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  • REVIEW: ‘Andor’ Episode 12

    REVIEW: ‘Andor’ Episode 12

    Andor writer and executive producer Tony Gilroy has a knack for creating unnerving tension in his projects. Whether in the Bourne franchise, Armageddon or his directorial debut, Michael Clayton, Gilroy’s works often resolve under incredibly stressful circumstances that leave the audience reeling while they process. The season finale of the first season of Andor, “Rix Road”, and in fact the entire first season itself, certainly fits that pattern, slowly using every tool at the creative’s disposal to simultaneously build tension within the audience and the characters nearly right until its final moments.

    On the surface, the finale is all about the convergence of nearly all of the series’ key figures on Ferrix where they hope to find Cassian returning for Maarva’s funeral. But what makes the episode carry so much weight is that it also works as a convergence of nearly all of the series’ key themes. This thematic convergence is much more impressive both in the way it is reflected by the key parties involved and also that it was possible at all, much less done so well given the scope of Andor. Has been oft-discussed, the 12-episode season was shot as “pods” of 3 episodes and each “pod” seemed to neatly tie up the themes that pervaded each of them. To have them all thunderously return here required significant planning and craftmanship by Gilroy and his team.

    Most prominent among those thematic echoes is the recurring idea that everyone has their own rebellion. That sentiment, first spoken by Vel Sartha to Cassian in “The Axe Forgets”, and the weight it rightfully carries in a galaxy where the Empire has now made it clear that there are no limits to what they’ll do to maintain “order”, come rushing back to mind during Maarva’s funeral march down Rix Road. During the holographic speech recorded before her death, Maarva powerfully reminded the people of Ferrix that they’ve been comfortably and somewhat selfishly ignoring the truth of the Empire. Calling it both a “wound that won’t heal” and a “darkness reaching like rust into everything”, Maarva uses her final moments to tell the people of Ferrix to wake up. Indeed her “last words” before B2 stops broadcasting are “Fight the Empire!”, inciting and inspiring the Rix Road revolution. Maarva Andor goes down in history as an OG Rebel by stirring the people of Ferrix to fight.

    Maarva’s words resonate with the words of another dead character who longed to see the Rebellion move ahead. Though he had a short arc in Andor, Karis Nemik’s manifesto, which Cassian read through when he first returned to Ferrix earlier in the episode, ultimately served more as a book of prophecies. Nemik’s beliefs that “the smallest acts of insurrection” advance the cause of the Rebellion, that “the Imperial need for control is so desperate because it is so unnatural”, that “authority is brittle” and that “oppression is the mask of fear” are all fully realized during Maarva’s revolt. It’s ultimately the act of an Imperial officer to stop Maarva’s speech that becomes the tipping point of a largely unarmed group of mourners (there is, of course, the bomb) choosing to charge into battalions of troops. The Empire’s devastating response ends in mass casualties but with so many survivors, including those who escaped, word of what happened on Ferrix will spread and can almost certainly be counted on to become a key point on the timeline of the formation of the Rebellion.

    Though Cassian hasn’t been the primary protagonist of every episode, the finale goes a long way in bringing him to the end of a long character arc that started with him simply in search of his long-lost sister. Cassian’s transformation comes in part when he seemingly comes to the conclusion that the audience has had all along: despite believing his actions only ever impacted him, he’s right at the center of the series of events that have caused so many unintended consequences for those he loves and those he’s never met. Seemingly inspired by the memory of Clem Andor’s words that “people don’t look down to where they should…they don’t look past the rust”, which connect directly to his words to Luthen Rael during their first meeting, Cassian changes the course of his entire life. Though he has ample opportunity to escape, Cassian chooses to seek out Rael and fully commit himself to the Rebellion. Sure of his worth, Rael smirks as he takes Cassian back into the fold, but as awesome as that is for Cassian, it’s likely problematic for some of the others involved and a likely plot point for an early arc in Season 2.

    Ultimately, Episode 12 of Andor is a remarkable standalone episode depicting what will certainly come to be known as one of the inciting moments of the Rebellion and a remarkable season finale that embraces the massive totality of Season One. So often finales miss by only serving one of these purposes but Gilroy served both purposes masterfully by resisting previously established themes, stirring a sense of tension that had been building for 12 episodes while also putting at the center of the episode an event that built on that tension while providing a release that will carry over to Season 2 for the audience and the characters.

