Author: Charles Murphy

  • ‘Blade’ Director Yann Demange Confirms Rating of the MCU Reboot

    ‘Blade’ Director Yann Demange Confirms Rating of the MCU Reboot

    In the wake of multiple Marvel Studios hit pieces that have made the rounds in the past week, actual news about one of the studio’s most frequently targeted properties has emerged. In an interview with Deadline, director Yann Demange, who replaced Bassam Tariq as the director of Blade in November of 2022, detailed plans for the film, including its rating.

    Since SDCC 2019, when Kevin Feige revealed that the studio was working with Mahershala Ali to bring the Daywalker to the MCU, the film’s rating has been the subject of speculation and debate among fans. While it’s not unheard of for vampire films to be rated PG-13, it’s certainly much more commonplace for them to receive an R-rating. Each of Wesley SnipesBlade trilogy films, which introduced the character to mainstream audiences beginning in the late 1990s, received an R-rating and fans seem to staunchly believe that the MCU’s take on the character needs to be every bit as mature and violent. As it turns out, Demange shares that belief.

    They gave me the R, which is so important,” said Demange of the rating of the Ali-led reboot. According to the director, part of why that rating was so important to him was because of the singular talent of the project’s star. “We are going to have fun because Mahershala is such a deep actor. I’m excited to show a kind of ruthlessness, a roughness he has, that allows him to walk the earth in a particular way. I love him for that. He’s got a dignity and integrity, but there is a ferocity there that he usually keeps under the surface. I want to unleash that and put it on the screen.

    Though the film has had its share of issues in pre-production, Marvel Studios renewned committment to ensuring its upcoming projects hold up to the high expectations of the audience should pay dividends…and Blade, depsite all its ups and downs, may end up being the poster child of those efforts. Blade is currently slated to release on February 14th, 2025.

    Source: Deadline

  • REVIEW: ‘Loki’ Episode 5 Shows the Power of the Longform Narrative

    REVIEW: ‘Loki’ Episode 5 Shows the Power of the Longform Narrative

    As Loki nears the completion of its second season, it continues to stand as the nonpareil of what Marvel Studios television was initially intended to be and should endeavor to continue to be. Thanks in no small measure to the continued brilliance of Tom Hiddleston, the show continues, in modern parlance, to slap, slay and dish out weekly bangers. While it’s illogical, even preposterous, premise all but guarantees it’s not for everybody, Loki continues to embrace its place as a true sci-fi show and seems with each passing episode to submerge further into those depths. To that end, it’s no surprise that Season 2’s fifth episode, “Science/Fiction” turned out not only to be the most convoluted and nonsensical entry to date but also one of the series’ best and maybe one of Marvel Studios’ best episodic efforts.

    As the penultimate episode of Season 2, “Science Fiction” does what penultimate episodes do. It makes real the consequences of the season’s ongoing concerns about the stability of the Temporal Loom which finally gave out in Episode 4’s cliffhanger. The destruction of the Loom, which refines raw time into the timelines where people live their lives, resulted in both the destruction of the TVA and, as revealed in Episode 5, the destruction of those timelines. When the Loom isn’t Looming, entire realities and their inhabitants are reduced to spaghetti, something that not even Sylvie, the colder-hearted Loki Variant, can abide. The loss of the Temporal Loom also puts Loki back in a familiar predicament as his time-slipping, thought to have been remedied in the season’s first episode, resumes albeit with an interesting twist as he bops about to different realities where familiar faces from the TVA are living their lives. By episode’s end and with the help of Ke Huy Quan’s A.D. Doug, PhD, Loki is empowered to control time-slipping, creates a bare-bones TVA and puts himself on the path to make an effort to save all of reality in the Season 2 finale. Job well done.

    (L-R): Wunmi Mosaku as Hunter B-15, Owen Wilson as Mobius, Tom Hiddleston as Loki, Eugene Cordero as Casey, and Ke Huy Quan as O.B. in Marvel Studios’ LOKI, Season 2, exclusively on Disney+. Photo by Gareth Gatrell. © 2023 MARVEL.

