The last several episodes of The Bad Batch have been the best of the show’s second season and really put a lot of balls in the air for the audience to keep track of as it quickly reaches its two-part finale next week. Doctor Royce Hemlock was brought in as the creepy, new big bad, Hunter, Wrecker, Tech and Omega seemed to find themselves a safe haven and Crosshair finally saw the light. Though it was all pretty by the book, Episode 14, Tipping Point, did its best to redirect all the balls in the air in the same direction ahead of the season’s end.
The episode had the unenviable job of ensuring all the key players would make it to the stadium on time for next week’s dual episodes, The Summit and Plan 99. Rex and Echo’s mission to rescue wayward and discarded clones led them to encounter a ship transporting several clone prisoners and a commander who was in a huge hurry to delete any and all information concerning where they were headed and why. Echo recovered what he could which led him to Pabu where he needed Tech’s help to decrypt what he had which led the whole happy family to discover Crosshair was now a prisoner of Doctor Hemlock and had sent them a warning and now all the disparate threads are heading toward denouement. As I said, by the book… but it works.
While Hemlock’s plans for the clones are still a bit mysterious, the show overtly foreshadowed that the audience will find soon enough. During his meeting with Hemlock, Tarkin tells the doctor he expects a “full briefing at the summit.” While it’s unclear what the summit is, who will be there and where it will be held, it is clear that Episode 15 is titled The Summit which means Hemlock will likely get to monologue about his intentions for the decommissioned clones. Whatever his plans may be, Omega seems key to them and Crosshair’s warning to the rest of Clone Force 99 seems as though it will place Omega directly in harm’s way. But is Emerie Karr fully on board with Hemlock’s plans?
Though the ending of Tipping Point does its best to make it unclear if Hunter and company will put together a rescue mission for Crosshair, it wouldn’t be The Bad Batch if Clone Force 99 didn’t band together to rescue one of their own. What is unclear, however, is just what the cost will be for the group who had begun to settle in a coalesce as a family and what they’ll find waiting for them when they go up against the sheisty and crafty Doctor Hemlock.
As expected, Chapter 20 of The Mandalorian, The Foundling, did indeed continue to provide further glimpses into the tragic past of Grogu; additionally, despite its short runtime it also managed to further develop the increasingly interesting arc of Bo-Katan Kryze. The episode, written by Dave Filoni and directed by Carl Weathers, also serves as a reminder of how good fans of Star Wars have it these days. Packed with Mandalorians screaming across the sky in their jet packs while taking on a giant bird of prey, The Foundling features the kind of action fans of the original trilogy only dreamt of as children of the ’70s and ’80s.
It’s important for the audience of the series to keep in mind that, to some extent, The Mandalorian was borne of the dreams of a pair of ’70s and ’80s children. Jon Favreau and Dave Filoni grew up fans of the original trilogy, playing with their Kenner toys and imagining all the stories that George Lucas didn’t have time to tell in those films. Those imaginings have grown and with age and practice in storytelling have become the foundations of a world unto itself–a world within the world they grew up adoring–where dozens of Mandalorians are training, unbeknownst to them at the moment, to take back their ancestral homeworld. That homeworld that feels so familiar, the cultural rifts that fractured it and that make Bo-Katan’s adoption by the Tribe feel so awkward, and all the mythology that goes along with it…for the most part, that’s Favreau and Filoni building an empire on a few bread crumbs.
Now a member of the Children of the Watch and, apparently, taking that privilege very seriously, Bo-Katan’s progress is the true center of the episode. Though Katee Sackhoff recently indicated that Bo-Katan might be just fine following rather than leading, the character, by her own admission, has always been good at war. And so, Bo-Katan eagerly led a war party into battle against a massive and incredibly Star Wars-y raptor to save the life of Ragnar, a Mandalorian foundling and the son of Paz Vizsla. It shouldn’t be lost on the audience that clans Kryze and Vizsla were among the most prominent and powerful of Mandalore’s past. Though Paz and the rest of the Children of the Watch never accepted Bo-Katan’s claim as ruler of Mandalore, a potential alliance between the two–and all the different twists and turns it might provide room for–will be worth watching.
