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  • BREAKING: Michael Waldron Takes Over Writing Duties on ‘Avengers: The Kang Dynasty’

    BREAKING: Michael Waldron Takes Over Writing Duties on ‘Avengers: The Kang Dynasty’

    Loki and Doctor Strange in the Multiverse of Madness writer Michael Waldron has now been tabbed by Marvel Studios to write both parts of their Multiverse Saga finale. According to Deadline, Waldron–who was already working on Avengers: Secret Wars–will assume writing duties on Avengers: The Kang Dynasty.

    The news comes shortly after director Destin Daniel Cretton departed Avengers: The Kang Dynasty which set off rumors that the studio was looking to set a single creative team for the Multiverse Saga’s two Avengers films. Jeff Loveness, who wrote Ant-Man and The Wasp: Quantumania, was the original writer on The Kang Dynasty but left the project some time ago.

    As the writer of both films, Waldron now essentially becomes the “Markus and McFeely” of the Multiverse Saga. Loki and Doctor Strange in the Multiverse of Madness set the course for the saga much like Captain America: The Winter Soldier, written by Markus and McFeely, did for the Infinity Saga in working with Joe and Anthony Russo. It remains to be seen if Waldron will similarly reteam with Sam Raimi for the next Avengers films.

    Updating

    Source: Deadline

  • RUMOR: Marvel Studios Considering Sam Raimi for Multiple Projects

    RUMOR: Marvel Studios Considering Sam Raimi for Multiple Projects

    While Marvel Studios Phase 5 films have not done the type of business at the box office that the studio had become accustomed to, Phase 4–which ended with Black Panther: Wakanda Forever–was lucrative. Despite COVID delays and a fairly last-minute change in its creative team, Doctor Strange in the Multiverse of Madness was among those successes, raking in over $400M domestically on its way to falling just shy of $1B globally ($952M). Much of the success of the film was attributed to director Sam Raimi who despite coming on late put his signature touches on a film that looked to be in trouble. Raimi was so impressive that Marvel Studios One Above All, Kevin Feige, has been rumored to be interested in working with the director again. As Marvel Studios looks to get back on track following the strikes, those rumors are heating up again and have become a bit more interesting.

    According to insider Daniel RPK, Marvel Studios is considering Raimi not only for another installment in the Doctor Strange franchise but also to direct both parts of the two-part finale to the Multiverse Saga. Though Doctor Strange 3 has not been officially announced by the studio, it’s widely believed that it’s going to be included in the Multiverse Saga and rumored to be happening BEFORE Avengers: The Kang Dynasty, which is currently slated to hit theaters on May 1, 2026. If the rumors of where Strange 3 would fall are true, that would currently leave only February 13th, 2026 as a potential release date. The current slate would seem to face Raimi with choosing either the threequel or the Avengers films, which RPK addressed in his report.

    Given the delays Marvel Studio has already faced due to the strikes and the reworking of several projects, perhaps they’ll find a way to shuffle things around and allow Raimi the opportunity to do all three films. Strange is purportedly a key character in the Multiverse Saga, though so far he’s only made two appearances (Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness). While that might seem like a tall order for one director, it would be similar to what the Joe and Anthony Russo did in Phase 3 directing Captain America: Civil War (2016), Avengers: Infinity War (2018) and Avengers: Endgame (2019) after debuting as MCU directors with 2014’s Captain America: The Winter Soldier. It’s safe to say that by giving the Russos room to work and grow with the Infinity Saga’s central characters, Steve and Tony, the entire saga benefitted. Perhaps that’s something they will keep in mind in this rumored scenario with Raimi and allow him to work with Michael Waldron on similarly developing Stephen Strange.