    However, as part of Marvel’s longest longform episodic narrative to date, “Science/Fiction” serves as a linchpin not only for Season 2 but for the series as a whole. Season 2 head writer Eric Martin’s presence as a key contributor to Season 1 allowed for continuity of the creatives behind the series which means that the big ideas from the first six episodes are far from forgotten. Indeed, “Science/Fiction” may have just put Loki and Sylvie right in the same boat in which they found themselves when they met He Who Remains in the Citadel at the End of Time. In that meeting, He Who Remains offered the pair the power to be curators of the Sacred Timeline as his replacement as the man behind the curtain of the TVA. By assembling an all-new, all-different team and learning to slip time at will, Loki has put himself in position to prevent the destruction of the TVA (man, the time wimey stuff here is so fun–and painful–to think through) and, with no leadership left to speak of, take control. Take a bow, Al Ewing, as Loki is about to become the God of Stories.

    There is, however, one fairly large question left to ponder as we wait for Episode 6: is Loki really writing this or any other story? Should Loki end up in charge of the TVA, isn’t that right where He Who Remains wanted him? Of course, as the God of Stories, Loki may somehow find a way to use Victor Timely’s Multiplier to allow the newly branched timelines to continue on but if not, if the decision is made keep all of reality intact by refining time back into the Sacred Timeline, won’t He Who Remains have accomplished exactly what he wanted? While he’s not the most trustworthy narrator, He Who Remains made it very clear that he was the architect of Loki’s existence and it was through his machinations that Loki ended up in the Citadel in the first place. As this Variant of Loki who has come so far on his road to redemption finally finds himself on the precipice of becoming the hero of all time, always, would Marvel Studios dare take his agency from him and reveal that he’s simply been He Who Remains marionette all along? With one episode left to go, it looks like we’ll all find out together just how much of this story has truly been written for Loki and how much has been written by him.

  • REVIEW: ‘Invincible’ Season 2

    REVIEW: ‘Invincible’ Season 2

    In a market increasingly filled with comic book adaptations, there truly is nothing quite like Amazon’s Invincible. Like Robert Kirkman‘s long-running comic book, the turbulent first season of Invincible took unsuspecting audiences by surprise and was almost universally well-received, something that’s just about impossible given the present climate around comic book-based media. Over two and a half years after Season 1’s debut, the first half of Season 2 is set to premiere on Amazon on Friday, November 3rd and the four episodes that comprise it are every bit as riotous, unrestrained and sublime as the hit first season.

    While the savage and sanguinary nature of the superhero action depicted in the series attracts the lion’s share of attention, it’s hardly what makes Invincible great. Another Amazon superhero series, The Boys, is equally disruptive in that regard and is even more jarring in its live-action depiction of just how brutal superheroes can be when they unleash the true depths of their powers. Rather what truly sets Invincible apart and keeps it on top through the first four episodes of Season 2 is its ability to make the audience succumb to its pathos. That’s a consequence, of course, of having one of the most sympathetic and relatable main characters in the genre in Mark Grayson. As is the case with Peter Parker–a hero to whom Invincible is often compared and even teamed up with once–there’s as much time spent on Grayson’s everyday dilemmas as there is his time in the suit.

    What truly makes it work is the fact that there’s so much overlap between the two. While Season 2 is absolutely loaded (almost bloated) with new plot elements, the first four episodes take place in the wake of Mark’s battle with his father, Nolan, aka Omni-Man. The revelation of Nolan’s true nature took as much, if not more, of a toll on Mark’s life as their fight did on Chicago. The sophomore season tracks Mark as he tries to re-anchor himself in his personal life while being pulled exponentially harder into the void as Earth’s savior that was created by his father’s disappearance. Gone, not forgotten and destined to return, Nolan has a major presence in the second season even before he’s seen on screen.

    Further excavation and exploration of just why Invincible continues to work so well when other adaptations often fall short of expectations present an interesting possibility for other studios to consider. While it’s not a perfect one-to-one page-to-screen adaptation of the comics, Amazon’s Invincible is far more direct than any of the recent works presented by the competition. That’s almost certainly a result of having Kirkman, who created the character in 2003 and has curated him now for over two decades, deeply involved in the development of the series. While it’s not a hard and fast rule, nobody loves and understands characters quite like the people who created them. Kirkman’s role in overseeing the translation of the comic into the animated series has ensured that any changes made to the source material are in line with who the characters were intended to be. While it’s a show full of violence, gore and things you may wish you’d never seen, the love and care taken to develop, produce and present Invincible as an animated adventure gush forth in every episode.