  • ‘Andor’ Finale Post-Credit Scene Explained

    ‘Andor’ Finale Post-Credit Scene Explained

    Season One of Andor concluded with a bang. A series of them actually, as the people of Ferrix stood against the Empire in what could only be described as a revolution. The revolt may go down in the books as the first open act of defiance against the Empire, but as audiences already know, the Empire isn’t going down quite yet. In fact, it’s still building to its peak level of terror. To that end, the episode came with the first post-credit tag of the series which served as a chilling reminder that the worst from the Empire is yet to come.

    Set deep in space, the tag shows a group of small droids shuffling around and installing some very familiar-looking components into a much larger assembly. As the camera pulls back, it’s revealed that the droids are putting together a layer of the Death Star’s Superlaser. Given Andor’s 5 BBY setting and the massive undertaking of assembling a station the size of the DS-1, its construction fits the timeline as well as many fan theories that have swirling about since Episode 8.

    The Superlaser’s power came from the combination of 8 separate laser beams which were converged into the one massive, planet-killing beam that made the Death Star the most terrifying weapon in the galaxy. Though no details were given, it seems as though the droids are using the components to assemble channels for the individual beams.

    Of course, the most chilling aspect of the post-credit scene is the realization that the components being installed were built by Cassian and his fellow inmates in the prison on Narkina 5. The tag adds context to so much of Andor, Rogue One and really any other projects that take place in the timeline prior to A New Hope. The prisoners at Narkina 5, a place that felt so incredibly oppressive, were working tirelessly and competitively to create the Empire’s most oppressive weapon.

    For Cassian, coming to learn that he’d build part of the Death Star could go a long way in explaining his commitment to its destruction in Rogue One, where he’s willing to give his life to ensure the plans get to the Rebels. Finally, with the Empire becoming aware of the growing threat of a Rebellion and the fact that the tag shows the importance of the parts the prisoners have been building, it provides a terrifying additional layer to the idea that the prisoners of Narkina 5 were never getting out and also that by escaping, they may have paused the project just long enough to let the Rebels catch the break they needed to ultimately destroy the Death Star!

  • James Gunn Clears the Air on the Rumors Surrounding Henry Cavill’s Superman Contract

    James Gunn Clears the Air on the Rumors Surrounding Henry Cavill’s Superman Contract

    For those outside of the know, visionary director James Gunn is now in the driver’s seat at DC Films, alongside co-leader Peter Safran, and he’s not afraid to clear things up when the internet gets them wrong. A recent online rumor claimed British star Henry Cavill, who has portrayed Superman in the DCEU since 2013’s Man of Steel, had signed a new contract with the company that included the potential for television appearances. While Gunn has not yet fully denied this, he did take to Twitter to clarify that no current reports on the matter come from anyone with actual knowledge on the situation.


    Cavill made a grand return to his iconic role in last month’s Black Adam, while Gunn has been hard at work revitalizing DC’s television slate since the release of The Suicide Squad spin-off Peacemaker earlier this year on HBO Max. The return of Cavill to playing Superman after several years away from the superheroic spotlight has gotten audiences very excited, and reports like the one Gunn has shot down are likely to be plentiful. However, no official announcements have been made regarding what’s next for DC Films now that Gunn and Safran are in charge. Luckily for fans, the duo’s track record indicates they might have a lot to be hopeful about. A dedicated comic book fan and proven filmmaker, Gunn is slated to head the creative aspect of DC’s cinematic future while Safran handles the business side. When the pair are ready, there’s a good chance the DC fandom gets quite a bit of thrilling news. Until then, it appears reports about Superman and his fellow Justice Leaguers should be taken with a grain of salt.

    Source: Twitter

  • ‘Spider-Man: Across the Spider-Verse’ Will Have Six Animation Styles

    ‘Spider-Man: Across the Spider-Verse’ Will Have Six Animation Styles

    When Spider-Man: Into the Spider-Verse hit theaters in 2018, it’s incredible art direction was immediately praised. The animated film featured a distinct, and wildly unique, animation style that proved to be a hit with audiences and critics alike. Since the movie’s release, it’s look has been replicated in video games, comics, and countless pieces of fan art across the World Wide Web. As such, the return of this animation to the big screen has been a major talking point in regard to the upcoming sequel, Spider-Man: Across the Spider-Verse. According to the creatives, however, the now-iconic style that dominated the first film won’t be the only one making an appearance in cinemas next year.

