Tag: The Bad Batch

  • Lucasfilm Leaves a Pair of Animated Series Off of Their 2024 Disney Plus Slate

    Lucasfilm Leaves a Pair of Animated Series Off of Their 2024 Disney Plus Slate

    Since Bob Iger returned to Disney in late 2022, the studio has made some changes to the way it manages Disney Plus. A renewed emphasis has been placed on the quality of the productions being rolled out on the streaming service and in 2024 that will mean fewer projects for some of Disney’s biggest studios. For Lucasfilm, which produces live-action and animated projects for the service, that means two highly anticipated series were left off the initial 2024 release slate.

    As it stands now, Lucasfilm will only roll out two live-action Star Wars projects next year (The Acolyte and Skeleton Crew) which means two animated projects, the third and final season of The Bad Batch and the second season of Tales of the Jedi, look to be delayed until 2025.

    The first 16 episodes of the Star Wars: The Clone Wars spinoff, The Bad Batch, debuted on Disney Plus on Star Wars Day 2021 and were followed by a 16-episode second season in January 2022. Tales of the Jedi, a 6-episode anthological series, was rolled out in October 2022. Both series were created by Lucasfilm’s new Creative Grand Admiral, Dave Filoni, who is also the key creative figure behind the studio’s New Republic Era stories such as The Mandalorian, The Book of Boba Fett and Ahsoka.

    Rumors had been making the rounds that new seasons of both series would find their way to Disney Plus in 2024; however, neither were to be found on Disney UK’s official 2024 preview of the streaming service. Given the constant state of flux in programming, it’s still entirely possible one or both of the series end up released at some point in 2024 though, for the time being, it looks like they are simply not part of the plan.

    About Star Wars: The Bad Batch

    Star Wars: The Bad Batch follows the elite and experimental clones of the Bad Batch (first introduced in The Clone Wars) as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch—a unique squad of clones who vary genetically from their brothers in the Clone Army— each possess a singular exceptional skill that makes them extraordinarily effective soldiers and a formidable
    crew.

    Star Wars: The Bad Batch is executive produced by Dave Filoni (The Mandalorian, Star Wars: The Clone Wars), Athena Portillo (Star Wars: The Clone Wars, Star Wars Rebels), Brad Rau (Star Wars Rebels, Star Wars Resistance), Jennifer Corbett (Star Wars Resistance, NCIS) and Carrie Beck (The Mandalorian, Star Wars Rebels) with Josh Rimes (Star Wars Resistance, Star Wars: Visions) and Alex Spotswood (Star Wars: The Clone Wars, Star Wars Rebels) as producers. Rau is also serving as supervising director with Corbett as head writer and Matt Michnovetz as story editor.

    About Star Wars: Tales of the Jedi

    Star Wars: Tales of the Jedi is an anthology of six all-new animated shorts produced by Lucasfilm Animation and created by Dave Filoni (Star Wars: The Clone Wars, Star Wars Rebels). Based on Star Wars and characters created by George Lucas, the series is set during the prequel era and spotlights important moments in the lives of fan-favorite characters Ahsoka Tano and Jedi-turned-Sith Lord Count Dooku as they embark on respective paths toward heroism and villainy. Star Wars: Tales of the Jedi features the voices of Ashley Eckstein as Ahsoka Tano; Corey Burton as Count Dooku; Janina Gavankar as Ahsoka’s mother, Pav-ti; Micheál Richardson as young Qui-Gon Jinn; TC Carson as Mace Windu; Ian McDiarmid as Darth Sidious; Liam Neeson as Qui-Gon Jinn; Phil
    Lamarr as Bail Organa; Clancy Brown as Inq

    Dave Filoni is the creator, supervising director, executive producer, and writer of five of the six shorts: “Life and Death”; “Justice”; “The Sith Lord”; “Practice Makes Perfect”; and “Resolve.” Charles Murray and Élan Murray are the writers of “Choices.” Nathaniel Villanueva directs “Life and Death”; Charles Murray directs “Choices”; Saul Ruiz directs “Justice”; “The Sith Lord”; “Practice Makes Perfect”; and “Resolve.” In addition to Filoni, Athena Yvette Portillo and Carrie Beck are executive producers; Alex Spotswood and Josh Rimes are producers.

    Source: Disney UK

  • SWCE: Lucasfilm Reveals the End of ‘The Bad Batch’

    SWCE: Lucasfilm Reveals the End of ‘The Bad Batch’

    After a bit of a slow start to its sophomore season, The Bad Batch picked up the pace and delivered several consistently wonderful episodes in the back half. That culminated in a heart-breaking finale that saw Omega separated from the group as they try to overcome the apparent loss of Tech.

