Author: Nicole

  • REVIEW: ‘Student Body’ Fails to Thrill

    REVIEW: ‘Student Body’ Fails to Thrill

    It’s hard to describe what Student Body is by the end of the film. While it tries hard to be terrifying and thrilling, it’s often predictable and frustrating with a very thin plot barely holding together. And yet, it’s not terrible. It’s not necessarily good, but it’s not necessarily bad, either. It’s the type of film that is easy to watch if you need a good popcorn flick on the couch, unfortunately, though it seems likely to not leave a lasting impression.

    Student Body is a horror thriller written and directed by Lee Ann Kurr. This marks Kurr’s feature film directorial debut, having previously helmed the TV mini-series, Wonder, as well as a couple of shorts. While the script does have its flaws, Kurr does do a good job at bringing out the best in the young cast. Where the film falls apart, however, is when it tries to make the leap into a horror film in its final moments. Up until that point, it’s the stereotypical high school flick that sees one student trying to fit in with the “cool kids.” It’s a cliché story, and one that would benefit from a unique plot. Student Body, unfortunately, lacks a unique story.

    Perhaps the easiest way to describe Student Body is by noting that it’s a story of obsession, one that tries to treat some of its subject matter with a sense of ease, but continually throws it in the viewers faces. It’s the typical high school film full of toxic friends, trying to fit in and trying to balance school and home. This one, however, just has murder thrown in to spice things up.

    This is a film that could have greatly benefited from a larger budget — perhaps to actually make it feel like a school with more than five students. It also could have benefited from a tighter and more cohesive story. Again, this isn’t to say the final product is terrible. It’s still an easy watch under two hours, and it does feature Christian Camargo as Mr. Aunspach, with the actor bringing his signature charm to the film. It’s just that, horror/thriller films need to be memorable if the story isn’t going to be tight. The score only managed to stand out in one scene near the end, proving to be otherwise forgetful throughout the rest of the film. The cinematography was lacking, especially in shots of the school. And the acting, at times, was subpar. Thankfully, though, those moments were few and far between. Harley Quinn Smith put everything she had into delivering a stern, yet vulnerable Nadia Parker, while Montse Hernandez shined as Jane Shipley.

    While Student Body wasn’t a favorite of mine, and one I probably won’t return to for future viewings, that doesn’t mean I’d encourage others to write it off. Give it a chance. It’s a quick film you can stream over the weekend while sitting at home. You may just enjoy the craziness that awaits.

  • ‘All of Us Are Dead’ Hits #1 on Netflix

    ‘All of Us Are Dead’ Hits #1 on Netflix

    A week after its release, All of Us Are Dead has hit a new milestone on Netflix.

    The Korean zombie drama has hit the top spot on Netflix’s Top 10 list. This marks the second Korean drama to do so as Squid Game took over the streamer’s Top 10 for weeks after its release, quickly becoming its most-watched original series ever. With Squid Game and All of Us Are Dead, Korea is now the first country to place multiple non-English language series atop Netflix’s U.S. daily Top 10.

    All of Us Are Dead tells the story of a zombie outbreak at a Korean high school. As the virus overtakes the city — and the school — the students find themselves desperately trying to survive the chaos. The series debuted on Netflix on Jan. 28th, taking exactly seven days to hit the top spot on Netflix’s Top 10. For comparison, that is three days behind Squid Game, which remains one of the streaming giant’s biggest titles to date.

    As it stands, a second season has not yet been ordered, although the ending of Season 1 does suggest a second season will follow.

    All of Us Are Dead is now streaming on Netflix. You can read our review here if you’re still unsure whether or not this zombie drama is worth a watch!

    Source: Deadline.

  • Six Cast Members Nearing Deals for ‘Criminal Minds’ Revival on Paramount+

    Six Cast Members Nearing Deals for ‘Criminal Minds’ Revival on Paramount+

    Wheels up, viewers. The Criminal Minds revival is breaking ground at Paramount+ as six cast members are nearing deals for their returns.

    Deadline announced on Friday that Paramount Plus’ forthcoming revival of Criminal Minds is slowly moving ahead. As it stands, a deal is still being made with executive producer/showrunner Erica Messer. However, cast members are nearing deals to return should the project officially move forward. Joe Mantegna, Kirsten Vangsness, Adam Rodriguez, A.J. Cook, Aisha Tyler and Paget Brewster will reprise their role in the revival, should deals finalize.

