Murphy's Multiverse

Category: News

  • Insiders Address Sabrina Carpenter ‘X-Men’ Casting Whispers, Revealing Potential Role

    Insiders Address Sabrina Carpenter ‘X-Men’ Casting Whispers, Revealing Potential Role

    Following a wave of online speculation linking pop-culture juggernaut Sabrina Carpenter to Marvel’s highly anticipated, mainline live-action X-Men reboot, an industry insider has apparently shared the star’s potential role.

    Following a report by Daniel Richtman that indicated Marvel Studios was pursuing Carpenter for a role in the film, Jeff “The In” Sneider responded by sharing an image of X-Men baddie turned leader Emma Frost.

    Before she was dominating global music charts, Carpenter cut her teeth as an actor on Girl Meets World, meaning her institutional relationships with the upper echelons of the Walt Disney Company are incredibly strong.

    Previously, it was believed that Marvel’s targeted creative direction for Carpenter centered squarely on Alison Blaire, aka Dazzler—the legendary mutant pop star who possesses the unique genetic ability to convert sonic vibrations and music directly into blinding, hard-light laser bursts; however, Carpenter could pull off a young, cold-hearted Frost just as well.

    With SDCC just around the corner, it wouldn’t be surprising to learn that the studio is zeroing in on key members of the cast in hopes of having them come together on the Hall H stage. With Avengers: Secret Wars set to kick off production in August, Marvel can make a big splash by revealing their new X-Men.

  • ‘Mr. Terrific’ Standalone Series in Active Development From ‘The Sandman’ Showrunner

    The brilliant, T-sphere-wielding vanguard of the DC Universe is officially getting his own canvas. According to a Supergirl post-mortem published by The Hollywood Reporter, DC Studios has quietly placed a standalone Mr. Terrific television series into active development.

    The project has already locked down its creative architect to bring the third-smartest man on Earth to life. Allan Heinberg—the acclaimed, Emmy-nominated showrunner behind Netflix’s The Sandman and co-writer of 2017’s Wonder Woman—has officially been tapped to write the pilot episode and spearhead the series.

    The decision to fast-track Michael Holt into his own solo property would seem to be a direct response to his breakout role in Superman. Portrayed with effortless cool by Edi Gathegi, Mister Terrific served as an absolute scene-stealer.

    Landing Heinberg to draft the pilot is a massive statement of intent for the tone of the series. Heinberg possesses an immaculate track record when it comes to balancing high-concept comic lore with rich, character-first prestige drama. Beyond writing the screenplay for Gal Gadot’s Wonder Woman, Heinberg is a highly celebrated comic book scribe, famously creating Marvel’s Young Avengers and writing definitive runs for DC’s Justice League and Wonder Woman. Handing him Michael Holt—a character defined by the tragic loss of his wife, an Olympian-level athletic background, and an unparalleled tech-based genius—promises a slick, sophisticated tech-thriller that focuses heavily on the psychological weight of being a self-made superhero.

    The anouncement adds another project to the DCU’s expanding streaming slate, safely joining the ranks of Lanterns, which is already in pre-production on a second season,and the newly detailed Jimmy Olsen true-crime mockumentary series, American Villains.

    Source: THR

  • ‘Avengers: Secret Wars’ Plot Leak Reveals God Emperor Doom’s Multiversal Resistance Front

    If you thought navigating a fractured timeline was complicated, the finale of the Multiverse Saga is looking to completely shatter the board. According to a rumored script leak for Avengers: Secret Wars, the group of Multiversal heroes who will rise up to for a resistance against God Emperor Doom may have been revealed.

    The leak outlines a desperate, multi-generational underground rebellion that forms once the survivors realize a terrifying cosmic truth: Robert Downey Jr.’s God Emperor Doom isn’t just an authoritarian ruler—he is the physical engine maintaining reality itself.

    According to the leak, Battleworld—the patchwork planet cobbled together from the fragments of destroyed realities—only exists because Doom is actively keeping it from collapsing into the void. Doom has effectively usurped and siphoned the timeline-weaving abilities of Tom Hiddleston’s God of Stories, utilizing Loki’s cosmic power as the raw fuel to sustain his patchwork empire.