    The cliffhanger came with the promise of at least one more season’s worth of stories for Clone Force 99 and now we know that’s all we’ll get. During Star Wars Celebration 2023, it was announced that Season 3 of The Bad Batch will be the final one for the animated series.

    Updating…

  • The Bad Batch Season 3

    The Bad Batch Season 3

    Premiere: February 21, 2024

    During Star Wars Celebration Europe in April 2023, Lucasfilm revealed that The Bad Batch had been renewed for a third and final season. Though no specific release window was given, the animated series will stream on Disney Plus in 2024.

    In January 2024, it was revealed that the final season of The Bad Batch was set to debut with a 3-episode premiere on February 21st. The 15-episode season will wrap up on May 1, 2024.

    Cast

    • Dee Bradley Baker as Clone Force 99 / The Bad Batch
    • Michelle Ang as Omega
    • Keisha Castle-Hughes as Emerie Karr
    • Jimmi Simpson as Doctor Royce Hemlock
    • Nika Futterman as Asajj Ventress
    • Noshir Dalal as Vice Admiral Rampart
    • Wanda Sykes as Phee Genoa
  • REVIEW: ‘The Bad Batch’ Pays a Heavy Toll in Two-Part Season Finale

    REVIEW: ‘The Bad Batch’ Pays a Heavy Toll in Two-Part Season Finale

    Season 2 of The Bad Batch has spent a great deal of time establishing the titular team as a burgeoning family. Following the harrowing events of the Season 1 finale, the team slowly retreated from their mercenary missions and turned their focus towards building a new life for themselves in a galaxy that continues to rapidly evolve around them. In Summit and Plan 99, the two-part finale to the sophomore season, Clone Force 99 is reminded just how much they have evolved and that you can only lose what you already have.

    While the preceding episode, Tipping Point, seemed to put al the ducks in a row for the finale, writers Jennifer Corbett (Plan 99) and Matt Michnovetz (Summit) did wonderful work in subverting expectations of a predictable sequence of events–thanks almost entirely to Saw Gerrera’s interloping–in the finale even if the end result was probably on everyone’s bingo card. The dual episodes made good on quite a few of the season’s ongoing developments and left enough hanging to allow Season 3 (Lucasfilm hasn’t officially announced a third season yet but it seems extremely likely even as Disney cuts back) to get off to a strong start.

    (L-R): Wrecker and Hunter in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    The sacrifice and subsequent loss of Tech is probably most emblematic of the progress the series–and Clone Force 99–made this season. Undoubtedly the most annoying member of the team over the first season, Tech’s growth into an almost identifiable human, complete with emotions and everything, is a constant reminder that these clones are all more than their special purposes. While he didn’t wear them comfortably, Tech’s father-daughter relationship with Omega along with his new, romantic relationship with Phee were evidence that there was more out there for the Batchers than running merc missions. And just as they began to realize what they had, it was taken from them by the sheisty Doctor Hemlock and a vengeful Cid.

    Speaking of Hemlock, the full scope of his and Sleepy Sheev Palpatine’s sinister plan isn’t revealed in Tipping Point, which includes a great cameo by Ben Mendelsohn’s Orson Krennic updating Tarkin on Project Stardust, or Plan 99 but Omega’s role in it is. While the easy money was on Omega’s DNA being so special that it would crack the whole cloning process wide open, the finale revealed that Hemlock simply wanted Omega as a means to further manipulate Kaminonan clone queen Nala Se to work for the Empire. For the time being, Omega’s unaltered genetic code seems of little to no interest to Hemlock. Can the same be said, however, for Emerie Karr, whose identity as a sister clone of Omega’s was revealed in Plan 99? Karr does seem to have her own agenda and revealing herself to Omega only furthers that suspicion.

    Summit and Plan 99 worked together to provide an emotional gut punch that wouldn’t have been possible without some of the groundwork laid throughout the season. With Tech seemingly dead, Omega and Crosshair in the clutches of Hemlock and Ord Mantell no longer a safe haven for the remaining members of the Bad Batch, the not-yet-announced-but-all-but-a-sure-thing two-part Season 3 premiere is set up for an emotional return to Pabu before a high stakes rescue of the imprisoned clones. Season 2, taken in its totality, feels like the second act of a three-part story which would mean Season 3 would be the end of the line for the stories of Clone Force 99. Now that they have so much to lose, Season 3 is set up to be a helluva ride.