    It is of note, however, these new contracts, while multi-year, will not be exclusive contracts. This will allow the cast members to still take on other projects — including large recurring roles and series regular roles in a limited series. All of this, naturally, will hinge on their availability. Per Deadline, all six actors are merely waiting on Messer’s deal to finalize to sign on.

    As for fan-favorite Matthew Gray Gubler, it’s unlikely he’ll return as Spencer Reid. While Daniel Henney, who played Matt Simmons, is currently starring in Amazon’s Wheel of Time, making his return complicated.

    Source: Deadline.

  • REVIEW: ‘Book of Love’ is a Delightful Rom-Com

    REVIEW: ‘Book of Love’ is a Delightful Rom-Com

    If you’re looking for a fun, romantic comedy to enjoy this Valentine’s Day, Amazon Studios’ Book of Love should easily fit the bill. The film stars Sam Claflin as Henry and Verónica Echegui as Maria, two very different people who soon find themselves at odds over a book.

    Henry is an up-tight male author who managed to get his debut book, The Sensible Heart, published. Unfortunately, though, the book is performing poorly despite his continued attempts at promoting it; reviewers have dubbed it boring and it seems as though he’s about to be dropped by his publisher until… the book becomes a hit in Mexico. As it turns out, the book has been translated and is a top-seller in Mexico, much to Henry’s surprise. What he doesn’t know, however, is that the translator took a lot of liberties with his novel and turned it into an erotic story that was full of passion rather than a passionless love story. With the book becoming a success in Mexico, the publisher quickly throws together a book tour for Henry in Mexico, where he’s joined by his translator, Maria. What ensues is a love story that, while by the book, is still delightful and sure to keep viewers smiling.

    As someone that writes books when I’m not working, it was easy to lose myself in this story. Henry can, admittedly, be very frustrating upon introduction. His book isn’t selling, but he refuses to give up on it and move on to the next thing. For him, The Sensible Heart, is his main focus because he spent years of his life trying to get it right. Trying to accept that readers simply are not interested in a passionless love story is not something he can do. He’s forced to accept the truth, though, when he realizes the only reason his book is selling well in Mexico is because of the changes the translator made. At times, it feels as though the film is picking at the romance genre as a whole, but by the end, it’s clear the film is merely trying to prove there’s nothing wrong with a bit of passion.

    There’s no denying Book of Love is a cliché story. It features two unlikely individuals who find something in one another with the usual bumps along the way. It’s not a film that’s going to win awards, but not every film needs to. Sometimes, we just need something to help us escape from the reality we’re in and Book of Love does that exceptionally well. It’s a heartwarming love story that will make you laugh, make you frustrated and then keep you smiling as the ridiculousness continues to unravel. (Courtesy of Jen, Henry’s British publisher.)

    Claflin nails the role of Henry; he’s awkward, arrogant and vulnerable when needed. Yet, while he is the lead, Book of Love is ultimately a showcase for Echegui who lights up the screen as Maria. The passion between them is rather great, too. They feed off each other which helps to sell this romantic story of two unlikely individuals.

    In the end, Book of Love is a love story that reminds us love is never what we imagine it to be – it’s both better and worse, but always worth the fight in the end. It’s a romantic comedy you’ll want to add to your watch list this Valentine’s Day. Allow yourself to get lost in the ridiculousness of these two characters, it’s a sweet trip.

  • REVIEW: ‘Raising Dion’ Season 2 Ups the Ante

    REVIEW: ‘Raising Dion’ Season 2 Ups the Ante

    Note: This review is spoiler-free. Any bits hinted at were introduced at the tail-end of Season 1, or teased in the trailer for Season 2.

    The first season of Raising Dion focused on the relationship between Nicole and Dion, and the struggles both characters endured due to Dion’s unexpected abilities. It was a deep dive into the mystery surrounding her husband’s death, and how the events leading to his death ultimately led to Dion’s powers. At the heart, though, it was very much a family drama full of self-discovery, humor and loss. The second season takes the series in a brand new direction, though.

    A two-year time jump allows the series to move forward, while also allowing for leading actor, Ja’Siah Young, to grow into the role. This time around, he’s in control of his powers and trying to use them to do some good around his neighborhood. Along with Esperanza and Jonathan, the former bully of Season 1, the trio form the Triangle of Justice. Rather than focus on the pain of growing up and being accepted by their peers, we get to see the students grow into their characters this go-round. They’re more confident, a heck of a lot more daring and all the more compelling. Seeing them work against the new big-bad? It’s exciting because there’s such a huge change in these characters we met in 2019.