Bo-Katan’s time in battle also allowed her to spend some one-on-one time with the Armorer as she replaced her shoulder pauldron. After seeing the mythosaur in Chapter 18, Bo-Katan had, until now, chosen to keep that information to herself. As Sackhoff explained in an interview, the character wasn’t entirely sure she believed what she saw and, therefore, was hesitant to share out.
She doesn’t trust necessarily what she saw. She might have thought that she imagined it. There’s so many things that she’s trying to process in her head that I don’t necessarily think that it’s something that she wants to tell anyone about right now.
Katee Sackhoff
By choosing to reveal what she saw to the Armorer while also choosing to adorn her new pauldron with the mythosaur signet, Bo-Katan is making the choice to commit to the covert…and The Way. While there’s still likely to be plenty of awkward moments, Bo-Katan has come a long, long way since she was seen pouting on her throne as the ruler of nothing.
While Bo-Katan’s journey was the meat, The Foundling also provided some potatoes by revealing a little more about how Grogu survived the massacre at the Jedi Temple following Order 66. As he’s apt to do, Filoni brought a non-canon character into the canon, this time in the form of Jedi Kelleran Beq. Played by Jar Jar Binks voice actor Ahmed Best, Beq was the host and main character of the now-canceled game show Star Wars: Jedi Temple Challenge. Beq’s rescue of Grogu gave the character a chance to show off the legendary lightsaber skills that earned him the nickname “The Sabered Hand” as he worked with some of Naboo’s finest to get youngling Gorgu off Coruscant. However, as Favreau recently indicated that he could go on making seasons of The Mandalorian forever, the episode left plenty of room to tell more of Grogu’s journey as this portion ended with him and Beq escaping into hyperspace.
The advancements to Grogu’s plot in real time are more significant, however. Having chosen to return to Din Djarin as a Mandalorian foundling, Grogu now has to learn what it means to walk The Way of The Mand’alor. And so, the episode sees Grogu begin his training by going up against fellow foundling Ragnar. Grogu uses The Force to help him defeat Ragnar in his training exercise shortly before Ragnar is picked off by the raptor. While there wasn’t much time to explore his feelings, it’s likely that Ragnar didn’t take too kindly to the defeat. While he hasn’t been developed much, Ragnar has had quite a bit of screentime which means his story–and how it intersects with Grogu’s–is certainly not done.
The Foundling certainly has all the earmarks of an episode that will undoubtedly pay major dividends down the road. For all the preemptive hand-wringing online about the episode’s short runtime, Chapter 20 of The Mandalorian may ultimately be remembered as a key chapter in the series.
As the third season of The Mandalorian approaches the halfway point, preparations for production of a fourth season are already underway. Jon Favreau has confirmed he’s written the scripts for Season 4, which is reportedly shooting this Fall, which will continue to tale of Din Djarin and his Mandalorian foundling, Grogu. But how long will that tale continue? According to Favreau, forever is on the table.
In an interview with EW, Favreau was asked how many seasons of the show he could potentially create. “I’m having a blast, and I love working with Dave [Filoni], and I love how the characters develop over time,” he said. “I also love that there are other stories now being told in that same time period, like Ahsoka and Skeleton Crew.“ Those shows, set in the same New Republic era as The Mandalorian and The Book of Boba Fett, look set to play major roles in whatever overarching story Favreau has in mind for Grogu and Din and working with the creators of those shows has been integral to his continued enjoyment behind the scenes of The Mandalorian.
I really have been enjoying this tremendously and I love these characters and I love seeing how they’re growing together. I’ve really enjoyed working with this group of people and I love collaborating with all these different filmmakers and different storytellers, both from the directors we work with, and other showrunners like Dave and, and others like [Skeleton Crew’s] Jon Watts and Chris Ford.
Jon Favreau
Favreau further explained that his timeline for wrapping up The Mandalorian is pretty deeply tied to how much he enjoys making it and it sounds like he’s having the time of his life.
I don’t know what would make me not enjoy doing it, especially as long as the audience is connecting with these characters. This feels like a really enjoyable moment. And I love this format of telling one chapter at a time and keeping the audience guessing, but also fulfilling certain expectations.
Jon Favreau
The enjoyment of the audience and their knowledge of the goings on in the galaxy far, far away obviously carry some weight with Favreau and are taken into consideration when developing the stories that shape this corner of the Star Wars universe.
