Author: Jared Kirschenbaum

  • 20th Century’s New ‘Alien’ Movie Adds Isabela Merced

    20th Century’s New ‘Alien’ Movie Adds Isabela Merced

    Deadline has revealed that actress Isabela Merced has been added to the newest film in Ridley Scott‘s Alien franchise for 20th Century. As is per usual, the film’s plot and placement on the Alien timeline is still a mystery. Fede Alverez, known for his work on 2016’s thriller Don’t Breath and 2013’s Evil Dead remake, will direct the picture with Scott Free Productions on board to produce.

    Reports claim Scott Free and 20th Century Studios have made this project a top priority after being impressed by a pitch from Alverez. They also hint that the Xenomorphs, the ferocious species of extraterrestrials introduced in the original 1979 film, will be featured. While no exact date is given, the film is rumored to begin production sometime this year.

    Merced rose to fame in 2018, starring alongside Mark Wahlberg and Rose Byrne in Instant Family. She achieved leading status over the past few years, most recently starring as Juliet in the 20th Century’s revisionist Romeo & Juliet tale, Rosaline. Merced has also had roles in Sweet Girl, Spirit Untamed, and Warner Bros.’ Father of the Bride remake, before landing the leading role of Aza Holmes in the upcoming film adaptation of John Green‘s New York Times best-selling novel Turtles All the Way Down for HBOMax.

    The young performer has also booked a part in one of Sony’s upcoming Marvel pics, Madame Web. It is unknown who Merced might be playing in the next Alien film, but Deadline states she will co-star alongside the previously announced Cailee Spaeny. So, we don’t know yet if we’ll meet a new member of the Ripley family or a story that moves further away from the originals.

    Source: Deadline

  • Rob Huebel Joins Disney+’s ‘Goosebumps’ Series

    Rob Huebel Joins Disney+’s ‘Goosebumps’ Series

    According to Variety, Disney’s live-action Goosebumps series has added Rob Huebel to its cast in a recurring guest star role. The outlet states that Huebel will play a character named Colin, who is the father of Isa Briones‘ Margot. The character is described as “a well-intentioned high school guidance counselor who is about to discover the world is a lot bigger and scarier than he ever imagined.”

    Huebel is perhaps best known for his work on the show Children’s Hospital, for which he was nominated for an Emmy. He has also appeared in I Know This Much Is True, The Goldbergs, and The Sex Lives of College Girls. On the film side, he has starred in films such as The Descendants, I Love You Man, and Seeking a Friend for the End of the World.

    The live-action series is said to follow a group of five high schoolers who accidentally unleash supernatural forces upon their town. In order to save the town, they will all need to work together, learning much about their own parents’ teenage secrets in the process. This will mark the second time that the Goosebumps books have been adapted for television, as there was a series that aired between 1996 and 1998. However, unlike that series which took an anthology approach, the Disney+ series will focus on five of the most popular Goosebumps books.

    Huebel joins Briones, as well as previously announced cast members Ana Yi PuigMiles McKenna, Will PriceJustin LongZack Morris, and Rachel HarrisNick Stoller and Rob Letterman will act as the executive producers and are the co-creators of the Disney+ series adaptation. Neal H. Moritz, who was a producer on the 2015 and 2018 films, is also attached as an executive producer.

    Source: Variety

  • Disney+’s ‘Percy Jackson’ Finds its Zeus and Poseidon

    Disney+’s ‘Percy Jackson’ Finds its Zeus and Poseidon

    With production currently underway in Vancouver, Disney+’s Percy Jackson and the Olympians, based on the novels by Rick Riordan, already has quite the cast with Walker Scobell as Percy, joined by Aryan Simhadri‘s Grover and Leah Sava Jeffries‘ Annabeth. Some other impressive actors set to appear in the project are Jessica Parker Kennedy, Olivea Morton, Jason Mantzoukas, Lin-Manuel Miranda, Jay Duplass, and Timothy Omundson. And now, it seems the series has found two more major additions that will surely have fans of the books excited.