    Speaking exclusively with Empire Magazine, executive producer Phil Lord revealed that Across the Spider-Verse will have six different styles presented throughout the movie. This falls in line with the title and the film’s first teaser, which hint the story will flip the concept of the first film, which saw the multiverse come to Miles Morales, and instead see Miles Morales traveling across the multiverse himself. A separate art style for each new world. Lord explained:

    The first film had one animation style that dominates the movie. This movie has six. So we’re taking those tools, adding all the things we learned on The Mitchells Vs The Machines, and then growing them further to accommodate the ambition of this movie. Which is to wow you every time you enter a new environment, and also to make sure that the style of the movie reflect the story, and that the images are driven by feelings, as opposed to some egg-headed art project. Which it also is, by the way!

    Phil Lord

    Spider-Man: Across the Spider-Verse swings its way into theaters on June 2nd, 2023.

    Source: Empire

  • REVIEW: ‘Keepers of the Cosmos’ is Raunchy Galactic Fun

    REVIEW: ‘Keepers of the Cosmos’ is Raunchy Galactic Fun

    Every generation is looking for their Star Wars. Something that transports them to another universe and sends them tumbling through a galactic adventure stuffed with fluffy, lovable characters and charmingly heroic leads. A tale made for everyone, that inspires children to be better adults and adults to unlock their inner child. On the surface, it may seem like this is the goal writer Adam Barnhardt had in mind while crafting Keepers of the Cosmos, the latest comic from publisher Scout Comics. However, after reading the series’ first two issues, this is assuredly not the case. Instead, Keepers of the Cosmos is raunchy, daring, and definitely not for kids. It refuses to be for everybody, and it’s miles better for it.

    Keepers of the Cosmos features a group of intergalactic peacekeepers traversing the galaxy’s last frontier and doling out their own unique forms of justice; so on paper, it definitely has the trappings of a typical space-bound romp. Yet, the end product is so much more than standard fare. The series is ripe with sci-fi goodness but manages to ground itself with wildly human characters. From the get-go, Keepers introduces its main cast as deeply flawed individuals, giving the story a relatable sense of humanity that draws the reader in immediately. Part of keeping with that humanity involves the use of quite a bit of debauchery, something that stamps the comic with Barnhardt’s signature comedic flair and officially brands it as Guardians of the Galaxy for full-grown adults.

    Keepers also does an impressive amount of world-building for a new book, constructing a new universe with surprising efficiency and speed. In only a few short pages, readers will meet a fairly large, merry band of misfits and likely hop on board their adventure with comfortable ease. There is action and romance aplenty, and artist Agung Prabowo proves adept at laying out exciting splash pages that jump at the reader and demand they pay attention. In fact, Prabowo’s character design is one of the book’s highlights, accurately playing on expected sci-fi tropes while remaining fresh and exciting. The colorful and vibrant universe made possible by Barnhardt and Prabowo is one readers will want to continue exploring for a long time to come.

    Ultimately, Keepers of the Cosmos is both fresh and familiar. It’s full of love for decades of intergalactic storytelling, with plenty of nods for the most die-hard fans, while still fiercely molding its own path toward originality. Barnhardt and Prabowo’s style works together seamlessly, blessing Keepers with a distinct brand of comical chaos. It’s an excellent read for those who are looking for something exciting and different and would like to support an original voice in the industry.

  • Vincent D’Onofrio Praises Alaqua Cox’s Performance in ‘Echo’; Teases ‘Born Again’ Connection

    Vincent D’Onofrio Praises Alaqua Cox’s Performance in ‘Echo’; Teases ‘Born Again’ Connection

    Marvel Studios’ streaming series Echo stands poised to be a trailblazing project in a number of ways. Not only will it be the first Marvel Studios project to feature a Native American lead and largely Native American supporting cast, but it also puts star Alaqua Cox, who is deaf and an amputee, in the spotlight making good on a wish she expressed during her time on Hawkeye to be part of the effort to “see more deaf and disabled role models to inspire the next generation.” Disney debuted footage of the series exclusively at D23 and though the show has completed production, rumors of issues behind the scenes have begun to swirl ahead of its slated release in the Spring of 2023.

