Production on Season 2 of Daredevil: Born Again continues in and around New York City and while nothing too spoilery has been revealed just yet, it does seem as though the sophomore season will find the Big Apple in a dark place…and its hero in a dark suit!
New photos from the set of Daredevil: Born Again have revealed a long-awaited look for Matt Murdock’s hero of Hell’s Kitchen: a new, all black suit complete with what may be a new cowl.
While the pictures aren’t hi-res enough to be sure, it seems as though the suit may be inspired by a suit worn by Daredevil in the 2010 event Shadowland.
After going back to the drawing board to retool its identity, Daredevil: Born Again has yet to feel quite like its streaming predecessor, Netflix’s Daredevil. Whereas some of the 39 episodes that made up the three seasons of the Netflix series often stalled around extended and bloviated dialogue about…well, mostly nothing, the new series seems to have trimmed the majority of that narrative fat.
Episode 4 of Daredevil: Born Again, titled “Sic Semper Systema”, has plenty of dialogue but, as it turns out, not all dialogue is created equally. In what’s unquestionably one of the best scenes of the season–and quite possibly in any season of Daredevil—Jon Bernthal and Charlie Cox share an intense exchange that illuminates each of their characters’ irreparably battered psyches.
Without giving away any detailed spoilers (but if you’ve been paying attention, you’ve already figured this out anyway), each episode of the season has moved both Matt Murdock and Wilson Fisk closer to breaking free of their self-imposed shackles. As Wilson’s relationship with Vanessa undergoes repairs, he moves closer and closer to being reborn as the Kingpin. Episode 4 continues the wonderful symbolism of this metamorphosis by continuing to decrease the physical space between husband and wife. Where they previously shared a meal at opposite ends of a large dining table, the couple share a much more intimate nightcap here. With Foggy dead and Karen gone, however, Matt doesn’t have an anchor to his old life and so he turns to the unlikeliest of places to get his bearings.
Nobody in his right mind, of course, would seek out someone so deranged as Frank Castle for therapy; however, Matt is not right-minded and, of course, Catholic and so he goes seeking punishment…and he gets it. In what was a verbal assault on Matt that might stand up to any of the physical beatings the man has taken over the years, Frank Castle showed no mercy on Red and gave no quarter to his still-wounded emotional state. The dialogue between the two men, which took place in Castle’s new underground lair, exposed the underpinnings that make both men tick and Bernthal and Cox put on quite a clinic. Just a couple of crazy fucks talking it out.
In digging at Murdock’s true purpose for seeking him out, Castle revealed the depth of his chaotic and tortured depravity. So thoroughly broken by trauma and tragedy, Frank’s psychotic engine continues to be revved by the belief that it is the will of his murdered son that he continue to kill all the bad guys he can lay his hands on. And while even Frank likely knows that Matt will never break as he did, he does find the breaking point of Matt’s two personalities, challenging to consider a different interpretation of the scales of justice: one that measures the court’s work against Matt’s and, in that moment, Matt gains clarity and regains purpose.
For fans of the Netflix series, this conversation between Matt and Frank should have felt incredibly familiar because it was the type of conversation that Matt used to have with Father Lantom, who was often the sounding board for Matt’s soul before being killed by Bullseye (who Frank addresses by that moniker for the first time here). “Sic Semper Systema” sees Matt walk into a new confessional and bare his soul to a new priest…and this one will hardly help him keep the devil at bay.
With principal photography on Season 2 of Marvel Television’s streaming series Daredevil: Born Again underway in New York City, surprises and spoilers are bound to make their way online. While we’re not quite sure whether this is a spoiler or a surprise or how big of a deal it might be, recent set photos have revealed an addition to the Season 2 cast and it’s a face Law & Order fans may recognize.
Veteran TV actress Annie Parisse, who played Assistant District Attorney Alexandria Borgia for 34 episodes of the long-running NBC drama has joined Season 2 of Daredevil: Born Again in an unknown role.
Um novo ângulo mais amplo da FORÇA-TAREFA: ANTIVIGILANTES ontem no sets da Season 2 de #DaredevilBornAgain
Photos taken in New York City on March 18th showed Parisse’s character being detained by Wilson Fisk’s Anti-vigilante Task Force. While the identity of her character remains a mystery, being taken off the streets in broad daylight by Fisk’s dirty cops would lead us to believe her character has some ties to Matt Murdock, Frank Castle or another “vigilante” on the Mayor’s list.
