Tag: Comics

  • ‘Absolute Catwoman’ Is Absolutely Assembling Its Own Team of Heroes

    ‘Absolute Catwoman’ Is Absolutely Assembling Its Own Team of Heroes

    If you thought Scott Snyder and the architectural team behind DC’s Absolute Universe were going to keep the Batman family isolated in their own little bubbles, think again. While Bruce Wayne is busy fighting the system as a blue-collar tank in the pages of Absolute Batman, the dark, high-tech espionage corner of the universe is quietly assembling a familiar powerhouse team with its own, absolute twist.

    With the arrival of Absolute Catwoman #2, the creative team of Che Grayson, Scott Snyder, and Bengal has blown the doors off expectations by officially introducing the Absolute Universe iterations of two iconic street-level vigilantes: The Question and The Huntress.

    And if you read between the lines, the foundation isn’t just being laid for a regular team-up—we might be looking at the direct genesis of the Absolute Birds of Prey. Here is how the pieces are moving across the board.

    Victoria Sage and Helena Bertinelli

    In the traditional DC Universe, the Birds of Prey are defined by tactical brilliance and hard-hitting precision. In the Absolute Universe, where characters are stripped of their historical safety nets, the introduction of these characters comes with massive, exciting twists.

    • Victoria Sage as The Question: The Absolute version of Vic Sage comes a major, brilliant shift right out of the gate: this iteration is a gender-flipped Victoria Sage. In issue #2, we learn that she’s a tech-savvy powerhouse operating alongside a crew known as the Calicos. While she still carries the relentless pursuit of truth that Steve Ditko originally injected into the character, her Absolute status updates her with an edge that perfectly aligns with Selina Kyle’s high-tech, global operations.
    • Helena Bertinelli as Huntress: Entering a comic by crashing through a window while laying waste to a goon is the most Huntress entrance imaginable, and Absolute Catwoman #2 delivers it perfectly. Bertinelli remains the fierce, trauma-driven mobster’s daughter tracking down the corruption tearing the city apart. But by tying her directly to Selina Kyle’s current inner circle rather than Bruce Wayne’s orbit, her brutal methods feel right at home.

    Fans inside the comic community have already pointed out that the dynamic between Selina Kyle, Victoria, and Helena feels remarkably familiar.

    While they’re currently operating under the umbrella of “The Calicos” or “The Strays,” the group is functioning as a tightly knit, underground crew of highly specialized operators. However, the core thematic ingredients of the Birds of Prey are all sitting right on the table.

    You have the rogue element (Catwoman), the brutal, uncompromising enforcer (Huntress), and the tactical, investigative mind supplying the strategy (The Question). With Cassandra Cain currently operating on the antagonist side of this title as a leader of the opposing Catwomen faction, the lines are being drawn for a massive, all-female tactical war.

    In the mainstream universe, the Birds of Prey are traditionally anchored by Barbara Gordon’s Oracle and Dinah Lance’s Black Canary. But over in the Absolute Universe, Black Canary is already occupied playing the lead role in the urban-horror, slasher-style narrative of Absolute Green Arrow.

    By swapping the leadership roles to Catwoman and utilizing a modernized, tech-forward Victoria Sage, Che Grayson is crafting an entirely separate espionage ecosystem. It allows Absolute Batman to stay focused on the gritty, localized war against the Party Animals and Jack Grimm, while Absolute Catwoman tackles the global, shadow-broker operations.

    Absolute Catwoman is proving to be a much bigger world-building book than anyone initially anticipated. By dropping Victoria Sage and Helena Bertinelli directly into the mix by issue #2, the series is actively setting up a new generation of tactical, street-level heroics that could easily spin out into its own dedicated team book by the end of the year.

  • Bullseye: ‘Absolute Green Arrow’ Hits the Target, Extended to a 12-Issue Series at DC

    The Absolute Universe is continuing to prove it’s juggernaut for DC, and the Emerald Archer’s new corner is reaping the rewards.