    Variety has revealed that the series has cast The Wire and John Wick actor Lance Reddick as the Disney+ shows’ version of Zeus. Per the official character description, “The all-powerful god of the sky and leader of Mount Olympus, Zeus is tempestuous and mistrustful. He’s promised to wage a war if his stolen thunderbolt is not returned.” Lost in Space and Black SailsToby Stephens will take on the role of Poseidon, god of the sea and Percy’s absent father, with whom Percy shares many qualities. Per the official character description, “Though he has stayed away throughout Percy’s life, his deep feelings for his son (and Percy’s mother, Sally) are evident.”

    The casting is definitely exciting and it does seem like Disney is all-in with the project. It has yet to be seen if Disney will start working on a second season or wait it out until viewership numbers are in, but the cast is already quite promising and will ensure that the adaptation stands out from the original films.

    Percy Jackson and the Olympians is currently aiming to release its first season in early 2024.

    Source: Variety

  • ‘Hereditary’ Star Alex Wolff Joins ‘A Quiet Place: Day One’

    ‘Hereditary’ Star Alex Wolff Joins ‘A Quiet Place: Day One’

    Alex Wolff, breakout star of horror movies such as Hereditary and Old, has joined the cast of A Quiet Place: Day One, a prequel spin-off to John Krasinski‘s acclaimed horror franchise. Wolff is set to star opposite Stranger Things and Black Panther favorites Joseph Quinn and Lupita Nyong’o, who both boarded the project in November of 2022. Day One will be directed and written by Michael Sarnoski, who recently worked with Wolff on the indie hit Pig, for which both received much praise. The film will be the first entry in the Quiet Place pantheon not to be helmed by Krasinski himself. While nothing is publicly known about the film’s plot, its story is reportedly set to be based on an idea from Krasinski that will help set up a full-blown Quiet Place cinematic universe for the future.

    Also in development is third film in the original franchise, titled A Quiet Place III, with Krasinski back to direct. However, that film will be an entirely separate project from Day One. Neither Krasinski nor fellow franchise star Emily Blunt are expected to reprise their roles from previous films. But for now, fans can rest easy knowing that the future of the Quiet Place franchise rests on the more than capable shoulders of talents like Wolff, Quinn, and Nyong’o.

    A Quiet Place: Day One is set to hit theaters on March 8th, 2024. Currently undated, A Quiet Place III is set to release sometime in 2025.

    Source: Above the Line

  • ‘Robot Chicken’ Writer Among Those Credited For ‘The Marvels’ Script

    ‘Robot Chicken’ Writer Among Those Credited For ‘The Marvels’ Script

    According to Marvel Studios, via a new official press release for The Marvels, Zeb Wells is confirmed to be one of four writers credited with penning the film’s script. Wells joins the previously announced Megan McDonnell who served as a staff writer and story editor on WandaVision. Additionally, Elissa Karasik, a staff writer and executive story editor on Loki has also been given a writing credit on the film, as well as the film’s director Nia DaCosta.

    Like both McDonnell and Karasik, Wells is no stranger to the Marvel Cinematic Universe. He is credited with writing Episode 7 of She-Hulk: Attorney at Law, “The Retreat,” and is the head writer and executive producer on the upcoming Marvel Zombies animated series. Wells is also the creator of the adult stop-motion animated sitcom SuperMansion and was a writer and director for Robot Chicken, for which he won an Emmy. Wells has also written numerous titles for Marvel Comics, including Civil War: Young Avengers/Runaways, Heroes for Hire and various Spider-Man titles.

    Considering his comedic background, Wells‘ involvement would seem to suggest that the Captain Marvel sequel might be taking a rather humorous turn. However, tonal shifts have been seen before and executed well in MCU sequels such as Thor: Ragnarok and Captain America: The Winter Soldier. Both of those tonal shifts resulted in incredibly successful sequels and The Marvels looks to have a chance to follow that trend. Fans will just have to wait and see once The Marvels is released in theaters on July 28, 2023.

    Source: MCU – The Direct

  • Lance Reddick Joins ‘John Wick’ Spinoff ‘Ballerina’

    Lance Reddick Joins ‘John Wick’ Spinoff ‘Ballerina’

    Lionsgate’s John Wick spinoff, Ballerina, has added Lance Reddick to its cast. The news was revealed by The Hollywood Reporter with the outlet reporting Reddick will reprise his role as Charon, a concierge at the Continental. He will star opposite leading lady Ana de Armas, as well as Angelica Huston and Ian McShane. The film follows a young woman with killer skills who uses said skills to get revenge when her family is killed by hitmen and is set within the John Wick cinematic universe.

