Tag: Star Wars TV

  • REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    When Star Wars: The Clone Wars was canceled abruptly in 2013, it left numerous planned storylines laying on the drawing board. One of these unused concepts, perhaps the best of the lot, was set to focus on the kindly Wookies and their homeworld of Kashyyyk. The abandoned four-episode arc would have explained Yoda’s vague Episode III – Revenge of the Sith line about having “good relations” with the planet and its people, teaming the famed Jedi Master with both the Bad Batch and the Wookies in a battle against the Separatists and their Trandoshan allies. In this week’s episode of Star Wars: The Bad Batch, this plot is revived, albeit condensed, and replaces Yoda with a far more important figure from George Lucas‘ lore – Gungi, the legendary Wookie Padawan.

    Titled Tribe, the sixth episode of The Bad Batch‘s second season is, without a doubt, one of the series’ best overall. Admittedly, the return of Gungi, who hasn’t been seen since his brief introduction in The Clone Wars‘ fifth season, plays a huge role in the amount of palpable joy felt throughout the 25-minute installment. Simply put, it’s great fun to watch him do anything, and it’s honestly sort of shocking it’s taken this long for him to pop up again. While it’s always enjoyable to see unique characters achieve worthwhile screen time, using one like the Force-sensitive Wookie, who has deep connections to multiple aspects of the universe he exists in, as a means of mixing fan service with actual thematic storytelling is just a stellar move to make.

    Tribe makes an obvious effort to compare Gungi with its own Omega, crafting a mirrored experience between the two young heroes as lost members of their respective tribes (that’s the title!), struggling to be innocent in a world rebuilt for the immoral. As unsubtle as it is, the theme works wonderfully, inserting a simple message into the midst of some pretty cool, fairly grand world-building. It’s enough to make a viewer wish The Bad Batch spent more time fleshing out arcs, as opposed to moving on so quickly between episodes. The original four-episode plan contained a multitude of details and features that could have easily transitioned from The Clone Wars era to the time of its sequel series, but instead, the writers packed as much as they could from that longer pitch into only a single entry, resulting in a somewhat rushed adaptation of a larger tale.

    (L-R): Hunter, Omega, Tech, Gungi, Wrecker, Echo, and Wookies atop Mylaya in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    That being said, what actually makes it to the screen in Tribe is impeccable. Kashyyyk, which continues to be one of the Star Wars franchise’s best locations, creates a beautifully dynamic setting for the show’s protagonists to function. The Wookies’ connection to the planet’s wildlife, and its flora, help bolster the action sequences and set up some rather gratifying payoffs in the episode’s third act. Additionally, it looks pretty awesome when Wookies show up to fight Trandoshans on massive cats with bat-like ears. It’s the type of “wow factor” that Star Wars can fully lean into without betraying its defining thematic elements, and honestly, probably should happen more often. Also, Our Lord and Savior Gungi the Wookie Jedi finally coming into his own as a warrior and peacekeeper is the stuff dreams are made of and is likely to be exactly what Star Wars fans dream about after seeing the episode.

    With any luck, this will not be the last time audiences get a glimpse of Gungi and his (hopefully) soon-to-be-storied career, but if it is, it’s definitely a worthy send-off. Tribe is a solid grab bag of the action, emotion, and moralities that often compose the animated branch of Lucasfilm’s long-lived fictional galaxy, and both Gungi and the titular team of rebellious clones thrive for it.

  • George Lucas Nearly Gave General Grievous a Very Different Origin

    George Lucas Nearly Gave General Grievous a Very Different Origin

    Over the course of the animated series Star Wars: The Clone Wars, an ongoing feud was established between Obi-Wan Kenobi and the cybernetic Separatist General Grievous. Star Wars fans will remember well how the feud ended but some interesting new comments from series’ writer Henry Gilroy indicate it could have started much differently.

    I’m an interview with /Film, Gilroy revealed that while crafting Grievous’ origins, Star Wars creator George Lucas initially considered giving him a much more personal connection to Kenobi.

    George was considering that Grievous was Maul behind the armor plate. It made sense. He’s cut in half, and he’s in this robot body or whatever. I’m glad that Grievous is his own thing anyway, but I thought it was interesting that the concept guys almost talked George into that

    Henry Gilroy

    Maul and Kenobi’s paths first crossed on Naboo where Kenobi and his Master, Qui-Gon Jinn, battled the Dathomirian Sith Lord. After Maul killed Jinn, Kenobi avenged his Master’s death by cutting the Sith in half, apparently ending his story. Obviously, Lucas went in an entirely different direction with Grievous instead, choosing to craft his origins from scratch which also allowed for the creators of The Clone Wars and Rebels to find a way to bring Maul back into canon. Maul’s rage and ongoing feud with Kenobi served as a recurring plot point in the animated series until the two dueled again. Though Kenobi won their rematch and killed Maul, the two reconciled in Maul’s final moments.