  • ‘Scott Pilgrim’ Season 2 Unlikely

    ‘Scott Pilgrim’ Season 2 Unlikely

    Sadly, it seems that Netflix’s reputation is starting to lead to many creatives not even giving long-term storytelling a chance. One of the latest new additions in Scott Pilgrim Takes Off has been released on the streaming service that gives a unique spin on the iconic cult classic film and comic, Scott Pilgrim vs. the World. While the ending does includes a little hint at what could happen in a second season which would be original material, the series creator hints that a sequel season is unlikely.

    In an interview with RollingStone, Bryan Lee O’Malley talked bout the anime adaptation of the series that saw the cast of the original film return to voice their characters. Even Chris Evans, Brie Larson, Michael Cera, Mary Elizabeth Winstead, Aubrey Plaza, Kieran Culkin, and more returned but it seems they approached the project as if it was a single season to begin with.

    People are always complaining about how shows get canceled after 1 season. So we hedged our bets immediately, and tried to make a self-contained 1 season.

    Bryan Lee O’Malley

    It’s a shame as the series has style and definitely would offer some great storytelling if we had more from the show moving forward. There’s a lot about the mystical world of Canada worth exploring as Scott and Ramona Flower’s relationship gets further explored. Though there’s an ending hinting at a potential continuation, O’Malley has confirmed it was more a tongue-in-cheek reference towards post-credit sequences overall.

    Source: Rolling Stones

  • ‘Wish’ Underperforms as ‘Hunger Games’ and ‘Napoleon Surprise at the Box Office

    ‘Wish’ Underperforms as ‘Hunger Games’ and ‘Napoleon Surprise at the Box Office

    The fall box office is rough, that’s certainly sure now. Though, not for everyone. In a surprise twist, The Hunger Games: The Ballad of Songbirds and Snakes seemingly pulled in a stronger second weekend than expected even with a B+ CinemaScore; further adding to its validity for telling movie’s legs nowadays given Five Nights at Freddy’s had an A- and just crashed in its second weekend. However, the film was also promoted by its cast before the premiere due to getting a waiver during the strikes,w which likely gave it a bit of a boost. It added $28.8M over the weekend (a 38% drop) and generally had a $42M run over the Thanksgiving holiday.

    The Marvels‘ managed to pull in $6.4M over the weekend with $9.2M in the holidays, which is putting it on a path to be the first MCU film to make less than $100M. Still, a 37% drop after its first massive drop is a much better hold than Ant-Man and the Wasp: Quantumania’s 60% and The Flash’s 65%. If it manages to surprise and hold a bit better it could still surprise but that just depends on if Marvel Studios and Disney decided to drop it before Christmas as an early gift for subscribers (which wouldn’t be new for them). Plus it had quite a bit of competition with two new releases and the other three from last weekend. Not going to change much but still worth noting.

    The true disappointment of the weekend is, however, that Disney’s 100-year celebration release Wish only earned $35M over the weekend and pulled in $45M in the Thanksgiving timeframe. It’s miles ahead of Strange World from last year which opened to $18M, but it’s definitely not close to where Encanto was two years prior. It only opened in 27 markets overseas, which means its global tally is $49M as most of the slate this year has underperformed with very high budgets and the fall doesn’t come with that summer bonus. It does have an A- CinemaScore but glancing at Hunger Games and Five Nights at Freddy’s, who knows how valuable that really is.

    It may be a general issue with Disney+ showcasing a similar effect with Five Nights at Freddy’s second-weekend drop. If Wish faces a similar development, it showcases that audiences are going to need some time before they adjust to the new non-45-day release schedule on streaming platforms. Plus, Disney turned its own films into “wait and see” releases with its overall push into streaming. It’ll take time and focus to heal, which will likely happen but has shown its thorns in 2023; an overall detrimental year for blockbuster releases.

    The surprise was Napoleon who opened to $78.8M worldwide and had a $21M weekend opening with $32.5M over its first five days. Yet, it continues the trend of a $200M budget for a film that is massively underperforming to cover its bill similar to Martin Scorsese’s Killers of the Flower Moon, which stands at $151M globally. The comparison with superhero flicks is commonly that those are made for all age audiences and is also a point made by Variety, but given that many point to Oppenheimer as the “cinematic revival” of long-films with R ratings doing well at the box office: the point becomes far more difficult as that film’s success is looking more and more like an exception.