    Reddick has appeared in every John Wick film to date as Charon and reprises the character once again in John Wick: Chapter 4. Outside of the John Wick universe, Reddick has recently appeared in such titles as the final season of Bosch as Deputy Chief Irvin Irving and Netflix’s Resident Evil series. Reddick also has roles in upcoming projects, such as Shirley, starring opposite Regina King, and Kenya Bariss‘ White Men Can’t Jump remake.

    The movie is being produced by John Wick director Chad StahelskiBasil Iwanyk, and Erica Lee. The project is being overseen by Brady Fujikawa and Chelsea Kujawa for Lionsgate. Production on Ballerina is currently underway, with Len Wiseman (Underworld) directing from a screenplay by Shay Hatten (John Wick: Chapter 4). As of now, the film does not yet have a release date.

    Source: THR

  • ‘Joker: Folie à Deux’ Cinematographer Provides Update on Production Start

    ‘Joker: Folie à Deux’ Cinematographer Provides Update on Production Start

    It was quite the surprise when a sequel to 2019’s Joker was suddenly announced by Warner Bros. Discovery, especially considering the current reshuffling of the studio’s DC universe. Nonetheless, when it was announced that the film would see the return of Joaquin Phoenix as the titular character, and act as a musical with Lady Gaga taking on the role of Harley Quinn, anticipation certainly grew. Now, in the latest episode of The Hollywood Reporter’s Behind the Screen podcast, cinematographer Lawrence Sher provided an update for when production will start on Joker: Folie à Deux.

    According to Sher, the Joker sequel – which is once again being directed by Todd Phillips, from a screenplay he penned with Scott Silver – will begin filming “in five- or six-weeks’ time.” Additionally, the film will “largely be shot in sound stages in Los Angeles, as well as on location in New York, where the project is set.”

    Joker: Folie à Deux is shaping up to be one of DC’s most curious sequels. Phoenix and Gaga will be joined by Brendan Gleeson, Catherine Keener, Zazie Beetz, Jacob Lofland, and Harry Lawtey. And while not confirmed, it’s rumored that the sequel will be told from Harley Quinn’s point of view. The film is also expected to be set in Arkham Asylum and take cues from the Mad Love comics storyline.

    Joker: Folie à Deux is set to hit theaters on October 4, 2024.

    Source: The Hollywood Reporter

  • Why ‘She-Hulk’ is Marvel’s Best Disney+ Series

    Why ‘She-Hulk’ is Marvel’s Best Disney+ Series

    Even before She-Hulk: Attorney at Law premiered on Disney+ this past August, the internet has had no shortage of jabronis voicing their complaints about the show. There has been so much media made about how She-Hulk is the worst TV show ever. All this negativity toward She-Hulk has led to some giving up on the show. However, with the final episode premiering later this week, now is the perfect time to get back on board so you can see what you’ve been missing, because She-Hulk: Attorney at Law is the best Marvel Cinematic Universe Disney+ show.

    She-Hulk is the First Marvel Disney+ Show That Knows How to be a Show

    There’s something to be said for a piece of media effectively utilizing the medium in which it exists. A common complaint among the Marvel Disney+ shows is that they feel like movies cut up into 6 pieces and thrown on Disney+. In some cases, it’s a fair criticism. Frequently, the episodes don’t feel like their own concise story, so while the episodes can be separated by certain storytelling functions or a change in location, it still feels like The Falcon and the Winter Soldier, Hawkeye, or even Ms. Marvel could’ve been better served by cutting out a bunch of the fluff and editing the entire story into a 2-hour long movie. Only What If…?, WandaVision, and Loki had done this right previously, but She-Hulk might be the best at it specifically because unlike What If…?, WandaVision, or Loki, She-Hulk is very explicitly a sitcom.