    Coinciding with the release of the highly anticipated Absolute Green Arrow #3, writer Pornsak Pichetshote announced that DC Comics has officially extended the series. Originally slated as a tight, six-issue limited run, the urban-horror murder mystery has now been expanded into a 12-issue maxiseries due to critical acclaim and dominant sales performances.

    The Announcement

    Pichetshote took to Instagram to share the news, admitting he didn’t initially think a book with this specific tone would even get off the ground.

    No matter how many people talked about it, I wasn’t prepared to believe it. I mean, I wasn’t prepared to believe this book would even exist, because back when I was a DC Comics employee, the company felt nowhere near bold enough to publish something like this. But that’s a testament to how successful the Absolute Universe is under Scott Snyder’s leadership and the care of our amazing editors.

    -Pornsak Pichetshote

    Pichetshote confirmed that the entire creative team—including superstar artist Rafael Albuquerque, colorist Marcelo Maiolo, and letterer Jeff Powell—are locked in to continue building out this dark sector of the universe.

    This marks the second major extension for an Absolute launch title (following a similar expansion for Absolute Martian Manhunter), signaling that DC has immense faith in these creator-driven, alt-universe swings.

    For the uninitiated, Absolute Green Arrow trades the traditional Oliver Queen billionaire mythology for a high-tension, slasher-inspired narrative. The story follows executive protection specialist Dinah Lance tracking down a ruthless vigilante who is systematically executing corrupt elites with arrows.

    With the book now stretched to 12 issues, Pichetshote and Albuquerque have double the room to explore the fallout of the “Green Arrow Killer” and dig into the dark history of Oliver Queen’s protege, Roy Harper.

    With issue #3 landing on stands today, the initial six-issue block will take readers through the end of the summer. The newly ordered back half of the maxiseries—beginning with issue #7—is expected to start arriving in late November or early December 2026.

    Giving Absolute Green Arrow a full 12 issues allows the creative team to properly breathe rather than rushing to a clean resolution by issue #6. If you love the tension, the gritty artwork, and the psychological weight of this iteration, today’s news is a massive win for your pull list.

    Did you grab your copy of issue #3 today? How do you think the extended run will change the pacing of Dinah’s investigation?

  • The Ultimate Weapon: How ‘M.A.S.K.’ Shifts Phase Two of the Energon Universe

    When Skybound and Image Comics first launched the Energon Universe, the hook was clear: massive, titanic forces colliding. We watched Autobots smash Decepticons, and we watched G.I. Joe navigate the terrifying, militarized dawn of a world reacting to alien technology. But as Phase Two kicks into high gear, writer Dan Watters and artist Pye Parr have built a new series around an intriguing variable that has been slowly introduced over the last several months.

    With the first two issues of M.A.S.K. officially on the shelves, the baseline of this shared universe hasn’t just expanded—it has fundamentally shifted.

    By grounding the high-octane franchise within the established lore of the Energon Universe, Watters and Parr are giving us an entirely new perspective: ordinary human specialists weaponizing alien fallout to fight a covert, global arms race. Here’s how M.A.S.K. has rewritten the rules of the Energon Universe through its explosive opening act.

    Grounding the Tech: The Human Response to Alien Fallout

    Up until now, the human factions in the Energon Universe have largely been defined by institutional scale. The Joes, M.A.R.S. and Cobra are massive operations–and growing all the time–dealing with the macro-level threat of the Cybertronian war. M.A.S.K. flips the script.

    Matt Trakker’s Mobile Armored Strike Kommand is a lean, rapid-response network of specialists. What makes their debut so vital to the universe’s fabric is how they utilize the bleeding-edge technology left behind in the wake of the Autobot-Decepticon conflict.

    Instead of building massive bases, Trakker and his old colleague Alex Sector are reverse-engineering this reality-warping technology into highly portable, specialized gear. The signature helmets and transforming vehicles—like Trakker’s flight-capable Thunderhawk sports car—aren’t just flashy 1980s gimmicks anymore. Within the context of the Energon Universe, they represent humanity’s desperate attempt to build equalizers against cosmic threats using the scraps of those very same entities.