    One thing continues to dominate the box office: it is struggling and while Comscore analyst Paul Dergarabedian points out that it’s doing better than the last few years and sees it as “encouraging,” it’s very likely that studios are going to avoid this timeslot moving forward if things don’t change with high-budget releases. The fall box office is looking grim overall, as even the second entry to the billion-dollar Aquaman and the Lost Kingdom is going to premiere quite low and who knows if it’ll actually enjoy a holiday boost given just how volatile this year has been.

    Source: Variety Deadline, Deadline

  • ‘Aquaman’ Sequel’s Box Office Projected at $32M to $42M

    ‘Aquaman’ Sequel’s Box Office Projected at $32M to $42M

    Aquaman and the Lost Kingdom’s early projections are in and it looks like the fall box office continues to be questionable moving forward. Early projections by Box Office Pro are hinting at an opening weekend that matches the rest of the year so far, as it may open between $32M to $42M. That is quite a drop and even lower than The Marvel’s opening just a few weeks ago.

    The only difference is that Aquaman sequel has the holiday legs in its favor given it’s releasing over the Holidays. Yet, even the reliable holiday season has become questionable as Thanksgiving isn’t giving many major releases a bigger push than some were hoping to see from their newest high-budget releases like Wish and Napoleon.

    It’s starting to look like the original pre-COVID mapping of massive projects released in the fall is starting to drop. There’s not a lot of box office to gain here given recent numbers, but 2023 is generally been a detrimental box office disaster across the board. Many are pointing at the classic “superhero fatigue” but considering just how many productions have been hit, it seems like the year was just overstuffed and the price of admission was simply to high if there wasn’t a reason.

    Outside of a few exceptions (this year’s Top 10 tells you everything you need to know about 2023), the year wasn’t kind to any new release and we’ll likely see a change in how they handle it. Sony is currently dedicated to pushing out as many projects as possible while Marvel Studios took a step back. Disney has reshuffled its schedule and not much is known about the rest. So, we’ll see what the future holds.

    Source: Box Office Pro

  • ‘Red Sonja’ Writer Working on Live-Action ‘Naruto’ Film

    ‘Red Sonja’ Writer Working on Live-Action ‘Naruto’ Film

    After Netflix finally managed to pull off a live-action adaptation of the popular anime One Piece, it seems the stones are set in place for the next major attempt. Masashi Kishimoto‘s iconic Naruto franchise seems to be the next in line for an adaptation. Still, unlike the 1000+ chapter adaptation before it, this one will act as a film rather than a TV series.

    In an article by Variety, they reveal that Red Sonja writer Tasha Huo is currently working on a script for a live-action adaptation of Naruto for Lionsgate. Sadly, they don’t reveal much outside of that this is her next project, but it does sound like they might be further along now that the strikes have ended. She does share the following on her passion for adapting iconic characters:

    Adapting iconic characters or IP makes the writing of it easier, because the passion for writing it is already there. I’m so inspired by these characters already that it’s exciting to just take a part of their journey and try to tell that fun story in a way that would appeal to me as a fan.

    Tasha Huo

    Naruto is going to be quite a different beast than One Piece. Mostly due to the nature of its story being strongly focused on colorful ninjas. So, it’s not going to be a project where you can easily just westernize it, unlike Eiichiro Oda’s work which has a very diverse cast as revealed by the creator. So, it’ll be interesting to see how they pull this one off.

