Tag: The Lord of the Rings

  • Amazon’s ‘The Lord of the Rings’ Series Only Finished by 37% of its Domestic Viewers

    Amazon’s ‘The Lord of the Rings’ Series Only Finished by 37% of its Domestic Viewers

    Here’s a rather shocking reveal, but it seems Amazon’s gamble with The Lord of the Rings: The Rings of Power may have not paid off as initially hoped. The series is one of the most expensive productions out there and already has a second season on the horizon, but new internal data has revealed that the first season was only finished by 37% of its viewers domestically. Internationally, it’s not too far off at around 45% with 50% usually considered a “solid” performance.

    There’s a bit of irony to this story, as the series is not viewed as a failure, even if it didn’t even become a major awards contender either. The series had the biggest debut for the streaming service and that does mean its smaller finish rate still would rival any other series on the platform. Up until now, The Boys seems to remain their biggest release (throwing another wrench into the superhero fatigue blender) and Amazon Studios chief seemingly views The Rings of Power quite a bit more positively.

    This desire to paint the show as anything less than a success — it’s not reflective of any conversation I’m having internally. That’s a huge opportunity for us. The first season required a lot of setting up.

    Jennifer Salke

    Netflix dominates the Nielsen ratings and there’s quite a bit of difficulty in truly pinpointing a series’ success. The service with the highest viewership seemingly also sets the highest bars of what makes a successful series. Amazon also seemingly has a problem in that there’s “no vision of what an Amazon Prime show is” which stands in an interesting juxtaposition to just how easy it is to figure out if Netflix or Disney+ is behind the wheel on a project.

    Source: The Hollywood Reporter

  • Warner Bros Wants ‘The Lord of the Rings’ to be Like ‘Star Wars’

    Warner Bros Wants ‘The Lord of the Rings’ to be Like ‘Star Wars’

    In a surprising twist, Amazon’s Lord of the Rings series, Rings of Power, is about to get its biggest competition yet in Warner Bros. Discovery, as they purchased the rights to once again create films based around the iconic novels of J.R.R. Tolkien. While their future is uncertain about where they are going with this new take, it does seem they are once again being quite ambitious.

    According to insiders, it seems that Warner Bros. has high hopes to turn Lord of the Rings into their Star Wars. They seem to ambitiously want to explore stories that all take place in the same world that offer different glimpses of this sprawling fantasy world created decades ago. It’s an ambitious thought, though raises more questions on how exactly they hope to achieve it.

    Unlike Star Wars, they don’t have a galaxy worth of storytelling with a franchise that is steeped in a wide variety of genres. Marvel and DC at least have decades of history with a broad range of characters they can bring to the silver screen, yet Lord of the Rings is mostly famous for two distinct stories.

    So, it would be quite challenging for them to not only find a way to create unique stories that could carry a “Cinematic Universe” approach but also somehow keep this very traditional fantasy story fresh. Warner Bros. is definitely ambitious with this project, but it does raise some eyebrows on how exactly they hope to achieve this even if they bring back the original trilogy’s director, Peter Jackson.

    Source: The Hollywood Reporter

  • Warner Bros. Wants Peter Jackson Back for New ‘Lord of the Rings’ Films

    Warner Bros. Wants Peter Jackson Back for New ‘Lord of the Rings’ Films

    Every new franchise nowadays is more than just an ongoing series of films. We are long away from the days of trilogies or even long-running film series like Harry Potter. The Cinematic Universe is the template everyone aspires to be and that takes a visionary to push it forward. Warner Bros. already found their Kevin Feige in James Gunn and Peter Safran, but they have their eyes on another to revive their latest milestone franchise.

    Just after announcing to the world that they have acquired the rights to make Lord of the Rings films during the Warner Bros. Discovery CEO David Zaslav, insiders are hinting that they also already know who they want on board. After Amazon fumbled the bag, the production studio hopes to have Peter Jackson, the director of the original trilogy and The Hobbit trilogy, to bring this franchise back.

    Not just Jackson, but also his writing partners Fran Walsh and Philippa Boyens, who are “precious talent” for the studio. The biggest challenge ahead though is if this new film franchise can exist opposite the Amazon TV series, as they try to avoid them blurring the lines between these two takes on the same property. That will be quite tricky as they had the film’s original composer Howard Shore work on the main title.

    Amazon already has a 50-hour commitment to the series and is currently busy filming the second season. Showrunners Patrick McKay and J.D. Payne are still working on the project that was supposedly one of Amazon’s biggest shows ever but was given a rather mixed reception by the Internet and critics. It is still surprising they never went for the film rights, especially with MGM Studio now being a part of their expanding media landscape.