Other photos from the set indicate that in his efforts to did his city of vigilantes, Fisk has improved martial law on New York, much to the displeasure of its populace. Most, if not all, filming done in public so far has been for the second episode of the sophomore season of the series and it seems as though Matt Murdock has gone into hiding, although Charlie Cox was spotted alongside Deborah Ann Woll‘s Karen Page in broad daylight. Given that Fisk is aware of Murdock’s alter ego as the Devil of Hell’s Kitchen, it might not be long before the Kingpin reveals Murdock’s secret to the world in an effort to drive him out of hiding.
Daredevil: Born Again is expected to stream on D+ in 2026.
Production on Season 2 of Marvel Television’s D+ streaming series Daredevil: Born Again has been underway in New York City for a few weeks and things look bleak for the Devil of Hell’s Kitchen and his allies. Recent photos from a Brooklyn set seem to indicate that Mayor Wilson Fisk’s beloved city has become a bit of a police state. With Fisk’s Anti-vigilante Task Force patroling the streets in broad daylight, Matt Murdock, Frank Castle and others deemed vigilantes by Kingpin have to watch their every step. Now, new photos from the set show what appears to be a clandestine meeting between Matt and his longtime friend Karen Page.
Shared on X by Chris Gallardo (@chrisagwrites), the photos show Charlie Cox‘s Murdock and Deborah Ann Woll‘s Page out for a walk in classic some MCU disguises.
Context: they were preparing for a shot with this woman in the rehearsal scene…
In Cox’s case, it seems it he wears regular old sunglasses, rather than his red-tinted glasses, and pulls up his hood, he’s free to walk the streets despite Fisk knowing his “secret identity.” Even more incredible, it seems by becoming more of a red head, the red headed Page becomes just another face in the crowd!
Those disguises may not hold up to scrutiny, however, as the new shoot does also seem to hint at a potential car chase and, ultimately, a confrontation between Fisk’s AVTF and Matt and Karen.
Season 1 of Daredevil: Born Again is now underway, with the first three episodes available on Disney Plus. Season 2 of the revival series will debut on the streaming service in 2026.
Paired with Episode 2, the third episode of Daredevil: Born Again adapted writer Brian Michael Bendis‘ “The Trial of the Century” arc from his early 2000s time on Marvel Knights Daredevil: The Man Without Fear. It’s rare for Marvel Studios to do direct adaptations of comic books storylines and the studio didn’t do that here. Instead, with Bendis‘ serving as a Consulting Producer on the two episodes, Marvel did something even more rare: they made a great comic book story better.
Elevated by an incredible performance by the late Kamar de los Reyes, “In the Hollow of His Hand” allowed Daredevil: Born Again time for Matt Murdock to do his day job and put on display just exactly what it is that makes him a really good lawyer. Though he probably is the “slippery shit” he was accused of being, Murdock’s instincts to let Hector Ayala take the stand as White Tiger and put the ethos of the Boricua spirit on trial served him well as Hector’s known standing as an ally to the cops and strong member of his community were more than enough to exonerate the hero. Unfortunately, wins don’t last for long in this show.
As in the comics, however, the legacies of Ayala and the White Tiger will live on. Sharp-eared viewers probably heard that Hector was living with his sister and niece and, if those same viewers were eagle-eyed during the trial, they saw his niece, Angela, in the courtroom. Created by Bendis, Angela del Toro showed up 20 issues or so after Hector’s trial and ultimately took up the mantle of White Tiger. Will Angela look to make Hector’s fight her own in Daredevil: Born Again?
Of course, what’s truly fascinating about the episode(s), which were originally set to be the series two-episode debut, is how strongly subversive they were to the pathos established by Netflix’s Daredevil. Despite serious tension in the courtroom and on the streets, a brutal, bloody battle wasn’t necessary in order to make a pair of episodes that are nothing short of must see DD…that take place almost entirely during the day.
Marvel Comics’ first Hispanic hero, Hector Ayala, never really got a turn to take the lead. First appearing in the Shang-Chi book, Deadly Hands of Kung Fu, in 1975 and then taking on a semi-regular supporting role in the late 70s/early 80s title, Peter Parker, The Spectacular Spider-Man, Ayala, also known as the White Tiger, had some wild adventures across the Marvel Universe. However, it wasn’t until Brian Michael Bendis‘ early 2000s run on Daredevil that Ayala really took center stage in a popular title. The defendant in Bendis‘ “The Trial of the Century”, Ayala’s vigilante efforts as the White Tiger lead to him being falsely accused of killing a police officer which, interestingly enough, means that the courtroom–and not the streets of New York where he risked his life for his community–became the setting for Ayala’s time in the spotlight. Before he could beat the bunk charges, Ayala was killed by the cops and, ultimately, his legacy and the legacy of the White Tiger grew into something greater than he ever imagined when he first picked up the Jade Tiger amulets that granted him superhuman powers.
