Tag: Star Wars TV

  • ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    The Season One finale of Andor cemented the series as one of Star Wars’ best projects to date and almost certainly the most complete of its offerings on Disney Plus. The episode also featured a post-credit scene that clarified a much-theorized plot point from earlier in the season as it showed to what end the parts being made in the prison on Narkina 5 were being used: to assemble the first Death Star. While that scene makes for yet another interesting connection to the events of Rogue One, namely why Cassian was willing to give his life to ensure the Death Star plans got to the Rebels after potentially learning he helped build the weapon, it also may end a long-standing debate first put forth nearly 30 years ago about the second Death Star.

    In Kevin Smith’s 1994 film Clerks, the film’s deuteragonists, Randal and Dante, enter into an ethical debate about the destruction of the second Death Star as seen in Return of the Jedi. Though DS-2 was, as the Emperor put it, “fully armed and operational”, it was still under construction when it was destroyed by Lando Calrissian. As Randal explained to Dante in Clerks, something about the attack “just never sat right” with him. As Dante questions him, Randal reveals that he believes a project of that magnitude would take more manpower than even the Empire could muster, meaning they must have brought in independent contractors to finish the job. Assuming they all died in the explosion, Randal believes they were innocent “casualties of a war they had nothing to do with” but Dante is not so sure. Though he doesn’t express it, Dante seems to believe that anyone willing to build a Death Star isn’t innocent. The debate is famously settled when a third party comes in and, while paying for his coffee, tells the pair that any real contractor thinks with his heart and “not his wallet.”

    The events of the post-credit scene of the season finale of Andor seem to render the debate moot. While Randal was likely correct in presuming that the Empire didn’t have enough manpower to build DS-2 so quickly, neither he nor Dante posited the possibility that the Empire simply employed droids. Given the fact that droids played an integral role in constructing DS-1, it stands to reason they’d play at least an equal role in the construction of DS-2 meaning that the number of innocent independent contractors who meet their doom at the hands of Lando. Maybe Smith can work the events of Andor into another film down the road.

  • REVIEW: ‘Andor’ Episode 12

    REVIEW: ‘Andor’ Episode 12

    Andor writer and executive producer Tony Gilroy has a knack for creating unnerving tension in his projects. Whether in the Bourne franchise, Armageddon or his directorial debut, Michael Clayton, Gilroy’s works often resolve under incredibly stressful circumstances that leave the audience reeling while they process. The season finale of the first season of Andor, “Rix Road”, and in fact the entire first season itself, certainly fits that pattern, slowly using every tool at the creative’s disposal to simultaneously build tension within the audience and the characters nearly right until its final moments.

    On the surface, the finale is all about the convergence of nearly all of the series’ key figures on Ferrix where they hope to find Cassian returning for Maarva’s funeral. But what makes the episode carry so much weight is that it also works as a convergence of nearly all of the series’ key themes. This thematic convergence is much more impressive both in the way it is reflected by the key parties involved and also that it was possible at all, much less done so well given the scope of Andor. Has been oft-discussed, the 12-episode season was shot as “pods” of 3 episodes and each “pod” seemed to neatly tie up the themes that pervaded each of them. To have them all thunderously return here required significant planning and craftmanship by Gilroy and his team.

    Most prominent among those thematic echoes is the recurring idea that everyone has their own rebellion. That sentiment, first spoken by Vel Sartha to Cassian in “The Axe Forgets”, and the weight it rightfully carries in a galaxy where the Empire has now made it clear that there are no limits to what they’ll do to maintain “order”, come rushing back to mind during Maarva’s funeral march down Rix Road. During the holographic speech recorded before her death, Maarva powerfully reminded the people of Ferrix that they’ve been comfortably and somewhat selfishly ignoring the truth of the Empire. Calling it both a “wound that won’t heal” and a “darkness reaching like rust into everything”, Maarva uses her final moments to tell the people of Ferrix to wake up. Indeed her “last words” before B2 stops broadcasting are “Fight the Empire!”, inciting and inspiring the Rix Road revolution. Maarva Andor goes down in history as an OG Rebel by stirring the people of Ferrix to fight.

    Maarva’s words resonate with the words of another dead character who longed to see the Rebellion move ahead. Though he had a short arc in Andor, Karis Nemik’s manifesto, which Cassian read through when he first returned to Ferrix earlier in the episode, ultimately served more as a book of prophecies. Nemik’s beliefs that “the smallest acts of insurrection” advance the cause of the Rebellion, that “the Imperial need for control is so desperate because it is so unnatural”, that “authority is brittle” and that “oppression is the mask of fear” are all fully realized during Maarva’s revolt. It’s ultimately the act of an Imperial officer to stop Maarva’s speech that becomes the tipping point of a largely unarmed group of mourners (there is, of course, the bomb) choosing to charge into battalions of troops. The Empire’s devastating response ends in mass casualties but with so many survivors, including those who escaped, word of what happened on Ferrix will spread and can almost certainly be counted on to become a key point on the timeline of the formation of the Rebellion.

