Murphy's Multiverse

Category: News

  • Front Runner Reportedly Emerges for Key Role in ‘Man of Tomorrow’

    Front Runner Reportedly Emerges for Key Role in ‘Man of Tomorrow’

    The casting carousel for James Gunn’s Man of Tomorrow has begun spinning and is gaining momentum. Fresh on the heels of the confirmation that Aaron Pierre had joined the cast of the Superman sequel as John Stewart, a front-runner for the film’s secondary antagonist has emerged.

    In January, Nexus Point News revealed  that the “warrior-like” female role being cast was indeed Maxima and not Wonder Woman. With that revelation, the question shifted from who the character is to who is playing her. Today, a new name has surfaced in the rumor mill.

    According to several social media influencer types and scoopers, Eva De Dominici (The Cleaning Lady) is among those DC Studios’ top dog James Gunn is interested in for the role of the Warrior Queen.

    According to a report from TopNewsPrime that’s gaining traction across the trades, the Argentinian actress is currently in talks to take on the role of the Queen of Almerac. While it’s still firmly in the  rumor category, the timing aligns perfectly with the production schedule as Gunn prepares to head to Atlanta this April.

    Casting Maxima isn’t just about the Superman sequel. In the comics, the character eventually finds a home on the Justice League. By bringing in an actress like De Dominici now, Gunn is likely planting seeds for a future ensemble film, building out a roster of heavy hitters that can stand alongside David Corenswet‘s Kal-El, Aaron Pierre’s recently confirmed John Stewart and the rest of the DCU’s Justice Gang.

  • Marvel’s “Oscars Reunion” Is a Stealth ‘Doomsday’ Marketing Blitz

    Marvel’s “Oscars Reunion” Is a Stealth ‘Doomsday’ Marketing Blitz

    Don’t let the tuxedos fool you—Sunday night at the Oscars is the first unofficial press stop for Avengers: Doomsday.

    The Academy has confirmed a Marvel reunion for the March 15 Oscars. Pedro Pascal, Gwyneth Paltrow (will she know if she was in a movie with any of these folks?), Lewis Pullman, Channing Tatum and, most importantly, Robert Downey Jr. and Chris Evans are all presenting together.


    As cool as it might be, this isn’t just a tribute; it’s a soft-launch for the full-scale marketing of Avengers: Doomsday. With Evans and RDJ on stage together for the first time in years, Marvel has an opportunity to lean into the Steve vs. Doom hype that they simply cannot pass up.

    Rumors are swirling that we might get a surprise drop during the ceremony—specifically, the first footage of Doom and Cap face-to-face. Even if we don’t get a trailer, the optics of  Doom standing next to Steve Rogers is the most powerful marketing image Marvel could ask for. By putting RDJ and Evans center stage, they’re reminding the world that the heart of the MCU is back.

  • Aaron Pierre Officially Joins ‘Man of Tomorrow’

    Aaron Pierre Officially Joins ‘Man of Tomorrow’

    The “Lanterns” news cycle just shifted from small-screen detective work to full-blown cinematic event. While Aaron Pierre‘s John Stewart  has been rumored to be headed to the big screen, Jeff “The In” Sneider has confirmed that Pierre will officially reprise his role in James Gunn’s Superman sequel, Man of Tomorrow.

    Reportedly, Pierre‘s role isn’t just a cameo; it’s the connective tissue the DCU has been promising since Chapter One: Gods and Monsters was first announced.

    Stewart’s inclusion makes enormous sense from a tactical standpoint. If Lars Eidinger’s Brainiac is the threat we think he is—a world-collector forcing an alliance between Superman and Lex—having an intergalactic lawman like John Stewart on the ground is a necessity, not a luxury. Stewart is a marine; he’s a man of order and protocol. Watching him navigate the ego of Nicholas Hoult’s Warsuit-clad Lex Luthor while trying to save Metropolis may well be a highlight of the sequel.

    By putting Pierre in Man of Tomorrow, Gunn is giving the general audience a reason to tune into the Lanterns series on HBO. It establishes Stewart as a major Justice League-caliber player before the team even officially exists.

    Man of Tomorrow is set for a July 9, 2027 release.

    Source: The Insneider

  • ‘The Mandalorian and Grogu’ Script Credit Sparks Further Concerns

    ‘The Mandalorian and Grogu’ Script Credit Sparks Further Concerns

    We are officially two months away from the theatrical return of Star Wars, and while the marketing for The Mandalorian and Grogu is ramping up with shiny Empire Magazine covers and LEGO reveals, a new development behind the scenes is giving some fans a reason to pause.

    A new listing from the Writers Guild of America (WGA) has finally confirmed the screenwriting team for the May 22 release. While Jon Favreau and Dave Filoni are the expected architects, a third name has appeared on the masthead: Noah Kloor.

