 2 was written by Gilroy, Beau Willimon, Dan Gilroy and Tom Bissell and directed by Ariel Kleiman (Eps. 1-6), Janus Metz (Eps. 7-9) and Alonso Ruizpalacios (Eps. 10-12).
While promoting the first season of Daredevil: Born Again, series showrunner Dario Scardapane revealed that an integral part of his pitch to get the show back on track was bringing back Daredevil co-stars Elden Henson and Deborah Ann Woll, both of whom were absent from Marvel’s original plans for the new series. “I was willing to lose a job over this one,” Scardapane told Empire, adding that pitching the returns of Foggy Nelson and Karen Page was “one of the first things I said to the bosses.“
You can’t do this show without Karen and Foggy. They’re Matt’s family. They’re the heart of his world. You can’t take them out without explaining why, and if that explanation doesn’t ring true, don’t take them out.
“Because Season 3 of the Netflix show ended with a dream, with the names on that napkin,” Scardapane explained, adding, “If you don’t pay that off, you’re not giving your characters context. You can’t ignore that dream.” And so, Episode 1 of Daredevil: Born Again, “Heaven’s Half Hour,” does indeed make good on that dream as Nelson, Murdock and Page emerge from their dream office for another of many nights on the town. And what follows is a bamboozling nightmare that might just prevent fans from ever trusting anyone at Marvel Studios again.
If bringing back Henson and Woll was meant to bring a preestablished order to Daredevil:Born Again, then the first 16 minutes of the first episode are the most entropic of a series built around chaos. Crafted by Scardapane after he and directors Justin Benson and Aaron Moorehead boarded the project, Episode 1 apparently exists to prove that you can indeed “do this show without Karen and Foggy.”
The death of Foggy Nelson at the hands of the deranged and somehow-still-alive-after-casually-being-thrown-off-a-roof-what-the-fuck Bullseye catapults Matt Murdock’s world into a state of such significant disorder that no further changes can take place within it. And so, Murdock is born again into an all-new, all-different world, one brighter and more hopeful than any the writers of the original Netflix series ever imagined.
Abashed the Devil stood, And felt how awful goodness is.
-John Milton, Paradise Lost
Bereft of his besties, Murdock locks the Devil of Hell’s Kitchen away and leans into lawyering and living, thriving in a shockingly satisfying new status quo. A new firm (Murdock & McDuffie), a new love interest (Margarita Levieva‘s fascinating Heather Glenn) and some new glasses set Matt up to move forward in a direction that the Netflix showrunners never knew existed. And just as that wonderful new world gains its own momentum, Wilson Fisk is born again.
Set sometime in 2025, the “current events” of Episode 1 of Daredevil: Born Again set the foundation for a fascinating first season of a four season series. A decidedly douchey Daniel Blake and a stunningly Sisyphean BB Urich aside, “Heaven’s Half Hour” does exactly what it needs to do by giving both Matt Murdock and the fans every reason to forget everything they’ve held dear about the original Netflix series. The lunch meeting between the series’ leads reveals that neither man can truly put his past behind him, establishing the inevitability of hostility even as Fisk’s pursuit of the mayorship of New York City would seem to make him untouchable.
Fisk’s role in the season is so large that, as one promotional poster seems to hint, the series could just as well be titled Kingpin: Born Again. As Matt learns to move forward without his heart and soul, Fisk seeks to close the gap that has grown between him and his wife, Vanessa, who ran the criminal empire while her husband was away (see Echo). Like Murdock, Fisk has chosen a new path forward and in doing so, claims to have locked away the Kingpin of Crime.
Of course, Marvel Studios didn’t revive this series and being back both Cox and D’Onofrio for what looks to be a total of 17 episodes for them to have tea. A showdown is looming and Episode 1, created by Scardapane following the creative overhaul, wonderfully put the two men on seemingly parallel paths that are somehow bound to intersect.
What’s next for Star Wars? Who’s recently joined the cast of your most anticipated series or film? Where can you find the teasers and trailers? Look no further, true believers. Everything you need to know about the future of the Star Wars universe has been collected for you here. Click on each logo to learn what we currently know about the upcoming Star Wars projects.
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