    Though Cassian hasn’t been the primary protagonist of every episode, the finale goes a long way in bringing him to the end of a long character arc that started with him simply in search of his long-lost sister. Cassian’s transformation comes in part when he seemingly comes to the conclusion that the audience has had all along: despite believing his actions only ever impacted him, he’s right at the center of the series of events that have caused so many unintended consequences for those he loves and those he’s never met. Seemingly inspired by the memory of Clem Andor’s words that “people don’t look down to where they should…they don’t look past the rust”, which connect directly to his words to Luthen Rael during their first meeting, Cassian changes the course of his entire life. Though he has ample opportunity to escape, Cassian chooses to seek out Rael and fully commit himself to the Rebellion. Sure of his worth, Rael smirks as he takes Cassian back into the fold, but as awesome as that is for Cassian, it’s likely problematic for some of the others involved and a likely plot point for an early arc in Season 2.

    Ultimately, Episode 12 of Andor is a remarkable standalone episode depicting what will certainly come to be known as one of the inciting moments of the Rebellion and a remarkable season finale that embraces the massive totality of Season One. So often finales miss by only serving one of these purposes but Gilroy served both purposes masterfully by resisting previously established themes, stirring a sense of tension that had been building for 12 episodes while also putting at the center of the episode an event that built on that tension while providing a release that will carry over to Season 2 for the audience and the characters.

  • ‘Andor’ Finale Post-Credit Scene Explained

    ‘Andor’ Finale Post-Credit Scene Explained

    Season One of Andor concluded with a bang. A series of them actually, as the people of Ferrix stood against the Empire in what could only be described as a revolution. The revolt may go down in the books as the first open act of defiance against the Empire, but as audiences already know, the Empire isn’t going down quite yet. In fact, it’s still building to its peak level of terror. To that end, the episode came with the first post-credit tag of the series which served as a chilling reminder that the worst from the Empire is yet to come.

    Set deep in space, the tag shows a group of small droids shuffling around and installing some very familiar-looking components into a much larger assembly. As the camera pulls back, it’s revealed that the droids are putting together a layer of the Death Star’s Superlaser. Given Andor’s 5 BBY setting and the massive undertaking of assembling a station the size of the DS-1, its construction fits the timeline as well as many fan theories that have swirling about since Episode 8.

    The Superlaser’s power came from the combination of 8 separate laser beams which were converged into the one massive, planet-killing beam that made the Death Star the most terrifying weapon in the galaxy. Though no details were given, it seems as though the droids are using the components to assemble channels for the individual beams.

    Of course, the most chilling aspect of the post-credit scene is the realization that the components being installed were built by Cassian and his fellow inmates in the prison on Narkina 5. The tag adds context to so much of Andor, Rogue One and really any other projects that take place in the timeline prior to A New Hope. The prisoners at Narkina 5, a place that felt so incredibly oppressive, were working tirelessly and competitively to create the Empire’s most oppressive weapon.

    For Cassian, coming to learn that he’d build part of the Death Star could go a long way in explaining his commitment to its destruction in Rogue One, where he’s willing to give his life to ensure the plans get to the Rebels. Finally, with the Empire becoming aware of the growing threat of a Rebellion and the fact that the tag shows the importance of the parts the prisoners have been building, it provides a terrifying additional layer to the idea that the prisoners of Narkina 5 were never getting out and also that by escaping, they may have paused the project just long enough to let the Rebels catch the break they needed to ultimately destroy the Death Star!

  • REVIEW: ‘Andor’ Episode 11

    REVIEW: ‘Andor’ Episode 11

    Telling a story to which the audience already knows the ending certainly isn’t an easy task. It is, however, the task Tony Gilroy took on in Andor. Gilroy, who co-wrote the screenplay for Rogue One, which introduced Cassian Andor and followed him to his death on Scarif, found the secret formula for doing so and created a series that’s becoming increasingly integral to the history of the Star Wars universe. Episode 11, “Daughter of Ferrix”, is another stunning example of how while Andor keeps Cassian at the center of the plot, it’s not really his story at all.