    The Boba Fett Connection

    For those of you who don’t spend your nights memorizing the production credits of the Mandoverse, Kloor’s name carries a specific weight. He was a staff writer on every single episode of The Book of Boba Fett—a series that remains the most divisive entry in the New Republic era.

    While Kloor also contributed to The Mandalorian Season 3–specifically co-writing the stellar and illuminating episode “The Convert”–, his involvement as a primary co-writer on the film sparked concerns over a specific creative pipeline.

    While Kloor‘s involvement is not necessarily an indicator of anything treacherous, Star Wars fans are Star Wars fans, after all. Kloor’s presence suggests that the movie may feel more like an event miniseries than a standalone cinematic epic and for a film that fans are already waxing negatively about, it may not be the way. On the other hand, bringing Kloor onto a project set to feature the Hutt twins–who debuted in The Book of Boba Fett–could simply be a smart move intended to ensure attention to continuity

  • Kate Winslet Joins ‘The Hunt FOR Gollum’ in Massive Lead Role

    While the return of the Lord of the Rings legacy heavyweights for Andy Serkis’s directorial debut in the franchise has been making headlines, industry insider Daniel Richtman just dropped the biggest casting nuke yet: Kate Winslet is officially heading to New Zealand to star in The Lord of the Rings: The Hunt for Gollum.

    Winslet’s breakout role was in LOTR director Peter Jackson’s 1994 masterpiece Heavenly Creatures. According to Deadline’s follow up report, Serkis and Jackson spent “most of last year” coaxing Winslet into joining the project. She’s reportedly uprooting her family to New Zealand for a shoot that runs from late May through October.

    Though the studio is keeping the specific character under wraps, she is playing the “female lead” of the film. Given the film will be set between The Hobbit and The Fellowship of the Ring, smart speculation seems to be on her playing Gilraen, the mother of Aragorn. If the film explores Aragorn’s early years and his lineage as he tracks Gollum, Gilraen could serve as the emotional anchor of that story.

    Winslet joins an increasingly “legacy” cast that includes:

    • ​Ian McKellen (Gandalf)
    • ​Elijah Wood (Frodo Baggins)
    • ​Andy Serkis (Gollum/Director)

    While Viggo Mortensen won’t be back, the addition of Winslet gives this film the prestige weight it needs to feel like a true successor to the original trilogy rather than just a spin-off. Warner Bros. is clearly playing for keeps with a December 17, 2027 release date.

  • Mother Knows Best: Kathryn Hahn Tapped for Live-Action ‘Tangled’

    Mother Knows Best: Kathryn Hahn Tapped for Live-Action ‘Tangled’

    The “Hahn-aissance” continues. After bewitching fans with her turn to the dark arts in the MCU, it looks like Kathryn Hahn is trading Agatha Harkness’s purple robes for Mother Gothel’s dramatic velvet. Hahn took to social media to reveal she has taken the role of thr villain in Disney’s live-action reimagining of Tangled.

    Hahn has been associated with the role for over a year and as previously discussed, her work in Agatha All Along proved she could handle a villainous role that requires both comedic timing and a genuine sense of threat. Mother Gothel—a woman obsessed with eternal youth and psychological manipulation—is a role practically tailor-made for her energy.

    The production, which is rumored to be looking at a 2027 release window, is reportedly eyeing a “darker, more grounded” take on the Rapunzel story while still maintaining the musical elements of the 2010 animated hit.

    Following the success of The Little Mermaid and the hype for Lilo & Stitch, Disney knows that the villain often makes or breaks these remakes. By putting a powerhouse like Hahn in the tower, they’re ensuring that Tangled isn’t just another carbon copy, but a vehicle for a top-tier character study.

  • Donald Glover is Your New Yoshi as ‘The Super Mario Galaxy Movie’ Drops Final Trailer

    Nintendo and Illumination aren’t messing around. With the April 1st release date for The Super Mario Galaxy Movie looming, they used today’s Nintendo Direct to drop a final trailer that confirms they are leaning into the star-power casting that made the first film a billion-dollar hit.

    In addition to a returning voice cast full of A-listers, we no know that Donald Glover is officially voicing Yoshi.

    Glover isn’t the only heavy hitter joining the Mushroom Kingdom’s cosmic expansion. Luis Guzmán will voice Wart, a deep-cut villain pull from Super Mario Bros. 2., and Issa Rae will lend her voice talents to the Honey Queen, bringing some Galaxy specific royalty into the mix

    The final trailer gives us a clearer look at the stakes. Bowser Jr., voiced by Benny Safdie, is stepping up to the plate, determined to break his father out of captivity and restore the Koopa family legacy. Mario and Luigi aren’t just protecting the Mushroom Kingdom anymore; they’re heading into deep space to stop a crusade that spans multiple planets.

    Nintendo is clearly positioning this as their Empire Strikes Back. The scope is bigger, the cast is more diverse, and the April 1st release dat le is being backed by a massive marketing push and ticket sales that are already live. After the first movie’s success, the “Mario Cinematic Universe” is no longer a joke—it’s vying to become the new gold standard for animation.