    Season 2 picks up two years after the events on the school football field, where the battle between Dion and the Crooked Man took place. The world has, for the most part, moved on from the event, however, it soon becomes clear wherever the Crooked Man appeared, the land was impacted — left to decay, rot away without answer. Rather than being an imposing threat this season, BIONA is quickly proven to be the safety net for Dion and others like him. However, just as things seem to be going well, an old friend returns to upheave everything.

    There’s very little to complain about when it comes to Season 2 of Raising Dion. It’s a more cohesive storyline that allows its characters to thrive; it’s action-packed, having already established this unique spin on our world, and there are plenty of thrills to keep viewers guessing. One of the downfalls, though, is the decision to bring in Griffin Robert Faulkner‘s Brayden full-time this season. While Brayden does capture the creepiness aspect that Season 1 teases at the end, he often comes across as cruel more so than terrifying. This isn’t at the fault of the young actor, of course, but rather the way the character was handled. It’s all the more evident at the end when everything erupts into chaos.

    One thing Raising Dion does perfectly is build upon what it has already established. The series doesn’t dwell on what’s done. Season 1 was focused on the Iceland Event, the mystery surrounding Mark’s death and the Crooked Man. All were vital to Dion’s story, however, the second season moves beyond the Iceland Event and Mark’s death. The writers know viewers are not looking to rehash the same plotlines. Yes, they may be occasionally mentioned, but this is something entirely new. It’s an exciting story that is easy to binge in a single setting.

    While a third season has yet to be officially announced, fans will quickly find themselves awaiting said announcement. The ending of Raising Dion Season 2 will surely leave fans with more questions than answers and, in this instance, that’s far from a bad thing. It just proves there’s plenty of power left in this series, and if you haven’t already, it’s time to familiarize yourself with Mind Mover because Dion is the type of superhero we need on our screens.

  • Netflix’s ‘All of Us Are Dead’ Proves the Zombies Are Not the Monsters

    Netflix’s ‘All of Us Are Dead’ Proves the Zombies Are Not the Monsters

    Spoiler Warning: The below piece contains spoilers for the first season of All of Us Are Dead.

    What would happen if we created a monster and then, unknowingly, nearly killed the rest of the world? That’s essentially the question at hand in Netflix’s All of Us Are Dead. After seeing his son be bullied for so long, Lee Byeong Chan decides to do something about it. However, while most parents would seek more traditional routes — talking to the principal or teaching the child to fight defensively — Byeong-cheol Kim‘s Chan takes things to a new extreme. He opts, instead, to create a new type of monster by injecting his son with a new virus he’s been working on. Little does he know, that very virus will nearly destroy Korea, all while killing the one person he so desperately tried to save.

    It’s a horrifying concept that shows how far humans are willing to go in order to get what they want; essentially showcasing that families — namely children — are disposable. While the zombies are the focus of the series, it’s the humans that are truly the monsters of All of Us Are Dead. It is because of one man’s inability to be there for his son that a high school has become ground zero in a zombie attack. It is because of his choice that he has lost both his wife and son. More importantly, though, the choices throughout the series showcase how willing people are to kill those around them for the sake of safety.

    We see this first among the students with bullying and sexual harassment/assault in the first couple of episodes. Then, as the outbreak continues to reach more of their fellow classmates, the students waste no time casually throw their classmates to the hordes in hopes of escaping. It becomes fight or flight and the strongest are the ones that’ll survive. Morality goes out the door the moment the undead take over. When it comes down to it, the staff seems to all but abandon the students in favor of surviving — with one or two exceptions along the way. Even the students soon find themselves warring, eager to stay alive and away from those that’ll do harm to them. In some instances, this may mean aiding another student in becoming a zombie, abandoning a friend for the sake of getting away or pretending not to hear cries for help in order to save yourself. There are plenty of screwed-up scenarios in All of Us Are Dead in which the humans are the true monsters, however, the worst comes closer to the midway point of the series.

    After being trapped in the high school, unable to reach the outside world due to phones and internet being cut off, the students that have survived become desperate to find some sort of help. They’re tired of running from room to room, trying to barricade themselves from the dead. It only becomes harder when a new form of zombie is introduced — one that still retains its humanity. So, they take to the roof for safety, believing if they make an S.O.S sign, a helicopter will come save them. And it works, or at least, it seems like it’s working.