    While the idea of Grievous being Maul may have been compelling, choosing to go a different route proved to create not only a second, worthy antagonist for the franchise but also give Maul fascinatingly rich follow-up chapters to his own story, ultimately serving the franchise in the best possible way.

    Source: /Film

  • REVIEW: ‘The Bad Batch’ Does Its Best ‘Uncharted’ Impression

    REVIEW: ‘The Bad Batch’ Does Its Best ‘Uncharted’ Impression

    *SPOILERS*

    A dangerous quest for a mythical item through unknown territory, fortune favoring the bold, complex puzzle solving, major characters splitting up in a dark tunnel system, an explosive third act, and a terrifying monster guarding valuable treasure that contains a hidden purpose. All of these elements sound like the key ingredients for a classic Uncharted adventure, but in actuality, they’re far from it. So far, far away, one might even say they’re in another galaxy. The aforementioned story traits actually come from this week’s episode of Star Wars: The Bad Batch, which does its best to replicate the intrepid wonderment of the famed video game franchise and, more specifically, its genre.

    Titled Entombed, the fifth episode of The Bad Batch‘s second season sees its titular group of rag-tag runaways searching for a lost treasure alongside Wanda Sykes‘ Phee Genoa, a pirate associate of their benefactor, Rhea Perlman‘s Cid. Their journey, and the obstacles they encounter, are obviously designed to evoke the quintessential Lucasfilm feeling of adventure, likely with Star Wars‘ sister franchise Indiana Jones in mind. However, the execution and outcome of their experience fall more in line with Naughty Dog’s aforesaid Uncharted series, specifically in how it uses its plot to convey its ultimate message. The Uncharted games, and tangentially their film adaptation, always end the same way – with the heroes giving up their newfound discoveries and riches for the benefit of the world and those they love.

    Entombed does more or less the same thing, with a wide-eyed Omega and her grumpier adult counterparts allowing a ticket to a wealthier life to slip past them in an effort to keep each other, and the galaxy, alive and well. This is something that The Bad Batch has done before, as recently as this season’s premiere episodes, but its blunt framing and straightforward narrative in Entombed work in conjunction to drive the point home with greater relative ease. Also, plainly put, it’s a lot of fun to watch Omega, Hunter, Wrecker, Tech, and Echo go treasure hunting because Star Wars has always and will always work best as a science-fiction take on pulp storytelling.

    Omega in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    It’s been enjoyable to see the creatives behind the series break formula this season and apply the age-old recipe for Star Wars success to multiple different genres. The result has been a fairly entertaining early group of Bad Batch escapades, but unfortunately, the show’s biggest issue remains. Entombed, for all its likability, still does very little to progress the series or its characters as a whole. It often feels like the series is going in circles, with Omega and the crew learning the same lessons on repeat, and never truly moving forward to their next stage. It’s difficult to stay invested in characters that don’t change, and it’s frustrating when every episode comes with several opportunities to make it happen.

    Entombed might have been more exciting if, as an example, it also laid the groundwork for Omega to take a future interest in treasure hunting herself, as many of the episode’s best moments involved her growing ingenuity and childlike amazement. The potential behind this show is there and is evident in thrilling stories like this one, but The Bad Batch is still just one cohesive throughline short of living up to its predecessors’ standards. Even so, it proves itself an interesting, easily-digestible, adventure-of-the-week style project on a weekly basis. If that’s all one is looking for in this, they’ve found it in spades.

  • ‘The Mandalorian’ Season 3 Trailer Overtakes ‘Obi-Wan Kenobi’ As Most Viewed Star Wars Disney+ Trailer

    ‘The Mandalorian’ Season 3 Trailer Overtakes ‘Obi-Wan Kenobi’ As Most Viewed Star Wars Disney+ Trailer

    The Mandalorian is about to make its grand return. The series that not only started Disney+ but also Star Wars‘ first venture into live-action is almost upon us. Now, it’s about to enter its third season with a grand scale being teased in the trailer with a long-awaited return to Mandalore. Within 24 hours, the trailer has pulled in 83.5M views, which makes it the most-watched Star Wars Disney+ series.

