Tag: Disney

  • Disney Drops Final Trailer for Live-Action ‘Moana’ As Tickets Go On Sale

    Disney Drops Final Trailer for Live-Action ‘Moana’ As Tickets Go On Sale

    Get ready to sail past the reef! We just got word from Disney that tickets for the highly anticipated film are officially on sale, and they dropped an all-new trailer to go with it.

    Disney’s live-action Moana sails exclusively into theaters on July 10, 2026.

    The trailer showcases the epic continuation of Moana’s journey, which is great, but the big news for fans is getting confirmation on the returning talent. Dwayne Johnson is back to reprise his role as the legendary trickster demigod Maui. Joining Johnson is Jemaine Clement, who will be reprising his role as the voice of the giant, glitz-obsessed crab, Tamatoa. Hearing both of those fan-favorite voices back for the live-action version should get everyone excited.

    They join an incredible cast of Pacific talent led by Catherine Lagaʻaia as the determined wayfinder Moana. The rest of the ensemble includes:

    • Rena Owen as Moana’s revered Gramma Tala
    • John Tui as Moana’s no-nonsense father, Chief Tui
    • Frankie Adams as Moana’s playful and strong-willed mother, Sina

    The movie is a live-action take on the beloved, Oscar®-nominated animated adventure, where Moana finally answers the Ocean’s call and voyages beyond her island of Motunui with Maui to restore prosperity to her people.

    Rooster Heihei in Disney’s live-action MOANA. Photo courtesy of Disney. © 2026 Disney Enterprises, Inc. All Rights Reserved.

    The project has some serious creative muscle behind it. The film is directed by Emmy® and Tony Award® winner Thomas Kail (of Hamilton fame). It’s also produced by Dwayne Johnson, Beau Flynn, Dany Garcia, Hiram Garcia, and Lin-Manuel Miranda. Miranda also returns with Opetaia Foaʻi and Mark Mancina to provide the original songs, with Mancina also composing the original score.

    In a nice nod to the original, Auliʻi Cravalho, who voiced Moana in the animated films Moana and Moana 2, is serving as an executive producer.

  • Disney Sets 2028 Release Dates for ‘Incredibles 3’ and ‘Lilo & Stitch 2’

    Disney Sets 2028 Release Dates for ‘Incredibles 3’ and ‘Lilo & Stitch 2’

    Disney is officially staking its claim on 2028. The House of Mouse has locked in two massive sequels for the same summer window, ensuring that the sequel-heavy strategy is here to stay.

    While we’ve known these projects were in the pipeline since the D23 announcements last year, we now have a much clearer picture of when the Parr family and Experiment 626 will be returning to theaters just three weeks apart.

    The live-action side of the studio is moving fast on a follow-up to last year’s massive hit. Lilo & Stitch 2 May 26, 2028.

    The studio’s live-action Lilo & Stitch became the highest-grossing live-action/animated hybrid in history last summer, crossing the $1 billion mark. Rumors suggest the film will move away from the  Stitch Has a Glitch plot to introduce a wider array of Jumba’s experiments—including fan-favorites like Angel (624) and Reuben (625).

    Pixar’s Incredibles 3 has officially landed a prime summer slot: June 18, 2028.

    Peter Sohn (Elemental) is taking over the director’s chair, while original mastermind Brad Bird remains involved as an executive producer and writer to keep the DNA of the first two films intact.

  • Mother Knows Best: Kathryn Hahn Tapped for Live-Action ‘Tangled’

    Mother Knows Best: Kathryn Hahn Tapped for Live-Action ‘Tangled’

    The “Hahn-aissance” continues. After bewitching fans with her turn to the dark arts in the MCU, it looks like Kathryn Hahn is trading Agatha Harkness’s purple robes for Mother Gothel’s dramatic velvet. Hahn took to social media to reveal she has taken the role of thr villain in Disney’s live-action reimagining of Tangled.

    Hahn has been associated with the role for over a year and as previously discussed, her work in Agatha All Along proved she could handle a villainous role that requires both comedic timing and a genuine sense of threat. Mother Gothel—a woman obsessed with eternal youth and psychological manipulation—is a role practically tailor-made for her energy.

    The production, which is rumored to be looking at a 2027 release window, is reportedly eyeing a “darker, more grounded” take on the Rapunzel story while still maintaining the musical elements of the 2010 animated hit.

    Following the success of The Little Mermaid and the hype for Lilo & Stitch, Disney knows that the villain often makes or breaks these remakes. By putting a powerhouse like Hahn in the tower, they’re ensuring that Tangled isn’t just another carbon copy, but a vehicle for a top-tier character study.

