The Hunger Games director Francis Lawrence is teaming with Sony Pictures on a Sublime biopic. Sublime was one of the biggest acts of the 90s and has gone on to become one of the most famous acts in music to this date. The band consisted of lead singer Bradley Nowell, bassist Eric Wilson, and drummer Bud Gaugh. Nowell, of course, passed away unexpectedly at the age of 28, but that hasn’t kept Sublime’s legacy from living on. To this day, Wilson and Gaugh tour as Sublime with Rome, with Rome Ramirez on the vocals and guitar.
Sublime‘s Gaugh and Wilson, along with Bradley’s widow, Troy Nowell, and son Jake have given their blessing both to the film and Lawrence.
“Wow — we can’t believe this is finally happening, and we couldn’t be more honored and excited to have the great Francis Lawrence and Chris Mundy telling our story. We are so grateful to Peter Paterno and Dave Kaplan/Surfdog for their years of persistence and vision in getting this film going and thankful to Sony’s 3000 Pictures and Chernin Entertainment for believing in us and getting it on the big screen. We know Bradley’s talent and spirit will be part of this incredible journey.”
The biopic is being developed by Sony’s 3000 Pictures, Chernin Entertainment, about:blank, Dave Kaplan, and Peter Paterno. Kaplan and Paterno are said to have been the driving force behind the project for some time now, having helped to put the final pieces together.
“We’re thrilled Sublime’s insanely cool and important story will finally be told. Peter Paterno and I spent the last six years searching for the right partners, and we are pinching ourselves with this ‘Dream Team’ of Elizabeth Gabler and Marisa Paiva at 3000 Pictures, Francis Lawrence, Chris Mundy and the Chernin folks and can’t wait to see this film get made.”
Dave Kaplan
Ozarkscribe Chris Mundy is set to write the film. Gaugh, Wilson, as well as Troy Nowell and Jakob Nowell on behalf of Bradley Nowell’s estate, will help executive produce the movie. While Peter Chernin, Jenno Topping and David Ready producing for Chernin Entertainment along with Lawrence from about:blank and Kaplan of Surfdog/DKM and Paterno of KHPS producing. As of now, the film does not have a release date.
Marvel Studios’ animation department has been increasingly busy over the last year and it seems there’s no slowing down now. In a post on his personal Instagram account, Lucasfilm and Marvel illustrator Brian Kesinger announced that he was helming a new animated series for Marvel Studios.
Kesinger has worked with Disney for over 20 years as part of animation departments on projects ranging from Tarzan (1999) to Big Hero 6 (2014) to Ralph Breaks the Internet (2018). Though he did not name the project, quite a few are known to be in the works at Marvel Studios, including one being developed by Todd Harriswhich may have ties to MCU artifacts such as the Ten Rings. Kesinger has also illustrated Marvel Comics in the past, including work for “Rocket Raccoon and Groot” and “Groot.”
A new report from The Hollywood Reporter states that John Carpenter‘s Halloween is set to return to theaters for a limited time along with the fourth and fifth Halloween sequels. This marks the second year in a row that the films have been re-released into theaters.
CineLife Entertainment, Compass International Pictures and Trancas International Films are working together to help bring Halloween, Halloween 4: The Return of Michael Myers, and Halloween 5: The Revenge of Michael Myers back to theaters. As of now, there are reportedly 670 screenings planned across 417 theaters later this month.
“We are ecstatic to once again showcase the legendary Halloween franchise in theaters and continue our strong partnership with Trancas International Films and Compass International Pictures. Halloween fans nationwide showed their unwavering appreciation for the iconic series over the years, and we are overjoyed to have the opportunity to bring back such a well-received tradition.”
The decision to re-release the Halloween films should help to boost an otherwise quiet box office. While Barbarian is doing great business, there’s little else being released this month with the exception of Don’t Worry Darling from Warner Bros. Discovery. And the forthcoming release of Halloween Ends next month might help to increase interest in returning to where it all started.