    If there’s anything to bemoan in the first part of Season 2 it’s that for as wonderful of a job as it does continuing Mark’s story and the story of the stories of the supporting cast, it also feels just a bit too busy. Interestingly enough, it’s Invincible’s coherence to comic book conventions that create that quandary. With plans for a third season already established, some of the screentime in Season 2 is spent introducing characters–I’m looking at you, Angstrom Levy–who played a role in the 144 issues of Kirkman’s comic but don’t really have much of a role in THIS season…at least so far. Truth be told, there’s no mountain to be made out of this molehill and most fans who aren’t familiar with the comics will likely forget about the characters and subplots entirely until they need to Google or rewatch episodes in order to remember.

    Every bit as frenetic and enjoyable as its first season, Invincible Season 2 looks to be a can’t-miss/must-see for fans of the genre. From the animation style reminiscent of Saturday morning cartoons like Inspector Gadget and Transformers to the inclusion of iconic voice talents such as Mark Hamill and Peter Cullen, ’80s kid Kirkman is having a blast bringing his comic series to the screen and it shows.

  • Shawn Levy Says ‘Deadpool 3’s May 2024 Release Date Is in “True Risk”

    Shawn Levy Says ‘Deadpool 3’s May 2024 Release Date Is in “True Risk”

    Despite some positive momentum in the immediate aftermath of the settlement of the WGA strike, actors remain on strike as negotiations between SAG and AMPTP have broken down once again. As such, productions for screens both big and small remain on hold and with the strike now looking like it might drag into November or beyond, 2024 release dates are certainly in jeopardy. One project with such a date is Marvel Studios Deadpool 3 which was already deep in production in London when the strikes shut everything down. Should the SAG strike resolve soon, could the Ryan Reynolds and Hugh Jackman team-up make its May 3rd, 2024 release date?

    It doesn’t sound good, according to director Shawn Levy. In a recent interview with Yahoo!, Levy, who worked with Reynolds on Free Guy and The Adam Project and with Jackman on Real Steel, admitted that while “half the movie” has been shot and edited, he’s uncertain if they can make the date…or if the film is even still slated for May 3rd.

    I wish I knew. I don’t even know if we officially have [a release date]. I know we were gonna be May 3. Certainly, the actors’ strike and the long pause in production have put that release date in true risk. We’ve shot half the movie. I’ve edited half the movie. We’re dying to get back to work and get this movie out next year.

    Shawn Levy on the chances that Deadpool 3 makes its release date

    After reshuffling its entire release slate in June, Disney has remained silent about what to expect in 2024 and beyond since, even skipping SDCC where they’ve often had a big presence. Should cameras roll on Deadpool 3 again in 2023, it might be possible for the film to make the May 3rd date; however, given recent concerns with VFX workers at Marvel Studios, it seems more likely that it might end up being pushed down the road a bit. Perhaps it might find itself filling the staked-out July 26th, 2024 release date that once belonged to Thunderbolts (which will certainly not end up in theaters until 2025) and is now set aside for Captain America: Brave New World. As fun as speculating is, however, it’s fruitless to think too hard about all these dates until the SAG strike is resolved AND cameras start to roll again.

    Source: Yahoo!

  • Marvel Studios ‘Daredevil: Born Again’ Getting a Creative Retooling

    Marvel Studios ‘Daredevil: Born Again’ Getting a Creative Retooling

    As Marvel Studios looks to completely overhaul how it produces its streaming series, one of its most anticipated projects is getting a complete creative retooling. According to a new report from THR’s Borys Kit, the creative team behind Daredevil: Born Again, which was announced at SDCC ’22 and began production earlier this year, will be entirely replaced.

    THR’s report explains that the lengthy shutdown caused by the WGA and SAG strikes gave Marvel Studios One Above All, Kevin Feige, and the executive producers of Daredevil: Born Again time to evaluate the work that had been done on the show and come to the conclusion that the direction it was headed in wasn’t one in which they wanted to continue. As a result, head writers Matt Corman and Chris Ord were cut loose along with the directors of each episode. While it’s expected that some of the completed footage will be used, the retooling will be significant and Marvel Studios is on the look for new writers and directors. The hope is that the new team will align better with the original intent behind all Marvel’s projects which is to respect the source material.

