Author: Charles Murphy

  • Disney Plus ‘OBI-WAN’ Series to Use Revolutionary ‘MANDALORIAN’ Tech

    Disney Plus ‘OBI-WAN’ Series to Use Revolutionary ‘MANDALORIAN’ Tech

    When Ewan McGregor went on stage on August 23 2019 at D23 the excitement was palpable. Everybody knew what was coming and his announcement that he would indeed get to play Obi-Wan Kenobi once again meant one of the best aspects of the Star Wars prequel trilogy was back.

    In a recent interview with ACE Universe he shared that same enthusiasm while telling us that the technology the show’s production team will have at their disposal plays a big part in that. This technology while not brand new, hasn’t been around for a long time. The Mandalorian was the first production to use it in it’s first two seasons and they haven’t been shy about it.

    If you got to watch The Mandalorian‘s first season on Disney+ you should really check out Disney Gallery: Star Wars: The Mandalorian, another Disney+ 8-episode mini-series that airs it’s final episode this Friday. It takes us behind the scenes with both the directors and the cast of the show, while also focusing on the production side of things, the score by Academy Award winner Ludwig Göransson (Black Panther), Star Wars’ legacy and a few more interesting topics.

    But the episode that perhaps resonated with most people was episode 4 titled “Technology.” It’s perhaps the closest Star Wars has gotten us, in the past few years, to the feeling many had back in 1977 when it’s special-effects innovations changed Hollywood forever.

    Episode 4 introduced us to what production called “The Volume.” It’s basically a soundstage surrounded by giant LED walls that are used to project photorealistic virtual environments, that Industrial Light & Magic developed alongside Epic Games. It turned out to be something that George Lucas toyed with 40 years ago but that proved to be a little too much for that era’s technological capabilities.

    From an actor’s standpoint, and as Ewan says:

    The prequels were all blue screen and green screen and it was hard to imagine, but nowadays I think things have moved on so much, and I think a lot of what you see is gonna be what we see on the set. I don’t know if you’ve seen the behind-the-scenes of The Mandalorian series, but they employ that incredible screen, it’s pretty amazing. It makes you feel like you’re in the place, it’s going to feel more real for us, as actors. And I think we’ll be using some of that technology on our show.

    By removing green screens form the equation, actors are now reacting to something that isn’t inside their head but right in front of their faces. They are now able to correctly adapt their performances to it, and obviously, every actor in the same scene will now have the same reference points, allowing for a more coordinated response from everybody. It’s not a cheap option, but by eliminating expensive on-location shootings, and fast-tracking production in more ways than one, its benefits aren’t anything to sneeze at.

    Another side of this is the fact that, by making it possible to shoot so many environments indoors, it allows for more secretive projects to remain as such. Star Wars and Marvel projects, that always like to leave audiences mostly unspoiled, can now avoid random set photos that disclose both minor and major plot points, and even characters’appearances, from appearing online without their approval.

    Also, with the COVID-19 pandemic still impacting so many productions and studios looking into ways on how to better protect their crews and acting talent, this might just be a way of making sure sets are a bit more impervious to outside contact. You shouldn’t put it past Disney to decide to shoot as many projects as possible using this technology in the coming months.

    For a more in-depth look into The Volume, check out this article by Epic Games

    You can catch the entire ACE Universe interview right here, on their Youtube channel.

  • Victor Mancha: Hulu’s ‘RUNAWAYS’ Reject, Future MCU Big Bad

    Victor Mancha: Hulu’s ‘RUNAWAYS’ Reject, Future MCU Big Bad

    Going back through some old notes recently, I came upon some info I had collected about Season 1 of Marvel’s Runaways, a show which recently concluded its run following its third season. Those notes, accompanied by an early project breakdown and casting grid, indicated that one of the most interesting characters from the comic series was intended to be a part of Season 1 and, according to the notes, the studio may have even had an actor lined up for the role. That character, Victor Mancha, never physically appeared in the Hulu streaming series and his presence in the show was reduced to his last name appearing on a note in the final episode of the series. How did a character, who during pre-production in 2017 was, apparently, supposed to play a significant role in the series, end up being a being an afterthought? I’m not sure and I’m not really here to think too much about that. I am, however, interested in how Marvel Studios might now be able to use the character now that Runaways has ended.