  • Pixie Hollow is Heading to D+ as ‘Tink’ Live-Action Series Takes Flight

    For a while, it looked as though Disney was cooling off on the live-action remake machine; however, the studio is officially looking to the small screen to expand one of its most lucrative sub-franchises. Deadline is reporting today that Disney is in early development on Tink, a live-action series for D+ centered on the iconic fairy.

    Rumblings of  a solo Tinker Bell live-action project date way back in 2015 when Reese Witherspoon was attached to star and produce. Since then, the project has shifted shapes more times than a changeling—moving from a feature film to a rumored Jennifer Lawrence vehicle, and now evolving into high-budget streaming series.

    The series is described as a reimagining of the Disney Fairies lore, moving away from the Peter Pan narrative to focus squarely on the politics and magic of Pixie Hollow. This isn’t just a side story; Disney is reportedly treating this as their version of a “magical procedural,” exploring the different fairy talents (water, light, animal, etc.) that made the direct-to-video animated films such a juggernaut in the late 2000s.

    While no cast has been officially announced, the creative muscle behind the scenes is what has us interested. The show is being developed with a “prestige” lens, aiming to capture the same visual wonder as Peter Pan & Wendy but with the serialized depth of a show like Once Upon a Time.

    This move confirms a major shift in Disney’s strategy. By moving smaller IPs like Tinker Bell to D+, they’re able to world-build in a way a 90-minute movie doesn’t allow. If Tink is a hit, it opens the door for a massive live-action Fairies universe—merchandise, spin-offs, and theme park ties included. After years of DisneyToon Studios being shuttered, it looks like the wings are finally back on.

  • In the Case of the People vs. ‘Thunderbolts*’, the Defense Calls ‘Lilo & Stitch’

    In the Case of the People vs. ‘Thunderbolts*’, the Defense Calls ‘Lilo & Stitch’

    Of Disney’s three major Summer theatrical releases, only one truly took charge at the box office. Even with a pair of critically acclaimed Marvel Studios projects opening on either side of it, it was Walt Disney Studios’ live-action Lilo & Stitch that took in the cash. The film’s $423.5M domestic box office total was nearly equal to the combined cash brought in by Thunderbolts* and The Fantastic Four: First Steps, despite each of those films being expected to factor heavily into the final phase of Marvel’s Multiverse Saga. But that’s the problem…or at least it’s one problem that is frequently cited on social media as folks explain why they have stopped watching Marvel Studios movies.

    Setting aside the truth (people haven’t stopped watching them, though they’ve certainly quit watching them in theaters but that’s a different article for a different day), fans certainly didn’t NOT go to see The Fantastic Four: First Steps because it was too connected to prior projects and required too much homework. Kevin Feige made it clear ahead of the film’s release that “it is a no-homework-required movie. It literally is not connected to anything we’ve made before.” And even if that’s why they thought they didn’t go see it, it still made 1.3 times the amount of money at the box office that Thunderbolts*, a movie that did have connections to more previous MCU projects than any non-Avengers film before it. But did it really require a first-time audience member to watch each of the associated projects in order to enjoy or understand it?

    The answer is a definitive no; however, a prevailing complaint about Thunderbolts* was that there were just too many characters and too many back stories to follow in order for a Marvel newbie–or oldie–to keep up. Unfortunately, that’s just nonsense and, ironically, Disney’s biggest box office success of the Summer provides a wonderful example of just how silly the Thunderbolts* narrative (that took over social media and message boards and became internet “fact”) truly is.

    Stitch in Disney’s live-action LILO & STITCH. Photo courtesy of Disney. © 2025 Disney Enterprises Inc. All Rights Reserved.

    You’re not bad. You just do bad things sometimes.

    Lilo & Stitch may be a remake but before we begin, let’s reject the preposterous notion that “everyone” had seen the original or knew the story ahead of time, or, even if you refuse to do that, remember that the original animated film was also wildly successful when it was released in theaters in 2002.

    And then realize that whichever of the two films you want to think about, audiences knew absolutely nothing about any of the characters and relied on exposition to learn what they needed to know. Stitch is an experiment gone wrong, but who are Jumba and Pleakley? There was no Jumba and Agent Pleakley  D+ streaming series introduing the devious evil genius and the Earth expert, yet audiences, including young children, are completely capable of deducing what they need to know about them from what they learn in the film. Wondering about what happened to Lilo’s parents? You didn’t miss the prequel where one of Jumba’s prior experiments came to Earth and assassinated them. Wait…Cobra Bubbles is CIA or MIB? Nope, there was no Cobra Bubbles film or series. Audiences didn’t know the characters before they watched the film and things turned out wonderfully.