    It has now overtaken Obi-Wan Kenobi, whose trailer was viewed 58M times. That series had the nostalgia of seeing Ewan McGregor back in the role but there’s still something special about seeing Din Djarin reunite with Grogu once again in the upcoming Disney+ series. We haven’t seen them since the finale of The Book of Boba Fett back in January.

    It’ll be interesting to see how long-time viewers will jump into the series’ return, especially with one of the main plot points from the last season having been resolved in a spinoff series. Grogu left to become a Jedi with Djarin taking off his helmet to say farewell to his adoptive child. Yet, now their already reunited going into the third season.

    Still, there’s something exciting about seeing what the future has in store for Star Wars. The Mandalorian had that perfect mix of nostalgia with enough new to make it stand out. It also feels like a callback to the original trilogy with how it uses similar shot techniques. It’ll be interesting to see what we’ll see in the third season and what it’ll be like with more Mandalorians running around.

    Source: The Hollywood Reporter

  • Lars Mikkelsen Addresses Thrawn Rumors

    Lars Mikkelsen Addresses Thrawn Rumors

    Over the course of two seasons of the animated Star Wars series Rebels, Danish actor Lars Mikkelsen was the voice of Imperial Grand Admiral Thrawn. A brilliant strategist, Thrawn was an ongoing thorn in the side of the group of Rebels before disappearing along with Ezra Bridger in the series’ final episode. Both characters are set to make their live-action debuts in the upcoming streaming series Ahsoka and it was recently rumored that Lucasfilm had cast Mikkelsen in the role of Thrawn, much to the delight of fans who grew to love Mikkelsen’s signature cadence. As with the role of Ahsoka Tano, however, it looks like fans may have to get used to someone new.

    In an interview with Express UK, Mikkelsen revealed he has not been contacted about joining the cast of Ahsoka, casting doubt on those recent rumors. Mikkelsen admitted that he was aware of the rumors and that he’d love to take on the role in live-action should he be offered before adding “I haven’t had the offer.”

    Though it isn’t quite at the level of absurdity that surrounds every casting made by Marvel Studios, actors cast in Star Wars projects aren’t always truthful when addressing potential roles in films. At this point, it’s nearly impossible to take any actor’s words at face value when they deny involvement with a project, so until another actor’s name becomes attached to the role, fans are likely to hold out hope that Mikkelsen will be painted blue and return to thwart the plans of Ezra and his Rebel friends.

    Source: Express

  • REVIEW: ‘The Bad Batch’ Episode 4 Reminds Us All That Podracing Exists

    REVIEW: ‘The Bad Batch’ Episode 4 Reminds Us All That Podracing Exists

    In 1999, when Y2K was set to end us all, George Lucas came to the rescue by introducing podracing in Star Wars: Episode 1-The Phantom Menace. A high-stakes sport that was wildly popular in the Outer Rim territories, podracing (and a little sleight of hand by Qui-Gon Jinn) was the plot device that put Anakin on his highway to hell. Episode 4 of The Bad Batch, cleverly titled “Faster”, puts the win-at-all-costs sport back in the spotlight, only with much lower stakes.

    As has been the case in the show’s second season, “Faster” splits up the squad allowing the episodes to focus a bit more on the growth of individual characters. . Episode 4 sees Tech, Wrecker and Omega accompany their sleazoid boss Ciddarian Scaleback to the sordid spaceport Safa Toma. While the episode leans heavily into reminding the clones and the audience just how unsavory of a character Cid is thanks to Ernie Hudson‘s Grini Millegi, an old associate of hers, its primary focus is the continued growth of Tech. So far, no character has shown more growth than Tech and “Faster” is truly his time to shine.

    Tech in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

    Beginning in the season’s two-episode debut, Tech has continued to move from a nearly insufferable know-it-all and has begun showing signs of becoming sympathetic. Though it was never intentional, Tech has always displayed a tendency to talk down to others and being amazingly unaware of appropriate behavior in most social situations. Through a series of bets and contrivances that put Cid in a bad spot with Millegi, “Faster” puts Tech in a position where his mutation sets him up to save the day. And while he gets to show off his big brain and impress the masses with his calculations, it’s his selflessness in putting himself at risk to save Cid that truly earns him high marks.

    Through four episodes, Season 2 has yet to truly pull back the curtain on its main plot thread, focusing rather on making sure the audience knows that these clones are more than just their mutations and that Omega is not the only one who is still learning. While clones across the galaxy face being “decommissioned” and looking at a fate no better than the battle droids they replaced, Clone Force 99 continues carving its own way through the galaxy and growing as they go.