  • REVIEW: ‘The Bad Batch’ Find A New Home

    REVIEW: ‘The Bad Batch’ Find A New Home

    The last few weeks have been some of The Bad Batch‘s best; a remarkable turnaround from a fairly lame first half of the season. Where episodes once felt flat and pointless, they are now full of life and purpose, aimed towards a clear end goal with actual substance. The latest entry, titled Pabu, continues this trend with a wonderful excursion focused on community, something the leading group of rebels has found themselves severely lacking. A perfect mix of calm and storm, the episode manages to be both a singular adventure and a catalyst for the development of its heroes in one gorgeous outing.

    Pabu sees the Bad Batch accompany their occasional business partner and not-a-pirate Phee Genoa, played by Wanda Sykes, to the episode’s titular planet for a bit of rest and relaxation. After a betrayal by their previous employer, the group needs a safe place to hide and a refresher on what it means to be alive, something Genoa believes she can supply in the form of a peaceful refugee city. Of course, things don’t go exactly as planned, and the group ends up having to protect the citizens from a massive tidal wave that wipes out half the community’s infrastructure. The resulting escapade is a lovely look into what the clones could have, and uphold, if they were willing to lay down their guns and give up the fight.

    (L-R): Hunter, Tech, and Wrecker in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    It’s an excellent follow-up to last week’s installment, The Outpost, which saw Crosshair finally submit to a devastating revelation about the Empire. Similar in fashion, the Bad Batch have come to see their own allegiances in a new light, ditching Rhea Perlman‘s Cid and complimenting their former comrade’s journey in a subtly clever way. The parallel between the two storylines is likely far from accidental, with the show’s nearing finale kicking the series’ overarching plotlines into their final gears. One of the best aspects of Pabu, an episode that appears to be potentially one-off at first glance, is how effectively it pushes the narrative forward for its protagonists. Even if the Bad Batch don’t grow to call the planet home, their experience there opens up new ideas and helps both Dee Bradley Baker‘s Hunter and Michelle Ang‘s Omega consider other methods of living.

    Also of note is the ingenious bait-and-switch of Genoa’s role in the series. After several episodes of the character claiming not to be a pirate, something played as a joke every time, it turns out that she is not, in fact, a pirate. She truly is a “liberator of stolen artifacts”, as she puts it, and an advocator of the downtrodden. This reveal works in a few ways. It’s surprising and endearing, yes, but it’s also another notch in The Bad Batch‘s allegorical belt. From the start, the series has made no false pretenses about its intentions to portray the “soldiers post-war” dilemma, and refugees are a large part of that conversation. It’s truly very intriguing to see The Bad Batch manage to tie another character, one who seemed to be outside of the thematic elements of the show, into the grander image.

    Overall, Pabu is a solid half-hour of television. It’s whimsical in its ideals and thrilling in its execution. The Bad Batch has really hit its stride in the back half of this season, and it really feels as though the show is leading to something special. Hopefully, it can stick the landing.

  • REVIEW: ‘The Bad Batch’ Thanks Its Good Soldiers for Their Service

    REVIEW: ‘The Bad Batch’ Thanks Its Good Soldiers for Their Service

    Good soldiers follow orders. The motto of the Empire’s Clone Army and the basis of the rift between CT-9904 and his Bad Batch brothers, those words are as etched in the minds of fans of Star Wars animated series nearly as deeply as in the minds of the clones. Throughout the course of Star Wars: The Clone Wars and The Bad Batch, “good soldiers follow orders” has been the rote and retaliatory response given any time evil deeds were done by Clones in the name of the Empire. Of course, following orders in the service of evil is still doing evil (indeed the phrase seems to be a reference to the “superior orders” defense that Nazi war criminals attempted to use during the Nuremberg trials, continuing a long-running allegory within the Star Wars universe) and the phrase was never going to hide the evil acts.

    Crosshair has always been severe and unyielding. It is his nature. You cannot change that. He cannot change that.

    Tech, The Bad Batch: Kamino Lost

    After a bit of a slow start, Season 2 of The Bad Batch has quickly gotten very interesting following Emperor Palpatine’s Defense Recruitment Bill. The bill not only ushered in the era of the Imperial Stormtrooper but also emphatically ended the era of the Clones, who for all their order following, were decommissioned. The latest episode, The Outpost, is a beginning-to-end indictment of the Empire’s dismissal of the Clones and a parabolic reminder that you reap what you sow. At the center of it all is Clone Force 99’s “do what needed to be done” loyalist Crosshair who by the end of the episode finds himself in a very bad place under the special care of the series’ new bad lad, Dr. Hemlock.

