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  • ‘Nightmare Before Christmas’ Prequel Announced as Graphic Novel

    ‘Nightmare Before Christmas’ Prequel Announced as Graphic Novel

    This is Halloween, everybody make a scene! Or in this case, a full-blown graphic novel. TOKYOPOP, publisher of Western manga-style works, has officially announced a new installment in their line of comics based on Tim Burton’s The Nightmare Before Christmas. Subtitled The Battle For Pumpkin King, the series will act as a prequel to the critically-acclaimed film, exploring a time before Jack Skellington was the undisputed Pumpkin King of Halloween Town.

    The story, set years prior to the events of the movie, will see Jack and his future rival – Oogie Boogie – as close friends. Eager to prove themselves, the pals pour all their passion into spooky projects so they might be known as the scariest duo in town. However, only one can earn their rightful place as the titular Pumpkin King. The Battle For Pumpkin King will reveal what happens between the two that turns them into bitter enemies, and leads to Jack’s eventual crowning.

    Written by Dan Conner, based on a story by Shaun McLaughlin and D.J. Milky, the full-color project features art from Deborah Allo and Roberto Scalia in another deep-dive into the holiday-themed world crafted by Tim BurtonThe Nightmare Before Christmas: The Battle For Pumpkin King will be released as five single issue comics beginning in March of 2023, before dropping as a collected graphic novel in time for next Halloween. The novel follows two others previously produced by TOKYOPOP – Zero’s Journey, also written by Conner, and Mirror Moon, written by Mallory Reaves. Both are currently available.

  • ‘Black Panther’ Producer Gives Update On ‘Wakanda’ Spin-Off

    ‘Black Panther’ Producer Gives Update On ‘Wakanda’ Spin-Off

    When 2017’s Black Panther introduced Wakanda to the Marvel Cinematic Universe, it became an instant sensation. Ever since, director Ryan Coogler has been hard at work on expanding the fictional nation’s corner of the Marvel world. A sequel, Black Panther: Wakanda Forever, is almost in theaters. After that, Coogler will look ahead to the release of Ironheart on Disney+, a series which he is producing based on a character – Dominique Thorne’s Riri Williams – debuting in his film, Wakanda Forever. On top of this, there are two more Disney+ projects reportedly in development from Coogler. One that’s set to delve into Wakanda and its people, and another that will tell the origin of Danai Gurira’s Okoye.

    It’s possible that these shows are one-in-the-same, though this has yet to be confirmed or denied. In fact, not much has been said about these projects at all in the time since they were announced. That finally changed this past weekend. Speaking to Collider ahead of Wakanda Forever’s premiere, producer Nate Moore gave an update on the Wakanda series. Unfortunately, it would seem the show is still quite a ways off:

    Because of the amount of time and attention that went into this film, and frankly the Ironheart show, that is probably not as far along as people want it to be, but there are certainly great ideas that we’re still talking to Ryan about. So, we’ll see how far we can get with it.

    Nate Moore

    The good news is that Coogler is putting a lot of time and care into the projects in front of him. The downside is that fans will have to wait much longer for anything else. That being said, Moore does not say the projects, or project, are dead. So, there’s no reason to panic yet.

    Black Panther: Wakanda Forever hits theaters on November 11th. Ironheart lands in late 2023.

    Source: Collider

  • Ryan Coogler Reveals Original Plot of ‘Black Panther: Wakanda Forever’

    Ryan Coogler Reveals Original Plot of ‘Black Panther: Wakanda Forever’

    It’s not a secret that Black Panther: Wakanda Forever, the highly-anticipated follow-up to 2017’s Black Panther, was forced to undergo some changes in 2020. With production on the project already well underway, star Chadwick Boseman passed away unexpectedly from illness. As a result, changes had to be made to the story to account for his absence, leading to a very grief-focused sequel. Since the first plot details began to release on Wakanda Forever, fans have wondered what the film might have looked like before it lost Boseman’s King T’Challa. According to co-writer and director Ryan Coogler, it really wasn’t all that different.

