Joe and John are back for a new year to talk about DC’s latest show, Peacemaker. They take a closer look at the HBO Max series and if James Gunn continued his momentum from The Suicide Squad.
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‘Mission: Impossible’ Sequels Delayed Into 2023 and 2024
Is anyone else tired of delays? We’ve faced quite a few over the years since the pandemic started, but it looks like that won’t end anytime soon. The upcoming two Mission: Impossible sequels have been moved by almost an entire year now. The September 30th release of Mission: Impossible 7 has been pushed back to July 14th in 2023. Subsequently, its sequel will also not open until 2024, on July 28th to be exact. Paramount and Skydance shared the following statement on why they delayed the projects:
After thoughtful consideration, Paramount Pictures and Skydance have decided to postpone the release dates for Mission: Impossible 7 & 8 in response to delays due to the ongoing pandemic. The new release dates will be July 14, 2023, and June 28, 2024, respectively. We look forward to providing moviegoers with an unparalleled theatrical experience.
It’s quite surprising that they’d decide to push back the films by an entire year, as while Omicron concerns are still present, other production companies have remained quite steady. It seems they are falling back on strategies that we’ve seen back when the pandemic initially started, as things got pushed back over and over again, while others just went for a full year. There’s a chance they might also be considering giving the production some more time in post-production. We’ll see if more positive developments might change their minds for an earlier release.
Source: The Hollywood Reporter
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‘Thor: Love and Thunder’s Tessa Thompson Teases Valkyrie’s LGBTQ Romance
Thor: Love and Thunder teases its main focus in the name of the film. While we’ll get our usual action, director Taika Waiti teased that he wanted to explore romance just a bit more in the upcoming project. There have been quite a few rumors that Valkyrie might have a romance of her own throughout the film’s story, and Tessa Thompson teased what’s to come in an interview with The Wrap. She shares her excitement on exploring this new aspect of her character in the film, as she states that:
It’s totally exciting. We talk so much about representation and obviously, in terms of the LGBTQIA community, there’s still so much work to be done. But if you look at the comics in the canon, there are so many queer characters! It’s hard because Taika (Waititi, who directed both of Thompson’s “Thor” films) and I would’ve even liked to go further, but in the context of the movies, there’s only so much we can do. Unfortunately, there’s not a lot of time invested in love stories in Marvel movies in general. I think that will be a little different on the new “Thor,” which is exciting. And getting to play a character that historically is not written for somebody that looks like me, all of that felt exciting.
Tessa ThompsonIt would be interesting to find out what their original vision might’ve been, but there’s always the chance they could expand it through a Disney+ series or spinoff film at a later time. Valkyrie is a character with a lot of history that is worth exploring. If Waititi still has some stories he wants to tell – and he’s also no stranger to long-form storytelling, there might be a chance that he and Tessa Thompson can take another swing at it later down the line, as it’s definitely a story worth telling.
Source: The Wrap
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‘Knives Out 2’ Eyeing Late 2022 Release
Netflix caught everyone’s attention when they made the deal of a century to purchase any future entries of the murder mystery franchise Knives Out. The series, created by Star Wars: The Last Jedi director Rian Johnson, will not only get one sequel but two as part of the deal. It looks like the next entry, which started filming last year, is already eyeing a release in the last quarter of 2022 according to a new report by Variety.
Not just that, it also will try to release at festivals early, but there has been no word which one it might end up being. For now, Netflix is all in with the project, and with a festival focus, they are likely trying to prepare for next year’s Oscar season, as they are currently expected to dominate with The Power of the Dog, Don’t Look Up, and Tick, Tick … Boom!.
The only returning actor for the film is Daniel Craig as the iconic detective. Johnson’s team is also rounded out with those that helped in the first feature, such as editor Bob Ducsay and cinematographer Steve Yedlin. The first one was originally released through Lionsgate and was produced by Media Rights Capital before Netflix purchased the franchise for $450M back in March. It’ll be exciting to see the next storyline with an all-star cast, which includes Edward Norton, Dave Bautista, Kathryn Hahn, Jessica Henwick, and more.