    Updating…

    Source: THR

  • The Ultimate List of What to Watch Before ‘The Marvels’

    The Ultimate List of What to Watch Before ‘The Marvels’

    Marvel Studios’ third and final theatrical release of 2023, The Marvels, opens in theaters on November 10th. Since the title was revealed, fans have questioned why the studio wasn’t branding it a Captain Marvel sequel and the answer is pretty simple: The Marvels is more than a sequel to the 2019 Brie Larson vehicle. While Larson returns as Carol Danvers, she’s sharing the stage with Iman Vellani and Teyonah Parris and The Marvels is as much a follow-up to the respective introductions of those characters in Ms. Marvel and WandaVision as it is the next chapter in Carol’s MCU story. For fans, that means your refresher course is a little more robust than for the average sequel…and it’s time to get started! As always, we’ve done the work for you and proudly present the Ultimate List of What to Watch Before The Marvels!

    Tier One

    If you’re short on time and want it boiled down to the minimum amount of prep that it’s going to take to enjoy The Marvels fully, you’ll want to carve out time the time on your schedule to watch the following 3 projects:

    Captain Marvel

    Though it’s not called Captain Marvel: Subtitle, The Marvels will very much deal with the fallout from Carol Danvers’ actions in the 2019 box office darling. Carol tore the Kree Empire a fresh one and took out their brightest and best with minimal effort. All these years later, things are going so well on Hala and Carol’s bill is about to come due. And, don’t forget, Captain Marvel is Nick Fury’s MCU origin story, too…


    Ms. Marvel

    In some ways, Kamala Khan may just be more central to the story of The Marvels than any other character. If you’re really short for time, you could just watch the final post-credit scene with was shot during production on The Marvels. However, you might want to catch back up on a little of the lore behind Kamala’s bangle and some of what makes her tick.


    WandaVision

    Finally, The Marvels also continues the story of Monica Rambeau. While you can catch up on her early days and her relationship with Carol by rewatching Captain Marvel. The last time Monica was seen on screen in the MCU, she had only recently become powered up and was just starting to get a handle on her impressive new skill set. Both those parts of her past will play prominent roles in The Marvels.

    Tier Two

    While Tier One projects should be considered non-negotiables as part of any rewatch, Tier Two projects should just be considered supplemental. If you have time to fit these three projects into your schedule, you’ll feel a little more satisfied contextually when you sit down in theaters to watch The Marvels.

    Avengers: Endgame

    Though she doesn’t take up a major chunk of screentime in it, Avengers: Endgame establishes that Carol kept very busy in the galaxy since Captain Marvel. It also makes it clear that she’s one of the most powerful heroes in the galaxy. But has she been so busy that she forgot about the people closest to her?

    Secret Invasion

    The events of this Disney Plus streaming series will probably have a whole lot less to do with what happens in The Marvels than you think but it is absolutely relevant if for nothing more than it served as a bridge for Nick Fury to get back in action. Fury is front and center in The Marvels and back to that “old Nick” the Secret Invasion writers bludgeoned you to death with.

    Thor: Love and Thunder

    Why is this on the list? If you’re brave enough to rewatch Thor: Love and Thunder and have paid attention to rumors about The Marvels, you’ll be able to figure it out.

    Tier Three

    For the completists out there only. Realistically, having watched these projects once should provide all you’ll need to enjoy any characters or residual plot points in The Marvels; however, rewatches aren’t all about pragmatism! These are listed in chronological order for your viewing pleasure.

    The Nick Fury stuff speaks for itself: the man plays a major role in Carol’s life and she in his.

    The rest of these projects…take your best guess. This is a rewatch guide not full spoilers!

    Captain America: The First Avenger

    Iron Man

    Iron Man 2

    The Avengers

    Captain America: The Winter Soldier

    Avengers: Age of Ultron

    Thor: Ragnarok

    Loki

    Doctor Strange in the Multiverse of Madness

    Hawkeye

  • Matt Shakman Expects ‘Fantastic Four’ to Film Next Spring, Calls It “Unlike Anything at Marvel”

    Matt Shakman Expects ‘Fantastic Four’ to Film Next Spring, Calls It “Unlike Anything at Marvel”

    The WGA and SAG strikes shut down Hollywood for several months and in the absence of genuine news, a deluge of liquified bullshit ran wild. Marvel Studios long-gestating Fantastic Four was the subject of many such rumors, including one that indicated director Matt Shakman had departed the project. It looks as though that rumor–like many of the other rumors that have made the rounds since July–has been dispelled as Shakman provided an encouraging update on the project in an interview with Collider.