Now it feels like there’s a larger context for me to understand. Because we just knew what happened after [The Mandalorian], and we knew what happened before, and there’s a lot to draw upon from additional stories that were told outside of what’s considered official canon now, but is held very dearly to the fans who’ve been at it for decades. And so we like to take all of that into consideration.
Jon Favreau
Creating new characters and stories that continue to world build one of the most popular and successful franchises in the world on a week-by-week basis certainly wasn’t what anyone expected following the completion of the sequel trilogy, but it is what’s working best for Lucasfilm with Star Wars right now. And, more importantly, Favreau and the talented crew of collaborators he’s assembled enjoy it and keep coming back for more.
It’s a really wonderful format, and you really grow to appreciate having such a good team around you that, for each new film, you would have to assemble. But [with The Mandalorian] we get to inherit this great group of talented people that we could work with every year.
Jon Favreau
It sounds as though the tales of Grogu and Din are in good hands and will continue to be spun for the foreseeable future.
Even though it feels small sometimes, the galaxy far, far away is a vast place full of incredible characters. Not every character needs an origin story and there’s not enough time to explore the origins of them all anyway; however, since he first appeared in Chapter 1 of The Mandalorian, fans have been waiting for the origin story of The Child/Baby Yoda/The Foundling/Grogu. Through bits and pieces of that story glimpsed through the Force, it is clear that Grogu was at the Jedi Temple when Order 66 was enacted but where he came from and the details of how he escaped the massacre have been left untold. But that may be changing soon…
In a recent tweet, The Mandalorian star Carl Weathers revealed that he returned behind the camera to direct Chapter 20 of the ongoing series and shared the title: The Foundling. That’s just one of the names Grogu has been called over the course of his adventures and now that he’s chosen not to study the Force with Luke and return to the care of Din Djarin, it’s a fitting description of him again.
THE FOUNDLING is coming this week on Disney+ and is directed by Yours Truly. #TheMANDALORIAN#BePeace
While fans have been bemoaning the new episode’s reportedly short runtime (it’s rumored to run for 30 minutes and 39 seconds), the potential implications of the title and the fact that it was written by Dave Filoni may buffer some of those hard feelings a bit. Of course, it remains to be seen just how Grogu’s story will be shared since he can’t talk. So far, he’s only been able to communicate with Jedi through the Force and there weren’t any of those hanging out in the Mandalorian covert and the end of Chapter 19. Interestingly enough, actress Rosario Dawson recently indicated she was pretty hyped up for the next installment of the series, possibly teasing the return of Ahsoka Tano who has used the Force to communicate with Grogu in the past.
Judging the impact of the episode by its size wouldn’t seem to be prudent at this juncture and certainly wouldn’t fall in line with the teachings of the Jedi!
Chapter 20 of The Mandalorian will be streaming on Disney Plus at 12 AM PT on March 22nd.
Fresh off seeing their film EverythingEverywhere All at Once score big at the 2023 Academy Awards, Daniel Kwan and Daniel Scheinert, aka the Daniels, have signed on the direct an episode of the Star Wars streaming series Skeleton Crew.
Skeleton Crew, starring Jude Law, will be set during the New Republic era, the same time frame as The Mandalorian, Ashoka and The Book of Boba Fett. The show wrapped filming several months ago, meaning the directing duo has been on board for some time and the news is only making the rounds now, perhaps conveniently after they were awarded the Oscar for Best Director.
With Star Wars Celebration 2023 coming up in London in April, it’s possible that some footage of Skeleton Crew may be on the way and the Daniels could be on hand. Also of note is that now that the pair is in with Disney, this will only increase the online push to see the directors helm Avengers: Secret Wars. Disney loves its corporate synergy, after all.
Fans of the animated series Star Wars: The Clone Wars and Star Wars Rebels have celebrated the live-action debuts of many of their favorite characters over the past several years. Dave Filoni and Jon Favreau have found a way to bring fan favorites like Bo-Katan Kryze, Ahsoka Tano and Cad Bane to life in their lineup of New Republic-era series The Mandalorian and The Book of Boba Fett. Sometime later in 2023, another handful will make their live-action debuts as the core characters from Star Wars Rebels, including Grand Admiral Thrawn and Ezra Bridger, are set to appear on Disney Plus in Ahsoka.