    A little background first and I do mean a little. Victor Mancha first appeared in Runaways Vol. 2, #1 in 2005. A cyborg combining some cloned DNA with some of Ultron’s metal bits, Mancha was destined to become one of the Avengers greatest villains (there was a lot of time travel in Runaways) but, for the time being, has mostly stayed on the heroic side of things showing up in Avengers A.I. and Tom King’s solo Vision series among other places before returning as a head in a box in the recent Runaways book.

    We know that Marvel Studios The-One-Above-All, Kevin Feige, isn’t big on panel-for-panel remakes from the comics and, in Victor’s case, that works to everyone’s advantage. Keeping Victor who he is at his core (basically Ultron’s sleeper agent, but a hero at heart) makes him the perfect big bad to square off with the Young Avengers in their first big team outing. Whether it’s in Ant-Man 3 or the solo Young Avengers project currently in development, having the Young Avengers come together by taking on a villain with ties to the villain who tore the Avengers apart would be poetic. Maybe they destroy Victor; maybe they find a way to reprogram him and add him to their ranks; maybe he lives to fight another day. Whatever way it goes, the resonance is intriguing and very “comic booky.”

    I have no idea what the Runaways show runners had in store for Victor, neither in his season one appearance that never was nor with the neat little note they left as the show went off the air; however, what is clear is that Feige has an opportunity to put a new spin on an intriguing character and who could be a powerful, teenage villain who fits the Goldilocks model for the MCU adaptation of the Young Avengers. Sure, people want to see Kang and Iron Lad, but I wanted to see Starhawk and Vance Astro. We don’t, every time, get what we want but in some cases (not Starhawk, definitely not Starhawk), the version we do get is an upgrade. Victor Mancha might just do that for the Young Avengers. 

    There is, of course, another way for Victor to make a splash in the MCU: turning up in the upcoming Disney Plus streaming series, WandaVision. If Victor were to become aware of his unique nature, he would certainly seek out Vision, as he did in the comics. If you’ve read King’s run, you know that Victor was sent by the Avengers to spy on Vision and, though his intentions weren’t evil, he was responsible for the death of Vision’s son, Vin and met his “end” at the hands of Vision’s wife, Virginia, who is kind of a serial killer. While this particular story is unlikely to unfold, it’s entirely possible that we could see Victor introduced in WandaVision, a project we know to be a central hub from which the stories of Phase 4 and beyond will be spun, acting, as he was in the comics, as a sleeper agent of Ultron’s sent to wreak havoc on Ultron’s great dissapointment: his Vision.

    As always, it’s far more likely we don’t see Victor in the MCU at all or, if we do, it’ll be in some way altogether different from either of these options. It’s interesting, nonetheless, to think about how a character like Victor, who checks an awful lot of MCU boxes, might be used by Feige as he expands the universe.

  • Murphy’s Law Podcast: Episode 53

    Murphy’s Law Podcast: Episode 53

    The Charleses give their takes on some controversial adaptations they’d like to see made to some comic book characters coming to the MCU, Jeff Lemire’s potential influence on Hawkeye and more.

    Click here for Episode 53!

  • What I Heard This Week: Ms. Marvel Auditions

    What I Heard This Week: Ms. Marvel Auditions

    Every now and then I come across some information the veracity of which can be confirmed by a second source. What happens FAR more often is that I come across some information that while believable and from trustworthy sources, cannot be confirmed by other sources for various reasons. Typically, when the second scenario occurs, I move on and forget about the information unless, in rare instances, it turns out to be proven true somewhere down the road. The news about Peyton Reed working on Season 2 of The Mandalorian came from an article just like this, but I’ve also heard some pretty wild stuff of which we have no proof, like Doom showing up in Black Panther II. Over the past week, we’ve seen unions give guidelines for safely returning to work, plans start to come together for projects to resume filming and an increase in the number of actor/actresses who are signing on to new projects as the film industry attempts to get the big wheel spinning once again.