Episode 2 of Daredevil: Born Again introduces Ayala and his White Tiger alter ego to the MCU, slightly altering the scenario that leads to his arrest and trial but–somewhat incredibly–embracing the mystical nature of his powers in a corner of the world that’s not always taken full advantage of the opportunities such capabilities provide. Highlighted by the late Kamar de los Reyes‘ understated performance as beaten up and washed Ayala, “Optics” is an excellent offering that allows the audience an extended view of the other side of Matt Murdock’s life. Though fans haven’t seen Episode 3 yet, paired with Episode 2, the MCU’s version of The Trial of the Century is must-see DD, allowing Murdock to flex his wits in what is truly a tense courtroom drama. The traits that serve Murdock so well as the Devil of Hell’s Kitchen are indeed the very same that make him a really good lawyer and as Ayala’s trial unfolds, Murdock proves that as in combat, he can take a punch in the courtroom and dig deep to find a way to stay in the fight.
Though there’s little bloodshed and much of the episode takes place during the day (gasp!), “Optics” proves just as important to the Frank Miller-heavy noir world of Daredevil as any other episode. Any great NYC crime drama will, of course, include dirty piggies and Episode 2 introduces the audience to the dirtiest and though it may not be readily apparent just yet, be sure that your time spent watching this episode will pay off as the series moves forward. A reborn Matt Murdock didn’t need to take Ayala’s case, especially once he became aware that Ayala wasn’t sharing everything with him, but the serendipitous intersection of his commitment to justice and Ayala’s commitment to doing the right thing was too hard to pass up. Up against the NYPD, Ayala is the ultimate underdog as an accused cop killer…but even when outmatched, Murdocks can take a beating and stay in the fight until the devil in ’em comes out.
And following a palpably tense scene in which the dirty NYC cops look to take Murdock’s key witness off the board, the devil that Matt believed he has so securely tucked away does get out. The episode’s violent closing minutes may seem to exist solely to soothe the blood lust of the edge lord crew; however, paired with Wilson Fisk’s lunch meeting with NYC Police Commissioner Gallo, the scenes remind the fans that neither of these men can ever truly be anyone other than who they are. They want–perhaps even truly desire–to become the men they try so hard to be but when push comes to shove, these men, shaped so completely by their environments for so long, will always fall back on the skills of their true identities.
As the follow-up to the new crew’s violent pilot episode, “Optics” stands in stark contrast and while it may feel slow, it begins scaffolding every major storyline of Season 1 of Daredevil: Born Again. Possibly my favorite episode of the season (if not, it’s Episode 3), “Optics” serves as a prime example of how much can be accomplished in a streaming episode and how this Daredevil revival’s efforts to trim the fat have made it an upgrade over the original Netflix series.
While promoting the first season of Daredevil: Born Again, series showrunner Dario Scardapane revealed that an integral part of his pitch to get the show back on track was bringing back Daredevil co-stars Elden Henson and Deborah Ann Woll, both of whom were absent from Marvel’s original plans for the new series. “I was willing to lose a job over this one,” Scardapane told Empire, adding that pitching the returns of Foggy Nelson and Karen Page was “one of the first things I said to the bosses.“
You can’t do this show without Karen and Foggy. They’re Matt’s family. They’re the heart of his world. You can’t take them out without explaining why, and if that explanation doesn’t ring true, don’t take them out.
“Because Season 3 of the Netflix show ended with a dream, with the names on that napkin,” Scardapane explained, adding, “If you don’t pay that off, you’re not giving your characters context. You can’t ignore that dream.” And so, Episode 1 of Daredevil: Born Again, “Heaven’s Half Hour,” does indeed make good on that dream as Nelson, Murdock and Page emerge from their dream office for another of many nights on the town. And what follows is a bamboozling nightmare that might just prevent fans from ever trusting anyone at Marvel Studios again.
If bringing back Henson and Woll was meant to bring a preestablished order to Daredevil:Born Again, then the first 16 minutes of the first episode are the most entropic of a series built around chaos. Crafted by Scardapane after he and directors Justin Benson and Aaron Moorehead boarded the project, Episode 1 apparently exists to prove that you can indeed “do this show without Karen and Foggy.”