Source: Variety
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REVIEW: ‘The Legend of Vox Machina’ Is Raunchy, Violent, Fantasy Fun
The world of animation is home to a rather wide variety of genres, and most of them are designed to cater to a very specific audience. Those with a flair for the theatrical tend to love an action-packed anime, filled with an ample amount of drama and enough fast-paced violence to make a vampire blush. Escapists will frequently stray towards fantasy epics, which transport them away from the realities of life and towards a more magical land of adventure. Late-night crowds love adult comedies, which typically go to great lengths to make their raunchiest jokes an auditory and visual experience. Pleasing an audience is no easy task, so it’s impressive when a show can hit the mark on any one of these concepts. It’s even more impressive when it succeeds in hitting on all three.
The Legend of Vox Machina is Amazon Prime’s latest animated offering, based on a long-running Dungeons & Dragons campaign played by some of the industry’s most talented vocal performers. The group, who initially presented their journey in the form of a web series called Critical Role, all return to voice their respective characters in a new adaptation that entertainingly balances the earnestness of good storytelling with the jolly aura of nerds just messing around. Though the humor may sometimes be a bit on the nose, its honest bluntness makes it hard not to laugh. For example, when one of our protagonists is confronted by a monstrous demon beast, he appropriately exclaims something along the lines of ‘What in the actual [insert expletive] is that!?’ This, being probably exactly what the viewer was also thinking, makes for a good reminder that the majority of the show’s jokes stem from someone sitting at a table and reacting to plot twists with as much humanity as any viewer.
As hinted above, however, it’s not just the R-rated comedic material that makes Vox Machina so charming to watch. Jokes hit harder when an audience is engrossed in the plot, and more so when the characters involved are actually made to be interesting. Throughout the series’ first six episodes, those ready to observe will be introduced to a seemingly expansive world of magic and monsters (or rather, dungeons and dragons). None of the concepts presented are especially new or groundbreaking, but a handful of genuinely fun-to-watch sequences and the sporadically very cool character design will surely be quick to convince viewers of their right to exist. The exaggerated nature of animation, paired with the occasionally brutal nature of fantasy, serves to make the action scenes sometimes shockingly violent. It’s most definitely not a show for children, and some moments may even be too grotesque for grown adults, but fans of a satisfyingly choreographed fatality should be pleased by what the series has to offer.
The likability of the story’s titular band of misfits also helps to keep a potential fandom wanting more, whether it be to see further evidence of the easy chemistry between actors or simply because they’ll want to know what happens to their sort-of-heroes next. By the tradition of role-playing games, all protagonists are a bit of a stereotype. Yet, the dualistic authenticity with which each is portrayed in Vox Machina helps to inject a certain amount of lifeblood into the plot. Travis Willingham‘s Grog Strongjaw is your typical meathead barbarian, but the actor delves into the role with enough heart to make him one of the team’s softest members. Laura Bailey‘s half-elf ranger Vex Vessar is as independent as they come, and Sam Reigel‘s Scanlan Shorthalt is a musical gnome with a penchant for sex and self-obsession, yet somehow both keep finding themselves in danger for someone they care about. Some of the more prominent character developments can’t be discussed without giving away some really intriguing spoilers, but suffice to say the rest of the cast has a lot of fun as well. Especially when the story deviates from the expected.
Ironically, a final bright spot worth mentioning is just how gleefully dark the series can get. With old-fashioned villains who are bad for the sake of being bad and cherish the idea of causing others pain, it sometimes feels like nothing is off the table. Despite a generally jovial tone, any show with evil books, giant wolves, and mustache-twirling bad guys is sure to make it to some scary places. What’s surprising is just how willing Vox Machina is to embrace the chaos.