    Episode 11 opens with Cassian and Melshi still working on their escape and ultimately sets Cassian on a course to return to Ferrix once he learns of Maarva’s death. Indeed the entire episode is, on the surface, about making sure anyone and everyone who has been involved in the key events of the series can come together on Ferrix in Episode 12. However, there’s no true tension surrounding Cassian’s actions. The audience knows he is meant to survive this series, though it’ll certainly be as a different man than the one that began it. The reason this episode, and the entire series, continue to grab the attention of the audience week after week is the investment by Gilroy and his writer’s room into other characters whose stories are less defined.

    While characters such as Bix and Mon Mothma have their share of tense moments in the episode, it’s Stellan Skarsgård’s Luthen Rael who, once again, finds himself at the center of the lion’s share of the best moments. Over the course of the series, Rael has gone from an unknown to unarguably one of the Rebellion’s most important figures and Episode 11 cements that status. While the Rebellion continues to exist in a less-than-perfect way, it’s clear that Rael has enough cache to put even the most radical of Rebels in his place. As such, the episode’s most intense scene involves Rael’s escape from the Empire on Segra Milo following his meeting with Saw Gerrera. It’s worth pointing out here that the escape from the tractor beam is almost certainly of the most “Star Wars” moments of the series and among one of the best-looking space sequences in recent live-action projects; it’s also worth pointing out that everything about the scene probably looks and feels the way it does because of how important of a character Rael has become not just to the series, but to the future of the galaxy.

    Ultimately, the strength of Andor (and of Rogue One) is the wealth of fascinating characters who inhabit the dark corners of the Rebellion. And so while the plot continues to revolve around Cassian and the final episode will certainly be about everyone going where he is going, Andor isn’t really Cassian’s story at all: it’s the story of the thousands of faceless, nameless people who may not have even known they were Rebels but whose otherwise insignificant lives and actions made the grand gestures of the Rebellion possible. It’s more of Rogue One in all the best ways.

  • ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    Disney is giving Andor a nearly unprecedented cross-platform push. The critically acclaimed Star Wars series, which is now most of the way through its 12-episode first season, will reportedly be available to stream on Hulu over Thanksgiving weekend. The service will only carry the show’s first two episodes, which will also air on ABC, FX, and Freeform throughout the holiday week. The special broadcasts will occur on back-to-back-to-back nights, with each channel taking a turn in the spotlight. ABC will air the premiere episodes on Wednesday, FX on Thursday, and Freeform on Friday.

    While Andor, created by Rogue One: A Star Wars Story writer Tony Gilroy, has been the most critically well-received series from Lucasfilm since it began putting projects on Disney+, it’s struggled to find a sizable audience in the same way Obi-Wan Kenobi and The Mandalorian have before it. Starring Diego Luna in the title role, the series acts as a prequel to Rogue One, telling the story of Cassian Andor in the years before his fateful Rebel mission to steal the Death Star plans. It has thus far been praised for its character work and storytelling, with many fans labeling it as the best Star Wars has been in a long time. Hopefully, the decision to temporarily make the series available elsewhere, other than exclusively on Disney+, helps garner the project a larger audience before its second season arrives in the coming years.

    Source: Twitter

  • ‘Andor’ Season 2 Revisit a Familiar Planet

    ‘Andor’ Season 2 Revisit a Familiar Planet

    As Andor continues to build momentum in its strongly performing first season on Disney+ eyes have begun to shift towards the future the new Star Wars streaming stalwart. As the writer’s room for the show developed new ideas for season two, new information has been revealed about what audiences should expect. While sitting down with Collider, series creator Tony Gilroy discussed the inclusion of new writer Tom Bissell to the writer’s room and a classic Star Wars location that will debut in the series down the road.

    Tom Bissell is a really cool and really, really interesting, versatile, really good writer. But also a very, very, very big Star Wars fan, which we really wanted to make sure we had another pro because we’re going into Rogue [One], and we’re going to Yavin, and then we’re going into places where we eventually need to really weave our way back to the source. So Tom came in, and he’s been great. So he’s got some episodes too.

    Tony Gilroy

    This bit of news should be interesting for Star Wars fans as it could potentially provide a new distinct angle for a key component to the original films. Yavin was a primary location for the climax of A New Hope, and getting time to further establish the locale can help enrich the classic films from George Lucas in a new light (much like Rogue One and Andor have done thus far). In addition, the interview confirmed that production for the second season is set to begin on November 21st of this year.

    Andor stars Diego Luna in the titular role of Cassian Andor alongside a deep ensemble cast of supporting characters. The tenth episode of Andor is set to arrive on the Disney+ streaming platform on Wednesday, November 9.