    What the students don’t realize, however, is that the last student rescued by the soldiers — and the one who left them for dead — has just been attacked by one of the human-like zombies at the basecamp. This leads the people in charge to order a halt to the rescue mission. The safety that was so close within reach for the teens is immediately ripped from their grasps. They are left to die at the school as the helicopter flies off without them, despite promising to recuse them initially. It’s a screwed-up situation, one that is later made worse when the same people decide to bomb the high school after a short warning, barely allowing the kids to escape.

    As terrifying as the zombies are in All of Us Are Dead, the series also shows how cruel humans can be as a whole. The zombies might’ve been created by one naïve and selfish man, but they ultimately helped to unveil the monsters in those still living.

  • Grant Gustin Nears Deal for Ninth Season of ‘The Flash’ on the CW

    Grant Gustin Nears Deal for Ninth Season of ‘The Flash’ on the CW

    The Flash is speeding towards a ninth season.

    Leading man Grant Gustin has negotiated a new contract for a ninth season that’ll bring him back for one more season. It appears a multi-year offer was given to Gustin, however, he turned it down in favor of a one-year contract. The new contract sees Gustin’s involvement capped at fifteen episodes, with him earning north of $200,000 an episode. With a new contract in the works, The Flash seems likely to receive a ninth season renewal.

    While The CW normally has its renewals and pick-ups set by this time of year, the potential sale of the network is limiting its early renewals to fewer shows this time. The Flash, however, will be one of the few shows to receive a renewal thanks to its strong linear and digital performance. The potential renewal, of course, all hinges on a closed deal with Gustin to return.

    The first few episodes of The Flash‘s eighth season pulled in averaged 720,000 total viewers and a 0.2 demo rating from Live+same day numbers. The numbers continued to grow with Live+7 DVR playback, bringing them to a more admirable 1.2 million and a 0.3 in the demo rating.

    New episodes of the series resume on March 9th.

    Source: Deadline.

  • Elizabeth Mitchell Returning as Mrs. Claus for ‘The Santa Clause’ on Disney+

    Elizabeth Mitchell Returning as Mrs. Claus for ‘The Santa Clause’ on Disney+

    Another familiar face is returning for The Santa Clause limited series on Disney Plus.

    News of The Santa Clause receiving a revival series was first announced two weeks ago. While we knew Tim Allen would be returning to reprise his role as Scott Calvin, aka Santa Claus, little else was known regarding the series. Now, it looks like Allen will be joined by Elizabeth Mitchell who returns as Carol, aka Mrs. Claus.

    Mitchell first joined the beloved franchise with The Santa Clause 2, which saw Allen’s Scott go in search of a Mrs. Claus in order to remain Santa. She returned alongside Allen for The Santa Clause 3: The Escape Clause in 2006, where Scott had to learn to keep his family happy, while also battling Martin Short‘s Jack Frost.

    The revival series looks to be headed in a new direction with Scott realizing he’s unable to be Santa forever, something he’s struggling with as his birthday approaches. The series will set up a new Santa Claus, while allowing Scott and his family to, hopefully, prepare for a new adventure outside of the North Pole.

    Scott Calvin is on the brink of his 65th birthday and realizing that he can’t be Santa forever. He’s starting to lose a step in his Santa duties, and more importantly, he’s got a family who could benefit from a life in the normal world, especially his two kids who have grown up at the Pole. With a lot of elves, children, and family to please, Scott sets out to find a suitable replacement Santa while preparing his family for a new adventure in a life south of the pole.

    The revival series is being showrun by Last Man Standing creator Jack Burditt. He will executive produce the series along with Allen, Kevin Hench, Richard Baker and Rick Messina. A release date for The Santa Clause has yet to be announced.

    Source: Deadline.

  • REVIEW: Netflix’s “All of Us Are Dead” Breathes New Life into the Zombie Genre

    REVIEW: Netflix’s “All of Us Are Dead” Breathes New Life into the Zombie Genre

    When it comes to zombie shows, The Walking Dead has clearly dominated the small screen for the past twelve years. Even now, as it readies for its final season, the series has launched multiple spinoffs and will soon have a series of films to go along with it. Yet, as the zombie genre appears to be dying, Netflix’s All of Us Are Dead looks ready to change the conversation.