    Source: The Hollywood Reporter

  • ‘The Lord of the Rings’ Season 2 Cast Continues to Grow

    ‘The Lord of the Rings’ Season 2 Cast Continues to Grow

    The Lord of the Rings: The Rings of Power has seemingly been pushing them forward. Work has already started on the second season in the United Kingdom, as the franchise sadly is moving away from New Zealand. J.D. Payne and Patrick McKay continue their work on the series exploring the Second Age of Middle-Earth and have seemingly added eight more to its cast for the next season.

    Deadline reports that The Rings of Power has added Oliver Alvin-Wilson, Stuart Bowman, Gavi Singh Chera, Kevin Eldon, William Chubb, Calam Lynch, Selina Lo, and Will Keen to its cast. They join the previously announced actors Sam Hazeldine, Yasen ‘Zates’ Atour, Ben daniels, Nia Towle, Nicholas Woodeson, Amelia Kenworthy, and Sam Hazeldine.

    So far the only confirmed role is Hazeldine is taking over the role of Adar, the leader of the orcs in the second season. They also teased that one of the elfs that carries Celebrimbor’s three rings will be introduced in Season 2. As such, one of the newly announced actors is expected and we should also meet other ring-bearers in the next season. So, the time is right to guess which new addition could be taking on what role moving forward.

    Source: Deadline

  • REVIEW: ‘The Rings of Power’ Explores Trauma in Heartfelt ‘The Eye’

    REVIEW: ‘The Rings of Power’ Explores Trauma in Heartfelt ‘The Eye’

    Ashes fill the air, bodies cover the ground, and even those with the strongest of will have been brought to their knees. With this week’s episode, The Rings of Power takes a deep dive into a topic it’s been dancing around since the very beginning. Trauma, and the grief that comes with it, weighs heavy on The Eye, the penultimate episode of Prime Video’s hit Lord of the Rings prequel. Last week saw Adar and his army of orcs emerge from the battle of Ostirith victorious, laying waste to the Southlands and giving rise to Mordor at the cost of countless innocent lives. Now, the heroes of Middle-earth must deal with the fallout – something they aren’t incredibly well-equipped to handle.

    The Eye is a necessary step back in energy after last week’s action-packed installment. Before the series can go full throttle into what will undoubtedly be a hectic finale, it needs to let its characters settle into the next status quo. The people of Númenor and the Southlands suffered great losses, and the episode does a wonderful job of letting them confront it honestly. Lloyd Owen‘s Elendil, especially, is the standout of this week’s entry. All season, the Captain has presented himself stone-cold and unfeeling, even if his underlying soft side was always threatening to break through the surface. In The Eye, the disappearance and presumed death of his son, Maxim Baldry‘s Isildur, finally pushes the emotion through. Owen‘s performance is heartbreaking and genuine. In an episode where the likes of Morfydd Clark‘s Galadriel and Cynthia Addai-Robinson‘s Queen Regent Míriel are faced with unthinkable challenges, it’s Elendil who forces viewers to feel the true pain of loss.

    This feeling extends to the caverns of Khazad-dûm, where Owain Arthur‘s Prince Durin painstakingly claws his way through familial relations in an attempt to help his friend, Robert Aramayo‘s Elven favorite Elrond. Probably the other best performance in the episode, and this one has a lot of great performances, Durin’s tearful commitment to chosen family and the good of Middle-earth turns out to be the centerpiece of hope for the realm’s future. While all feels lost, Durin is willing to sacrifice his own birthright for what he knows to be good in his heart. Hope has been a theme throughout The Rings of Power, and many of the characters fashion themselves as symbols of it, but it’s the little Dwarf with a golden soul who makes it all feel real.

    The writing for the show has really been kicked up a notch in the season’s back-half. The issues with pacing that were present in the first few episodes have all but vanished, with even the slower moments feeling faster and less arduous than they did before. It makes the anticipation for the finale more grand than one might have anticipated in the beginning. Even the Harfoots, who have been largely absent from the last couple weeks, have made their way into tie-in territory with the rest of the series. As it turns out, their humble encampment is not immune to the horrors of Middle-earth, and their loss – simultaneous with the events in Ostirith – hits surprisingly hard. The development of the Harfoot characters truly shines through in this sequence, as they look for ways to carry on and accept new methods of survival. After a full season of build-up, it’s nice to see how it all occurs so organically.