    In the case of Thunderbolts*, a convincing argument could be made that having seen Black Widow would have added to the experience; however, it’s debatable if even that was necessary. Yelena is sad because her sister died. Do you need to know her sister was Natasha to understand that she’s sad? Alexi is unhappy. It’s obvious he and Yelena are family. Nothing he did in Black Widow matters in Thunderbolts*. Didn’t know he was a super soldier? Give him a minute and he’ll tell you.

    Everything you needed to know about John Walker (dime store Captain America), Ghost a S.H.I.E.L.D. reject), Taskmaster (the dead one who destroyed half of Budapest) and even Val…all in the exposition provided mostly by Walker in the first act of the film. Bucky, obviously, provides a problem IF you need to understand every reference or need to know who the Winter Soldier is to enjoy the film. If you missed the exposition during the fight in Val’s O.X.E. stronghold where you SHOULD have learned everything you needed to know, give Alexi a minute and he’ll tell you what you need to know. They’re a bunch of people who have done bad things sometimes, but aren’t bad.

    (L-R): Alexei Shostakov/Red Guardian (David Harbour), Ghost (Hannah John-Kamen), Bucky Barnes (Sebastian Stan), Yelena Belova (Florence Pugh), and John Walker (Wyatt Russell) in Marvel Studios’ THUNDERBOLTS*. Photo courtesy of Marvel Studios. © 2024 MARVEL.

    Ohana means family. Family means nobody gets left behind or forgotten.

    Like Stitch, Bob is an experiment gone wrong and, like Stitch, his story requires and is given a fair bit of exposition. And in a wonderfully serendipitous moment, like Stitch, it’s Bob’s ohana, which he finds during the course of the film, that allows him to finally put the monster away and saves him from a terrible fate.

    The similarities between Lilo & Stitch and Thunderbolts* run deeper than what’s been discussed here but they are both incredibly enjoyable films and if you can enjoy one, you can also enjoy the other…even if you don’t know anything about any of the characters before you sit down to watch.

  • Disney Pumps the Brakes on Its Next Live-Action Reimagining

    Disney Pumps the Brakes on Its Next Live-Action Reimagining

    In 1937, Walt Disney Productions ushered in an all-new age of film with Snow White and the Seven Dwarfs. The studio’s first full-length animated film which introduced the first Disney Princess, Snow White and the Seven Dwarfs featured groundbreaking animation and opened the door to a golden age for the genre. By almost every standard, it is considered one of the greatest films of all time.

    The same cannon he said for Disney’s recent live-action reimagination, Snow White. Mired in controversy before its release, the new film foundered at the box office amid harsh critical reception. And while its animated predecessor launched Disney into a new age, the 2025 versionay we’ll have been the final straw for the studio’s plans to remake its animated classics.

    According to THR, as the studio navigates the fallout of its failure with Snow White, it has paused development on its planned live-action reimagining of 2010’s Tangled.

    In December 2024, trade reports revealed that Disney has hired The Greatest Showman director Michael Gracey to take the helm of the Rapunzel retelling, working from a script by Jennifer Kaytin Robinson. Rumors quickly followed that stars such as Kathryn Hahn, Florence Pugh and Sabrina Carpenter were being considered for roles in the film.

    According to THR, it’s unclear if Disney will decide to move forward with Tangled down the road. For now, the studio looks to be waiting to process the critical and audience response to two already-completed live-action remake projects, Lilo & Stitch and Moana, before making a decision.

    Source: THR

  • Disney Announces Development on ‘Coco 2’, Sets 2029 Release Date

    A dozen years after Disney and Pixar’s Coco won the Academy Award for Best Animated Feature, the the team behind the original film, including Oscar®-winning director Lee Unkrich and co-director Adrian Molina are reunitimg for another trip to the Land of the Dead.

    During Disney’s annual shareholder meeting, Walt Disney Company CEO Bob Iger announced development on a sequel to the 2017 animated feature that took in more than $800 million at the global box office and won a pair of Academy Awards.

    While the film is just in the initial stages, we know it will be full of humor, heart and adventure. And we can’t wait to share more soon.

    -Bob Iger

    Per Disney:

    Disney and Pixar’s Coco introduced Miguel, a 12-year-old with dreams of becoming a musician despite his family’s generations-old ban on music, who ventures to the vibrant Land of the Dead to unlock the real story behind his family history. Coco won two Academy Awards for best animated feature and best original song (“Remember Me”). The film also won a Golden Globe® for best motion picture–animated, a BAFTA for best animated film, and critics’ choice awards for best animated feature and best song (“Remember Me”).