The death of Foggy Nelson at the hands of the deranged and somehow-still-alive-after-casually-being-thrown-off-a-roof-what-the-fuck Bullseye catapults Matt Murdock’s world into a state of such significant disorder that no further changes can take place within it. And so, Murdock is born again into an all-new, all-different world, one brighter and more hopeful than any the writers of the original Netflix series ever imagined.
Abashed the Devil stood, And felt how awful goodness is.
-John Milton, Paradise Lost
Bereft of his besties, Murdock locks the Devil of Hell’s Kitchen away and leans into lawyering and living, thriving in a shockingly satisfying new status quo. A new firm (Murdock & McDuffie), a new love interest (Margarita Levieva‘s fascinating Heather Glenn) and some new glasses set Matt up to move forward in a direction that the Netflix showrunners never knew existed. And just as that wonderful new world gains its own momentum, Wilson Fisk is born again.
Set sometime in 2025, the “current events” of Episode 1 of Daredevil: Born Again set the foundation for a fascinating first season of a four season series. A decidedly douchey Daniel Blake and a stunningly Sisyphean BB Urich aside, “Heaven’s Half Hour” does exactly what it needs to do by giving both Matt Murdock and the fans every reason to forget everything they’ve held dear about the original Netflix series. The lunch meeting between the series’ leads reveals that neither man can truly put his past behind him, establishing the inevitability of hostility even as Fisk’s pursuit of the mayorship of New York City would seem to make him untouchable.
Fisk’s role in the season is so large that, as one promotional poster seems to hint, the series could just as well be titled Kingpin: Born Again. As Matt learns to move forward without his heart and soul, Fisk seeks to close the gap that has grown between him and his wife, Vanessa, who ran the criminal empire while her husband was away (see Echo). Like Murdock, Fisk has chosen a new path forward and in doing so, claims to have locked away the Kingpin of Crime.
Of course, Marvel Studios didn’t revive this series and being back both Cox and D’Onofrio for what looks to be a total of 17 episodes for them to have tea. A showdown is looming and Episode 1, created by Scardapane following the creative overhaul, wonderfully put the two men on seemingly parallel paths that are somehow bound to intersect.
When Marvel Studios brought Dario Scardapane on to overhaul the first season of Daredevil: Born Again, the new showrunner’s first instinct was to bring back Elden Henson and Deborah Ann Woll, both of whom were not originally part of the revival. His second instinct, apparently, was to have Henson’s Foggy murdered, throwing Matt Murdock’s life into chaos. Scardapane was so preoccupied with whether or not he could, he didn’t stop to think if they should.
But what’s done is done, of course, and such a catastrophic event should never be undone. And so Foggy, who was Murdock’s best friend and partner and, according to Scardapane, one part of the “heart and soul” of Daredevil, has gone to heaven, hopefully a half hour before the devil knew he was dead. However, Scardapane has also made it clear that he believes “you can’t do this show without Foggy and Karen, so as production begins on Season 2, he seems to have created a bit of a conundrum. But apparently he’s also already solved his own problem.
In a post-premiere interview, Marvel’s head of TV, streaming and animation, Brad Winderbaum addressed Foggy’s death and let slip a bit of information that is sure to cause fans of the show to head into a tizzy.
“Without going into spoiler territory, I will say that both Deborah and Elden are coming back for Season 2,” Winderbaum revealed to Phase Hero’s Brandon Davis. Woll‘s return was already confirmed but news of Henson‘s return will certainly cause a frenzy of wild theories and assorted nonsense.
In the world of comic books and in particular the world of Daredevil, deaths are routinely undone. In this case, it would seem an incredibly poor choice to undo Foggy’s death given it’s the catalyst for Murdock’s all-new, all-different life. Wild theories aside, Henson‘s return could easily–and probably more reasonably–be necessary for flashbacks to the good old days of Nelson, Murdock and Page because, you know, we never saw those days.
This is a type of new origin story for Matt. He’s the type of character that in just like all classic Marvel stories, they’re affected by some sort of tragedy.
-Dario Scardapane
For his part, Scardapane isn’t giving anything away. “Listen, he’s not gone forever. That’s all I can say – it’s not the last thing you’re gonna see of him,” he said of Foggy, while claiming that the creative team, who decided to kill Nelson, love him too. “So, I understand. We also understand the heartbreak, and we did not take this lightly. I get upset. We were upset on the day, we were upset watching it. All of these things are true.“
Perhaps Franklin has just been hanging out at the butcher shop all this time..