    Source: Variety

  • Fantastic Father: Pedro Pascal’s Reed Richards Casting Suggests Franklin and Valeria Are Coming To the MCU Sooner Than Expected

    Fantastic Father: Pedro Pascal’s Reed Richards Casting Suggests Franklin and Valeria Are Coming To the MCU Sooner Than Expected

    Last week, fans finally got a long-awaited glimpse into the Marvel Cinematic Universe’s plans for the Fantastic Four, when the story broke that Pedro Pascal, he of The Mandalorian, The Last of Us, and countless “Daddy” memes, was cast as Reed Richards, the patriarch of Marvel’s First Family. And of course, that set the social media sphere aflame. But one aspect of the casting has been underexplored. At 48 years of age, Pascal won’t exactly be a spring chicken when Fantastic Four debuts on the big screen. And what that likely means is that a heretofore never explored aspect of Mister Fantastic in live-action is likely to be explored here: Reed Richards, father.

    Based on Pascal’s age, a story based around the F4’s origin seems unlikely. Reed, Sue, Ben, and Johnny will probably be established heroes, and therefore it’s perfectly reasonable to assume that alongside the core Four, we will be introduced to Reed and Sue’s children, Franklin and Valeria Richards. In fact, it’s quite plausible that they’ll be teenagers, rather than toddlers.

    This is important for a number of reasons. Firstly, as a franchise that debuted in 2008, the MCU is getting a bit long in the tooth, as the Gen Xers and Millennials who were part of what made the MCU a phenomenon are aging into the phases of their lives when they’re no longer dictating what’s cool. And while Marvel has seeded their universe with Young Avengers in order to hopefully connect with Zoomers on their level, the Fantastic Four is a throwback. You couldn’t get more Boomer. So who better to provide the eyes through which we meet them, if not their children? Yes, the F4 are a little bit (or even a lotta bit) uncool to modern audiences, but there can be something charming about Mom and Dad not being cool.

    As stated earlier, the Fantastic Four feel like quaint throwbacks to a bygone era, and it’s for that reason that so many imagined Fantastic Four as a 60s period piece. But Franklin and Valeria are different; they’re not stuck in the amber of any previous generation’s aesthetic. They, more than the others, can bring a Modern Family element to a Father Knows Best dynamic. And it’s because they can look at their parents and uncles — who they love — and tell them that they’re a thousand years old and completely out of touch. Ironically, that kind of Gen Z gaze is how you make the F4 resonant to modern audiences, relatable both to the kids who see their parents in them, and the Gen Xers/Millennials, who see themselves in the context of their own relationships with their kids.

    Which brings us back to Reed. There’s a certain amount of inherent unlikeability to being the smartest man in the world. It was always going to be necessary to smooth Reed’s edges a little bit, and get people to root for him and Sue to make things work. Casting the eminently charming Pedro Pascal helps. He’s already shown an ability to project fatherly qualities, even when his characters are supposedly loners. And when the MCU introduces us to Franklin and Valeria Richards, Pascal will be able to showcase that side of Mister Fantastic and enhance the Fantastic Four’s position as the First Family of the Marvel Cinematic Universe.

  • Heir to the Empire: Dave Filoni Becomes Lucasfilm’s New Creative Grand Admiral

    Heir to the Empire: Dave Filoni Becomes Lucasfilm’s New Creative Grand Admiral

    Short of George Lucas, nobody associated with Lucasfilm understands what makes Star Wars tick quite like Dave Filoni. Now, the creator behind Star Wars: The Clone Wars, Star Wars Rebels and Ahsoka will step into a new role as Chief Creative Officer.

    “In the past, in a lot of projects I would be brought into it, I would see it after it had already developed a good ways,” said Filoni. His new role as CCO will change that and allow him to oversee Star Wars projects from the start. “In this new role, it’s opened up to basically everything that’s going on,” Filoni said. “When we’re planning the future of what we’re doing now, I’m involved at the inception phase. I’m not telling people what to do,” Filoni explained. “But I do feel I’m trying to help them tell the best story that they want to tell. I need to be a help across the galaxy here, like a part of a Jedi Council almost.”