The first Halloween was released on Oct. 25, 1978, and would go on to spawn a film franchise that is still relevant to this day. While there were some missteps along the way, 2018’s Halloween, which brought back Jamie Lee Curtis, proved to be a hit among fans and critics alike and pulled in $255 million worldwide. While the sequel, Halloween Kills, only pulled in $131.6 million worldwide following a day-and-date release on Peacock, it was still enough to see the threequel through.
From The Good Place to a galaxy far, far away. Deadline reports that Manny Jacinto has been cast in the forthcoming Star Wars series, The Acolyte. The actor joins an impressive cast that consists of Amandla Stenberg (The Hate U Give), Lee Jung-jae (Squid Game), and Jodie Turner-Smith (Queen & Slim). Details regarding Jacinto’s character are being kept under wraps.
Jacinto is perhaps best known for his role as Jason Mendoza inThe Good Place. His other credits include Hulu’s Nine Perfect Strangers and Netflix’s Brand New Cherry Flavor, and he also appeared in the movie of the year, Top Gun: Maverick, as Lt. Billy ‘Fritz’ Avalone. The busy actor is also set to appear in The Knife, Cora Bora and Balestra.
The Acolyte is being described as a mystery-thriller that will take viewers into a “galaxy of shadowy secrets and emerging Dark side powers in the final days of the High Republic era.” The project was first announced in April 2020, with Lucasfilm finally confirming the series in December 2020.
Russian Doll‘s Leslye Headland will serve as the series director, writer, executive producer and showrunner on The Acolyte.
Perhaps the most unexpected development to come out of D23’s Marvel panel was the reveal that Tim Blake Nelson would return as Samuel Sterns for Captain America: New World Order. Better known as “The Leader”, Sterns is traditionally a Hulk villain, and hasn’t been seen since he made his Marvel Cinematic Universe debut in The Incredible Hulk over a decade ago. Tim Roth‘s surprising comeback as Emil Blonsky in She-Hulk: Attorney at Law, another famous Hulk baddie thought to be forgotten by Marvel Studios, had given fans hope that Nelson may also show his face again, but nobody seemed to suspect that Captain America would be the franchise he’d do it in. Now that it’s confirmed to be the case, the casting begs a very serious question – why would The Leader be the main antagonist in a Captain America movie?
Rumors swirled for a long time that Marvel had plans to revive the Hulk franchise with an adaptation of either World War Hulk or World War Hulks, two very different comic arcs with very similar names. A recent episode of She-Hulk sent Mark Ruffalo‘s Bruce Banner back to space and gave credence to the former title, in which the untimely destruction of Sakaar leads the Hulk to wage all-out war on Earth and its heroes, but the unveiling of Leader’s looming threat at D23 implies the MCU might secretly be on track to adapt the latter. The villain has a long history of attempting to manipulate gamma radiation as a means of molding the future in his image, and World War Hulks is one of his best efforts. As part of a supervillain group known as the “Intelligencia”, essentially the evil version of the Illuminati, Sterns plotted to create an army of Hulks that would help him and his cohorts take over the world. Although the phrase “New World Order ” is typically used when discussing much deeper, more political topics – something it would make sense for a Captain America film to cover – it is possible that Marvel Studios is using the name as a minor misdirect. In fact, it might actually make more sense if the New World Order in question is actually The Leader’s vision for his own personal Gamma World.