    It’s been mostly quiet on the Marvel Studios front, however, as we still don’t have any definite timeline for when they will finish production on The Falcon and The Winter Soldier (though yesterday did bring some good news on that front), Loki or Shang-Chi and The Legend of the Ten Rings. And while we heard that Spider-Man 3 is aiming to start up in late-September or early-October, we still don’t know when other projects which missed their intended start dates, such as Ms. Marvel and Doctor Strange: In the Multiverse of Madness, will get the green light. However, there is another glimmer of hope that was shared with me and that I’m happy to share with you now… MCU Will Eventually Introduce Kamala Khan, A.K.A. Ms. Marvel ... What I heard this week: after shutting the process down due to the pandemic, casting has resumed for the role of Kamala Khan, aka Ms. Marvel! The casting process for this one has been wild and taken a long and winding road but I was told that actresses were recently being called back in to continue the auditioning process. The casting of Kamala Khan is certainly one that is of great interest to many (my Twitter DMs are proof as they are filled with questions about when and who and if) and one that Marvel Studios is clearly taking great care to get right.

    The timing of the resumption of the process is also of note. As the state of Georgia begins to open back up and film and TV production gets rolling again in and around Atlanta, where Ms. Marvel is slated to film, it’s possible that an imminent casting could lead to cameras rolling on the Disney Plus streaming series before the end of Summer! This is one to keep an eye on over the next several weeks. Should Marvel Studios land the actress for the role, a casting announcement via the trades would be major news and lift the spirits of fans who have had little good news the past few months.  

  • DC Officially Announces FanDome

    DC Officially Announces FanDome

    DC has officially announced FanDome, a 24-hour virtual fan event to be held on August 22nd. The announcement confirms a report by Geeks World Wide, who broke the news of the event last week.

    Billed by DC as “the largest virtual gathering of talent announcements and content reveals in the history of DC” the event is promising reveals and announcements for TV and films as well as comics. The event promises fans something fascinating at a time when they need it most, providing “an unprecedented opportunity to hear from the casts and creators behind your favorite feature films and TV series, including: Aquaman, The Batman, Batwoman, Black Adam, Black Lightning, DC Super Hero Girls, DC’s Legends of Tomorrow, DC’s Stargirl, Doom Patrol, The Flash, Harley Quinn, Lucifer, Pennyworth, SHAZAM!, the Snyder Cut, The Suicide Squad, Supergirl, Superman & Lois, Teen Titans GO!, Titans, Watchmen, Young Justice: Outsiders and, coming this fall to theaters worldwide, Wonder Woman 1984.

    The FanDome itself is comprised of 6 different, self-contained areas (seen below) where the content can be accessed in 10 different languages.

    DCFandome_MAP

    The Hall of Heroes is essentially the Hall H of the event; the spot you’ll want to be for the biggest reveals which could include cast announcement and first looks at projects like The Batman and The Suicide Squad. DC WatchVerse also seems to have some promise as spot to catch some exclusive screenings and some behind-the-scenes features that will include cast and crew.

    DC FanDome will be in your homes on August 22nd!

  • Star Wars Celebration 2020 Canceled, Will Return in 2022

    Star Wars Celebration 2020 Canceled, Will Return in 2022

    Let’s face it. This time we all had a bad feeling about it. This summer’s Star Wars Celebration 2020 is now officially canceled due to the COVID-19 pandemic, and fans from all over the world will now have to wait another two years to get together in what has become a shining beacon of Star Wars fandom.

    At Star Wars Celebration, the health and safety of our fans, attendees, exhibitors, guests and staff is always our number one priority. Due to the global impact of the COVID-19 virus (…) we have made the decision to cancel Star Wars celebration for 2020.