    Filoni is still expected to helm a New Republic-era film that will tie together the stories of Disney Plus series The Mandalorian, Ahsoka, The Book of Boba Fett and Skeleton Crew. He explained that his new role involves “understanding the intent of the filmmakers and being a resource to them.” After spending years working with Lucas and developing films, Filoni has established himself as a wise, old master of the galaxy far, far away. “Literally, hours now of Star Wars storytelling I have done,” he said. “See…I even phrased that like Yoda.”

    Filoni hopes those hours–numbered no doubt in the hundreds–will allow him to make a major difference with the filmmakers Lucasfilm brings on to continue telling Star Wars stories. “To truly help filmmakers, it was really important for me to experience it firsthand,” he said. “I can also lend a perspective on the challenges that telling these stories will present. I feel more capable of actually being helpful outside of just saying, ‘Well, Jedi are like this, and Sith are like this…” As challenging as Star Wars fandom can be, Filoni’s experience will allow him to be a Wayfinder for future storytellers.

    Source: Vanity Fair

  • Karate Here: Sony Finally Moves Forward with Long-Gestating ‘Karate Kid’ Film

    Karate Here: Sony Finally Moves Forward with Long-Gestating ‘Karate Kid’ Film

    After a year-long delay that included a pair of strikes that greatly impacted all facets of production in Hollywood, Sony is moving forward with their new Karate Kid film. Murphy’s Multiverse first broke the news of Sony developing the film with Rob Lieber on board to write.

    According to THR’s Borys Kit, the new film–which he described as “positioning as the fusing and continuing the mythology of the original franchise,“–will team original Karate Kid Daniel Russo and Cobra Kai star Ralph Macchio with Jackie Chan, who played Mr. Han in 2010’s The Karate Kid, and will be directed by Jonathan Entwistle.

    As we first reported, the film will feature a Chinese teen lead, referred to as “Li”, who relocates to Brooklyn from Beijing with his mother.

    Li is said to be struggling with a past tragedy, which drives a wedge between him and his doctor mom, who has managed to handle the same tragedy in her own way. After Li meets Mia, a student from his high school, and her father, Victor, at a local pizza restaurant, he’ll soon find his life has changed yet again – for the better. Li soon finds himself training Victor in the art of Kung Fu, despite his mother’s stance against violence and fighting, and ultimately back in the ring himself.

    From our original exclusive, August 2022

    In the first 24 hours after the film was announced, an open casting call for the lead role received over 10,000 submissions.

    Sony hopes to begin production on the new film next Spring with Sony currently hoping it’s ready for theaters on December 13th, 2024.

    Source: THR

  • Miss Teschmacher!! Sara Sampaio Joins ‘Superman: Legacy’ Cast

    Miss Teschmacher!! Sara Sampaio Joins ‘Superman: Legacy’ Cast

    Ahead of an expected January start of production, DC Studios’ Superman: Legacy continues to add to its cast. According to a trade report, Portuguese model Sara Sampaio has signed on to play the role of Eve Teschmacher.

    First introduced in Richard Donner’s 1978 Superman where the character was played by Valerie Perrine, Eve Teschmacher is an ally and possible love interest of Lex Luthor. Luthor will be played by Nicholas Hoult, who recently landed the role after months of speculation.

    Superman: Legacy has been described as the “launch of the DCU” and, according to DC Studios co-chair Peter Safran, will be centered “on Superman balancing his Kryptonian heritage with his human upbringing.” The film was written and will be directed by Safran’s partner James Gunn who explained that Superman, played by David Corenswet, “is for everyone. [Superman] four-quadrant film that should speak to everyone in the world,” explained Gunn. “With our stories, we want to take it away from good guy vs. bad guy. There are really good—almost saintly—people and Superman is among them,” added the director.

    Gunn’s saintly take on Kal-El is slated to hit theaters on July 11th, 2025.

    Source: Variety