    Miles Mayhem and V.E.N.O.M. as the Ultimate Underground–and Kooky–Threat

    While Cobra Commander aims for global subjugation and the Decepticons look to strip the planet raw, Miles Mayhem and V.E.N.O.M. represent a much more insidious, mercenary threat.

    Introduced as a covert terrorist operation, V.E.N.O.M. isn’t trying to rule the world out in the open—they are trying to capitalize on it. By recruiting elite, rogue operatives like ex-CIA demolition expert Vanessa Warfield and the unstable sharpshooter Sly Rax, Mayhem has built an organization tailored for high-stakes asymmetrical warfare.

    Through the first two issues, V.E.N.O.M. acts as a chaotic wildcard in the global ecosystem. They are scouring the globe for alien artifacts. By introducing a faction completely motivated by criminal enterprise and the weaponization of the unknown, Watters introduces a dark mirror to the arms race, proving that humanity’s worst enemies don’t always wear chrome faceplates or come from outer space.

    The Reality-Warping Stakes of Frusenland

    If issue #1 established the players, issue #2 shattered the geographic and scientific boundaries of the Energon Universe’s version of Earth.

    The search for a localized alien generator leads both factions to the remote, snowy wastes of Frusenland. Here, the creative team showcases the true danger of uncontained Energon-adjacent machinery. The landscape itself is warped, culminating in a sequence where the generator reactivates, slips into the ocean, and rips open a localized wormhole that literally begins draining the sea into an unknown point in space and time.

    This development raises the stakes for the entire line. Gloria Baker and Bruce Sato’s deep-dive investigation in the Shark submersible isn’t just a rescue mission—it establishes that the Earth is actively breaking down under the stress of these cosmic anomalies. The universe is no longer just a backdrop for giant robot fights; it’s a volatile environment where a single misplaced piece of technology can rewrite local physics.

    Through just two issues, M.A.S.K. has injected a shot of pure adrenaline and high-stakes espionage into Phase Two. By focusing on the vehicle violence and tactical, localized deployment of advanced tech, Watters and Parr have effectively bridged the gap between the military sci-fi of G.I. Joe and the cosmic grandeur of Transformers.

    The Energon Universe is becoming a rapidly changing, highly unpredictable place—and Matt Trakker’s team is right on the front lines trying to keep it together.

  • Marvel Unveils Full SDCC 2026 Slate: Hall H Return, Prequel Comics, and the Next Big Comic Eras

    Marvel Unveils Full SDCC 2026 Slate: Hall H Return, Prequel Comics, and the Next Big Comic Eras

    Not to be outdone by their distinguished competition, Marvel has officially dropped its roadmap for San Diego Comic-Con 2026, and they are blanketing the convention floor with a massive mix of comics, gaming, and cinematic firepower.

    Running from Wednesday, July 22, through Sunday, July 26, Marvel’s presence at the San Diego Convention Center will center around Booth #2329 and Booth #2519. The layout includes hands-on gaming zones, massive experiential photo ops, and a heavy-hitting panel schedule that marks the return of the Marvel Studios juggernaut to its home turf.

    The Main Event: Marvel Studios Storms Hall H

    The Comics Lineup: Armageddon and the Midnight Universe

    Marvel’s publishing division is anchoring the weekend with two major panels tracking the future of the printed page:

    • Marvel Comics: Next Big Thing: This panel will gather the industry’s biggest creators to look ahead at the fall slate, with specific focus shifted onto Amazing Spider-Man #1000, Infernal Hulk, DNX, and Queen in Black.
    • Avengers: Armageddon: Highlighting the incoming blockbuster comic event where Red Hulk conquers Latveria and clashes with the Avengers, this panel will give fans a deep-dive look into the event’s trajectory. As a bonus, attendees who stay until the end of the panel will walk away with an exclusive copy of Avengers: Armageddon #2 featuring a secret variant cover by Chip Zdarsky.
    • The Midnight Universe: Marvel will also shine a major spotlight on its rapidly expanding horror/superhero mashup imprint, mapping out the terrifying next steps for the supernatural corner of the universe.