    From the sounds of the interview, it seems unlikely that there was ever any chance of Shakman bailing on Fantastic Four. “Absolutely having a great time,” said Shakman when asked how his work on Marvel Studios First Family project was going. “It’s a dream of mine to be able to work on that. I’ve loved those characters since I was little. It’s such an awesome world to be in,” he explained. “The script is awesome, the characters are brilliant. I’m super excited. I’m obviously very happy now that the writers’ strike has resolved in such a good way, and we’re able to reunite with Josh Friedman, our amazing screenwriter. I’m really hoping for a fair and equitable resolution to the actors’ strike soon, too. Keeping our fingers crossed. But we’re going! We’re a snowball heading downhill. It’s awesome. It’s got a lot of momentum. It’s really fun.

    After updating the post-WGA status of the script, Shakman revealed that the project will be ready to go in front of cameras in 2024, “probably in the spring” at Pinewood Studios in London. The director also explained that the film should be able to make its projected start date because while the WGA and SAG strikes were ongoing, work continued with visual effects and production design crews to build the right mix for the world that the Fantastic Four will inhabit.

    We have been nonstop. Despite the strikes, yes, we’ve been working with the effects and with production design and building our world, and that’s been incredibly exciting. You know, how do you translate those skills into live-action in dynamic ways? Because some things that work beautifully in John Byrne and Jack Kirby are a little tougher when you’re filming them. How do you make sure that things are exciting but also grounded in a scientific thing, which is also part of the Fantastic Four that I love? There’s some stuff I’m super excited about. I can’t say too much, you know?

    Matt Shakman on the world building of his Fantastic Four film

    While Shakman couldn’t give any updates on casting, he was pleased to heap more praise on the new script. “It’s different in so many ways,” Shakman said of Friedman’s rewrite. “I wish I could be specific. I wish I could say more. But we are doing things very differently from a story standpoint, from an approach to the filmmaking standpoint, that really fits the material. I wish I could say more. I would love to, but I can’t. But I think it’s going to be unlike anything you’ve seen before, and certainly unlike anything at Marvel that you’ve seen before.” Given the importance of this project not only to the Multiverse Saga but the continued health of the MCU, setting it apart not only from previous big-screen iterations of the team but other teams already in place is perhaps the most encouraging update fans could have hoped for.

    Fantastic Four should hit theaters in 2025.

    Source: Collider

  • Synopsis, New Characters Revealed for Marvel Studios ‘Ironheart’

    Synopsis, New Characters Revealed for Marvel Studios ‘Ironheart’

    After debuting in 2022’s Black Panther: Wakanda Forever, Dominique Thorne’s Riri Williams is set to take on her own solo adventure in the Disney Plus streaming series Ironheart. While a new listing at the U.S. Copyright Office points to it being quite a while before that series hits the streamer, some new information about the series has come to light.

    Though it’s not set to stream for another 2 years, a new synopsis for Ironheart–along with some additions to the main cast–provides a little more insight into what to expect. The series is described as one “in which charming teenage super genius Riri Williams (Dominique Thorne) returns from MIT to her hometown of Chicago in her iron suit and begins to unravel threads that bring danger and adventure to her doorstep.” While it doesn’t give away much, the synopsis does at least place the setting of Ironheart AFTER the events of Wakanda Forever, clearing up a subject about which there had been some debate.

    The filing also fills out the series’ cast a bit more though it’s not quite as revealing as a similar filing that was made for Daredevil: Born Again. Solo: A Star Wars Story’s Alden Ehrenreich is listed as Joe McGillicuddy which is almost certainly an alias or throwaway name as it’s widely believed the actor had been cast as Ezekiel Stane, the son of Jeff BridgesIron Man villain, Obadiah Stane. Manny Montana (Cousin John) and Shea Couleé (Slug) look to be members of the crew of Anthony Ramos’ Parker Robins with Couleé likely a version of Marvel Comics Ulysses Lugman and Montana a version of John King, the actual cousin of Robbins.

    Anji White looks to be portraying Riri’s mother, Ronnie, while Lyric Ross looks to be taking on the role of Riri’s best friend, Natalie, who was shot and killed in front of Riri when she was 13. The Many Saints of Newark actor Matthew Elam is listed as Xavier Washington, who seems to be an original character and may end up as a love interest for Riri. Interestingly enough, Regan Aliyah, who joined the cast in August of 2022 and was rumored to be set to portray Zelma Stanton, is absent from the cast list.

    Despite their efforts to conceal his identity here, there’s really no mystery to Sacha Baron Cohen’s “mystery man” as it’s been widely reported he will be portraying Mephisto. His presence–and that of the Hood–sets up Ironheart as a unique magic vs. science that should thrill fans when it arrives in 2025.