With a threat that large in scale, it would also stand to reason that The Leader’s plan does not unfold in its entirety in just one project. More likely than not, it plays out across multiple projects in the next couple of years, making Tim Blake Nelson a quiet connective tissue between Marvel’s fourth and fifth phases. To help explain this idea, it might be best to break the theory down by project:
She-Hulk: Attorney at Law
At this point, what happens for the remainder of She-Hulk is anyone’s guess. Over the course of several episodes, the series has widened the window on how fans can view the MCU and raised its fair share of questions regarding the franchise’s future. Among the many ponderings, however, lies one untied thread that nobody seems to be talking about. In the pilot, Bruce makes a pretty big deal about the dangers of his blood and the blood of Tatiana Maslany‘s Jen Walters falling into the wrong hands. After all, they’re both Hulks, and the wrong person gaining access to their irradiated blood could lead to an awful lot of unfortunate shenanigans. A few episodes later, a group of hired goons, the MCU’s version of The Wrecking Crew, brought the matter up again when they tried their best to beat down and steal some of Jen’s blood. They were not successful, on account of She-Hulk’s skin being too difficult to pierce, but the attempt revealed there is truly someone out there who wants that gamma-laden plasma.
The identity of the person who hired The Wrecking Crew could end up being anybody, but now that The Leader is definitely on his way back to the spotlight, it seems more and more likely that he’s the one up to his old comic book ways. If this is the case, one has to wonder why he wants the DNA and how he would use it. Bruce explicitly says that the most terrifying outcome would be more Hulks in the world, specifically ones that won’t use their powerful abilities for the sake of good, so that seems like a pretty logical next step in The Leader’s grand scheme. Perhaps he’ll even play a major role in the She-Hulk finale, making a big play and stepping out from behind the curtain at the eleventh hour. There is a comic arc in which Mallory Book, played by Renee Elise Goldsberry in the show, represents Sterns in court and successfully argues that he is not responsible for his crimes because his exposure to gamma radiation forcibly altered his personality. Maybe Attorney at Law adapts this as a final case, with Sterns using the scenario to get closer to Jen and ultimately snag some of her blood. His first test subjects could even be The Wrecking Crew, who, in some sort of post-credits scene, finally grow to match their size in the pages of Marvel comics.
Captain America: New World Order
With his new Hulk drug ready to be dispersed, The Leader will need someone who is able to push it around the globe. Luckily for him, The Falcon and The Winter Soldier reintroduced audiences to someone who specializes in exactly that. Emily VanCamp‘s Sharon Carter, now known to criminal syndicates as The Power Broker, was last seen planning to use her newfound government position as a means of stealing high-level weapons and secrets to supply her nefarious underground business dealings. Whether The Leader is caught in She-Hulk or not, it stands to reason that she would have full access to whatever drug Sterns creates with Walters’ blood. In partnering with her, The Leader would have a means of sending gamma around the world without having to craft some sort of massive gamma dome in the middle of the desert, as he does at one point in the comics and in a multi-episode arc on Avengers: Earth’s Mightiest Heroes.
Carter’s involvement in The Leader’s plot is enough by itself to get Sam Wilson’s attention, but as the MCU’s new Captain America, it will probably be the random denizens of Earth transforming rapidly into Hulk-like creatures that draws him to the scene. If Sterns’ plan is enacted fully, it would mean a threat on a global scale that Wilson probably can’t handle on his own. Though the Avengers supposedly no longer exist following Avengers: Endgame, there are plenty of heroes who could come to Captain America’s aid in this time of The Leader’s “new world order” (of Hulks). Danny Ramirez has already been confirmed to return as Joaquin Torres, likely the new Falcon by this point, alongside Shira Haas‘ Sabra, in addition to any number of surprise appearances that could come to fruition between now and the time filming begins. New World Order would then follow in the footsteps of Civil War, acting as a miniature Avengers film that tests Sam Wilson’s mettle as a team leader for the first time. Granted, Wilson doesn’t really need this sort of test, but that seems to be the way the MCU is handling his tenure as Cap, and so it fits with the theory.