    The Screen & Gaming Showcase

    Beyond the core MCU, Marvel is bringing heavy media integration directly to the fans:

    • X-Men ’97 Season 2: Friday afternoon brings the Marvel Comics to Screen: X-Men ’97 panel, featuring the creative team and surprise voice talent offering an exclusive first look at the highly anticipated sophomore season.
    • Insomniac’s Wolverine & Marvel Rivals: Gamers can head to Room Hall H on Thursday morning for Marvel’s Wolverine – Deep Cuts, where Insomniac Games’ creative leaders alongside actors Liam McIntyre (Wolverine) and Krizia Bajos (Jean Grey) will unveil brand-new narrative details. Furthermore, fans who stop by the main Marvel booth can take a photo with a looming Proto-Sentinel head and grab a physical copy of the Marvel’s Wolverine Prequel Comic, written by narrative director Walt Williams.
    • Fighting game enthusiasts can also look forward to MARVEL Tōkon: Fighting Souls, featuring developers from Arc System Works showcasing the upcoming fighter alongside legendary artist Mike Deodato.

    Marvel is bringing the kitchen sink to San Diego this year. Whether you are hunting for exclusive Chip Zdarsky variants, looking for a sneak peek at X-Men ’97, or waiting for the internet to shake from whatever drops inside Hall H on Saturday night, the House of Ideas is making sure they dominate the conversation.

  • Scott Snyder Clarifies Future of ‘Absolute Batman,’ Confirms Long-Term 50+-Issue Vision

    Scott Snyder Clarifies Future of ‘Absolute Batman,’ Confirms Long-Term 50+-Issue Vision

    Don’t worry, Bat-fans—the brick-house Dark Knight isn’t going anywhere anytime soon.

    Following some internet panic regarding a looming ending for the red-hot DC series, writer Scott Snyder has officially cleared the air. During a Livestream event titled “Absolute Access Live”, the writer clarified that while the foundational narrative arc is currently wrapping up, he and artist Nick Dragotta are locked in for the long haul on Absolute Batman.

    Rumors of the book’s demise began circulating after Snyder discussed the culmination of the title’s massive, multi-issue Scarecrow arc, which spans from issue #19 through issue #25. Because this arc heavily reshapes Bruce Wayne’s relationship with his Gotham allies and features a collision course with Jack Grimm, The Absolute Joker, and the Absolute Robins, some readers mistakenly interpreted the climax as the planned end of the entire series.

    Snyder put those fears to rest, explicitly confirming that his contract with Dragotta extends well past the three-year mark—mapping the narrative out to a massive milestone marker.

    We have it planned through #50, and that’s not the end. It’s just like, it’s the end of the first big cycle, about Batman becoming who he needs to be, fighting Joker,” Snyder explained. “So it’s kind of like one giant first year in his life, you know?”

    Since its blockbuster launch as the flagship title of DC’s All In initiative, Absolute Batman has consistently been one of the highest-selling books in the industry. Stripping Bruce Wayne of his billionaire status, his high-tech cave, and his traditional safety nets has struck a major chord with modern readers.

    Issue #25 might mark the end of a major chapter in the Absolute Universe’s history, but it’s ultimately just the halfway mark of Act One. With major threads involving Deathstroke, Poison Ivy, and a heavily reimagined Harley Quinn still developing, Bruce Wayne’s war on the system is only getting started.

  • Daniel Warren Johnson Returns with Epic New Sci-Fi Series ‘Chainkata’ This November

    Daniel Warren Johnson Returns with Epic New Sci-Fi Series ‘Chainkata’ This November

    Superstar creator Daniel Warren Johnson is set to launch his most ambitious project to date. Fresh off his chart-topping run on Transformers, his Eisner Award-winning Do A Powerbomb, and the critically acclaimed The Moon Is Following Us, Johnson is bringing a bold new vision to Image Comics this fall with the launch of his new series, Chainkata.

    Described by Image Comics as “Chicks with chainsaws. In space,” the series promises to be the culmination of a decade’s worth of storytelling. Johnson, who first gained industry attention with Space-Mullet and Extremity, has spent nine years developing the concept for Chainkata.