    If there are any issues, they would seemingly come as a surprise to Vincent D’Onofrio, who has a sizeable role as Wilson Fisk in Echo. Speaking recently at Salt Lake FanX, D’Onofrio praised the performance of Cox as Maya Lopez “I have to say that in Echo, which is coming, where you get to see Alaqua Cox’s performance…it was just phenomenal.” The actor then went on to tease the scenes that his Kingpin shared with Cox’s Maya Lopez, hyping specifically “the last few episodes” and saying of the show that “it’s going to be quite something.

    Before switching gears, though, D’Onofrio indicated that long-standing rumors that Echo would serve as a direct lead-in to his next MCU project, Daredevil: Born Again, are accurate saying, “And that leads into, of course, Born Again.” Again, whatever purported issues there are with the series, if any, D’Onofrio seemed entirely unaware of them at FanX, which was held in late September.

    Like many projects, it’s possible that Echo may require some more work and might even find its release date bumped back a bit. However, considering its importance as the first superhero project centered around Native Americans and the connection to Daredevil: Born Again, it seems likely that Marvel Studios will find a way to remedy any issues with the finished product.

    Source: Emmys.com, YouTube

  • ‘Multiverse of Madness’ Concept Art Reveals Doctor Strange’s Meeting with the Vishanti

    ‘Multiverse of Madness’ Concept Art Reveals Doctor Strange’s Meeting with the Vishanti

    For the most part, every frame of every film is the culmination of an incredible amount of work done behind the scenes in pre-production. It’s a complicated process that some find daunting and the most laborious part of making a film. Marvel Studios films are typically full of visual spectacles that fans don’t see until they’re fully realized after dozens and dozens of hours of work by concept artists. However, for every piece of concept art that makes it through pre-production, there are countless more that don’t when the scenes they are created for are cut either from the script or end up on the editing room floor.

    In that regard, Doctor Strange in the Multiverse of Madness may have been one of the most maddening films for concept artists whose work was never adapted to the finished product. Originally, the film was set to be directed by Scott Derrickson and it is very likely that a good deal of pre-production work was done before he departed the project. Sam Raimi took over the film with writer Michael Waldron and the two went to work on creating an entirely different film which meant all new concept art had to be created. At the heart of the film was a MacGuffin known as the Book of Vishanti, a magical tome that Multiverse of Madness co-producer Richie Palmer described as “a magical book that gives— if you’re good, it will give you the power you need to defeat any bad. It will fight the Darkhold; it is good, and it is pure.

    The film wasted no time introducing the Book of Vishanti as fans were thrown into the middle of America Chavez and a Variant Doctor Strange’s pursuit of the tome in the opening scene. With the Darkhold-influenced Scarlet Witch after Chavez’s powers, the Book of Vishanti, which Palmer described as the “greatest power of good” in the Multiverse became Chavez’s best hope at survival because it served as the antithesis of the Darkhold.

    On the opposite end of the spectrum is the Book of Vishanti. It exists in the space between universes, and is not for any one sorcerer to wield or keep as their own. The Darkhold has the quality about it where you want to possess it and you want to keep it. The Book of Vishanti is the opposite. It’s for everyone and all sorcerers.

    Richie Palmer

    In the Marvel Comics, the book was created by Agamotto, the first Sorcerer Supreme of Earth. Agamotto was the son of the Elder God Oshtur and with her and the alien god, Hoggoth, formed a trio of god-like beings known as the Vishanti. Over centuries, the Vishanti became the guardians of Earth and its Sorcerers Supreme. Having served as Earth’s Sorcerer Supreme, Stephen Strange has come face-to-face with the group before and thanks to some newly located concept art created by Aaron Black, it seems that the idea for him to meet up with them in Multiverse of Madness was tossed around at one point.

    Obviously, the Vishanti didn’t make the final cut and all that can be done is to speculate about what Strange’s visit to them might have entailed. The concept art for the trio is stunning, however, and given the importance the Vishanti play in the comics, it would not be surprising to see the idea revisited somewhere down the road.