As for Bruce Banner, and how he aligns with everything, that remains a slightly bigger question mark. There are a few options, now that he’s in space. The Leader could have orchestrated a false Sakaarian situation to get him off-planet before he put his plan into action, as Sterns probably sees Banner as the biggest threat to his success, or Banner could really now be the father to Skaar, his half-Sakaarian son who played a big role in the World War Hulks story in the comics. At some point, the duo could return and join in the effort to put down Sterns or be saved for a separate project entirely. The details get a little messy here, but the general theory sentient remains – New World Order is about The Leader turning everyone into Hulks, with the first part playing as a thriller where Sam and his crew try to stop the spread of Gamma drugs, and the second part as an all-out World War Hulks adaptation that forces Sam Wilson to embrace his role as Earth’s Mightiest Hero.
Thunderbolts
It was said on stage at D23 that Thunderbolts exists because the word needs a team it can “trust” by the end of Phase 5. Secret Invasion probably plays a big role in this, but New World Order might too. Even if The Leader is taken down, he could still have done some irreparable damage to the world that the Avengers are partially blamed for, or at the very least, his actions might have proven that the world still needs a team of superheroes on its side. In the comics, after the fall of the Intelligencia, a captive Sterns is taken into the custody of General Thaddeus Ross’ Red Hulk and his newly formed team of Thunderbolts. Soon after, he is killed by The Punisher, who is a member of that team and still horrified by The Leader’s actions in World War Hulks. It’s possible something similar plays out in the MCU, with Sebastian Stan‘s Bucky Barnes taking the Punisher’s role after learning what The Leader did to his friend, Sam Wilson. As for why The Leader would be in the custody of the Thunderbolts in the MCU, that’s an entirely different theory.
If the Intelligencia is at all involved in New World Order, the line-up would have to be altered slightly to make sense. There’s a chance that Valentina Allegra de Fontaine, played by the incomparable Julia Louis-Dreyfuss, is in that group, and manipulates her way to controlling Sterns while she forms her own government-sponsored superteam. Basically, she would take the place of the comics’ General Ross, whose actor, William Hurt, passed away earlier this year. In that position, she could force Sterns to use his gamma drug to turn her into a Hulk herself, much in the same way Ross made Sterns and M.O.D.O.K. transform him into the Red Hulk during World War Hulks, so that she may have her own bit of power and act as the Thunderbolts’ muscle, something fans noted was missing from the line-up when it was revealed at D23. The source material has Betty Ross becoming the Red She-Hulk, but it doesn’t look like Liv Tyler will be returning to the MCU anytime soon, so it might make more sense if Val becomes an amalgam of a few characters and takes that spot to simplify things.
With that, the theory is just about summed up. It’s completely feasible that The Leader is planned to be the sub-villain of Phase 5, connecting several projects and bringing Hulks back to the forefront of Marvel lore by bringing World War Hulks to the fourth Captain America film. It’s not clear why Marvel would go this route instead of giving Banner another solo film unless the rights issue with Universal is still an ongoing problem. Either way, it’s an option, and one you heard here first.
The Blade Runner universe is about to open up a major,r new corner. It has been officially announced that the series Blade Runner 2099 has been picked up for active development by Amazon’s Prime Video. Ridley Scott, director of the original film in the franchise, is set to serve as an executive producer for the new series. Silka Luisa has written the script and will also be an executive producer. In addition, Alcon Entertainment and Scott Free Productions will be working with Amazon Studios to produce this new series.
Blade Runner, which was based on the novel Do Androids Dream of Electric Sleep?, released in 1982 and followed the tale of Harrison Ford’s Rick Deckhard tracking of fugitive bioengineered human replicants in a dystopian 2019 Los Angeles. The sequel, Blade Runner 2049 starred Ryan Gosling as a replicant and his investigation into a societal-level conspiracy.
Producing a live-action series in the Blade Runner universe has long been a priority for Amazon. Vernon Sanders, the head of global television at Amazon Studios, spoke about the company’s excitement to be working on this new series.
The original Blade Runner, directed by Ridley Scott, is considered one of the greatest and most influential science-fiction movies of all time, and we’re excited to introduce Blade Runner 2099 to our global Prime Video customers. We are honored to be able to present this continuation of the Blade Runner franchise, and are confident that by teaming up with Ridley, Alcon Entertainment, Scott Free Productions, and the remarkably talented Silka Luisa, Blade Runner 2099 will uphold the intellect, themes, and spirit of its film predecessors.