It’s been a fun time for fans as Filoni and Favreau have carried on the stories of these characters; however, the pair have also come under fire for questionable decisions about the appearance of the characters like the Grand Inquisitor and for being a bit too generous in fan service by having too many characters make the jump. In fact, Filoni has been accused of making too much of an effort to bring his animated creations to life. Filoni addressed that accusation and gave some insight into his process in an interview with The Wrap.
“Very rarely,” replied Filoni when asked if he often thinks “How can I get my cartoon characters into live-action?” “I know people think it’s the other way around, which is fascinating to me,” he continued, “but I think there’s two ways to look at that, which is that, yes, they were animated characters, but to me they’re just characters. And now I’m over here working in live-action. I’m comfortable with those characters, I know them, I like them and I like to see them around.”
It’s an interesting position for Filoni given that he created and curated the characters over a decade of animated story-telling and now has the ability to call on them to help define a new era of the galaxy far, far away. Even for Filoni, who knows the characters inside and out, brining them to live action is not without its challenges. “It changes when they’re suddenly in a different medium,” explained Filoni. “Katee’s [Sackhoff] talked about it a little bit, and the difference between performing Bo-Katan as a voice actor versus performing her physically and being present on set as her – it’s a different vibe. I’m always cautious. And Jon [Favreau] and I talk about who will we bring in? I try to do it when it makes the most sense.”
For instance, as Filoni explained, when the plot of The Book of Boba Fett called for “a gunslinger to go up against some of our characters,” Cad Bane was the obvious choice. The character’s live-action design came under fire from fans of his time in the animated series. Filoni addressed why the character’s distinct look changed a bit for his live-action debut. “I think looking at that, the first thing I think is, ‘Well, how do we do that and make it believable?’ Like the character, he’s so lean and gaunt in The Clone Wars,” explained Filoni, “and if we don’t do that, is it all CG? How are we going to portray that? If we don’t think we can do that effectively, then we shouldn’t do it.”
The reality of the situation is that in the recent social media climate, the decision to faithfully recreate Cad Bane through CGI would have taken just as much heat as the decision to change it for live-action. The criticism, however, doesn’t seem to faze Filoni. “At the end of the day, I’ve been very happy with the ones that have gone over,” he said before teasing fans with the notion that he’s not done quite yet. “There may or may not be more in Ahsoka, if that’s your thing. If you’re excited about that, I’m just saying that one might have a few more, which makes sense, by the way. As you know, I wrote it. You can’t fault me there.” Who can blame the guy?
The book ends of Chapter 19 of The Mandalorian, The Convert, left fans wondering what Bo-Katan Kryze was up to following her experience in the mines of Mandalore. The episode’s opening picked up in the aftermath of Chapter 18’s plunge into the Living Waters where she encountered a massive Mythosaur, an encounter she chose to keep from Din Djarin after asking if he had seen anything alive in the pool. Bo-Katan’s dip in the Living Waters also put her in a position she never thought she’d be in: walking The Way of the Mandalore as a member of the Children of the Watch. With her home world of Kalevala destroyed by a fleet of Imperial remnant TIEs, Bo-Katan, now washed free of her apostasy, was invited by the Armorer to remain with the covert of Mandalorians. Needless to say, it was a pretty busy day for Bo-Katan.
Did those experiences change the skeptical Bo-Katan, however? Fans aren’t so sure and much of the social media discussion after the episode centered around the character’s decision to remain mute about the Mythosaur, wondering if she intends to use the knowledge of the beast to her advantage. In an interview with Entertainment Weekly, Bo-Katan actress Katee Sackhoff assuaged those concerns, saying her behavior was rooted in something much less malevolent. “She doesn’t trust necessarily what she saw. She might have thought that she imagined it,” explained Sackhoff. “There’s so many things that she’s trying to process in her head that I don’t necessarily think that it’s something that she wants to tell anyone about right now.“
Part of what Bo-Katan may be trying to process is that the beliefs that Din Djarin has held dear–beliefs she called “cute”–may hold some water. According to Sackhoff, Bo-Katan’s attempts to reconcile her past with Din’s “cult” with her own past and the very recent events of her own present have given her quite a bit to ponder which is why she remained so quiet when she was accepted into Din’s Tribe.