    While this news is disappointing. we are happy to announce that Star Wars Celebration will return to the Anaheim Convention Center on August 18-21, 2022

    There are still a lot of variables concerning how the pandemic will evolve in the coming months, but we have now reached a point where August is just around the corner and with uncertainty being the only certainty, decisions had to be made, and common sense seems to have prevailed.

    Since Disney took over the franchise, every Star Wars Celebration event held in the US has been used to promote a major theatrical release. This year that wouldn’t be the case, but there would still be a lot to look forward to, with a special focus on the 40th anniversary of what many consider to be the best movie of the entire Star Wars Saga, Episode V – The Empire Strikes Back. As in 2017 in Orlando (the 40th anniversary of Episode IV – A New Hope) and 2019 in Chicago (the 20th anniversary of Episode I – The Phantom Menace), fans would have been able to attend special panels and events highlighting another Star Wars milestone’s legacy. We would also probably get new information regarding season 2 of The Mandalorian since it’s already finished filming and, with post-production being able to move forward despite the current film and television shutdowns, there’s no reason to think it won’t keep it’s October 2020 premiere date.

    Ahsoka Tano—A Star Wars Oral History | Vanity Fair

    Rescheduling Star Wars Celebration to 2021, and even though new live-action streaming projects (focusing on Ahsoka Tano, Boba Fett, and a few others) will likely emerge and there will be new footage to be shown and new announcements to be made, would leave a bit of a void on what concerns the theatrical side of the franchise. By deciding to return only in 2022 Disney will be able to focus on the project they have scheduled to release in theaters on December 16th, 2022. This means they are all but setting that date in stone, and even though we still know very little about that specific project the commitment to have a new Star Wars movie out by then seems to have been definitively made.

    This shouldn’t have been an absolute certainty since it’s likely that the domino effect started this spring, with the rescheduling of so many movies, will probably have repercussions for a few years and if there was a time to postpone any given project without major backlash it would be now. By not doing so Disney is showing us is that they’re confident in what they have planned out for the big screen beyond the Skywalker Saga.

  • ‘SPIDER-WOMAN’ and ‘MADAME WEB’ Will Be Two Separate Projects

    ‘SPIDER-WOMAN’ and ‘MADAME WEB’ Will Be Two Separate Projects

    For the past several years, Sony Pictures has not been shy in its development of the Marvel properties under their jurisdiction. Some of these have come to bear fruit (Venom, Morbius), others have fallen apart (Nightwatch) and many still remain in development (Jackpot, Silk). The last category is the most interesting and it contains a couple of properties in Madame Web and Spider-Woman that seem to have generated a lot of attention since it was revealed in February that the latter was being developed. In that times, a common conception has, apparently, become a shared “truth” among fans: that Sony is developing one Madame Web/Spider-Woman film featuring Julia Carpenter, a character who has borne both those mantles in the comics.

    Madame Web: Here's How Sony's Next Spider-Man Spinoff Could Work

    This conjecture, while understandable, seems to be based solely on fan speculation centered on making the connection pointed out above. Evidence, however, seems to suggest that this very popular fan theory, while sensible, isn’t the direction Sony is taking. By now we all know that plans change all the time at studios (I mean Sony had Cheo Hodari Coker and Spike Lee on Nightwatch and then STOPPED developing the project!), so it’s possible that, since February, Sony has changed its course. However, evidence exists that clearly indicates that Sony was developing two projects, not one.

    Madame Web is the longer gestating of the two projects with documentation dating back to April of 2019. Sony executive Palak Patel was hired to oversee the development of the film and hired the team of Matt Sazama and Burk Sharpless to write the film.

    The development of Spider-Woman is a more recent project with documentation first appearing in December of 2019. Like Madame Web, Patel is overseeing the project for Sony; however, unlike Madame Web, Rachel O’Connor is also overseeing the project with Amy Pascal producing.

    Women red comics Marvel Comics New Avengers comics girls Spider ...