    While Doom successfully rewrote the memories of almost every civilian stuck on Battleworld to make them believe he has always been their creator, a collective of multiversal heavy-hitters somehow managed to retain their memories of the old world. The leaked roster features an blend of legacy icons, current MCU anchors, and newly introduced mutants:

    • The Web-Slingers: All three live-action Spider-Men (Tobey Maguire, Andrew Garfield, and Tom Holland).
    • The Fox Legacy: Hugh Jackman’s Wolverine.
    • The New Blood: Sadie Sink’s Jean Grey, set to debut in Spider-Man: Brand New Day.
    • Alliance of Heroes: Reed Richards, Namor, Vision, She-Hulk, Deadpool, and the Young Avengers roster.
    • The Heavy-Hitter: The Sentry, who is reportedly captured and kept under absolute lock and key by Doom as a highly volatile tactical asset.

    By anchoring the emotional core of Secret Wars around the survival of characters who explicitly remember what was lost—particularly Tobey, Hugh, and the newly integrated Sadie Sink—the Russo Brothers are weaponizing 25 years of cinematic history to create the single highest-stakes rebellion in film history.

  • Alleged ‘Secret Wars’ Plot Leak Could Pave the Way for One Marvel Character’s Long-Awaited Debut

    Alleged ‘Secret Wars’ Plot Leak Could Pave the Way for One Marvel Character’s Long-Awaited Debut

    An alleged plot leak from an early draft of Avengers: Secret Wars has found its way online and while it’s certainly hard to take too seriously since the film hasn’t even begun principal photography yet, it does have it’s believable bits, including a very worthy batch of enforcers working for Doom.

    According to the leak, Doom will command an army of Thors in the film, which will be set on Battleworld. Though the leak doesn’t specifically refer to it as such, the army of Thors would likely be the Thor Corps which could (and certainly should) feature a character comic book fans have been waiting on to arrive in tht MCU for over a decade: Beta Ray Bill.

    Last rumored to be making his debut in Thor: Love and Thunder, the Korbinite warrior was one of the founding members of the original Thor Corps in the comics. In Jonathan Hickman‘s 2015 Secret Wars–which seems to be providing a heavy dose of inspiration for the film–the Thor Corps featured Bill, a Storm variant and Throg among other Thors from across the Multiverse.

    While the leak is far from concrete, Doom using Thors as his enforcers seems like an absolute slam dunk to transfer from page to screen. Marvel can’t afford to hold much back in the Multiverse Saga finale and introducing a character like Beta Ray Bill, who is one of the House of Ideas greatest Cosmic heroes, can only help set the stage for whatever comes next.

  • Marvel Officially Details ‘Amazing Spider-Man #1000’ As The Milestone Hits Retailers This Fall

    The long countdown is over, and Marvel is officially pulling back the curtain on what it’s calling the biggest issue in Spider-Man history.

    Marvel Comics has detailed the landmark AMAZING SPIDER-MAN #1000, a giant-sized, star-studded spectacular set to arrive in comic shops on September 16, 2026. Marking the first time a mainline Marvel series has crossed the quadruple-digit finish line, the publisher is bringing together an unprecedented lineup of legendary creators to celebrate Peter Parker’s legacy while charting his next 1,000 issues.

    The Creative Lineup

    The cornerstone of the milestone issue is a massive main story from the current flagship creative team of writer Joe Kelly and artist Pepe Larraz. According to Marvel, this pivotal story serves as both a grand culmination of their run so far and a launchpad for the web-slinger’s next era.

    Writing AMAZING SPIDER-MAN #1000 has stirred up a lot of emotions for me, but gratitude is chief among them.It’s a true honor to have the opportunity to contribute to Spidey’s legacy with a huge milestone like this. And special bonus – we get to introduce a new villain?! Amazing. Ravage is layered and complex and mysterious, and I can’t wait to unleash him on the readers with this monumental issue!

    -Joe Kelly

    The issue will also feature a powerhouse anthology of special anniversary tales from an absolute murderer’s row of Spider-Man royalty, including Frank Miller, Dan Slott, J.M. DeMatteis, Brian Michael Bendis, Noah Hawley, and even Marvel Universe architect Larry Lieber.

    The New Threat

    This isn’t just a retrospective victory lap. Kelly and Larraz are using the milestone to introduce a brand-new supervillain named Ravage.