    As with every week, there is also the usual commentary on set design and the beauty of the show’s effects. Mordor looks haunting, as it should, and the mines of Khazad-dûm are as stunning as the look on Durin’s face suggests they’d be. Among those effects, however, are several terrifying hints toward the future of the show. It would appear that the Balrog is still alive, deep in the mountain, and there are still many questions surrounding the identities of the mysterious stranger and the group of sketchy magic-wielders who are seemingly after him. Let’s hope the cast of characters in The Rings of Power got their fill of recovery in The Eye, because they still have much to take care of when the show’s finale drops next week.

  • Netflix’s ‘Lord of the Rings’ Pitch Included Buliding an MCU-Inspired Franchise

    Netflix’s ‘Lord of the Rings’ Pitch Included Buliding an MCU-Inspired Franchise

    Amazon has been making quite the splash with its work on Lord of the Rings: The Rings of Power. While there has been the usual online backlash for any changes or adaptations from the original source material, they have offered something that feels like a blend of J. R. R. Tolkien’s work and Peter Jackson’s iconic film trilogy. As it turns out, it seems that other pitches would’ve taken the franchise in very different directions.

    According to The Hollywood Reporter, Netflix and HBO have also pitched their takes on how to push the franchise forward. While the Tolkien estate famously has its problems with Jackson‘s adaptations, it seems that Netflix wanted to take a franchise-based approach by building various spinoff series focused on Gandalf and Aragorn.

    While the concept works for comic book-based stories, it unsurprisingly “freaked out the estate” and may have been one of the reasons it was pushed towards Amazon’s pitch of just telling a unique story. Amazon Studios TV co-head believes that they won through their “collective passion and fidelity to Tolkien” but it wasn’t an easy win. HBO also was part of the bidding process and seemingly wanted to just retell the original trilogy with a focus on the Third Age once again.

    The $250M reported budget was seemingly something Netflix initially put out to get their hands on the intellectual property. While they have moved on with other adaptations and their hope to build a Power Rangers-focused franchise, it definitely seems like the bidding process wasn’t an easy one for everyone involved.

    Source: The Hollywood Reporter

  • REVIEW: ‘The Rings of Power’ – ‘Partings’ Has Hope on the Brain

    REVIEW: ‘The Rings of Power’ – ‘Partings’ Has Hope on the Brain

    Of drink I have little
    And food I have less
    My strength tells me no
    But the path demands yes

    My legs are so short
    And the way is so long
    I’ve no rest nor comfort
    No comfort but song

    Sing to me, sing to me, lands far away
    Oh rise up and guide me this wandering day
    Please promise to find me this wandering day

    The Rings of Power begins its fifth episode, titled Partings, with a song sung by Megan Richards‘ Poppy Proudfellow. Called ‘This Wandering Day’, the tune is described in-universe as something Poppy’s mother once used to entertain herself whilst walking for days upon end with the other Harfoots. In the real world, however, the song comes across as much more than just a means of keeping the brain occupied. The lyrics, written by the maestro Bear McCreary, instead double as a metaphor for the theme of this week’s episode, and perhaps the entirety of the Lord of the Rings franchise – holding on to hope, even when all seems lost.

    The many plotlines of Partings all see their lead characters facing difficult choices. Robert Aramayo‘s Elrond must decide if he’s willing to break a personal oath for the sake of Elven kind, Nazanin Boniadi‘s Bronwyn is forced to watch as her people choose between the light and the dark, and the citizens of Númenor weigh the consequences of going to war. Yet, despite the dire stakes at hand in each story, the concept of a potentially brighter future looms larger than the tangible threats at hand. Thematically, it’s actually a welcome departure from the series’ previously doom-centric thought process. Partings feels like a lighter installment in the Rings of Power saga from the very get-go, which in turn makes it a bit easier to watch than the denser first quarter of the season.

    Of course, this doesn’t mean the episode is without it’s hardships. In a particularly action-packed sequence, Daniel Weyman‘s mysterious giant saves the Harfoots from a pack of monstrous wolves. In another, Joseph Mawle‘s Adar revels in making a villager kill a child to prove his newfound allegiance to Middle-earth’s darkest forces. This is, unfortunately, par for the course in J.R.R. Tolkien‘s land of fantasy. As Poppy’s song, and Markella Kavenagh‘s Nori Brandyfoot, explain, the path to peace is filled with perils, something true of both Middle-earth and the actual planet it was based on. Partings does a fantastic job of relaying this message to the audience. There will always be setbacks on the road to finding true happiness. A person who lets that stop them will never know the contentment they were hoping to find in the first place.