Daredevil has always dealt in duality. Even before Frank Miller redefined the character–and the city in which he spent his days and nights–by introducing a gritty, noir-inspired take on the hero, Matt Murdock still split his time fighting for justice in a courtroom while also dispensing justice as a vigilante. Though Miller‘s drastic reinvention of the character took him to far darker places as a lawyer-by-day, vigilante-by-night type of hero, the character has always been a fascinating study of psychological inconsistency and cognitive dissonance. And so as Marvel Studios relaunches one of the most beloved superhero shows ever made with the first season of Daredevil: Born Again, it is fitting that the new series is teeming with dichotomies.
For nearly one-third of the season, Daredevil: Born Again dares to tease the unthinkable for Charlie Cox‘s Matt Murdock. Following an audaciously aggressive reintroduction to the world of the Devil of Hell’s Kitchen that shatters the comfort zone so carefully constructed over three seasons of Netflix’s Daredevil, Marvel Television’s revival allows Murdock to feel how awful goodness is. But fear not, true believers, the studio could not resist the urge to drag Daredevil back into the darkness, once more choosing Frank Miller over the field.
Who fate gave the ability to hear and smell and touch better than anybody in the world can, which is a great way to catch all the misery of being alive
The first episode of Marvel Studios’ Daredevil: Born Again chaotically catabolizes everything that both Matt Murdock and the fans of Netflix’s Daredevil hold dear, abruptly and refreshingly changing the status quo for the beleaguered vigilante. Stripped bare, Murdock is born again into a brighter world full of new relationships, professionally and personally, and one that ironically holds hope for the hero. However, just when Matt thought he was out, they pull him back in!
Just as Matt seems to be free of his dark past, it comes rushing in to upset the shaky new scaffolding. As has been clear since the series was first announced in 2022, Daredevil: Born Again could just as well have been titled Kingpin: Born Again and the new and improved Wilson Fisk’s ambitions and love for New York City set the pair on a path that challenges each’s best intentions. A tense meeting over coffee in which both men swear they’ve left their alter egos behind them slowly devolves into a pissing match between the better angels of their natures; indeed, the next three episodes prove that neither man ever moved too far away from his true self and follows the co-leads as they slowly let their devils out of whatever cage they believed to have contained them, setting them on a path toward yet another inevitable confrontation.
Tonally divergent from the ethos of the Netflix series for the first seven episodes of the season, Daredevil: Born Again constructs a brighter world around a more devil-may-care Matt; unfortunately, both that world and Matt ultimately fall victim to the darkness of the city and its inhabitants as a serial killer throws the city into a frenzy. By the time the series heads into what will stream as a two-part finale, the replacement creative team of showrunner Dario Scardapane and directors Justin Benson and Aaron Moorehead put together what could only be described as “peak Netflix”, allowing both Daredevil and Kingpin to be “Born again.” Steering the show back in that direction is a frustrating decision, even if foreseeable; however, it’s not damaging to the quality of the series in any way and works to push the characters to a precipice that will have to wait to be resolved in Season 2.
Less bloated than any season of the Netflix series, Season 1 of Daredevil: Born Again spins a tight, well-paced narrative that impressively stands strong despite the mid-stream change of creatives. Though the marketing for the series isn’t necessarily the most honest work Marvel Studios has ever done, the show does return to its gritty, noir roots despite spending a large chunk of time playing in the sun, delivering the “whole new deal” Cox once promised while also relishing in the edgey brutality of the old deal. A wonky VFX scene or two, a bit of overacting here and there and a few superfluous characters aren’t enough to tip the scales here: Daredevil: Born Again is, from start to finish, a fantastic series. With its hero and its villain equally saturated in blood and emotional trauma, the show examines the futility of pursuing sustainable change without addressing the deeply nested layers of human behavior.
Despite standing tall not only among Marvel Studios’ streaming series but also among the three original seasons of Daredevil, Daredevil: Born Again is also frustrating in its insistence on keeping Murdock’s story drenched in blood. While sanguinary and savage storytelling defined the Netflix era of The Man Without Fear, it’s not the defining trait of the character who has been a staple of Marvel Comics since the 1960s. While Miller‘s reinvention did elevate the character to new heights, it’s bizarre to see his dark and violent vision for Daredevil become THE vision for the character. Miller‘s Daredevil portfolio is hardly prolific (8 other writers have spent more time on Daredevil books than Miller) and perhaps the particular itch for wanton violence would be better scratched in the MCU by Punisher or Moon Knight. And so to see the series briefly flirt with a new direction inspired, it would seem, by Mark Waid‘s long run on the book only to retreat into darkness again begs the question: why do the writers hate Matt Murdock?