  • New Trailer for ‘The Mandalorian’ Hints at Revisiting one of Star Wars Most Harrowing Events

    New Trailer for ‘The Mandalorian’ Hints at Revisiting one of Star Wars Most Harrowing Events

    The latest trailer for Season 3 of The Mandalorian is filled to the brim with Mando madness, putting a dozen or so different armored warriors on display and making clear the path forward for Din Djarin involves a trip to the ruins of Mandalore. Fans who have been following the story of the war-torn planet through the animated series The Clone Wars and Rebels are sure to feel giddy at the prospects of The Mandalorian following through on those unresolved arcs but it’s another unresolved arc that caught the attention of fans upon first seeing the trailer.

    During Luke Skywalker’s time with Grogu as seen in The Book of Boba Fett, the Jedi Master helped the young Force-wielder tap into his memories, giving audiences a glimpse into his tragic backstory. As seen in the flashback, Grogu bore witness to members of the 501st murdering a trio of Jedi who protected him. The scene brought to life the events that Grogu communicated to Ahsoka Tano in Season 2 of The Mandalorian. After communing with Grogu through the Force, Ahsoka shared that Grogu was raised at the Jedi Temple and was taken from it during Order 66. The identity of his savior, however, remains unknown though it may not stay that way for long.

    At around the 1:07 mark of the new trailer, a shot of the interior of the Jedi Temple can be seen and close attention to the door in the center of the frame seems to indicate that not only will Season 3 of The Mandalorian revisit Order 66 once again but that its most terrifying myrmidon may make an appearance.

    The door in frame is clearly being cut open by a lightsaber, leaving the only question to be who is using it on the other side. Following the debut of the trailer, fans immediately began to speculate that Anakin Skywalker is the unseen menace behind door number one and that Grogu will come face-to-face with Hayden Christensen. There is, of course, another option in play, however. While it’s entirely possible Christensen will make an appearance in the series (he did reprise the role of Vader in Obi-Wan Kenobi, after all and could have filmed his Mando scenes then), it’s equally possible that the shot is a bit misleading and that Grogu’s savior stands behind the door.

    One of the more popular theories about the identity of Grogu’s savior revolves around the idea that the traitor Barriss Offee, who was a prisoner of the Jedi during Order 66, may have played a role. In the Summer of 2022, during production on the live-action Ahsoka series, a rumor made the rounds that Lucasfilm was looking to cast an actress as Barriss Offee. Given pickups and reshoots for Season 3 of The Mandalorian took place during the time Ahsoka was filming, it’s possible the actress could appear in both. Given Offee had gone to the dark side, her reasons for taking Grogu might be a bit mysterious, but obviously whoever is behind that door didn’t kill the Youngling.

    Without any strong evidence at this point, the identity of the person holding the lightsaber will remain a classic 50/50 scenario until the third season of The Mandalorian debuts on March 1st.

  • New Trailer for Season 3 of ‘The Mandalorian’ to Debut During NFL Wild Card Game

    New Trailer for Season 3 of ‘The Mandalorian’ to Debut During NFL Wild Card Game

    Disney loves synergy. After the latest trailer for Ant-Man and The Wasp: Quantumania debuted during the College Football Playoff National Championship game, the studio is going to be back at it soon this time to promote one of their most popular streaming series.

    A press release from ESPN revealed that a new trailer for Season of The Mandalorian is set to debut at halftime of the NFL Wild Card Playoff Game on January 16th. The game, featuring the Dallas Cowboys and the Tampa Bay Buccaneers, can be seen on ESPN and kicks off at 8:00 PM ET.

    The third season of The Mandalorian, which is set to debut on Disney Plus on March 1st, will continue to follow the adventures of Din Djarin and Grogu, who were reunited in the Season 2 finale. The teaser trailer for the new season featured the ruined homeworld of Mandalore, high tensions and a look at several fan-favorite characters making their return.

    Source: ESPN

  • REVIEW: ‘The Bad Batch’ Matures With Deliciously Complex Third Episode

    REVIEW: ‘The Bad Batch’ Matures With Deliciously Complex Third Episode

    *SPOILERS*

    Everybody loves a good villain story. Whether it’s Travis Bickle in Martin Scorsese‘s Taxi Driver, or the zany cast of characters in James Gunn‘s The Suicide Squad, audiences have always flocked to plots centered around the worst of the worst. The exact draw behind these stories is up for debate, but perhaps the most common theory is that people are naturally curious about notions they don’t understand. They are obsessed with glancing into the minds of those they deem lesser, an almost demented form of escapism that allows them to say – “well, at least I’m not that.” The third episode of Star Wars: The Bad Batch‘s second season plays on this fascination, but takes an alternative, and quite frankly, more engaging route in its execution.