While every minute spent watching The Legend of Vox Machina was thoroughly enjoyable, it does seem like the series is meant to flourish with a very specific niche. Those who love the original web series will flock to this new take, and they’ll more than likely fall for it quicker than most. However, anyone unfamiliar with the source material should prepare themselves for a ride that pulls out quite a few stops. If you’re expecting a straightforward show that commits to any one style, you might want to look elsewhere. If you’re willing to let yourself be open to anything, then you just might find yourself a new favorite adventure on Amazon Prime.
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‘Lucifer’ and ‘Luca’ Top 2021’s Streaming Chart
2021 has been quite a year, to say the least, as the pandemic continued to keep us at home. As such, we had a bit more time on our hands and luckily the various streaming services had plenty of content to keep us busy throughout the year. Of course, there’s always hope that your favorite show of the year might make it to the top of the list. While streaming services still won’t quite tell us how shows and films are performing, Nielsen still conducts its studies to give us an inclination on how the year went.
In 2021, the most-streamed original show was not the extremely popular Squid Game, but actually Lucifer. It switched to Netflix some time ago and now has become their most streamed offering. The Great British Baking Show takes the third spot followed by Virgin River, Bridgerton, You, Cobra Kai, The Crown, and Longmire. It’s not until the tenth spot that a non-Netflix offering joins the ranks with Hulu’s The Handmaid’s Tale. Disney+ and Apple TV+ only got one entry each with WandaVision and Ted Lasso.
There’s a very different story when it comes to movies, as eleven of the most viewed cinematic offerings were from Disney+. The list is dominated by Luca, Moana, Raya and the Last Dragon. Netflix’s Red Notice takes the fifth spot and they also nabbed the ninth with Mitchells Vs. The Machines. Marvel Studios also joined the list with Black Widow on the eleventh spot and rounds out the Top 15 with Avengers: Endgame. The performance of Disney+ is a good hint at the fact that family- and child-friendly offerings were the big winners.
Overall, it’s a strong list of shows. There’s always a chance that if we’d ever get a chance to see the true numbers their positions might shift. Nielsen also only uses third-party information that excludes mobile numbers, which could work in specific offerings favor. They only rank TV screens and HBO Max and Peacock are not currently included in the list, whose offerings with Friends and Yellowstone are likely candidates to be in the list. Still, it’s at least a small inclination what 2021 was like and we’ll see what 2022 has in store for us.
Source: Deadline
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Pixar is “Really Bummed Out” On ‘Turning Red’ Heading to Disney+ Instead of Theaters
There has been a rather discouraging trend of Disney sending Pixar films to Disney+ for free. The prestigious animation studio was one of the leading voices in spearheading our modern understanding of CG-animated filmmaking. Yet, as the pandemic hit, things haven’t been easy for everyone in the industry. Especially with uncertainty if families will visit cinemas as they did before the pandemic started in 2020. As such, Disney made the move to release some of its films on their new streaming service.
Strangely, there still is seemingly no clear strategy moving forward. Only select films were made available through their Premier Access options, where you can purchase the film for a set price. Yet, while their original and Marvel Studios offerings got the special treatment, Pixar’s Soul and Luca didn’t get the same. They were made available for free to push Disney+’s subscription numbers. Turning Red, their next film, was their big return to cinemas but ended up following the same fate. In a new piece by The Hollywood Reporter, they shared a statement by an anonymous Pixar employee on the situation.
Everyone is really bummed, but most of us get it. Families just aren’t going to the movies
They highlight that the company isn’t mad about the decision, but more disappointed. There’s a good chance that Encanto’s low box office numbers were one of the reasons they went down this route, especially. Sing 2, the most recent animated film to release in theaters, also didn’t fare much better if compared to pre-pandemic numbers. Here’s hoping that the current omicron development gets better so that Pixar can make its grand return to cinemas once again.
Source: The Hollywood Reporter
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Joshua Jackson Joins Lizzy Caplan in Paramount+’s ‘Fatal Attraction’ Remake
Joshua Jackson has signed on for Paramount Plus’ Fatal Attraction remake, joining Lizzy Caplan who was cast last year. Jackson will play the male leading role opposite Caplan’s leading lady.