    Described by Kelly as “layered, complex, and mysterious,” Ravage is set to unleash a history-shattering power that forces Peter Parker to confront his greatest fear and question his entire superheroic legacy. Rumors among the fandom suggest this personal battle might tie directly back to long-simmering family secrets—specifically involving Aunt May.

    The Cover Situation

    The road to #1000 hasn’t been completely without web-fluid clogs. Marvel originally announced a unique, pedestrian-perspective main cover penciled by John Romita Jr. and painted by Paolo Rivera. Following mixed feedback from the fan community regarding the abstract composition, Marvel modified the strategy.

    The issue will now prominently feature two primary “A” covers: the Romita Jr./Rivera jam cover alongside a striking traditional piece by Pepe Larraz and colorist Marte Gracia. Additionally, industry giants Alex Ross and Mark Bagley will provide blockbuster variant covers celebrating Spidey’s most iconic moments and his legendary rogues’ gallery.

    The Release Details

    • Lead Creators: Joe Kelly & Pepe Larraz
    • Contributing Creators: Frank Miller, Brian Michael Bendis, Dan Slott, J.M. DeMatteis, Larry Lieber, Noah Hawley, and more.
    • Format: Oversized giant-size spectacular (Expected 72–100 pages)

    Source: Marvel.com

  • Lucasfilm Unveils Trailer for Star Wars: Visions New 8-Episode Limited Series “The Ninth Jedi”

    Get ready to return to a galaxy far, far away through the lens of anime. Lucasfilm has officially the release date for the all-new limited series, Star Wars: Visions Presents – The Ninth Jedi, which is set to premiere exclusively on Disney+ and Hulu on August 5, 2026.

    The announcement, which debuted at Anime Expo 2026, introduces a new “Star Wars: Visions Presents” banner, designed to showcase longer-form stories within the Visions universe. This new limited series serves as a continuation of the fan-favorite shorts “The Ninth Jedi” and “The Ninth Jedi: Child of Hope.”

    Picking up shortly after the events of those original shorts, the new series follows Lah Kara as she continues her Jedi training under the guidance of Margrave Juro. The narrative promises an epic journey of self-discovery, as Kara and Juro’s small fellowship of Jedi-in-training embark on a quest to save her father, Lah Zhima.

    With the trailer and key art officially unveiled at the Los Angeles Convention Center, fans don’t have long to wait before diving back into this unique corner of the Star Wars galaxy

  • Jack Mulhern’s Mystery Villain Caught in Action on the Set of  ‘Daredevil: Born Again’; Kingpin Connection Revealed

    Jack Mulhern’s Mystery Villain Caught in Action on the Set of  ‘Daredevil: Born Again’; Kingpin Connection Revealed

    In February, Painkiller and Mare of Eastown star Jack Mulhern joined the cast of Daredevil: Born Again as a mysterious villain codenamed “Phillip.” Described as “a smart and scrappy New Yorker who’s sweet and lovable with a hidden rageful side”, fans immediately speculated that Mulhern may be playing Wilson Fisk’s illegitimate son, Butch Pharris. A new batch of videos and photos from the New York City set of the series has provided a first look at Mulhern‘s character and it seems as though Pharris may have been a good first guess.

    The new peeks show a bloodied Mulhern squaring off with Elektra before running away while she’s restrained by Daredevil. Interestingly, it seems as though Vincent D’Onofrio‘s Wilson Fisk was on set as well, though it’s not quite clear how he was involved in the action.

    In Chip Zdarsky’s acclaimed Daredevil run, Byron “Butch” Pharris is introduced as a prominent Hell’s Kitchen enforcer. Eventually, it’s revealed that Butch is actually the illegitimate son of Wilson Fisk, a lineage that drives his deep ambition to inherit the city’s criminal throne. Following the climax of the Devil’s Reign crossover event—where a disgraced Mayor Fisk flees New York City—The Kingpin explicitly passes the torch of his underworld empire down to Butch. Given what can be gleaned from the set photos, Mulhern certainly looks to be a good fit for Pharris.