    Speaking to Inverse during a recent interview, the acclaimed creative revealed that Wakanda Forever was always going to be about grief. The main difference in the original script, however, was the subject of the lead’s regret. In the finished product, audiences will see Letitia Wright’s Shuri and Angela Bassett’s Queen Ramonda grieving the loss of their loved one, while in the initial version of the movie, it would have been Boseman’s T’Challa grieving the loss of time.

    The tone was going to be similar. The character was going to be grieving the loss of time, you know, coming back after being gone for five years. As a man with so much responsibility to so many, coming back after a forced five years absence, that’s what the film was tackling. He was grieving time he couldn’t get back. Grief was a big part of it.

    Ryan Coogler

    Black Panther was one of many heroes who turned to dust in 2018’s Avengers: Infinity War, before returning to life the next year in Avengers: Endgame. It seems that the original take on Wakanda Forever would have joined the rest of the Marvel Cinematic Universe’s Phase 4 in dealing with the fallout of “The Blip.” As for Namor, the new film’s antagonist who strikes as Wakanda is at its most vulnerable, Coogler confirms he was always part of the story:

    There were other characters, for sure, that we considered including. Namor was always there.

    Ryan Coogler

    Black Panther: Wakanda Forever hits theaters on November 11th.

    Source: Inverse

  • ‘Dead Boy Detectives’ Adds Caitlin Reilly, Max Jenkins

    ‘Dead Boy Detectives’ Adds Caitlin Reilly, Max Jenkins

    HBO Max’s Dead Boy Detectives has added two more to its growing cast. Variety announced on Tuesday that Caitlin Reilly and Max Jenkins have joined the series in recurring roles. Reilly and Jenkins are set to play Litty and Kingham, respectively, with the characters being described as “tiny foul-mouthed dandelion sprites.”

    Dead Boy Detectives was ordered to series back in April. The series is based on DC Comics characters created by Neil Gaiman and Matt Wagner. The Dead Boy Detectives, Edwin Payne and Charles Rowland, first made their live-action debut in the critically acclaimed Doom Patrol series. The roles were later recast for Dead Boy Detectives. In this series, George Rexstrew will play Edwin Payne, and Jayden Revri will play Charles Rowland. Other members of the cast include Kassius Nelson as Crystal Palace, Briana Cuoco as Jenny the Butcher, Ruth Connell as the Night Nurse, Yuyu Kitamura as Niko and Jenn Lyon as Esther.

    The pilot episode was penned by Steve Yockey and directed by Lee Toland Krieger (Shadow and Bone). Beth Schwartz will executive produce the series alongside Yockey, Jeremy Carver, and Greg Berlanti, and Sarah Schechter of Berlanti Productions.

    Source: Variety.

  • ‘WandaVision’ and ‘Multiverse of Madness’ Billy Maximoff Actor Reacts to Joe Locke Casting

    ‘WandaVision’ and ‘Multiverse of Madness’ Billy Maximoff Actor Reacts to Joe Locke Casting

    Though no news of who he’d be playing in Agatha: Coven of Chaos came with the news that Joe Locke had been cast in the series, plenty of fans believe they already know exactly what role the young actor will fill. Cast as a gay, teen lead with a “dark sense of humor”, Locke seems as close of a fit for the aged-up version of Billy Maximoff as anyone out there. As with any casting, until official word comes from Marvel Studios, fans shouldn’t get too excited about the prospect of seeing their favorite character on screen and there are plenty of other characters Locke could be playing. However, one MCU actor’s Twitter activity is sure to fan the flames of Locke joining the MCU as Wiccan.

    Actor Julian Hilliard, who played Billy Maximoff in WandaVision and Doctor Strange: In the Multiverse of Madness, took to his Twitter account to further tease fans.

    It’s likely, even possible, that Hilliard is in the same boat as every other fan and has no idea who Locke is playing. It’s possible that he was simply posting the GIF as a reference to Agatha: Coven of Chaos and not making any commentary at all on who Locke might be playing. However, when the actor who previously portrayed a character takes so quickly to social media to comment, fans will rush to conclusions, no matter how unlikely it is that the young star might know what’s going on.

    As it stands, it’s likely that Marvel Studios will do their best to protect the identity of Locke’s character as long as they can and with Agatha: Coven of Chaos not set to hit Marvel Studios until late-2023/early-2024, fans may have to wait quite some time to find out if he is Billy or someone else.