  • ‘Daredevil: Born Again’ Gets a New Synopsis and Interesting Character Additions

    ‘Daredevil: Born Again’ Gets a New Synopsis and Interesting Character Additions

    After getting off to a very public start of production in New York City, Daredevil: Born Again moved out of the eye of the public for some time before being shut down in the midst of the WGA strike. With the resolution of that strike and some good vibes being generated around a settlement of the SAG strike, the big wheel is starting to spin again at Marvel Studios and some new information about the anticipated series has come to light.

    Thanks to the discovery of a US Copyright filing, a new synopsis for the Disney Plus streaming show has been made public as well as some incredibly interesting additions to the cast.

    In the filing, Daredevil: Born Again is described as a story that sees “longtime rivals Matt Murdock (Charlie Cox) and Wilson Fisk (Vincent D’Onofrio) try to leave behind their darker alter-egos to serve the people of New York only to have their pasts catch up to them.” Given all the uncertainty about just how this series ties to Netflix’s Daredevil, it’s eye-catching to see Murdock and Fisk described as “longtime rivals.”

    The synopsis may be the least interesting bit of information found in the filing, however, as it not only confirms quite a few rumored castings but also reveals several actors and characters with major Marvel Comics ties. Confirmed are the castings of Margarita Levieva as Heather Glenn and Nikki M. James as Kristen McDuffie, each of whom was a love interest of Murdock’s in the Marvel Comics. Of major interest is the listing of Michael Gandolfini as a character named Daniel Blade, Arty Froushan as Buck Cashman and Genneya Walton as BB Urich.

    It has been rumored that Gandolfini is playing a young Wilson Fisk in flashbacks and “Daniel Blade” is not an existing Marvel Comics character, so there could be some alias work at play there. While Buck Cashman, a superpowered government special operative, has over 30 appearances as a supporting character in Daredevil comics, the most interesting name of the group is BB Urich. While there’s no BB Urich in the pages of Marvel Comics, it’s possible that Walton could be playing the daughter of Ben Urich, one of Daredevil’s most important supporting characters in the comics who was played by Vondie Curis-Hall in the Netflix Daredevil series. Urich was killed by Kingpin in that series so if Walton were to be playing his daughter, her inclusion may well line up with the idea of Fisk’s past catching up with him.

    Whatever the case, the filing also indicates the show isn’t expected to stream until January 2025 at the earliest which means fans will have a long wait to find out exactly what’s going on in Daredevil: Born Again.

  • Potential Release Dates Emerge for Marvel Studios Delayed Streaming Series

    Potential Release Dates Emerge for Marvel Studios Delayed Streaming Series

    The recently resolved WGA strike and the yet-to-be-resolved SAG strike have taken a toll on Marvel Studios’ streaming plans. Streaming series such as Daredevil: Born Again and Wonder Man were forced to shut production down which began a game of dominoes with the once robust slate of programming. Without a solid idea of when series would resume production, much less complete it, the studio began to reshuffle its plans to make sure consumers would have something to consume in 2024. As a result, Echo, a finished product, was bumped out of November 2023 and into January 2024 and other series’ release dates, such as those for Agatha: Coven of Chaos and Ironheart, faced some serious uncertainty. Now, as the future of production schedules begins to become a bit clearer, some clarity around the release of these projects may have gained some clarity as well.

    According to multiple filings with the US Copyright office, originally found by @ScarletWitchUpd, Marvel Studios has begun to plan out their 2024 and 2025 streaming schedules a little more specifically.

    While these dates must certainly continue to be taken as tentative for the time being, it seems the current plan is to release the first episode of Agatha: Darkhold Diaries on September 29, 2024, the first episode of Daredevil: Born Again in January 2025 and the first episode of Ironheart on September 3, 2025. The late 2025 release date for Ironheart comes as quite a shock considering principal photography on the series wrapped in November 2022 and a good deal of footage was shown off at D23 2022 in Anaheim.

    If these dates should hold–or even be relatively accurate–it also speaks volumes about Marvel Studios plans for series such as Wonder Man and Vision Quest. As it stands, it would seem that neither of those two series would be on the books before 2026. Given the studio once had eight unannounced series (of which Wonder Man and Vision Quest were two) set to stream between the Fall of 2024 and the Summer of 2025 it will interesting to see just how much fat has been trimmed from the slate since Bob Iger returned.