    Source: Collider

  • Disney+ Italy Accidentally Leaks a ‘The Mandalorian’ Short Film Focused on Grogu

    Disney+ Italy Accidentally Leaks a ‘The Mandalorian’ Short Film Focused on Grogu

    Grogu or Baby Yoda as some still refer to the fictional character of The Mandalorian is seemingly getting his own little special later this month. As leaked by Disney+’s Italian account, it seems that on November 12th will see a new special titled Star Wars Zen: Grogu and Dust Bunnies released on the platform. It’s an interesting surprise, as we haven’t had a teaser of any kind of this new addition

    The tweet leaking this new special has been deleted by the official Disney+ account, but luckily Reddit user u/cefaluu got a screenshot of the tweet and shared it on the Star Wars Leaks Reddit. If this may have gone online too early, we may expect an official announcement either later today or potentially even to kick off next week. It’s unclear if this special is purely CG or even live-action.

    Star Wars Zen is also an exciting title and could be their equivalent to Marvel Studios’ Special Presentation. The question is how long this project has been in development and how long it may be, especially if they aren’t promoting it at least a month in advance. Its timing may also be a little trinket to celebrate The Mandalorian‘s three-year anniversary as they usually have a new series released during the Holiday season. We’ll have to see what exactly this project might be once the first teaser finds its way online.

    Source: Reddit

  • RUMOR: ‘Logan’ Breakout Dafne Keen Joins ‘The Acolyte’

    RUMOR: ‘Logan’ Breakout Dafne Keen Joins ‘The Acolyte’

    Lost in the shuffle of Star Wars content on Disney+ has been The Acolyte, an upcoming series exploring the rise of the Dark Side during the final days of the High Republic era. Fortunately for fans, more exciting news is on the way. According to The Hot Mic with Jeff Sneider, Logan breakout Dafne Keen is the latest star to join the growing cast. If true, Keen would appear alongside Bodies Bodies Bodies lead Amandla Stenberg, whose involvement with The Acolyte was long-rumored and officially confirmed during San Diego Comic-Con in July. The project is set to be developed by Russian Doll co-creator Leslye Headland, who will serve as head writer and showrunner, and Rayne Roberts, who was previously a crew member on Lucasfilm’s Rogue One: A Star Wars Story.

    Keen gained international attention at a young age, playing the fearsome Wolverine clone Laura, a.k.a. X-23, in 2017’s critically acclaimed film Logan. Since then, the actress has spent most of her time starring in HBO’s big-budget television adaptation His Dark Materials, where she has performed opposite James McAvoy and Ruth Wilson. If she does have a role in The Acolyte, it’s still unknown who she might be playing. The series has been described as a “female-centric” take on the Star Wars universe, meaning she and Stenberg will likely not be the last women added to the cast.

    Its events will take place during a Star Wars era not ever shown before in live-action, so most specifics regarding the plot are difficult to speculate about. To this point, the High Republic has only been detailed in novels and comic books, and even those have not yet made it to the point where The Acolyte will reportedly pick up. As such, Keen‘s potential role and the series at large remain a giant question mark for fans.

    Source: The Hot Mic

  • REVIEW: ‘Andor’ Episode 9

    REVIEW: ‘Andor’ Episode 9

    Andor, a series built on mini-arcs, is in the midst of an arc that paints a bleak picture for the characters who have put themselves in the crosshairs of the Empire. Whether it’s Bix being tortured by the all-too-eager Doctor Gorst, Mon’s voice being ignored in the Senate or Cassian continuing along as a cog in the Imperial machine, Episode 9, “Nobody’s Listening” exists to show the extent of the Empire’s scope and power and contrast it against the Rebellion. Though Meero hasn’t caught the big fish she’s hoping to snag in her net, the fact that she and the Empire can do their work openly and without recourse, while the Rebellion has to strike from the shadows, serves to remind the audience that the galaxy is still a long way from openly embracing the Rebels. However, the events, which take place five years before the Battle of Yavin see in Star Wars: Episode IV-A New Hope, also work to show exactly why the Rebellion eventually grew into what audiences know it to be. In this way, Andor continues to be a prequel story worth telling and one that future generations of Star Wars fans will come to view as an essential piece of the overall story of the galaxy far, far away.