  • ‘No Way Home’ Director Teases Spider-Man’s Unexplored Origin in the MCU

    ‘No Way Home’ Director Teases Spider-Man’s Unexplored Origin in the MCU

    The advantage of the Marvel Cinematic Universe’s introduction of Spider-Man was that we skipped a big part of his origin. Most viewers already know the story of a kid that was bit by a radioactive spider. So, it made sense not to retread the same ground that the previous two entries did. Yet, it seems that while they had an idea of how they’d set the origin o the character, but never truly worked out the details according to director Jon Watts in Sean O’Connell‘s new book With Great Power.

    I mean, God knows there would have to be something not unlike that, probably… But no, I wouldn’t say… I mean, I think he was bitten by a radioactive spider on a field trip. We never talked about that either, but I think that’s what happened.

    Jon Watts

    It’s curious that they never set the idea of how he got his powers and does make you wonder if they are keeping it open to potentially explore it in the future. There are ties to the character of Silk that could potentially be explored if they wanted to return to the fateful day of the spider bite. Still, Watts was quite happy not to retread that same ground.

    It was just so nice to skip past it and just deal with more with the repercussions… and just explore it from the perspective of someone else finding out about it and having a lot of questions.

    Jon Watts

    That freedom definitely gave the trilogy a more distinct storyline, especially with how No Way Home essentially gave the MCU’s Spider-Man his Uncle Ben moment. While some hardcore fans weren’t the biggest fans of the character’s place in the bigger universe, it was a clever take on his mythos that combined older elements from the comics’ earlier days with some modern takes.

    Source: The Direct

  • REVIEW: ‘Armorclads’ is an Unfortunate Miss

    REVIEW: ‘Armorclads’ is an Unfortunate Miss

    As a big Pacific Rim/Gundam/build robot suits and have them beat the crap out of each other kind of guy, I quickly jumped at the chance to review Armorclads for the site. Mechs? Check. Dystopian future? Check. Legacy-spanning conspiracies? Triple check! So, imagine my disappointment in seeing that Armorclads just did not live up to the expectations I had for it. This could have expanded the Valiant universe in a very real way, but it teeters between nonsensical and lackadaisical, and that is its biggest crime.

    Let’s start with the artwork: Manuel García and Miguel Sepulveda deserve some credit in the world for making this world pop despite an overuse of dark hues. This is a joke: I am admittedly not sure what aesthetic they were going for with their artwork, but unfortunately the color choices they make did nothing to make me excited to return to this world. Their biggest mistake, in my opinion, is they did not make each character distinct enough. When you are building out a world like this, the second most important thing (beyond the actual story) is that every character you’re introducing is memorable even if their appearance is short-lived. In a comic like this, where we are being transported to a world we have very little reference for, the artists have such a responsibility to design this world so that it is both accessible and it pulls you in. They sadly did not deliver here, and that is the first misstep.

    The next misstep is the story. There is so much exposition about the world the story takes place in, which would not have been needed if the artwork was used to show the world. I would much rather have been shown this world, while the story told me about the characters living in it, than to spend half a short read like this being told why I should care about this long-forgotten war. Being told that these suits are capable of legendary fears? Also a mistake. Why were we never shown what they could do? This is where the piss-poor art decision causes the story to dovetail even more, except this time I put more blame on the writers because it is their choice to spend even more time telling us why we should even care about this story to begin with. Building out this world’s inhabitants would have made readers care about the use of these powerful entities, but instead you’re left to quickly have to care about the main characters and everything that happened to get us to this point in this universe. The writing was awful, from start to almost finish, with little redeeming qualities for most of the story.

    Here we get to the little bit of good in this, and why this is so disappointing to write: the story begins to get better around the 3/4th story point, but it is only because the story is now simplified to an extent. The complications of this destiny-like journey our main character is on rear their head at the end when we are just supposed to accept that they’re the “chosen one.” By this point, it was hard to even care that this was pre-ordained or connected to the war from eons ago. The protagonist was forgettable, as was the world, and most of the story, and it just feels like someone dropped a multitude of balls from the idea phase of this story to the implementation.