    Sources: Marvel.com, Art Station

  • Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Daredevil: Born Again is shaping up to be Marvel Studios’ most ambitious streaming series to date. The 18-episode event will take nearly all of 2023 to film before hitting Disney Plus in 2024 and is rumored to include a whole slew of characters including the Punisher and White Tiger, a new street-level character from the pages of Marvel Comics. Even without those characters, the hype for the series, which will see Charlie Cox and Vincent D’Onofrio share the lead for the first time since the Netflix Daredevil series was canceled, has always been high. But it can always get better…

    At a recent appearance at Salt Lake FanX, D’Onofrio took the time to get the audience in attendance even more fired up about the upcoming series. While responding to a question about what hero he’d like to face down the road in the MCU, D’Onofrio veered off-topic (or did he?) to hype Daredevil: Born Again.

    I will say though…see you guys have no idea what you’re in store for in Born Again. I know a little bit more than you guys and all I can say is, during that next series you’re not going to be thinking about anything but the next episode. I promise.

    Vincent D’Onofrio

    What made D’Onofrio connect the dots from a hero he’d like to face to the comment about Born Again? Though he’s often been clear that he’d love to see Kingpin take on Spider-Man in the MCU, he’s also made it known that a Punisher vs. Kingpin battle is on his list of goals. With the rumors of Jon Bernthal’s return to the role continuing to swirl, perhaps D’Onofrio’s comments could give fans of the character a little more reason to hope he’ll be included.

  • Vincent D’Onofrio on Which MCU Hero is the “End Goal” for Kingpin to Take On

    Vincent D’Onofrio on Which MCU Hero is the “End Goal” for Kingpin to Take On

    When Kevin Feige revealed that Daredevil and Spider-Man would lead the MCU’s street-level heroes, it only added fuel to the fire that the two heroes would eventually team up to take on their greatest common enemy: Wilson Fisk, aka the Kingpin. All the principles involved in the potential battle royale have shared their desires to tangle with one another before. Vincent D’Onofrio, who returned to the role of Kingpin in Marvel Studios D+ streaming series Hawkeye, has gone on record twice describing his hopes to take on Spider-Man, saying that if there were one hero he could battle down the roadit definitely has to be Spider-Man.

    If Kingpin and Spider-Man don’t go toe-to-toe, however, it won’t be because of D’Onofrio’s lack of trying. If he hadn’t been clear enough already, the actor reiterated his wish to see the two characters fight during a panel at September’s Salt Lake FanX. During a Q&A session, D’Onofrio was asked who in the current MCU he’d love to interact or fight with. As an audience member shouted Spider-Man, D’Onofrio said, “there’s only one, really, end goal…and I think somebody just said who that would be.

    Given Kingpin first hit the pages of Marvel Comics in 1967’s Amazing Spider-Man #50, it would be tragic if he didn’t take on the Web-Head at some point in the MCU now that Marvel Studios has the opportunity to have them face off. With Tom Holland reportedly inking a new deal, perhaps D’Onofrio will get his wish, squaring off with Spidey in Spider-Man 4.

  • Leaked Merch Offers First Look at ‘Transformers: Rise of the Beasts’ Maximals

    Leaked Merch Offers First Look at ‘Transformers: Rise of the Beasts’ Maximals

    It looks like it’s the kind of day where the merchandise just keeps giving, as another set has found its way online. This time, however, it’s not for a Marvel Studios production, but rather the long-awaited newest entry in the Transformers franchise. With the subtitle Rise of the Beasts, we were excited to see the live-action dbut of the Maximals and luckily, this new merchandise leak offers just that.

    The mug as shared by Twitter user @rotbtrailer includes our first look at four key members of the Maximals. We can see the inclusion of Optimus Primal, Rhinox, Airazor, and Cheetor. They have been announced to join the film with Primal being voiced by Ron Perlman and Airazor by Michelle Yeoh.

    The designs are definitely great even if we can’t get the best look at them. You can cleaerly see that they are robots in disguise but with a lot of detail highlighting their animalistic designs. It’s quite exciting to see what they’ll do with them in live-action but here’s hoping that we’ll also see if more merchandise finds its way online teasing the deisgns of the others. There’s still the question if the Autobots will be closer to Michael Bay’s design or the ones we saw in Bumblebee. Only time or more leaks will tell.

    Source: Twitter