    Part of the charm of a sitcom is that while there are big, season-long arcs – like Diane warming up to Sam in Cheers or Mac getting fat in It’s Always Sunny in Philadelphia – the episodes themselves are largely disconnected and can be watched out of order. Once everything was set in motion, starting with episodes 3 and 4, the creatives on She-Hulk really managed to hit that balance. That balance can be pretty effectively highlighted by focusing on the legal aspect of the series. Every episode is another case. Every case presents a new challenge, introduces a few new characters, and after 22 minutes, everything is neatly wrapped up. Someone could watch episode 1 and then skip to episode 4, and they’d mostly get it.

    Some people don’t like this disconnect at the heart of the show, but it’s a feature, not a bug, and whether one likes everything about She-Hulk or not, it’s hard to deny that it’s living up to the promise of a superhuman law sitcom. If you don’t like the idea of sitcoms, then this was never going to work for you, but it’s difficult not to appreciate how She-Hulk is the first MCU show that has embraced the sitcom format.

    She-Hulk Expands on the MCU in Interesting Ways

    She-Hulk has introduced so many characters and concepts with barely any legwork. This can be attributed to the fact that She-Hulk is the first MCU show that is explicitly about a character dealing with the superhuman side of the universe that audiences don’t really see. Moon Knight had Egyptian gods. Ms. Marvel had Clandestines. They did not have, for instance, a sorcerer just show up; it wouldn’t have made sense and that’s fine. Thematically, it is consistent with the scope of the story. But it’s pretty wild that even though Earth is full of aliens, Asgardians, and all sorts of gods and enhanced people, outside of the Shang-Chi cage fight, there has not been an earthbound project where characters just bump into something weird or acknowledge the weirdness in the rest of the world. She-Hulk is the first MCU show to properly acknowledge the Celestial in the middle of the ocean – that’s incredible because one problem with Phase 4 is that – apart from Wong – it’s felt sort of disconnected. There aren’t those little moments where Coulson mentions a thing he has to deal with that signals to the audience that Thor also exists in this world, or where Bruce Banner name-drops Wakanda. Moments like those are necessary to keep everything balanced outside of the big team-up movies and ground the world in some shared reality, even if it is a weird one.

    Phase 4 has done a fair amount of world-building, but it was almost always providing context to past events from the last few phases, like Kamala telling the audience about the end of Avengers: Endgame or Hawkeye watching “Rogers: the Musical.” Fans have gotten plenty of context for things in the past, but what about the very recent past? There have been so many world-altering events that never get mentioned. Did anyone else experience the time Mr. Knight and Khonshu turned back time in the sky, or that kaiju fight from the end of the series? Those are examples just from Moon Knight. Nobody has brought up the Gargantos attack, any of the Statue of Liberty stuff, Hawkeye shooting goons in 30 Rock on Christmas, the Taskmaster chase, the attack on New Asgard, the Shang-Chi bus fight, and anything from Eternals…outside of acknowledging that Kingo exists. These things all happened in public, so the idea of a character who gets to react to them or a show that would not feel weird if it acknowledged them is a lot of fun.

    It’s clear that Phase 4 was jumbled by the pandemic. Lots of movies changed spots, so plenty of the direct references wouldn’t play, but a show like She-Hulk wraps a lot of that up at the end. It’s the last D+ project of 2022, so She-Hulk gets to be sort of a greatest hits of the phase. But even beyond that, She-Hulk’s world-building is really impressive because of how much the creatives trusted the audience. A Light Elf shows up – audiences have never seen or heard of them before, but the writers know if they look and act a specific way, audiences will infer that this is a Thor-related thing. Mr. Immortal just popped in for an episode. In the comics, he has the power to live forever and was the leader of the Great Lake Avengers at one point. This version of the character was certainly a different take on the hero, but it fits into the universe well. It’s great that they can do characters like this without explanation; it just makes the world feel so much bigger.

    Jennifer Walters is an Interesting and Likable Character

    There has been a lot of discourse pertaining to whether Jennifer Walters is an interesting character or not. Many seem to believe that Jen is not an interesting character because she has no flaws – she never does anything wrong and dismisses Bruce, her kind, older cousin. However, this is a wild misreading of the entire series. Jen’s biggest flaw is that she’s sort of arrogant – just like Tony Stark, Thor, Peter Quill, or Stephen Strange before her. Jen believes she’s will be better at being a Hulk than she actually is and dismisses people offering her help…that is, until she doesn’t. Though it does remain to be seen if Jen will learn her lesson by the end of episode 9, perhaps the other lawyer superhero will have something to say about the whole work/life balance thing.