  • Danny McBride’s Reveals First Details About ‘G.I. JOE’ Reboot, Confirms 2027 Filming Window

    Yo Joe! Paramount Pictures has officially found the architect tasked with cleaning up the fractured pieces of one of its most valuable legacy sandbox brands. While the internet spent the last two years assuming the franchise would lean directly into a multi-studio Transformers crossover machine, the studio has quietly built out a completely separate, highly distinct standalone runway.

    While talking to Josh Horowitz on the Happy Sad Confused podcast, Danny McBride (The Righteous Gemstones, Eastbound & Down) has officially completed the screenplay for a full, ground-up G.I. Joe theatrical reboot.

    With Paramount heavily backing his narrative vision, McBride confirmed that the project is targeting a concrete 2027 production window.

    “I’ve written one, yes. I’m stoked about it. I’m really fired up about the script,” McBride revealed to host Horowitz. “Paramount seems fired up about it, so hopefully we’re shooting it next year.”

    Ditching the Punchlines for Suspense

    Given McBride’s extensive comedy pedigree alongside frequent collaborators Jeff Fradley and John Carcieri—who co-wrote the treatment with him—fans immediately expected a tongue-in-cheek, 21 Jump Street-style parody. However, McBride explicitly clarified that his script treats the military IP with absolute narrative sincerity.

    The reboot is being explicitly structured as a high-stakes, hard-hitting action-suspense thriller rather than a comedy. “We cracked something that we really love,” McBride shared. “It’s not a comedy, it’s like a kind of suspense and action, it’s going to be a lot of fun.”

    The Plot: Infiltrating the Town of Springfield

    Instead of relying on abstract, CGI-heavy sky lasers or international submarine bases like The Rise of Cobra, McBride is drawing pure, direct inspiration from Larry Hama’s legendary Marvel G.I. Joe comic run and the classic 1980s animated universe.

    The narrative is officially confirmed to track Duke leading a tightly knit, elite squad of Joes.

    “You’re following Duke and a group of other Joes. There’s that town in the comics, Springfield, which is a town that’s secretly all Cobra. That is where our film takes place,” McBride said, adding, “We have some pretty interesting people lining up to be in it, too. I don’t want to get ahead of myself, but it looks like it’s going to be pretty fun.”

    While McBride refused to leak specific talent signatures, he teased that major stars are already circling the board: “We have some pretty interesting people lining up to be in it… it looks like it’s going to be pretty fun.” With a 2027 shoot locked, expect formal character sheets to slide down the wire by Late 2026.

    Wait, those aren’t Dreadnoks…they’re G.I. Joes

    The road to Springfield took a highly unusual creative detour. McBride revealed that he originally approached Paramount with zero intention of writing a mainline G.I. Joe film. As a massive childhood obsessive of the action figures, his dream was to make a standalone, Mad Max-style outlaw movie centering entirely around The Dreadnoks—the swamp-dwelling, leather-jacketed biker mercenaries frequently hired by Cobra Commander.

    While Paramount was instantly hooked by his voice, they pushed him to scale up the architecture and lay the groundwork for a potential franchise with a G.I. Joe film first. The studio rejected a competing, parallel script treatment from Max Landis and handed the keys to the entire mainline universe over to McBride’s table.

    Paramount has spent a decade trying to turn G.I. Joe into a glossy, high-tech counterpart to Transformers, and it failed to stick the landing every single time. By bringing in an authentic, lifelong superfan like McBride to strip away the synthetic bloat and focus entirely on a paranoid, street-level infiltration of a secret COBRA town, the studio is prioritizing character and tension over raw corporate infrastructure. It is exactly the type of grounded, identity-first storytelling the franchise needs to finally build a sustainable theatrical footprint.

  • ‘The Ninth Jedi’ Series To Debut First Episode Today at Anime Expo Ahead of Summer Release

    The greatest modern hope for Star Wars animation is officially stepping out of the anthology shadow today. Lucasfilm is launching its highly anticipated summer campaign at Anime Expo 2026 in Los Angeles, treating convention crowds to the world-first premiere screening of episode one of Kenji Kamiyama’s Star Wars: The Ninth Jedi.

    Originally exploding onto the scene as a breakout standalone short in the first season of Visions, The Ninth Jedi completely captivated fans by introducing a distant, tactile future where the Jedi Order is a mythical memory. The narrative tracks Kara, a force-sensitive young girl and daughter of a master blacksmith, who must deliver newly forged, color-shifting lightsabers to a mysterious leader named Margrave Juro before a predatory Sith cell intercepts them. Following a brief intermediate chapter in Visions Season 3, the concept has officially been elevated into a full-scale standalone series.