    As I first mentioned back in February, O’Connor’s association with Spider-Woman is very interesting in that her only credits on Sony films have come on the Sony/Marvel Studios collaborations on the recent Spider-Man films but that piece has already been written. What needs to be clarified here is that Sony’s Spider-Woman film, whether it’s a Sony project or a collaboration, absolutely and beyond a shadow of a doubt was a Jessica Drew story as of February. The same documentation that shows Patel, O’Connor and Pascal working on the film clearly explains who the film is about and indicates that Sony was actively searching for an actress, 25-35 to play “Jessica Drew AKA Spider-Woman.”

    As stated in the open, plans change and Sony changes plans with the best of them. That being said, it’s time to put the fan speculation to rest and, instead, focus on hard, evidence-based facts: Madame Web is its own entity and the Spider-Woman movie is a Jessica Drew vehicle. Full stop.

     

     

  • The Real Deal with Ogun

    The Real Deal with Ogun

    After sitting on it for months, we recently released an image from the Madripoor set of Marvel Studios Disney Plus streaming series The Falcon and The Winter Soldier that revealed what appeared to be a biker gang logo. Shortly after running the story, we were contacted by Twitter user and Murphy’s Multiverse reader @AmzingShite, who believed he had a match for the face on the jacket; he believed (and in subsequent conversations on Twitter it became clear that a lot of folks share the same opinion) that the face was incredibly similar to a red demon mask worn by one of Wolverine’s oldest acquaintances: Ogun.

    First introduced in the 1984 series Kitty Pryde and Wolverine, Ogun is a ninja who once served as friend of Logan’s and mentored him in the Art of the Samurai. During their time together, Ogun revealed to Logan that he had mastered the forbidden art of cheating death. Ogun could copy his psyche and then upload it into the bodies of others where it would slowly begin to erase their personalities and install his, a process he intended to do to Logan before the X-Man departed. Following Logan’s departure, Ogun fought all over the world wearing the red mask seen in the picture above, one that presents a common depiction of demons in Japanese art.

    That connection to Logan has people plenty excited as fan-generated rumors were already circulating that Wolverine would pop up on location in Madripoor, but what’s more interesting is the relationship Ogun himself as to the island, specifically to an underground tournament fought there at one point…

    Apparently bored killing people on his own merit, Ogun joined the Yakuza as an enforcer. Already shown in Avengers: Endgame, the Yakzua are expected to appear in The Falcon and The Winter Soldier in the episode where the gang visits Madripoor. In that regard, it’s possible that we see Ogun as the head of a Yakuza biker gang, thus explaining the symbol on the jacket.

    There is, however, one more interesting possibility that could connect The Falcon and The Winter Soldier not only to someone from Logan’s long history, but also to a long-standing rumor about the plot of Shang-Chi and The Legend of the Ten Rings! During an arc in Wolverine, Vol. 2, Ogun found himself in Madripoor at the time a secret, underground martial arts tournament was being fought. It’s a crazy tale that involves him trying to take over Madripoor by taking over the body of Viper, but it checks enough boxes to at least bring it up here.

    Admittedly a blurry picture of a biker jacket is absolutely not enough evidence to suggest that Ogun is showing up and that’s not what I’m suggesting here. It’s likely that this is either just an Easter Egg for Ogun or completely unrelated; however, to me, the images are similar enough that not taking the time to point out the potential connections would be silly given we originally published the picture and had some great followers from our community (including @hradesi14 who gave a nice summary of Ogun’s character) point it out to us.

    This is one we’d love to hear about in the comments. Do you think we’ll see Ogun in The Falcon and The Winter Soldier? Are we just a few degrees of separation away from the MCU version of Wolverine? Get a discussion going in Disqus and let us know.

  • ‘WONDER WOMAN 1984’ Released Pushed To October

    ‘WONDER WOMAN 1984’ Released Pushed To October

    Warner Bros. sequel to 2017’s successful Wonder Woman has been given another new release date. Due to the uncertainty of fans returning to theaters with the coronavirus pandemic still growing, the film has been pushed back 2 months for an October 2, 2020 debut.