    Source: Walt Disney Studios Global Publicity



  • A Second MCU Star Rumored for a Major Role in Disney’s Live-Action ‘Tangled’

    A Second MCU Star Rumored for a Major Role in Disney’s Live-Action ‘Tangled’

    With The Greatest Showman director Michael Gracey in like to direct, Disney looks to be moving full speed ahead in preparation for the studio’s next live-action reimagining, Tangled. With a script in place from Jennifer Kaytin Robinson, who worked with Disney-owned Marvel Studios on Thor: Love and Thunder, the studio has already reportedly begun seeking out stars to fill out the cast of the film, with Kathryn Hahn and Jennifer Lopez already having been rumored as potential candidates to fill the role of Mother Gothel.

    Hahn’s portrayal as the MCU’s wicked witch, Agatha Harkness, has fans believing she’d be the perfect fit for the role of Tangled‘s own power-hungry crone. Now, a second Marvel Cinematic Universe star has had her name thrown in the ring to potentially join Hahn in the upcoming project.

    According to industry insider Daniel Richtman, Florence Pugh, who is set to lead this summer’s Thunderbolts* for Marvel Studios, is considered a “front-runner” to land the lead role of Rapunzel in Disney’s currently undated Tangled reimagining.

    Of course, being the front-runner and landing the role are two very different things; however, Pugh‘s working relationship with Disney has been very beneficial for both parties. As the lead in this July ‘s Thunderbolts*, Pugh, who joined the MCU in 2021’s Black Widow, will continue her rise as one of Hollywood’s brightest young stars.

  • Kathryn Hahn Eyed for Major Role in Disney’s Next Live-action Reimagining

    Kathryn Hahn Eyed for Major Role in Disney’s Next Live-action Reimagining

    Kathryn Hahn‘s portrayal of MCU’s wicked witch, Agatha Harkness, in the 2021 streaming series WandaVision was so enchanting that the powers at be at Marvel Studios greenlit am Agatha-centric spinoff. Originally titled Agatha: House of Harkness, the series hit D+ in the Fall of 2024 as Agatha All Along and was a huge hit for Marvel Television. Hahn’s performance was widely praised, earning her a Golden Globe nomination and leaving fans asking for more of the character. While it’s starting to sound as though the Marvel Parliament is listening and considering a Season 2 of Agatha All Along, Hahn may be preparing to inhabit the role of another power-hungry witch.

    According to industry insider Daniel Richtman, Hahn is at the top of Disney’s list for the role of Mother Gothel in the recently announced live-action reimagining of Tangled.

    Also included in Richtman’s report is news that in relation to Disneyland’s recently revealed Villain’s Land attraction, the company will be producing multiple live-action, villain-centric projects and that Hahn, or whoever lands the role of Mother Gothel, would be in line for a Mother Gothel film or series.

    There’s little doubt that Hahn would be excellent in the role. Truth be told, Gothel and Agatha have quite a bit in common, allowing Hahn to tap into the irreverent energy she’s brought to her performance as the MCU’s ancient witch.

  • ‘The Peanut Butter Falcon’ Directing Duo Resurrecting a 1950s Pirate Classic at Disney

    ‘The Peanut Butter Falcon’ Directing Duo Resurrecting a 1950s Pirate Classic at Disney

    Five years after their indie film, The Peanut Butter Falcon, garnered wide-ranging acclaim as a charming, character-driven adventure, director Tyler Nilson and Michael Schwartz are back on the scene with their follow-up film, Los Frikis. Described by Schwartz as “Spanish-language Cuban movie about HIV and punk rockers,” Los Frikis was a passion project for the pair who turned down major studio offers following their successful debut. However, as they look ahead to what’s next, Nilson and Schwartz may move away from their indie roots.

    In an interview with THR, Nilson and Schwartz revealed that one possibility for their next project is a 70s, “Australian surfer” version of the 1950 Disney film, Treasure Island.

    After nearly 20 years in development as an animated film, Disney pivoted and produced Treasure Island, adapted Robert Louis Stevenson‘s 1883 novel of the same name, as its first live-action film. A pirate adventure through and through, the film features Long John Silver, played by Robert Newton, whose over-the-top accent and antics have become ingrained in pirate pop culture. Over fifty years later, the studio finally delivered its animated adaptation, the sci-fi space adventure, Treasure Planet.

    While Nilson and Schwartz’s new take on Treasure Island is still in development, it sounds as though it will be anything but another beat-for-beat Disney remake. “It has the patina of the 1970s surf world. It’s all there,” explained Nilson of the duo’s vision for the project. “It’s an Australian surfer version of Treasure Island,” said Schwartz, “and if they ever make it, it would be so fun. It has the vibes that we do, and there’s found family, brotherhood, drama and outsider energy.

    Source: THR