    The series follows Luma, a chainsaw-wielding warrior queen traveling through the vastness of space. While she seeks only peace, she is constantly pursued by violence and terror, creating a narrative that Johnson promises will blend the high-stakes, epic sci-fi of his previous work on Beta Ray Bill with the deep emotional character-building found in Extremity and Do A Powerbomb.

    Ever since my start in comics, I’ve wanted to make a science fiction book that truly felt different from everything already out there,” Johnson said in the announcement. “It was 2017 when I drew the first sketch of Luma… From that point, it took me NINE years to come up with a story that I felt was worthy of being on the stands, and Chainkata is the end result of that journey.”

    Johnson aims to use this project to bring science fiction back to the forefront of comic storytelling, pushing his narrative and artistic boundaries further than ever before.

    Chainkata #1 is scheduled to hit comic book shops this November. It will also be available on digital platforms, including Amazon Kindle, Apple Books, and Google Play. Fans attending San Diego Comic-Con this month can expect a full promotional rollout for the series.

  • Marvel Officially Details ‘Amazing Spider-Man #1000’ As The Milestone Hits Retailers This Fall

    The long countdown is over, and Marvel is officially pulling back the curtain on what it’s calling the biggest issue in Spider-Man history.

    Marvel Comics has detailed the landmark AMAZING SPIDER-MAN #1000, a giant-sized, star-studded spectacular set to arrive in comic shops on September 16, 2026. Marking the first time a mainline Marvel series has crossed the quadruple-digit finish line, the publisher is bringing together an unprecedented lineup of legendary creators to celebrate Peter Parker’s legacy while charting his next 1,000 issues.

    The Creative Lineup

    The cornerstone of the milestone issue is a massive main story from the current flagship creative team of writer Joe Kelly and artist Pepe Larraz. According to Marvel, this pivotal story serves as both a grand culmination of their run so far and a launchpad for the web-slinger’s next era.

    Writing AMAZING SPIDER-MAN #1000 has stirred up a lot of emotions for me, but gratitude is chief among them.It’s a true honor to have the opportunity to contribute to Spidey’s legacy with a huge milestone like this. And special bonus – we get to introduce a new villain?! Amazing. Ravage is layered and complex and mysterious, and I can’t wait to unleash him on the readers with this monumental issue!

    -Joe Kelly

    The issue will also feature a powerhouse anthology of special anniversary tales from an absolute murderer’s row of Spider-Man royalty, including Frank Miller, Dan Slott, J.M. DeMatteis, Brian Michael Bendis, Noah Hawley, and even Marvel Universe architect Larry Lieber.

    The New Threat

    This isn’t just a retrospective victory lap. Kelly and Larraz are using the milestone to introduce a brand-new supervillain named Ravage.

    Described by Kelly as “layered, complex, and mysterious,” Ravage is set to unleash a history-shattering power that forces Peter Parker to confront his greatest fear and question his entire superheroic legacy. Rumors among the fandom suggest this personal battle might tie directly back to long-simmering family secrets—specifically involving Aunt May.

    The Cover Situation

    The road to #1000 hasn’t been completely without web-fluid clogs. Marvel originally announced a unique, pedestrian-perspective main cover penciled by John Romita Jr. and painted by Paolo Rivera. Following mixed feedback from the fan community regarding the abstract composition, Marvel modified the strategy.

    The issue will now prominently feature two primary “A” covers: the Romita Jr./Rivera jam cover alongside a striking traditional piece by Pepe Larraz and colorist Marte Gracia. Additionally, industry giants Alex Ross and Mark Bagley will provide blockbuster variant covers celebrating Spidey’s most iconic moments and his legendary rogues’ gallery.

    The Release Details

    • Lead Creators: Joe Kelly & Pepe Larraz
    • Contributing Creators: Frank Miller, Brian Michael Bendis, Dan Slott, J.M. DeMatteis, Larry Lieber, Noah Hawley, and more.
    • Format: Oversized giant-size spectacular (Expected 72–100 pages)

    Source: Marvel.com

  • DC Strips Superman Down to His Golden Age Roots in New Black Label Series ‘Superman: The Stranger’

    DC is going back to 1938, and they’re stripping away the cape’s most famous cosmic trimmings to do it.