    Originally scheduled to be in theaters for December 13, 2019, it was originally moved up 6 weeks to November 1, 2019. Had the shuffling stopped there, fans of comic book films would have had one last hurrah before COVID-19 closed theaters and rearranged film slates; however, Warner Bros., in an effort to open the film as a traditional post-Memorial Day tentpole, moved it to June 5, 2020. With theaters being shut down at that time, WB bumped it to August 14, 2020, hoping that the COVID-19 pandemic would quickly resolve itself. This latest shift (which may not be the final adjustment since a now deleted tweet initially indicated that the film would be in theaters for Thanksgiving) seems to indicate that the studio is growing increasingly concerned about audiences being ready to head to theaters this summer.

    The move came in a flurry of activity by the studio as it moved or removed several films on its current slate. Tenet, Witches, Tom & Jerry, Godzilla vs Kong and The Matrix 4 were all a part of the game of musical chairs that seems to have become a Friday night staple during the pandemic. As it stands now, the studio is re-releasing Christopher Nolan’s Inception on July 17th, Tenet’s original date, with an attached preview reel of their upcoming slate. That preview reel could well feature first looks at The Batman or Suicide Squad in addition to any of the films mentioned above.

  • Jeff Lemire’s HAWKEYE May Be A Big Influence on Upcoming Series

    Jeff Lemire’s HAWKEYE May Be A Big Influence on Upcoming Series

    Even though we don’t know when production will begin much less when it will air, fans are very excited for the Marvel Studios series Hawkeye to drop on Disney Plus. Kevin Feige has told us two very important things: it will introduce Kate Bishop and it will feature some more of Clint Barton’s time as Ronin. Rumors have swirled about other potential plot point and characters, but those two tidbits from Feige are key. Additionally, if we’ve learned anything from the limited information available to us about the other Disney Plus series, it’s that they will truly build a world, full of supporting characters, around the leads. For The Falcon and The Winter Soldier, that means we’ll meet Sam Wilson’s family and get some more details about Bucky’s history; the same is very likely for Hawkeye.

    Executive Producer Trinh Tran has promised that the show will paint a picture of Clint Barton’s past and while it’s been retconned a few times over the years, there are some parts and people that seem to stand the test of time. Clint’s story is rooted in an abusive childhood, depends on a relationship with his older brother, Charles Bernard “Barney” Barton and time spent at a carnival where the brothers met some criminals who influenced the rest of their lives. It’s also likely we’ll see a deeper dive into Kate Bishop’s history which means a look at her father, Derek, and his dirty dealings.

    We already know that Matt Fraction’s acclaimed Hawkeye run is going to heavily influence the series. What you’ll see here are some panels from other classic and recent runs that could help us get deeper into the pasts of our Hawkeyes. I have no insider knowledge here, just a lot of comic books, a decent memory, a subscription to Marvel Unlimited and a little more free time than normal. So, enjoy the read and let’s see if we can spot these influences when the show airs!

    Hawkeye, Vol. 3 (2003). Fabian Nicieza and Stefano Raffaele.

    Why They Might Use This Run

    As you’ll see, each of the books here that take a deep dive into Clint Barton’s background will have a few things in common. First of all, they’ll focus on the relationship between Clint and his older brother, Barney, Secondly, the books will show the time the Barton boys spent living the carnival life. Finally, they’ll tell some version of how they were influenced by Swordsman and, in almost every instance, Trick Shot, a couple of carnival showmen with criminal proclivities. In this case, this is probably my favorite iteration of the Clint/Barney relationship, which could make for a really interesting plot device.

    Possible Influential Panels 

    The flashback, as many do, starts with Clint stumbling upon Swordsman embezzling money from the carnival. In this version, Swordsman chases Clint, causes him to fall and break his legs and prepares to kill him before he’s stopped by Trick Shot.

    Following the unfortunate series of events, Barney invites Clint to join him in enlisting in the Army. Clint, at first reluctant to go, changes his mind but misses the bus. Barney goes on to become an FBI agent after leaving the service and, in a cruel twist of fate, meets up with his brother while undercover and is shot in the chest by Clint!