    I am a soldier of the Empire.

    Crosshair, The Bad Batch: The Solitary Clone
    Lieutenant Nolan in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    Though it’s laid on pretty thick, the episode’s depiction of the dismal treatment of the Clones seems necessary as a teaching tool not for the audience but for Crosshair. From the moment the ennuyé Imperial Officer drones on to the Clones about their service to Crosshair’s mission to Barton-4 under the uber-douchey Lt. Nolan to the anticlimactic discovery of the purpose of that mission, the humdrum pacing of The Outpost lures fans into a bit of a trap: Crosshair gonna Crosshair. And then…he doesn’t.

    This is who I am.

    Crosshair, The Bad Batch: Return to Kamino

    Having a character go against his very nature, especially one whose nature has been the sole focus of nearly every interaction with the character since the show’s debut is no small thing. What’s more, having Crosshair betray that nature in order to kill Lt. Nolan over the death of a few “regs” symbolizes a near-total metamorphosis for the Bad Batch’s resident cynic. By pulling the trigger and killing Nolan, Crosshair followed his own orders and, by his own beliefs, is no longer a good soldier despite doing what he believed needed to be done. It would seem the fate of his brothers in Clone Force 99 is destined to intertwine with his once more as the new clone king, Dr. Hemlock, now has Omega in his sights. But will the reborn Crosshair soon have Hemlock in his?

  • REVIEW: ‘The Bad Batch’ Go Where No One Will Hear Them Scream

    REVIEW: ‘The Bad Batch’ Go Where No One Will Hear Them Scream

    Star Wars: The Bad Batch, as a concept, has so much potential. The context surrounding its titular team, as well as its placement on the galactic timeline, makes the animated series ripe for a mix of cerebral storytelling and unique action scenes. Perhaps this is why it’s so frustrating that the show constantly ignores its best attributes for the sake of forgettable plotlines and run-around episodes, and more importantly, why it feels so good when an episode actually does something interesting. Thankfully, this week’s entry is among the latter. Titled Metamorphosis, the latest chapter in The Bad Batch saga combines serious political intrigue with an exhilarating play on genre to craft a narrative that’s both entertaining to watch and momentous in the grand scheme of the series.

    In Metamorphosis, Dee Bradley Baker‘s Hunter and his tactile band of misfits investigate the mysterious wreckage of an Imperial cargo ship, only to find that what lies inside might have been best left undiscovered. The first half of the episode, especially its opening moments, is maybe the most horrifying Star Wars has been in recent memory. From the beginning sequence, which highlights a lone Imperial Commando desperately fleeing from an unseen terror through dark and silent hallways, Metamorphosis promises to be different from what viewers have grown accustomed to seeing. Most of what follows falls more in line with a suspenseful science-fiction thriller, specifically in the vein of Ridley Scott’s Alien than the protagonists’ usual cookie-cutter escapades. The gimmick, though sadly short-lived, works completely for the time it’s on screen.

    (L-R): Tech, Hunter, and Wrecker in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    Star Wars is often its most fun when reviving, or replicating, the pulp of old-fashioned adventures. Watching a vintage space horror occur in the galaxy far, far away makes for a wildly enjoyable ten-to-fifteen minutes before the episode takes a surprising turn, shifting from one monster-based genre to another. Halfway through the runtime, the danger at hand is revealed to be a Zillo Beast, an evolving creature first introduced in Star Wars: The Clone Wars. From there, Metamorphosis becomes a miniature kaiju film, with the Bad Batch chasing the larger-than-life organism across an otherworldly cityscape. The change in tone happens pretty organically, resulting in a delightful, pulse-pounding romp that pits the clones against an opponent they’ve never faced before. Especially striking in the climactic scenes is the show’s cinematography, its most consistent positive this season, vividly portraying the power of the beast against a sickly sky.

    The Zillo, however, is not the episode’s true villain. That honor belongs to Dr. Royce Hemlock, a fresh Imperial baddie hellbent on expanding Kaminoan cloning technology for the benefit of the Empire. Played to menacing perfection by the great Jimmi Simpson, Dr. Hemlock is exactly the type of antagonist The Bad Batch has needed. His existence, and ultimate plot to condense and control the galaxy’s cloning operations, immediately tie a loose narrative together and raises numerous thought-provoking questions for the Bad Batch and the show itself to answer going forward. Hopefully, the series doubles down on this seemingly new direction and follows up on it next week, instead of leaving it until the season finale.