The mistakes of her past — with Death Watch and the resulting death of her sister Satine — weigh heavily upon her, and she’s in a more vulnerable state than we’ve ever seen her before when Din brings her in. But because of the disagreements with Din’s cult in the past, the Watch welcoming her to their clan with open arms is a surprise to her. To be immediately accepted by people is new for her. She may or may not be trying to figure out if that’s a place where she should potentially stay.
Katee Sackhoff
Still, it’s hard for fans to believe that the militant Bo-Katan won’t look to weaponize her newfound friends in another attempt to avenge her sister’s death and ascend to lead the reborn Mandalore. According to Sackhoff, that’s not in the cards, however. “I truly believe at this point that she hopes someone else steps up,” Sackhoff said. “She doesn’t want the responsibility. The responsibility cost her everything,” she explained. “Leading didn’t work, so maybe fitting in will.” With more than half the season still ahead, Bo-Katan’s choice to be a leader or a follower will likely have a huge impact on the events of not only TheMandalorian Season 3 but also the shape of the New Republic.
Chapter 18 of The Mandalorian, The Mines of Mandalore, wrapped up Din Djarin’s quest to end his apostasy well enough that it didn’t need to be revisited; however, the book ends of Chapter 19, The Convert, do indeed revisit the events of the previous episode and, to some extent, cleverly revise them. Returning to Kalevala to find it under attack by Imperial remnants, Bo-Katan, Din and Grogu hotfoot it to a safe space one hyperspace away. Where they go and what happens there are left for the show’s closing moments, though an attentive audience surely guessed where they’d land. As interesting as those closing moments–and the moments they surely set up for the future–are, the episode spends 80% of its runtime (the longest of any chapter of The Mandalorian to date) putting Din and Grogu’s ongoing journey in the back seat so Doctor Pershing can take the wheel.
Last seen on Moff Gideon’s light cruiser in the Season 2 finale, Doctor Penn Pershing’s reemergence served as a reminder of where Din and Grogu’s journey began, provided a look at the Reconstruction Era of the galaxy and seemed to put the pieces in place for Gideon’s next move. Part of the New Republic’s Reintegration Program, Doctor Pershing’s arc in The Convert serves up a heaping helping of The Who’s We Won’t Get Fooled Again. Co-writers Jon Favreau and Noah Kloor deftly take advantage of years of conditioning of the Star Wars audience to subtly say an awful lot about the New Republic without saying anything at all. Like the other members of the Reintegration Program, Pershing is now a number and not a name, ironically finding himself given the same cold, impersonal identification assigned to the Clone Troopers by the “evil Empire.” An entirely different article could be written on the episode’s commentary on the inefficiency of the New Republic’s handling of old Imperial and Alliance resources, but their handling of a resource as valuable as Pershing as nothing more than a mundane cog in the machine set the gears of his “regression” at the behest of Elia Kane, who is likely working with Gideon. Pershing’s final fate, having his brilliant mind wiped by the “good guys” of the New Republic using an Imperial Mind Flayer, might as well have been done with Roger Daltrey screaming “meet the news boss; same as the old boss” in the background. The hypnotized never lie.
Whatever Gideon wanted Pershing to do with Grogu’s blood, it looks as though Kane will now help see it through putting Mando and The Child back in the sights of the former Imperials. However, if the closing moments of the episode are any indication, Kane, Gideon and whoever else they assemble may not like what they find the next time they cross paths. As Din returns to the Mandalorian covert to prove he’s come back to the faith, the full measure of his rescue from the Living Waters of Mandalore by Bo-Katan. Though she has never walked the Way of the Mandalore, by bathing in the Living Waters herself, Bo-Katan has been “redeemed” and may now live among the Children of the Watch. The details of Din and Bo-Katan’s experience on Mandalore (Bo-Katan is keeping one tiny detail to herself for the time being) are sure to encourage The Tribe to consider returning to Mandalore and begin the culture’s prophesied return to glory. Bo-Katan’s no dummy and these new brothers and sisters in “faith” provide her with an army of warriors who will certainly do everything they can to protect one of their own, as they’ve demonstrated in the past.