Given all the media hype that followed the news that Scardapane, Benson and Moorehead were brought on board, one would assume that the trio swooped in and saved the series from disaster. In reality, upon seeing the entire season, it hardly feels that way at all but rather feels that the new creatives were brought in because Daredevil: Born Again was not Netflixy-enough. To everyone’s credit, the blending of “new” and “old” is seamless throughout; if you didn’t know there was a creative overhaul on the series before you sat down to watch, nothing would alert you to it while watching the series. Episodes 2 and 3, which adapt Brian Michael Bendis‘ “Trial of the Century” arc from his early 2000s run on the book, deliver the best courtroom drama in the history of the series. The trial of Hector Ayala challenges Murdock and his new partner, Kirsten McDuffie, at every turn, creating true tension that will be palpable to viewers. High profile and high stakes, the trial puts Matt in the spotlight and, unfortunately, in a position where a win can’t just be a win.
Following Ayala’s trial, what would seem to have been the original outline for the show looked to be headed to some dark enough places. Cleverly written with a narrative throughline that continually pulled Murdock further away from the new life he believed he had established, Episodes 2 through 7 are incredibly engaging and if this show were a binge release, fans would have a hard time walking away as Hector’s trial bleeds into the search for a serial killer who unknowingly has put himself right in the middle of Murdock’s life. We may never know where the first season was originally going to land and where the original team meant to go next; however, it’s safe to say that Scardpane‘s Season 2 of Daredevil: Born Again, which should hit D+ in 2026, might just as well be titled Daredevil Season 4.
No matter which material they worked with, Cox and Vincent D’Onofrio delivered top-tier performances, especially in their brief time together. Jon Bernthal‘s return as Frank Castle comes complete with all the squealing brutality one might expect from The Punisher while also serving as a wonderfully necessary foil for Murdock. The late Kamar de los Reyes stands out as Hector Ayala, whose legacy is left to be explored should the powers that be choose to do so; Margarita Levieva‘s subdued Heather Glenn ends up a much more interesting character than her comic book counterpart; and Ayelet Zurer‘s Vanessa works as a driving force behind the central plot. The Fisks’ relationship works as an interesting parallel to that of Matt and Heather and the intersection of the two ultimately leads to the season’s biggest surprise.
For nearly a year, Marvel Studios has been operating according to a new strategy behind the scenes as shifting priorities have led them to focus on developing series that can premiere annually. It’s clear that the studios intends for Daredevil: Born Again to be both the canary in the coal mine in that regard but that they also have enough faith in it that they’ve already established it as the flagship of the new era of Marvel Television. To that end, each new season must entice viewers to return for subsequent seasons while also being able to stand alone not only as a season but with weekly episodes that drive conversation and interest. Season 1 of Daredevil: Born Again accomplishes that mission. Its weekly releases will have people buzzing (I’m looking forward to the response to the series St. Patrick’s Day-set bottle episode) and the response to the season finale may actually trigger Richter scales. Grace and retribution. Reward and punishment. Hopes and fears. Daredevil: Born Again‘s return to the streets of New York City is frustratingly incongruous in its treatment of its Guardian Devil and a contradiction in itself but I’ll be damned if it isn’t an incredible season of TV.
While filming in the streets of New York City, the first season of Daredevil: Born Again certainly did just that as photos from the set revealed the returns of Deborah Ann Woll, Elden Henson, Wilson Betheland Jon Bernthal as well as some pretty major spoilers. Now, as the debut first season of the new series draws near and production on Season 2 prepares to get underway, a trade report has kickstarted the the hype engine.
According to Deadline, 90s icon Matthew Lillard, best known for his roles as Shaggy in 2002’s Scooby Doo and Stu Macher in Scream, has joined the cast of Season 2 of Daredevil: Born Again.
Lillard‘s role is unknown at the time though the actor’s résumé calls to mind a certain type of character and many fans are already debating which member of Daredevil’s extensive rogues gallery he’ll be portraying. The plot of Season 2 of Daredevil: Born Again is being kept under wraps but it is expected that Wilson Fisk, played once more by a returning Vincent D’Onofrio, will continue to serve as the primary antagonist to Charlie Cox‘s Matt Murdock.
The first two-episodes of Daredevil: Born Again will debut on Disney Plus at 9 PM ET on Disney Plus.
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