    Overall, Armorclads feels like a 1-star title. The story should’ve been fleshed out differently, so as to make the final reveal mean more. Instead, we got an exposition-heavy story with a boring protagonist and a forgettable McGuffin amidst really poor art.

  • Ryan Coogler Reserved the Use of Namor Since the First ‘Black Panther’

    Ryan Coogler Reserved the Use of Namor Since the First ‘Black Panther’

    Namor is about to make his Marvel Cinematic Universe debut in Black Panther: Wakanda Forever and it seems that director Ryan Coogler has pretty much reserved the use of this character since the first entry. In an interview with Slash Film, Marvel Studios producer Nate Moore reveals that Coogler asked for the rights to use the character if he got to make a sequel.

    Ryan is a huge fan of comic books, and in publishing, Namor and Atlantis often would come in conflict with Wakanda and the Black Panther. And so even as early as in post-production on the first movie, he was like, ‘If we get so lucky, could we maybe, could I just raise my hand and make sure no one uses Namor?’ And luckily, nobody was, and he had a great idea for it very early on. So we started building towards that idea, which I think is really fun.

    Nate Moore

    It definitely was hinted in the past that he’s had the character on his mind since the first film. At one point they even tried to include a tease of his arrival in a post-credit sequence that was eventually scrapped. Marvel Studios has been interested in adapting the character for almost 18 years according to Kevin Feige but never found the right idea to bring him to the silvers screen. Luckily, it seems that Coogler‘s patience paid off and no one else had the right pitch before him.

    Source: Slash Film

  • ‘Black Panther’s Lupita Nyong’o to Star in ‘A Quiet Place’ Spinoff

    ‘Black Panther’s Lupita Nyong’o to Star in ‘A Quiet Place’ Spinoff

    While Lupita Nyong’o is busy promoting Black Panther: Wakanda Forever, a film that also acts as a tribute to the late Chadwick Boseman, she has seemingly already set her eyes on the next major franchise. In a new article by Deadline, they reveal that Nyong’o is in final negotiations to take on the lead role of A Quiet Place prequel titled Day One. Michael Sarnoski of Pig fame is set to direct the film based on an idea by series creator John Krasinky.

    There’s no word exactly how this new entry would fit into Krasinski‘s franchise, who directed the first two entries. While it does seem like they still hope to have a third entry for the main franchise out by 2025, this film is likely to establish a cinematic universe for the horror franchise. Emily Blunt and Krasinski are likely not to appear in the film; though its title could hint at them as potential background characters for an Easter egg during the events that would lead to the original films.

    It’s definitely a curious direction to establish a cinematic universe based on this horror concept. Ever since Marvel Studios coined the term for its films, many have been chasing that very potential. We’ll see if there truly is enough material to mine out of A Quiet Place to establish a cinematic universe, but the promise of Sarnoski directing the film is already offering something promising.

    Source: Deadline

  • ‘Heartstopper’ Actor Joe Locke Joins ‘Agatha: Coven of Chaos’

    ‘Heartstopper’ Actor Joe Locke Joins ‘Agatha: Coven of Chaos’

    Heartstopper breakout Joe Locke is set to join the cast of Agatha: Coven of Chaos. The news was revealed by Variety, with the outlet reporting that details regarding Locke’s role are being kept under wraps. Locke joins Kathryn Hahn and Emma Caulfield Ford who will reprise their WandaVision roles of Agatha Harkness and Dottie, respectively.

    Locke’s casting comes as recent reports suggested an aged-up Billy Kaplan, aka Wiccan, will appear in the series. While it’s unknown whether or not Locke will be playing Billy in the series, Agatha: Coven of Chaos is rumored to be taking elements from The Children’s Crusade, and with a second casting grid hinting at the inclusion of Teddy Altman, it seems entirely possible.

    Agatha: Coven of Chaos will mark the second television series Locke has starred in following Netflix’s mega-successful Heartstopper. That series was quickly renewed for Season 2 & 3 shortly after Season 1 was released. In that series, Locke stars as Charlie Spring, a gay teenager who falls in love with a popular classmate; it’s based on the webcomic and graphic novel Alice Oseman.

    Coven of Chaos hails from WandaVision creator Jac Schaefer, who serves as the head writer and executive producer.