So while the “Big Three” of the first few episodes only get a small fraction of The Convert’s runtime, the detour to the Coruscant of the New Republic is by no means a waste of minutes. The events on Coruscant serve as a reminder that while you can take the solider out of the Empire, you can’t always take the Empire out of the soldier: the threat of Gideon, in this case in the form of Kane’s ongoing loyalty to his “plan”, still looms large. Additionally, the time spent exploring the ins-and-outs of the New Republic is long overdue. Through two seasons of The Mandalorian, only bits and pieces of what was going on at the center of the galaxy could be gleaned when Mando’s Outer Rim adventures attracted their attention. The New Republic is still new story telling territory and with the rise of Mandalore drawing nearer with every episode, it’s safe to say that the hypocrisy of the New Republic will come into play. There’s nothing in the street looks any different to me…
The last few weeks have been some of The Bad Batch‘s best; a remarkable turnaround from a fairly lame first half of the season. Where episodes once felt flat and pointless, they are now full of life and purpose, aimed towards a clear end goal with actual substance. The latest entry, titled Pabu, continues this trend with a wonderful excursion focused on community, something the leading group of rebels has found themselves severely lacking. A perfect mix of calm and storm, the episode manages to be both a singular adventure and a catalyst for the development of its heroes in one gorgeous outing.
Pabu sees the Bad Batch accompany their occasional business partner and not-a-pirate Phee Genoa, played by Wanda Sykes, to the episode’s titular planet for a bit of rest and relaxation. After a betrayal by their previous employer, the group needs a safe place to hide and a refresher on what it means to be alive, something Genoa believes she can supply in the form of a peaceful refugee city. Of course, things don’t go exactly as planned, and the group ends up having to protect the citizens from a massive tidal wave that wipes out half the community’s infrastructure. The resulting escapade is a lovely look into what the clones could have, and uphold, if they were willing to lay down their guns and give up the fight.
It’s an excellent follow-up to last week’s installment, The Outpost, which saw Crosshair finally submit to a devastating revelation about the Empire. Similar in fashion, the Bad Batch have come to see their own allegiances in a new light, ditching Rhea Perlman‘s Cid and complimenting their former comrade’s journey in a subtly clever way. The parallel between the two storylines is likely far from accidental, with the show’s nearing finale kicking the series’ overarching plotlines into their final gears. One of the best aspects of Pabu, an episode that appears to be potentially one-off at first glance, is how effectively it pushes the narrative forward for its protagonists. Even if the Bad Batch don’t grow to call the planet home, their experience there opens up new ideas and helps both Dee Bradley Baker‘s Hunter and Michelle Ang‘s Omega consider other methods of living.
Also of note is the ingenious bait-and-switch of Genoa’s role in the series. After several episodes of the character claiming not to be a pirate, something played as a joke every time, it turns out that she is not, in fact, a pirate. She truly is a “liberator of stolen artifacts”, as she puts it, and an advocator of the downtrodden. This reveal works in a few ways. It’s surprising and endearing, yes, but it’s also another notch in The Bad Batch‘s allegorical belt. From the start, the series has made no false pretenses about its intentions to portray the “soldiers post-war” dilemma, and refugees are a large part of that conversation. It’s truly very intriguing to see The Bad Batch manage to tie another character, one who seemed to be outside of the thematic elements of the show, into the grander image.
Overall, Pabu is a solid half-hour of television. It’s whimsical in its ideals and thrilling in its execution. The Bad Batch has really hit its stride in the back half of this season, and it really feels as though the show is leading to something special. Hopefully, it can stick the landing.
When the first episode dropped for the long-awaited third season of The Mandalorian, we met the pirate king Gorian Shard. While it’s uncertain if we might see more of him in this season, a new rumor from Bespin Bulletin may have pointed out that this was a way to set up the main antagonist in the upcoming Jon Watt‘s directed Disney+ Star Wars series, Skeleton Crew.
There was a strong focus on the character during the episode, as his crew seemingly are obsessed with mentioning his name. They also went all out with the make-up that hinted at this character having a bigger role overall but we won’t know until more episodes are released from The Mandalorian.
There is some uncertainty if the school that the pirates try to enter might even be the same where Jude Law‘s character works. It’s not confirmed but would make for some fun world-building by the Disney+ corner of Star Wars exploring its very specific connections.
We’ve heard very little of the Disney+ series that is set to release at some point this year. We may get a first tease during the upcoming Star Wars Celebration and they might even confirm the appearance of Shard as one of its main antagonists. He also seems perfect for a series that wants to explore the pulpy side of the galaxy far far away.
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