    Another great element about Jen’s character is that she really feels like an adult. The idea of having to go on bad dates or attend a chaotic wedding is really relatable. That’s why the conversation that Jen has with Bruce in the beginning of Episode 1 feels apt. Jen talking about how Steve Rogers never got to have sex is both a fun conversation that all nerds have had at some point, but also an acknowledgment that the MCU’s second lead character never got to just slow down and date – at least, not so far as audiences have seen. She-Hulk exploring that is refreshing, especially since Tony Stark being a little playboy was one of the things that drew people to the MCU. Just like Tony, Jen has a sense of humor and feels human.

    And similar to how they’ve explored relatable adult relationships with Tony Stark, Thor, Peter Quill, and Stephen Strange, Jen and all of her supporting characters are great. The group dynamic between Jen, Nikki, and Pug is a lot of fun, and so are the little Nikki and Pug side adventures. What they’ve done with Mallory Book – a character who plays an important role in the Dan Slott comic run from 2004 – is also commendable. Additional standouts are Jen’s family, Wong and Madisynn, and Lulu, played by Patti Harrison.

    With She-Hulk coming to an end, give it a look with a pair of fresh eyes and appreciate it for what it is: a sitcom that’s grown the MCU in a creative way.

    The 9th and final episode of She-Hulk: Attorney at Law releases on Disney+ Thursday, October 13th.

  • Stephen King’s ‘Fairy Tale’ Adaptation Moving Forward at Universal

    Stephen King’s ‘Fairy Tale’ Adaptation Moving Forward at Universal

    According to The Hollywood Reporter, Universal has won the bidding war for the film rights to Stephen King‘s latest bestselling novel, Fairy TalePaul Greengrass is attached to direct the project, as well as produce alongside Greg Goodman. Best known for directing three of the five Bourne films, Greengrass also directed Captain Phillips, which was nominated for six Oscars, including best picture. He also recently worked on News of the World with Hanks. Last month, Deadline reported that Greengrass was up for the job, with King‘s admiration of Greengrass‘ previous films being what led to him getting his hands on the project.

    Published on September 6, 2022, Fairy Tale combines fantasy with coming-of-age themes to tell the story of a 17-year-old boy who discovers a portal to another world. Soon enough, the teen, accompanied by a very special dog, finds himself on a perilous adventure featuring deserted castles, child-eating giants, and as usual with King, unspeakable evil.

    Film adaptations Stephen King‘s works have seen quite a new resurgence after the success of 2017’s It. The latest King story to be adapted is Mr. Harrigan’s Phone, which debuted on Netflix on October 5. Netflix has become quite popular as a home for various adaptations such as 1922 and Gerald’s Game, but Universal’s strong relationship that Greengrass won the studio the bid.

    Source: The Hollywood Reporter, Deadline

  • 1 of These 3 Children of Logan Should Become the MCU’s Wolverin

    1 of These 3 Children of Logan Should Become the MCU’s Wolverin

    Wolverine is one of the most popular comic characters of all time. Given the character’s long life, it is no surprise that there are more than a few successors to the Wolverine mantle kicking around in Marvel Comics. And with the recent announcement that Hugh Jackman will be returning to the role once again in Deadpool 3, now is as good a time as any to look at the most prominent of Wolverine’s “children” that could be adapted into the Marvel Cinematic Universe. Right off the bat, there are quite a few “mini-Logans” running around in the comics. So many that one was able to round up an entire team of Wolverine offspring called “The Mongrels.” The MCU shouldn’t bother with every single clone, but they should focus on a few. However, 3 of Wolverine’s kids from the comics are primed to make an appearance in the MCU. Starting with…

    Laura Kinney, aka X-23/Wolverine

    Laura is a weapon, but she does not have to be. She’s basically a second shot at Wolverine. On the comics side, a group known as “The Facility” wanted to recreate Weapon X by cloning Logan. In the real world, Laura was a shot at giving audiences a younger Wolverine who could be hip and cool with the kids. In her short time as a comic character, Laura Kinney has gone by many names. She has been known as Wolverine, X-23, and even Talon for a while. She actually debuted on X-Men: Evolution (the best show) as a young clone of Wolverine seeking out her progenitor. Laura is the mutant “Pinocchio.” She was created for a single purpose: to be the assassin for The Facility, the ultimate killing machine. But like Pinocchio, she wants to be a real person. So, she cut her strings and found her humanity.