  • REVIEW: ‘The Bad Batch’ Remembers How To Use Omega

    REVIEW: ‘The Bad Batch’ Remembers How To Use Omega

    Star Wars: The Bad Batch is usually at its best when it’s tackling one of two ideas – the state of the Galaxy in a post-Order 66 world, or the possible extent of humanity in its titular clones. This week’s episode, titled The Crossing, doubles down on the latter. After a tense midseason event altered the course of the series forever, the latest installment offers a bit of levity with an easier and more straightforward adventure, using its quieter moments as an opportunity for some much-needed character work. It does what more of its one-off episodes should do by standing alone as a semi-independent story while also progressing the development of its protagonists. In balancing these successfully, The Crossing continues the series’ current path toward a more interesting end to the season.

    When fans last saw their favorite band of intrepid misfits, they were bidding a fond farewell to one of their own. Dee Bradley Baker‘s Echo, a Star Wars: The Clone Wars staple who joined the team after their inaugural outing and then never really did much, left to rejoin his old friend, Dee Bradley Baker‘s Captain Rex, on a separate mission in the heart of Imperial territory. There’s no telling whether this means Echo is gone from the series for good, but it’s certainly something that concerns Michelle Ang‘s Omega, as she spends most of the episode coping with her loss alongside either Dee Bradley Baker‘s Wrecker or Dee Bradley Baker‘s Tech. Oddly enough, Echo’s presence is felt much harder when he’s not on the team, used expertly by the writers as a means of exploring Omega’s youthful perception of abandonment.

    (L-R): Omega, Tech, Hunter, and Wrecker in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    The actual task at hand in The Crossing, which has Dee Bradley Baker‘s Hunter spearhead the group on a mission to extract dangerous resources from a remote mine, is not particularly interesting. If it weren’t for the tender, familial scenes shared between Omega and her older siblings, the episode may fall flat. Most of the action is unremarkable, and the story as a whole is not overly memorable. Luckily, that doesn’t seem to be the main purpose of the plot or its arcs. Throughout it all, Omega expresses immense concern over the fact Echo is no longer part of the Batch. It’s clear that Omega, a child who has just recently found a genuine family, is not used to the prospect of losing one of her own. The Bad Batch utilizes this as a means of taking a deeper dive into the compassion and individuality of the clones, and The Crossing is much better for it.

    So far this season, The Bad Batch has teetered precariously between redundancy and forward progress. Omega, as she’s always been, is the key to maintaining the momentum of the second option. The show is consistently more intriguing when it leans into her and what she has to offer as a wildly unique persona. Hopefully, the series continues to do this as the story moves on, and Omega is used as the centerpiece to a spectacular season finale.

  • REVIEW: Palpatine’s Political Acumen Takes Center Stage in ‘The Bad Batch’

    REVIEW: Palpatine’s Political Acumen Takes Center Stage in ‘The Bad Batch’

    Star Wars has always been just as much of a political allegory as hit has been a series of adventures in a galaxy far, far away. The allegory certainly became more overt during the prequels, however, as those stories took the audience into the Galactic Senate where Sleepy Sheev Palpatine played the long game and finally imposed his authoritarian rule over the galaxy. Sheev’s shifty and shady machinations all served his own endgame and the Senator from Naboo used anybody and everybody he could on his way to becoming the Emperor. Once someone served Palpatine’s purpose, no amount of loyalty or years of service could spare them, a lesson towards which Season 2 of The Bad Batch had slowly been building before Episodes 7 and 8 brought the idea into the spotlight.

    The Bad Batch has taken its time dealing with the fallout from the destruction of Kamino seen in the Season 1 finale but The Clone Conspiracy and Truth and Consequences do a wonderful job of finally putting a bow on it. The two episodes weave together a nifty narrative that continues to tell the tale of the transition from the state of the galaxy in the prequels to the state of the galaxy in the original trilogy and remind the audience of the devious chess master behind it all. Now that they’ve served their purpose and all but eradicated the Jedi, the Clones, like the droid armies before them, are set to be decommissioned following the tragic “incident” that wiped out the Kaminoan cloning facilities and made the further production of Clone Troopers all but impossible.