    The publisher has announced Superman: The Stranger, a brand-new six-issue DC Black Label limited series launching this fall. Written and illustrated by the acclaimed Wes Craig (Deadly Class, Kaya), the book is set to reimagine the Man of Tomorrow’s earliest adventures by throwing out decades of established mythology in favor of raw, street-level Golden Age grit.

    Forget Smallville. Forget Krypton. Forget Ma and Pa Kent. Superman: The Stranger drops a young, brash Clark Kent into a heavily Art Deco-inspired 1938 Metropolis. By day, he’s just another face trying to make ends meet in a bustling, unequal city. By night, he uses his raw, scaled-back powers to protect the streets.

    But this isn’t a story about punching giant robots. The core conflict is systemic—the rich keep getting richer, the poor are left behind, and Clark is left wondering if a man who can leap tall buildings can actually fix a corrupt, broken society.

    Visually and tonally, this is a massive shift from the current mainline All In status quo. Craig is drawing heavy inspiration from the visual language of Action Comics #1 and the classic Fleischer Studios cartoons of the 1940s.

    According to Craig, the goal is to get back to the core myth: “You strip away the extra powers… you boil it down to that explosive first issue of Action Comics, and you have this vital, powerful myth of a brash young man with incredible powers fighting against a corrupt city. That’s the story I want to tell.

    The Creative & Release Details:

    • Writer/Artist: Wes Craig
    • Colors & Letters: Jason Wordie (Colors) and Tom Napolitano (Letters)
    • Release Date: September 2, 2026
    • Format & Price: Six issues, printed on premium cardstock, retailing at $4.99 US.
    • Age Rating: DC’s Ages 17+ content descriptor (Mature Readers).

    Black Label has always been at its best when it lets visionary creators take DC’s biggest icons completely out of safety zones. Giving a master stylist like Wes Craig free rein over a Depression-era Superman sandbox makes this an absolute must-add to the fall pull list.

    Are you ready for a grounded, Golden Age Superman? Let us know what you think of Craig’s approach!

  • DC Amplifies ‘Next Level’ Initiative with Legion, Titans, and Doom Patrol Ongoing Series

    DC’s All In era is officially moving into its second act, and the publisher isn’t hitting the brakes anytime soon.

    DC has announced the expansion of its Next Level publishing initiative, slating three brand-new ongoing team series to drop on the same day: September 2, 2026. Fans can look forward to fresh, creator-driven entry points for the Legion of Super-Heroes, Teen Titans, and The Doom Patrol.

    The Next Level line—which has already found success with standalone titles like Batwoman, Lobo, and The Deadman—is designed to be friendly to new readers while letting top-tier talent play in the main DC Universe sandbox without being heavily bogged down by dense crossover continuity.

    Here is the breakdown of the creative teams and directions heading to comic shops this fall:

    Legion of Super-Heroes #1

    • The Creative Team: Joshua Williamson (Superman) and Eisner-winner Hayden Sherman (Absolute Wonder Woman).
    • The Pitch: Set one thousand years after Superman’s rocket originally landed in Smallville, this 40-page debut tackles a dark future where superheroes have been outlawed, the United Planets are policed by the ruthless Persuaders, and financier R.J. Brande has been murdered. It falls to Brainiac 1 of 5 to solve the crime and assemble a scattered rebel alliance of young heroes.

    Teen Titans #1

    • The Creative Team: Darcy Van Poelgeest (Little Bird) and artist Niko Henrichon (The Pride of Baghdad).
    • The Pitch: To avoid complete financial and emotional ruin, the world’s strangest heroes adopt a “heroes-for-hire” business model. What starts as a seemingly mundane case tracking down a missing cat quickly spins out into a bizarre cosmic crisis.
    • The Creative Team: Kyle Higgins and Daniele Di Nicuolo—the powerhouse team behind the massive Power Rangers: Shattered Grid event.
    • The Pitch: Don’t expect the standard Titans lineup. This series spotlights a network of missing, powered teenagers. When a young hero vanishes from a rally for a youth movement called “Ascend,” a core group consisting of Fairplay, Cheshire Cat, Proxy, and Wildcard must team up with Red Hood to find their friend.