Vernon Sanders
Not much is currently known about what the specific plot of this series may entail. Though as one can notice from the title, it’s set 50 years after the events of Blade Runner 2049, the Denis Villenueve-directed 2017 sequel.
Daredevil: Born Again will reintroduce Charlie Cox’s titular hero alongside longtime foe Vincent D’Onofrio’s Kingpin. The upcoming Disney+ series will also make streaming service history with its 18-episode run, the first time a Marvel Cinematic Universe show has done so. Aside from a newly revealed logo at D23 Expo, plot details for Daredevil: Born Again remain sparse, but Cox has already stated that this is a new beginning, with new ideas, and will not be connected to the previous Netflix series.
Daredevil is set to make his next MCU appearance in She-Hulk: Attorney at Law, which is fitting considering both Matt Murdock and Jennifer Walters are lawyers. Still, it has been confirmed that She-Hulk will not be setting up Born Again. That does not mean that Murdock will not embrace his legal roots going forward.
In fact, speaking with The Hollywood Reporter, Cox said he wants the new series to be more focused on Murdock’s day job as a lawyer, similar to how the first season of the Netflix show was before it started telling more Daredevil stories. With the new show’s extended episode count of 18 episodes, he hopes there will be more time for character beats while maintaining all of the superhero action. The actor stated:
We know there’s going to be 18 episodes, and that’s kind of mind blowing to me, so there’s even more content than we were doing before, which at the time, felt like a lot. What I hope that does is give us longer to really live in the characters and to spend more time in Matt Murdock’s world as a lawyer and still have all the cool Daredevil superhero stuff, but to really live in his world and ground the show in the day-to-day life of someone who’s a lawyer, I think could be really interesting.
Charlie Cox
MCU fans will get some experience with the legal side of the MCU in She-Hulk, so it will be interesting to see if it expands beyond that series. Daredevil: Born Againis set to premiere in Spring 2024 on Disney+.
While Episode 5 remained satisfyingly enjoyable, much of the dazzle of previous episodes seems dimmed here. The episode uses Titania as its legal case backbone, but overall it felt as though this episode was built as a transitional point for She-Hulk: Attorney at Law. Instead of wacky paranormal antics, the story sets the stage for She-Hulk as an actual superhero. The result is fine, but of the five episodes of the series so far, Episode 5 is arguable the most skippable.
The show’s humor is present throughout, but it feels softer and significantly much less cutting overall. The main focus of the episode, of course, is Jen’s own journey of self-identity and self-acceptance as She-Hulk. Her early moanings about the hero name given to her foreshadowed a time in She-Hulk when Jen would have to come to terms with that title for herself. Cleverly, the series framed it through a legal case. And perhaps it was more effective to present this type of narrative within a context not overpowered by the absurdity of Donny Blaze or another all-consuming joke. Still, Episode 5 feels a far cry from Episodes 3 and 4’s laughter and fun.
The episode also clearly lays the foundation for more superhero activities in later episodes. Obviously, Jen has now embraced “She-Hulk” as a part of herself. But the costume B-plot also ends in her receiving her (unseen) super suit, as well as a teasing reveal of Daredevil’s helmet. At this point, it is not entirely clear how Jen will make the jump from sticking solely to her legal carer to actually operating as a superhero, but with a costume and a super-buddy on the horizon, it is only a matter of time.
The use of She-Hulk’s supporting cast is highlighted in Episode 5. Nikki and Pug do get some additional adorable screen time, and the Matchr dates from the previous episodes returning was a satisfying full-circle moment for that mini-journey of Jen’s. Even cousin Ched makes a brief appearance after making a great first impression in Episode 2, but he remains fleeting.