    Senator Riyo Chuchi in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    Clone Force 99 finds themselves at the center of a high-stakes mission to stop the decommissioning of Clones (part of the Defense Recruitment Bill which also proposes a conscripted military take their place) that would also expose Season 1 villain Vice Admiral Rampart’s part in the Kaminoan genocide. Alas, the Batch and Rampart find themselves as pawns in Palpatine’s 4D chess match. Though they procure the evidence of Rampart’s evil act and relay it to their ally in the Senate, Riyo Chuchi, the Clones learn the hard way that Palpatine can and will twist anything to his advantage when the evidence they provide is twisted by the Emperor and serves as the nails in the coffins of their fellow Clones.

    There’s a bit of historical horror as Palpatine, presiding over the Senate, announces that these acts of terror are reason enough for him to pass the Defense Recruitment Bill and usher in the era of the Imperial Stormtrooper. As fans of series in which stories are told anachronistically, knowing the heroes of The Bad Batch played a major role in the coming terrors that these Stormtroopers will commit is a hard pill to swallow. But as evil as Sleepy Sheev is, these two episodes go a long way in reminding us why he was able to keep his grip on power for so long: his prowess as a Sith Lord is matched only by his incredible political acumen and spin tactics. It’s Sheev’s galaxy, everyone else is just barely surviving in it.

  • REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    When Star Wars: The Clone Wars was canceled abruptly in 2013, it left numerous planned storylines laying on the drawing board. One of these unused concepts, perhaps the best of the lot, was set to focus on the kindly Wookies and their homeworld of Kashyyyk. The abandoned four-episode arc would have explained Yoda’s vague Episode III – Revenge of the Sith line about having “good relations” with the planet and its people, teaming the famed Jedi Master with both the Bad Batch and the Wookies in a battle against the Separatists and their Trandoshan allies. In this week’s episode of Star Wars: The Bad Batch, this plot is revived, albeit condensed, and replaces Yoda with a far more important figure from George Lucas‘ lore – Gungi, the legendary Wookie Padawan.

    Titled Tribe, the sixth episode of The Bad Batch‘s second season is, without a doubt, one of the series’ best overall. Admittedly, the return of Gungi, who hasn’t been seen since his brief introduction in The Clone Wars‘ fifth season, plays a huge role in the amount of palpable joy felt throughout the 25-minute installment. Simply put, it’s great fun to watch him do anything, and it’s honestly sort of shocking it’s taken this long for him to pop up again. While it’s always enjoyable to see unique characters achieve worthwhile screen time, using one like the Force-sensitive Wookie, who has deep connections to multiple aspects of the universe he exists in, as a means of mixing fan service with actual thematic storytelling is just a stellar move to make.

    Tribe makes an obvious effort to compare Gungi with its own Omega, crafting a mirrored experience between the two young heroes as lost members of their respective tribes (that’s the title!), struggling to be innocent in a world rebuilt for the immoral. As unsubtle as it is, the theme works wonderfully, inserting a simple message into the midst of some pretty cool, fairly grand world-building. It’s enough to make a viewer wish The Bad Batch spent more time fleshing out arcs, as opposed to moving on so quickly between episodes. The original four-episode plan contained a multitude of details and features that could have easily transitioned from The Clone Wars era to the time of its sequel series, but instead, the writers packed as much as they could from that longer pitch into only a single entry, resulting in a somewhat rushed adaptation of a larger tale.

    (L-R): Hunter, Omega, Tech, Gungi, Wrecker, Echo, and Wookies atop Mylaya in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    That being said, what actually makes it to the screen in Tribe is impeccable. Kashyyyk, which continues to be one of the Star Wars franchise’s best locations, creates a beautifully dynamic setting for the show’s protagonists to function. The Wookies’ connection to the planet’s wildlife, and its flora, help bolster the action sequences and set up some rather gratifying payoffs in the episode’s third act. Additionally, it looks pretty awesome when Wookies show up to fight Trandoshans on massive cats with bat-like ears. It’s the type of “wow factor” that Star Wars can fully lean into without betraying its defining thematic elements, and honestly, probably should happen more often. Also, Our Lord and Savior Gungi the Wookie Jedi finally coming into his own as a warrior and peacekeeper is the stuff dreams are made of and is likely to be exactly what Star Wars fans dream about after seeing the episode.

    With any luck, this will not be the last time audiences get a glimpse of Gungi and his (hopefully) soon-to-be-storied career, but if it is, it’s definitely a worthy send-off. Tribe is a solid grab bag of the action, emotion, and moralities that often compose the animated branch of Lucasfilm’s long-lived fictional galaxy, and both Gungi and the titular team of rebellious clones thrive for it.