    That being said, the episode does also present a few problems for the series at large. One would think that with so much time to spend with the show’s vast collection of characters, fans would be able to care about more of them. Aside from a few standouts, many of the individuals getting screen time week-in and week-out are beginning to feel like they only exist to advance parts of the plot. The obvious leads of each arc are well-developed and fun to watch, but many of their smaller counterparts are beginning to mash together and become slightly forgettable. Hopefully, before the season ends, The Rings of Power will be able capitalize on a talented ensemble in the same way shows like Game of Thrones have done to capture audience’s attention.

    Until then, the series will likely continue to stand on its greatest strengths. As per usual, this week’s episode was gorgeous, and the effects were impeccable. A particularly memorable moment involved the origin of Middle-earth’s most precious metal, which was shown via striking slow-motion images and beautiful color contrast. Despite any problems one may have with the series, its thematic element is also undeniably riveting. It’s as rich as anything Tolkien wrote and as comforting to watch as anything Peter Jackson put to screen. For anyone who has yet to be hooked, take this week’s entry as a form of advice – the road may not be perfect, but maintain hope, and the finale might just pay everything off.

    At last comes their answer
    Through cold and through frost
    That not all who wonder or wander are lost
    No matter the sorrow
    No matter the cost
    That not all who wonder or wander are lost

  • Miranda Otto to Return as Eowyn in ‘The Lord of the Rings’ Anime Film

    Miranda Otto to Return as Eowyn in ‘The Lord of the Rings’ Anime Film

    While all eyes are on the upcoming big-budget live-action prequel The Lord of the Rings: The Rings of Power, we also have a new animated film on the horizon. The War of the Rohirrim promises to tell the story of what happened to the House of Helm Hammerhand, which was part of J.R.R. Tolkien‘s appendix. They have now announced the voice cast for the series. The big surprise is the return of Miranda Otto, who played Eowyn in the original films by Peter Jackson.

    She’ll be joined by Succession‘s Brian Cox, who’ll play King of Rohan alongside Gaia Wise (A Walk in the Woods), who’ll play Hammerhand’s daughter Hero. The ruthless Dunlending lord, Wulf, will be voiced by Snowpiercer‘s Luke Pasqualino. The story will take place before the events of the original novels as we learn the story of the fortress Hornburg, one that would eventually be known as Helm’s Deep.

    The voice cast is also joined by Lorraine Ashbourne, Yazdan Qafouri, Benjamin Wainwright, Laurence Ubong Williams, Shaun Dooley, Michael Wildman, Bilal Hasna, Janine Duvitski, and Jude Akuwedike. So, the film by director Keni Kamiyama has quite an impressive voice cast and will be the first anime adaptation of the franchise. Philippa Boyens, who was part of The Lord of the Rings and The Hobbit‘s screenwriting team, is attached to produce alongside Joseph Chou of Blade Runner: Black Lotus fame.

    Source: Deadline

  • ‘The Lord of the Rings: The Rings of Power’ Showrunners Have All 5 Seasons Mapped Out

    ‘The Lord of the Rings: The Rings of Power’ Showrunners Have All 5 Seasons Mapped Out

    The Lord of the Rings is about to make a grand return as a new series is on the horizon titled The Rings of Power. It looks like showrunners JD Payne and Patrick McKay, alongside director and executive producer JA Bayona, have already mapped out the entire series, which will consist of five seasons. They plan to explore all that Middle-Earth has to offer and they already know exactly what the final shot for the last episode will be.

    We even know what our final shot of the last episode is going to be. The rights that Amazon bought were for a 50-hour show. They knew from the beginning that was the size of the canvas – this was a big story with a clear beginning, middle and end. There are things in the first season that don’t pay off until Season 5.

    JD Payne

    They also talk about the inspirations that the book’s original author J. R. R. Tolkien had intended with his original book series.

    It was like Tolkien put some stars in the sky and let us make out the constellations. In his letters [particularly in one to his publisher], Tolkien talked about wanting to leave behind a mythology that ‘left scope for other minds and hands, wielding the tools of paint, music and drama.’ We’re doing what Tolkien wanted. As long as we felt like every invention of ours was true to his essence, we knew we were on the right track.

    JD Payne

    The series is going to be the most expensive produced series ever, and it’s insane to think just how committed Amazon is to this series. Ordering five seasons early on showcases how much they believe in the potential and we’ll see how it may honor the iconic fantasy novels and films that came before it.

    Source: Empire