The forthcoming series is meant to be a reimagining of the hit 1987 film starring Michael Douglas and Glenn Close. It’s said the reimaging of the film will focus on the “timeless themes of marriage and infidelity through the lens of modern attitudes towards strong women, personality disorders and coercive control.”
Jackson’s playing Dan Gallagher who ends up having a relationship with Caplan’s Alex Forrest. As the relationship develops between the two, it’s clear an obsession is building from Alex. Regarding Jackson’s casting, Nicole Clemens, the president of original scripted series at Paramount+, praised the actor. “Joshua is an incredible talent who creates beautifully complicated characters on both the screen and stage.”
“He and Lizzy are perfectly matched to tell a nuanced and modern narrative about the complexities of the human psyche. We’re thrilled to partner with them to bring this provocative and captivating story to a new generation,” she continued. Caplan, of course, was confirmed to join the project in Nov. 2021. Jackson marks the second actor to join the project.
Alexandra Cunningham (Dirty John) serves as the showrunner for Fatal Attraction, as well as the writer. She’ll executive produce the series alongside Kevin J. Hynes and Amblin Television’s Darryl Frank and Justin Falvey.
Source: THR.
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Marvel Studios Makes a Major Change to The Phase One Timeline
Disney Plus has now added all of Marvel Studios One-Shots to their streaming library, giving fans a chance to relive some of the memorable shorts that once accompanied the home releases of their films. Agent Carter, All Hail the King and more are now streaming on the service and have all been added into the official, chronological viewing order. Interestingly enough, one of the One-Shots has knocked one of Marvel Studios biggest hits out of its place as a bookend to Phase One.

As you can see from the screenshot, the 2012 One-Shot Item 47, which was released on The Avengers Blu-Ray, is now the official end of Phase One. The 12-minute short, which was heavily tied to ABC’s Agents of S.H.I.E.L.D., starred Lizzy Caplan and Jesse Bradford as a couple who, in the wake of the Battle of New York, find a Chitauri weapon and use it to go on a crime spree. S.H.I.E.L.D. Agents Sitwell and Blake, played by Maximiliano Hernandez and Titus Welliver, respectively, intervene on the couple’s spree and eventually incorporate them into S.H.I.E.L.D.
While the events of the series were never mentioned again and neither Caplan nor Bradford’s characters were ever seen again, the One-Shot, directed by Louis D’Esposito, led directly to Agents of S.H.I.E.L.D. getting the green light on ABC. Bob Iger, who was Disney’s CEO at the time, gave the go ahead on AoS after watching Item 47 and the series debuted one year later on the network. Of course, Agents Sitwell and Blake continued on in the series and, in Sitwell’s case, the films with Sitwell dying during the events of Captain America: The Winter Soldier and Blake pretty much just disappearing.
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Disney+ Added All Marvel Studios One Shot
There was a time when Marvel Studios did quite a bit of experimenting. In the early days of Phase 1, they tested out a concept known only as Marvel One-Shots at the time. The physical Blu-ray release of some films included these short episodes that helped tie together some loose ends, such as The Consultant, or just have some wacky fun, like Team Thor. Suddenly, there were sightings of All Hail The King – which introduced viewers to the fact that there was an actual Mandarin out there – after Shang-Chi was added to Disney+. Now it seems they have added all One-Shots as part of a collection, as shared by @riverrun779.
It’s interesting to note that the series of shorts have the logo “Marvel Studios One Shot,” but when you search for them they are only available with the name “Marvel One-Shot.”

Their addition is great for the purists that want to watch every part the Marvel Cinematic Universe has to offer. Plus, it also helps them add it to their timeline on the service, which helps give some hints when and where to place these stories. As a fan of logo design, it’s great to see All Hail The King or The Consultant get actual visuals that add some flourish to their stories, even if they are quite small in the grand scheme of the wider MCU. Their inclusion with a new logo also opens up the possibility they might revisit the concept with new 15 minute shorts for minor characters. So, we’ll see if this opens up a window for more opportunities later down the line.
Source: Disney+, Twitter