  • Pixie Hollow is Heading to D+ as ‘Tink’ Live-Action Series Takes Flight

    For a while, it looked as though Disney was cooling off on the live-action remake machine; however, the studio is officially looking to the small screen to expand one of its most lucrative sub-franchises. Deadline is reporting today that Disney is in early development on Tink, a live-action series for D+ centered on the iconic fairy.

    Rumblings of  a solo Tinker Bell live-action project date way back in 2015 when Reese Witherspoon was attached to star and produce. Since then, the project has shifted shapes more times than a changeling—moving from a feature film to a rumored Jennifer Lawrence vehicle, and now evolving into high-budget streaming series.

    The series is described as a reimagining of the Disney Fairies lore, moving away from the Peter Pan narrative to focus squarely on the politics and magic of Pixie Hollow. This isn’t just a side story; Disney is reportedly treating this as their version of a “magical procedural,” exploring the different fairy talents (water, light, animal, etc.) that made the direct-to-video animated films such a juggernaut in the late 2000s.

    While no cast has been officially announced, the creative muscle behind the scenes is what has us interested. The show is being developed with a “prestige” lens, aiming to capture the same visual wonder as Peter Pan & Wendy but with the serialized depth of a show like Once Upon a Time.

    This move confirms a major shift in Disney’s strategy. By moving smaller IPs like Tinker Bell to D+, they’re able to world-build in a way a 90-minute movie doesn’t allow. If Tink is a hit, it opens the door for a massive live-action Fairies universe—merchandise, spin-offs, and theme park ties included. After years of DisneyToon Studios being shuttered, it looks like the wings are finally back on.

  • King Conan Lives! Arnold Drops a Cimmerian-Sized Bombshell

    Arnold Schwarzenegger never actually retires a character—he just lets them ferment. And in this case, the character has been fermenting for quite some time. At his Sports Festival in Columbus, Ohio, Arnold casually dropped a nuke on the fantasy genre: King Conan is finally, officially moving forward at 20th Century Studios and he’s bringing Mission: Impossible franchise director Christopher McQuarrie along for the ride.

    Whether it was titled Crown of Iron, The Legend of Conan, or just King Conan, the project has spent more time in development hell than most of you have been alive. Originally, John Milius had a script that was supposed to turn into a gritty two-film epic. Then, around 2012, Fast & Furious architect Chris Morgan was attached to a version described as a “fantasy Unforgiven,” focusing on an old man who has to shake off the rust. The project hit a brick wall in 2019 due to a mess of rights issues that Arnold himself once called a “thorn in the side” of the sequel.

    The McQuarrie Factor

    Bringing in McQuarrie—the man who basically saved the Mission: Impossible franchise and turned it into a masterclass in practical action—is a massive statement. Arnold confirmed that McQuarrie is set to write and direct, while also stating he’s putting together a script for his current age of 78, rather than continuing to pretend he’s 40.

    Tonally, fans can probably expect something closer to Conan the Barbarian‘s operatic brutality rather than the campier Conan the Destroyer. The story beats Arnold teased sound like classic Robert E. Howard.

    With King Conan, it’s a great old story that Conan was forty years as King and now he gets forced out of the kingdom and there’s conflict, of course, but somehow he comes back and there’s all kinds of madness, violence, magic and creatures and stuff like that.

    -Arnold Schwarzenegger

    With potential returns to both the Predator and Commando franchises also in the works, Arnold is entering his Legacy Era, and if McQuarrie can capture the raw, heavy metal soul of John Milius‘s original world, King Conan could be the definitive final chapter fans have been waiting 40 years to see.

  • Scrapped ‘Acolyte’ Season 2 Would Have Portrayed Yoda as a “Villain”

    Scrapped ‘Acolyte’ Season 2 Would Have Portrayed Yoda as a “Villain”

    Just when you thought the discourse around The Acolyte was cooling down, Leslye Headland has thrown a thermal detonator into the room.

    Headland confirmed that had the show been grantedba second season by Dave Filoni and his Jedi council, Yoda wouldn’t have been portrayed as the Grand Master savior fans expected. Instead, he would have been complicit in Vernestra Rwoh’s cover-up of the massacre at Brendok.

    According to Headland, who revealed the plan on The George Lucas Talk Show, the move would be consistent with Yoda’s behavior as seen in the Clone Wars, referring to the Jedi Council’s occasional moral flexibility during the war; however, applying that to a pre-war era where the Jedi were at their peak is a move that would not have sat incredibly well with one of the world’s most consistently displeased fandoms.

    For sure. Yeah. Don’t come at me in the comments, because he does it in Clone Wars. So I don’t want to hear about it.

    -Leslye Headland

    Headland’s comments  confirm that despite being set during The High Republic, The Acolyte was never interested in the  Golden Age of the Jedi. It was always about the rot and showing that it had taken root in the Order long before the beginning of The Skywalker Saga.