Some of the supporting cast are, noticeably, a bit more fleeting than the story seems to recognize. A possible explanation could be rewritten episodes that removed significant backstories or introductions for some characters that were still used in substantial roles later. The best example perhaps is Mallory Book. She appears in a blink-and-you’ll-miss-it way in Episode 3 but was just presumed to be an established character in this episode. Mallory is a major figure in Jen’s work-life at GLK&H in the comics, often portrayed as the rival successful colleague. She has been given a character poster and advertisement for the series, yet her role seems cut short. She may very likely have more time in later episodes, but it almost feels like the character was skipped over for several episodes.
Where She-Hulk goes from here, considering it is now potentially balancing a larger and maybe more traditional superhero story, will be interesting. The series has been incredibly unique thus far, but every Marvel Cinematic Universe series flirts with destroying its own identity for the sake of a more generic superhero plot. There is a delicate balance between She-Hulk’s attempted episodic structure and having a narrative that connects the full 9-episode series. It seemed stronger in the past couple of episodes that truly delved into the wild and weird side of the Marvel Universe on its own terms. But She-Hulk is destined to be a superhero as well, so the series will have a chance to square that story with the type of stories it has been telling so far. Taking the silly and fun out of the courtroom seems completely achievable, but Episode 5 just did not deliver at the same caliber as previous She-Hulk episodes.
Episode 5 of She-Hulk: Attorney At Law, entitled “Mean, Green and Straight Poured into These Jeans”, gave some of the show’s supporting cast a little more room to breathe than they had been given in prior episodes. While Jen worked with Mallory Book (Renée Elise Goldsberry), Nikki (Ginger Gonzaga) and Pug (Josh Segarra) went to work on updating She-Hulk’s wardrobe.
Turns out Pug has a “Drip Broker” who he trusted not only to find Jen a superhero costume designer but also to help him build the stock part of his “rock and stock” shoe collection. While in Episode 5 he was after the Iron Man 3s (which were teased in an earlier episode), it turns out he has QUITE the collection. As the credits rolled, fans were treated to an Easter egg extravaganza in Pug’s shoe closet, something that definitely warrants a closer look.
There are a whole lot of shoes and not all of them are immediately discernable, but here’s a rundown of what characters seem to be represented in Pug’s shoe closet.
**UPDATED WITH SOME INPUT FROM “SIR STRANGE FOLK”***
First Row
Spot #4 Jack of Hearts Spot #5 Hawkeye (maybe his classic costume color scheme?)
Second Row (left to right), just above Pug’s head:
Spot #2 Doctor Strange Spot #3 Falcon Spot #4 Hulk Spot #5 Doctor Doom Spot #6 Luke Cage Spot #7 Maybe Cable(?) Spot #8 America Chavez or Captain America
Third Row (left to right)
Spot #2 Ghost Rider Spot #3 Nova Spot #5 Bishop(?)-you can see what looks like the “M” that’s branded on Bishop’s face Spot #6 Thing Spot #8 Deadpool
Production on Marvel Studios’ Ironheart might be nearing the end of its production, but the series continues to add to its growing cast. Deadline reports that Rashide “Sheedz” Olayiwola has joined the growing cast in an undisclosed role.
Olayiwola’s previous credits include Insecure and A Black Lady Sketch Show. She is currently a staff writer on the HBO Max series, South Side. Up next for the busy comedian and actress is the animated Netflix series, Good Times, where she is set to voice the series regular character, Lashes by Lisa. She is also a writer and star on the upcoming IFC/AMC series, Sherman’s Showcase.
Ironheart, which consists of six-episodes, hails from head writer Chinaka Hodge and stars Dominique Thorne as Marvel character Riri Williams. Olayiwola joins a cast that includes Anthony Ramos, Shakira Barrera, Manny Montana, Alden Ehrenreich, Regan Aliyah, Shea Couleé, and Zoe Terakes. Sam Bailey (Dear White People) and Angela Barnes (Atlanta) are directing the forthcoming Disney+ series.
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