    Laura is sad – her short life has been filled with trauma. The Facility broke her spirit and tortured her, all so Laura could be the perfect killer without any physical attachments. So, when she escaped, Laura realized that her childhood was taken from her. In spite of this, Laura is surprisingly well-adjusted; more so than Logan was at her age. Part of this has to do with her loving mother that sort of raised her, but it’s probably largely attributed to her relationship with Logan and the rest of the X-Men. Laura does not have these centuries of trauma that come with Logan, so she’s able to change and grow.

    Laura played a part in the X-Force, Avengers Arena, and currently is representing all of Krakoa as a member of the X-Men. And when Logan was killed, Laura took up the mantle as the All-New Wolverine. Laura is also not necessarily one-of-a-kind. She’s the 23rd clone of Wolverine, but there are a few others that popped up out of the woodwork. Four found Laura during the all-new Wolverine storyline. Three were perfect copies, and one was a younger version known as Gabby. But Laura helps the clones like family and is able to be an older sister to Gabby once all the clone business is finished.

    But Laura is not without her issues. A big one comes from something known as the “trigger scent.” Obviously, Laura can be violent under the right circumstances. She is, after all, a clone of Logan. But Laura’s creators gave her a physiological reaction to a specific scent. She’s programmed to destroy anything bearing that scent. This was originally perceived as a way to make her more emotionless and more of an assassin, but it has been used by her more sadistic enemies to just mess with Laura; dumping the smell on an entire town or even a friend. It’s a doomsday scenario for Laura. She even killed her mother after her mother was tagged with the scent. This causes Laura extreme emotional pain, although she has gotten over the scent recently. Just like Pinocchio, she’s got no strings on her.

    Previously, Dafne Keen played Laura in Logan, and there is so much to like. Most notably, she was angry and psychotic, ripping the Reavers to shreds; that’s very Laura. The biggest liberty they took with Laura was her age as she’s traditionally a bit older. It’s unclear canonically how old, but she’s at least maybe in her late teens. So, Laura played by an actor who was around 10 when they filmed was a bit of a stretch. Her age puts her a little closer to Laura’s sister Gabby. But the spirit and character of Laura were there. She was angry, sad, and wanted a family. There’s a strong case to be made for bringing back Dafne Keen. Audiences loved Keen in Logan. She’s a young star on the rise, is used to physical roles like in Logan (which is incredibly important), and has a real edge. She is able to get angry in that classically Wolverine way. And it would be a fun way to acknowledge that Hugh Jackman did pass the torch to Keen in the movie.

    Akihiro, aka Daken

    Akihiro is a bad boy. Daken is like Wolverine, but angsty, vengeful, and sexy. Now, there are 2 Akihiro’s that exist in the comics, or more appropriately there’s Daken and Akihiro. Daken is the edgy and evil son-villain, while Akihiro is the superhero. When the character was originally introduced, he was called Daken; it’s a slur in Japanese that translates to “mongrel.” He went by that for a very long time. Only recently has Akihiro caught on as the generally accepted name for the character.

    Akihiro is Logan’s son, born from a relationship with a woman named Itsu. Unlike Laura or Gabby, he is not a clone. Itsu was killed and it was assumed that her child also died since it was never born. But the child’s incredible healing factor let it survive outside the womb. The child was taken by Romulus, that archenemy that’s been pulling all of the strings in Wolverine’s life; the architect of all his pain. Unfortunately, for one to understand the character of Akihiro, Romulus, a villain that should not be acknowledged further, must be touched upon. Romulus dropped the baby off with a Japanese family, and that was that. Until his adopted family imploded when Akihiro found out his mom did not love him, and killed their newborn baby and his adopted mother before his adopted father committed suicide. This is what the Akihiro comics were like in the 2000s (SO edgy).