    After a fairly routine and unmemorable set of premiere adventures, The Bad Batch finally pushes itself forward with The Solitary Clone. The first episode of the series not to feature the main group of titular characters, Clone instead focuses on their former comrade and current rival Crosshair, giving fans a look into his side of the conflict and a better understanding of Imperial clones at large. It’s a much-needed break in the formula for a show that often falls into repetition, and one of the Star Wars franchise’s best deconstructions of the early Empire and its very mortal forces. The episode works as well as it does because it refuses to treat its protagonists as villainous, despite their usual status quo within the series. This is not a story that says “look how awful our leads are”, but one that revels in convincing its viewers of their humanity.

    There’s a dark triumph in balancing the ideals and reactions of Crosshair and his latest scene partner, the once-great Commander Cody. Both are stuck with the “Republic” after Order 66, but only one has grown to regret it. Cody, as fans might have hoped, has grown disillusioned with the Empire, and spends most of the episode struggling with his decisions. Crosshair, on the other hand, remains steadfast in his loyalty. Even after committing heinous acts in the name of “following orders”, however, Clone still manages to make Crosshair feel sympathetic. In classic Star Wars fashion, a sense of possible redemption endures, in large part due to a silent comprehension of Cody’s reasoning. A call-back to an old quote from The Clone Wars – “You know what makes us different from battle droids? We make our own choices, and we have to live with them too.”

    It’s this back-and-forth between the one-time Republic heroes that gives the episode a thriving backbone, tapping into the soul of Star Wars and hyper-focusing on the “will they, won’t they” thematic line that runs through all clone-related projects. The episode is also unafraid to demonstrate the consequences of its leads’ aforementioned choices, giving it an added layer of brutality that acts as a wildly effective visual aid in its point-making. From Clone‘s opening moments, there’s an unexpected admission that the next twenty-odd minutes will take themselves more seriously than the previous week, and the show finds itself maturing because of it.

    The Bad Batch has been in desperate need of trying something new for a long time now, and it’s refreshing to see the series embrace one of its characters and his arc so wholeheartedly in an installment that’s truly unlike the rest. One can only hope this sort of concentrated storytelling continues for the rest of the season, and that the show’s other leads receive similar treatment when they inevitably return to the forefront. Otherwise, The Solitary Clone will be forced to stand out as a diamond in the rough, a singularly delicious tale fit for consumption by any viewer.

  • ‘Koala Man’ Writers Working on Unannounced Project With Lucasfilm

    ‘Koala Man’ Writers Working on Unannounced Project With Lucasfilm

    It’s always the stories that are hidden within stories that get our attention. In a new piece by Deadline, they reveal that writers of 20th Television Animation’s adult comedy series Koala Man have signed a multi-year contract with Disney’s subsidiary and ABC Signature. Dan Herandez and Benji Samit are rising stars with their work on Kaola Man seemingly getting Disney interested in keeping them long-term. Yet, there’s one more detail snuck away in the reveal.

    In the same article, they seemingly hint that the duo of Herandez and Samit are working on two unannounced projects. One is for Walt Disney Pictures without any further details about what it might be but the other raises an eyebrow. It seems they are also involved with Lucasfilm on a project, but no detail if this is a film or even a TV series.

    EVP of 20th Television Animation’s Marci Proietto and ABC Signature’s Jonnie Davis had only praise for the duo and their work in a statement to the new contract.

    Dan and Benji are wildly talented writers with a truly unique sensibility and a hilarious voice.  We have been obsessed with their work for years and are very excited to continue our relationship in animation with them, and are thrilled to expand their development into live-action within our studio,” said Marci Proietto, EVP of 20th Television Animation and Jonnie Davis, President of ABC Signature.  “We also can’t wait for viewers to dive into Koala Man, which is our first series with this incredible duo, launching on Hulu today.

    It’s definitely an exciting move and showcases their excitement for working with the duo more. Whatever project they may be working on with Lucasfilm also teases a promising variety of projects that they’ll get to work on. Here’s hoping we might get to find out in the near future.

    Source: Deadline