    The centerpiece of this arc, of course, is the very THX 1138-inspired prison where Cassian spends his days avoiding electrocution while serving as an Imperial laborer. While most of the prisoners seemed resigned to their fates, as best personified by Andy Serkis‘ Kino Loy, Cassian has recruited at least one fellow prisoner in an escape plan that, to put it nicely, is in its infancy. Despite his efforts to recruit Loy to assist in his efforts to escape, Cassian finds himself unable to break Loy free from the fear that the Empire is listening in on their conversations. Cassian’s tense conversation with Loy in their sleeping quarters is reminiscent of his conversation with Luthen Rael earlier in the series: the Empire isn’t listening because they don’t have to. They’ve come to believe themselves to be so omnipresent and omnipotent that they can simply rule through fear and intimidation. Meero is the face of that in Episode 9, though Cassian’s time in the prison only serves as an ironic display of the fact that the Empire has grown so large that they aren’t even aware that the person they’re searching for is already being held in one of their prisons. As Meero and the ISB scour the galaxy and leave behind a trail of dead and broken bodies, the man they’re attempting to catch is plotting his escape from them.

    With that in mind, it seems that the incident on Level 2 serves as the pivot point of the episode (and potentially the entire prison arc) as it is likely to ultimately lead to Meero and the ISB learning they already had Cassian in their grasp. The mass murder of the prisoners is sure to be a breaking point for Loy, but it also works as an example of exactly the type of behavior Rael hoped the Aldhani heist would provoke out of the Empire. The Empire’s dedication to swift and terrible retribution can’t be overlooked, even within the walls of a prison. Imagine the response if word were to get out…

    “Nobody’s Listening” stands as an incredibly strong episode because it allows the audience to feel the enormity of everything that has come before and what feels like is about to come next. Andor, both the character and the series, seems poised on a precipice that promises to lead to an exciting downhill ride over the next three episodes of the series. That’s built on season-long character development and intricate attention to detail in slowly tying together season-long plot threads. Once again, Andor proves that taking time to tell a story can be a brilliant choice as long as it’s a story worth telling.

  • REVIEW: ‘Andor’ Episode 8

    REVIEW: ‘Andor’ Episode 8

    Lucasfilm’s latest Star Wars streaming series, Andor, has been routinely described as a “slow burn”; to date, no episode has served as a better exemplar than Episode 8. The 12-episode first season has been neatly broken up into 3-episode arcs and, so far, the second episode of those arcs has seemed to work as the table setter for the high-energy third episode of each arc. That seems to be the case again with “Narkina 5,” though setting the table doesn’t make the episode any less critical.

    Episode 8 takes the time to make the characters and the audience feel the extent of the Empire’s response to the Aldhani heist. Ironically, as three different factions search for Cassian for different reasons, he’s already found himself caught in the tightening grip of the Emprie. As Luthen Rael had hoped, the Empire’s response was swift and fierce and Cassian experiences it first-hand in the prison work camp on the planet of Narkina 5. By the end of the episode, a month has passed and while there’s no telling just how long Cassian will be in prison (we know it won’t be his entire six-year sentence), it’s worthwhile to wonder how his time there will shape him into the who we know he becomes. Director Toby Haynes makes the audience feel the mundane nature of Cassian’s time in prison, putting them through the same automated paces the prisoners experience, while also illustrating the hopelessness of the situation through the suicide of a fellow prisoner.

    Meanwhile, it’s the wrong time to be a Rebel. As the episode showcases the precision of the Imperial machine (indeed the series’ lead finds himself a cog in the very machine he hoped to take down), it does so in contrast to the fractured nature of the Rebellion. Rael’s visit with extremist leader Saw Gerrera on Segra Milo illustrates just how slipshod the fledgling Rebel Alliance is, if it’s really an alliance at all. Rael and Gerrera lie and posture and argue only to ultimately find themselves no more likely to achieve their “shared” purpose than they were before their meeting, in fact, in light of the enlightening conversation they share, they seem to be parsecs apart.

    A slow burn to be sure, but “Narkina 5,” which is another in a line of beautifully shot episodes in this series, brings the tension down a notch from previous weeks but does so simply to lay the groundwork for the next “event.” Though he tried to walk away, Cassian’s mission on Aldhani has led the ISB to Ferrix where they have begun to wrangle up any and everyone associated with him. Episode 8 begun to weave together many of the series’ ongoing, individual threads, causing the rough-and in some cases unexpected-intersection of their arcs. Karn and Meero’s meeting went about as smoothly as Rael and Gerrera’s, which certainly isn’t the way most fans had it playing out. How long does someone with Karn’s ambition stay sidelined? How will he respond to being dismissed by the Empire? These are fair questions which we didn’t even know needed answering. And that’s emblematic of what Andor has provided fans of Star Wars so far. For a series about a dead character, it’s certainly proven to be one of the most thought-provoking streaming series Lucasfilm has made to date.