    Having recently directed The Lord of the Rings: The War of the Rohirrim, showrunner Kenji Kamiyama brings an unparalleled pedigree for handling massive, established mythologies within an anime framework. The Ninth Jedi meticulously balances high-stakes cosmic rule-bending with a lived-in, rule-bound universe that echoes the classic call-to-adventure magic of the original trilogy without relying on nostalgia traps or Skywalker canon.

    Giving The Ninth Jedi a full episodic sandbox is easily the smartest creative decision Lucasfilm has made all season. It proves the studio recognizes that the absolute future of the franchise relies on diversifying its visual mediums and letting elite visionary directors take genuine creative risks. With the preview episode dropping on the AX floor today, look for the full series to anchor Disney+ sometime this August—officially serving as the perfect, high-fantasy antidote to standard live-action fatigue.

  • New Leaks Reveals How ‘Avengers: Doomsday’ Reportedly Weaponizes Fox’s Wonky X-Men Continuity to Explain Incursions

    New Leaks Reveals How ‘Avengers: Doomsday’ Reportedly Weaponizes Fox’s Wonky X-Men Continuity to Explain Incursions

    For nearly two decades, the single biggest running joke among comic book movie fans was the absolute, chaotic disregard for timeline consistency in 20th Century Fox’s X-Men franchise. Characters aged backwards, dead mutants walked again, and Days of Future Past essentially threw a temporal grenade into the entire structure.

    However, as Marvel Studios prepares to dismantle the multiverse in Avengers: Doomsday, those old headaches are reportedly being reframed as a brilliant piece of macro-narrative cosmic law.

    While fans have assumed that Incursions—the catastrophic collision and mutual destruction of two realities—are strictly caused by rogue sorcerers or multiversal travelers overstaying their welcome, Doomsday is reportedly introducing a much more volatile catalyst: temporal instability.

    According to information from YouTuber Nerdtower, the Fox X-Men universe’s constant, reckless abuse of time-travel is the direct, structural cause of its impending collapse. Though Nerdtower may not be a familiar name, his information does line up with that of other, more familiar scoopers such as John Campea.

    Much like how mainstream Marvel Comics utilizes decades of messy, retconned history as an embedded narrative feature of its continuity, Doomsday will retroactively establish that every single instance of mutants rewriting their past fractured the structural integrity of Earth-10005.

    This explicitly explains why the iteration of the team we see in Doomsday functions as the definitive main Fox lineup despite glaring, timeline-defying discrepancies. Because the timeline has bent and snapped back so many times, it has settled into a baseline where Mystique remains alive and on the team, mutants are thriving well past the bleak expiration date seen in Logan, and the characters are finally sporting comic-accurate, vibrant costumes. The anomalies are proof of a decaying universe.

    This temporal decay theory injects an incredibly logical answer into another massive Doomsday puzzle: Why are the Fantastic Four on a collision course with the X-Men?

    Early production leaks via MyTimeToShineH previously claimed that Robert Downey Jr.’s Victor Von Doom, hailing from the retro-futuristic Earth-828, approaches Reed Richards and the First Family for assistance regarding Incursions. The group then utilizes their ship to jump universes to warn the MCU, before ultimately aligning to target the X-Men universe as the epicenter of the next catastrophic collapse.

    By establishing that entirely different, localized anomalies—such as the X-Men’s constant time-travel tampering or the unique, cosmic reality-warping abilities of a child like Franklin Richards on Earth-828—can trigger structural collapses, Marvel is building a far more complex multiversal ecosystem.

    Amid all the concerns about the Russo brothers making Avengers: Doomsday, leveraging the ridiculous nature of Fox’s failed efforts with the X-Men into a plot point is inarguably a minor stroke of genius. In doing so, Marvel honors the exact chaotic, rule-breaking spirit that defined the early 2000s comic book boom. It gives the upcoming tragedy of Doomsday a layer of cosmic poetic justice: the very temporal choices the X-Men made to save their own futures are the exact crimes that doomed their entire reality.