    Then Romulus came back. Romulus is some ageless wolf-man who has existed since the dawn of humanity. He is the same Romulus who founded Rome, and he is particularly obsessed with Logan because of the whole wolf thing. Romulus raised Akihiro with the hopes that Akihiro would defeat his father Logan and take Romulus’ place at the top of the food chain (it’s very dumb). But from that point on, Akihiro was the dark Wolverine trained by Romulus and manipulated to believe Wolverine killed his birth mother when it was actually (fun fact) Bucky, the Winter Soldier. But, Akihiro spent the next 50 years training and preparing to meet his father and avenge his mother.

    This version of Akihiro is very much a 2000s, edgy, emo version of Wolverine with a mohawk and tattoos, who does bad stuff because he loves to be bad. It really doesn’t work, probably due to the fact that he is very predictable and silly in that way. The more interesting secret Logan-child running around is Laura, and when her story is put next to Akihiro’s, it just makes his look dumb. He’s just doing what she did, but edgier, and constantly being manipulated by villains like Romulus, Mystique, Ms. Sinister, Norman Osborn, and even just some actor named Marcus Ralston. He’s sort of a dummy. Yes, he’s a very clever tactician with lots of plans and schemes, but it takes a while for Akihiro to really feel like his own character, with agency and personality outside of all the Romulus revenge stuff.

    Over time, Akihiro worked with Logan and Laura, but it was not until the recent comics on Krakoa that Akihiro became someone unique. He is still Wolverine’s son and still in his shadow, and is still kind of a jerk, but he’s very serious now. He seems to have gotten over himself. A lot of that probably comes from making peace with his father, as well as Krakoa’s calming effect that makes all the villains a little less “villain-y.” However, the biggest difference is that the new Akihiro is like Wolverine, but sexy. Yes, Wolverine is plenty sexy. But, Wolverine is sexier than your average man. Akihiro is sexier than your average superhero. He is superhumanly sexy. Part of Akihiro’s mutant ability allows him to emit pheromones that can control the emotions of others, usually making them feel the way Akihiro does. Akihiro is also bisexual. Originally this was part of his schemes. He used sex as a way to get what he wanted and didn’t see partners as anything but a means to an end (boring). But since then, Akihiro has matured. In X-Factor, he has a flirty relationship with Aurora, and in Marvel’s Voices: Pride, Akihiro also has a fake lifelong relationship with Somnus, the new mutant who can control dreams. So, while Akihiro can be vengeful, that’s not enough in MCU. He also needs a personality. A great avenue for Akihiro could be that he’s just a super sexy mutant; the X-Men Mr. Steal Your Girl.

    Gabrielle Kinney, aka Honey Badger/Scout

    Gabrielle is a kid – the zoomer Wolverine. Gabby first showed up in All-New Wolverine back in 2016. In that storyline, Laura found out that even though she was the first successful clone of Logan, Laura was not the last. She tracks down a team of several clones, all of which looked exactly like her – except Gabby. Gabby is a younger clone and the younger sister of this group. Once all of the rest of the clone sisters are either liberated or killed, Gabby is the one that stays with Laura and becomes her adopted little sister. Gabby also has a pet – one of only a few X-pets besides Lockheed, Amazing Baby, and Jeff the Land Shark. In All-New X-Men #7, Squirrel Girl brings Laura a wolverine that Gabby adopts and names Jonathan. It’s adorable and it needs to be translated to live action.

    Gabby is optimistic, idealistic, and silly. Her powers are similar to Laura’s, with one big difference: Gabby – and all of her sisters – cannot feel pain, which, when coupled with a healing factor, is a huge plus. So, while she has lived a very tough life, Gabby is able to roll with the craziness of the X-Men life pretty well. She’s also sometimes known as “Honey Badger” or “Scout”, and that’s cool. New characters should be given new names. Or if legacy characters are given the original name, that name should not be given back to the original character. If Laura is Wolverine (which is great), Logan should now be Logan, otherwise, it is not a mantle – and it’s a pretty useless call sign.

    A case is made for each of three Wolverine children that would be best suited to show up in the Marvel Cinematic Universe. Once Marvel Studios establishes their own Logan, perhaps we’ll see all of them.