    All of Us Are Dead is a series that focuses on a high school in Hyosan, Korea, Hyosan High School. After a mysterious virus is unleashed on the High School, the students — and the staff — must fight for survival. It’s easy to write a zombie story. It’s hard, however, to write one that manages to be exciting and retain a sense of humanity along the way. Netflix’s All of Us Are Dead proves there are still risks to be taken with the zombie genre. This isn’t merely a series of teens fighting the undead, it’s a series that ultimately focuses on the struggles of high school and growing up set against the backdrop of zombies. It tackles some of the most uncomfortable topics and doesn’t try to make viewers feel empathy for the terrible characters that inhabit the series.

    The series begins with an unsettling occurrence between a few students on a rainy night. What takes place between the students will kick off a series of events that’ll change the world forever. It’s a strong way to kickstart the series, one that will leave viewers curious as to where it is going and how it’ll become the zombie-infested series the trailer promises. The series isn’t looking to hold viewers’ hands going into the chaos. The ugly truths of the world – bullying, parental abuse, sexual harassment/assault and depression – are all tackled hands-on; there is no sugarcoating any of it. This is what kids of the world endure, so All of Us Are Dead isn’t going to make it easier to watch – what these kids go through before the outbreak becomes vital to who they become when the world falls to the dead.

    One of the most impressive bits of All of Us Are Dead is that it manages to balance a rather large ensemble cast successfully. Not only does the series have to establish this world for viewers, but it also needs to develop these characters for viewers. The fact that it manages to craft such rich stories for each character is fascinating. Yi-Hyun Cho as Nam-ra, Park Solomon as Lee Soo-hyuk, Ji-hu Park as On-jo and Chan-Young Yoon as Chung-san have some of the best character development. Among the impressive young cast, the four actors stand out, delivering some of the strongest performances within the series — especially Cho, whose Nam-ra becomes a favorite as the show progresses.

    One of the minor setbacks for All of Us Are Dead is that each episode ends on a massive cliffhanger. If you’re looking for a show to slow binge, perhaps this isn’t the series for you. If you’re looking for a title to devour over the weekend, however, All of Us Are Dead is ripe for the picking. It’s well-crafted, with each episode immediately leading into the other, ensuring the story remains tight and avoids having to craft filler stories between. This allows the writers to tell what is essentially a twelve-hour film of the human’s desire to survive at all costs. There are sacrifices, there are brutal deaths and there are careless mistakes, all of which will elicit strong reactions from viewers. It’s just entertaining television that’ll entrance its viewers with ease.

    Overall, All of Us Are Dead is a breath of fresh life in the zombie genre. It’s beautifully shot and features a stellar ensemble cast and a fantastic new take on zombies. It’s dark, it’s screwed-up, but it’s also a realistic approach to a fictional subject. For viewers looking for something new to binge, give this exciting zombie series a go. By the end, they’ll be desperate for a second season.

  • Seoul Street Options ‘Want’ & ‘Ruse’ From Author Cindy Pon

    Seoul Street Options ‘Want’ & ‘Ruse’ From Author Cindy Pon

    Will Yun Le and Mark and Christine Holder’s Seoul Street have purchased the rights to the best-selling novels, Want and Ruse, from author Cindy Pon. The books are being developed as an international television series.

    The news comes courtesy of Deadline, with the outlet reporting the project is in the early stages. A search is underway for a writer on the project, with those involved hoping to find an Asian American writer to work on the series. In a statement to Deadline, Christine Holder praised Pon’s books. “It’s an exciting and touching portrayal of love, war, and friendship encapsulated in this incredibly rich and textured world that Cindy has brilliantly created,” she said. “Cindy’s characters leaped off the page from the moment I opened the book. Her ability to craft such beautifully human characters while narrating the Asian experience lines up so well with what we are striving for at Seoul Street.”

    Pon’s book Want takes place in a near-future Taipei plagued by pollution in which a group of teenagers are willing to risk everything in order to save their city. Ruse, the follow-up novel to Want, the story takes place in a near-future Shanghai, a group of teens have their world turned upside down when one of their own is kidnapped.

    Like Holder, Pon expressed her excitement over the option of her books in a statement to Deadline. “Want is a book of my heart and was such a challenge and delight to write. It is a love letter to Taipei and cyberpunk with Asian leads, and I’m so excited by the prospect of bringing my story to the screen with the team at Seoul Street.”

    Source: Deadline.