    The Doom Patrol #1

    September 2 is going to be an expensive Wednesday at the local comic shop. DC also teased that the Next Level rollout will continue through the end of 2026, with more independent, creator-driven titles planned for characters like Deadshot, Deathstroke, and Zatanna.

    Which of these three titles are you putting on your pull list first?

    Source: DC Comics

  • Marvel Announces Savage ‘Infernal Hulk Vs.’ One-Shots in the “March to Hulk War”

    Marvel Announces Savage ‘Infernal Hulk Vs.’ One-Shots in the “March to Hulk War”

    The Green Goliath has been replaced by something infinitely worse, and now the entire Marvel Universe is about to suffer the consequences. Following an official announcement on Marvel.com on June 18, 2026, writer Phillip Kennedy Johnson and artist Nic Klein’s acclaimed, horror-drenched saga is pivoting toward its final act with a brutal four-issue series of Infernal Hulk Vs. one-shots.

    Kicking off on September 9, 2026, the March to Hulk War will feature the devastating, systematic defeat of Marvel’s greatest heroes as the demon-possessed behemoth prepares to tear reality apart in early 2027.

    The narrative picks up directly from the core Infernal Hulk title, where the ancient, primordial evil known as the Eldest has completely severed Bruce Banner from his alter-ego, taking full control of the monster’s physical form to usher in a new “Age of Monsters.”

    The terror begins with Infernal Hulk Vs. Wolverine #1, featuring visceral, heavy-hitting interior artwork from Stormbreaker Jonas Scharf (Ultimate Endgame).

    When the X-Men discover the location of several mutants who have been systematically abducted and horribly corrupted by the Infernal Hulk to build his dark army, Logan takes the mission personally. The deadliest X-Man sets out to free his people by the most violent means imaginable—pitting the ultimate mutant killing machine against the literal Father of Horrors.

    This isn’t just a random rampage. Johnson revealed that the true purpose of these battles is for the Eldest to crush Earth’s mightiest heroes and forcibly transform them into his twisted, monstrous faction of Infernal Avengers ahead of the upcoming Hulk War crossover event.

    Marvel has already mapped out the entire monthly bloodbath leading into the winter:

    • September 9, 2026: Infernal Hulk Vs. Wolverine #1 (Art by Jonas Scharf, Cover by Nic Klein)
    • October 2026: Infernal Hulk Vs. Fantastic Four #1
    • November 2026: Infernal Hulk Vs. Spider-Man #1
    • December 2026: Infernal Hulk Vs. The Avengers #1

    The March to Hulk War serves as the deliberate, hard-hitting conclusion to the macro-narrative Johnson and Klein first launched way back in Incredible Hulk #1 in 2023.

    Johnson has been incredibly candid about the sheer level of gore and psychological dread baked into this crossover roadmap, teasing that the creative team had explicit corporate discussions about exactly how violent they could legally go. “I want to keep ramping up the horror vibe of the Hulk series, and for our readers to see things in these one-shots they’ve never seen before,” Johnson promised.

    Editor Mark Paniccia described the premiere issue as an “absolute knockout” of unrelenting action, while Johnson explicitly warned fans to brace themselves for a final page twist in the Wolverine book that he expects to completely “shock” the fandom.

    For the past year, Infernal Hulk has been an absolute masterpiece of body horror and mythological dread. By spinning the title out into isolated, monthly slugfests where the Hulk actively defeats and corrupts icons like Logan, Peter Parker, and the Fantastic Four, Marvel is establishing the Eldest as an apex threat. It gives the upcoming Hulk War event a genuine sense of despair—our heroes aren’t just fighting a monster; they are fighting their own twisted, infected allies.

    With a powerless Bruce Banner currently running on pure intellect to try and outmaneuver his former body, the stakes couldn’t be higher. By the time the Avengers one-shot wraps in December, the Marvel Universe will be completely defenseless, paving a flawless narrative runway for Hulk War to be a can’t miss event this January 2027.

    Source: Marvel.com