     

     

    Hawkeye: Blindspot (2011). Jim McCann and Paco Diaz.

    Why They Might Use This Run

    McCann’s series, as many of the others here, give us some insight into the early days of the Barton boys. We get a little different version of things each time, but here their abusive father dies and the boys run away and, of course, end up at the Carson Carnival of Traveling Wonders. While the carnival life really seems like an odd thing to put into the series, it’s hard to imagine the boys not being influenced by Swordsman and Trick Shot. This limited series gives us a brief look at the original Trick Shot, Buck Chisolm, training Clint. It also sees Clint square off with Barney, who is working for Zemo as the new and improved Trick Shot. Should Barney feature in the series, it’s possible they go with this version of the character and take the sibling rivalry to a new level.

    Possible Influential Panels 

     

    All-New Hawkeye, Volume 1 (2015). Jeff Lemire and Ramon Perez

    Why They Might Use This Run

    This 5-issue limited series details  (and retcons) the early days of Clint Barton and his brother Barney and Jacques Duquesne, aka the Swordsman, as their paths converge at the Carson Carnival of Travelilng Wonders. The events that take place here, during Clint’s formative years, put him on the road to becoming Hawkeye. While this retcon removes Trick Shot from the early days, it makes Duquesne an even bigger part of Clint’s early years and considering that we saw Barton’s skill with a blade in Avengers: Endgame, it seems very likely that we’ll see Duquesne’s early influence on the Bartons and this version is a little more mild than some of the other options.

    Possible Influential Panels 

    Lemire’s run made some alterations to the Barton boys’ history as told in Hawkeye: Blindspot but he did shine a little more light on the abuse they suffered at the hands of their father and, after his death, their foster dad. The flashbacks show us the day where Barney has finally had enough and fights back. The ordeal leads to the boys running away and stumbling upon the Carson Carnival.

    After the boys fall in love with the wonders of the carnival, their foster father shows up and begins to rough them up until he’s interrupted by Duquesne. Duquesne runs their foster father off and immediately becomes a hero to the boys.

    Duquesne takes Clint under his wing, teaching him to shoot a bow and quickly realizes the skill of the young man. In fact, Duquesne begins to train Clint to join his act. Unfortunately, Duquesne takes Barney under his wing, but instead of teaching him archery, he teaches him to become a criminal. Clint discovers what’s going on and confronts Duquesne. Thought it doesn’t turn violent, it leads to Clint and Barney going their separate ways.

     

    All-New Hawkeye, Volume 2 (2015-16), issues 4-6. Jeff Lemire and Ramon Perez

    Why They Might Use This Run

    These 3 issues give new insight into Kate Bishop’s early years and establish just why she and Clint Barton have such an incredible bond. Just like the 2015 series, the events that take place in Kate’s formative years put her on the road to becoming Hawkeye.

    Possible Influential Panels 

    Lemire continues to use flashbacks to give us the goods. The second half of the series fills in some serious gaps in Kate’s past. We find out her father, Derek, hasn’t made all his money through his publishing company and that he’s involved with some dangerous-though-D-list-criminals, mostly notably the infamous El Matador. Kate decides to snoop on her father’s dealings, finds herself stranded in the top secret meeting location, found by someone who looks suspiciously like Tarantula and then held for ransom by the wily Matador!

    As it turns out, Clint and the Avengers have been tailing El Matador and rescue Kate. After being saved by Earth’s Mightiest Heroes, Kate is fascinated that Hawkeye, using just a bow and arrow, can hold his own a team of super-powered or suited up heroes. Given a few tweaks here and there, these scenes could easily be retconned into the MCU. We know that, for at least part of Hawkeye, we will see some more of Clint’s adventures as Ronin. We also know, thanks to Rhodey’s exposition in Avengers: Endgame, that one of Clint’s adventures ended up leaving a bunch of dead criminals in Mexico. It doesn’t take much imagination to tie that brief description to the first meeting of the Hawkeyes!

    These final issues of the series build up to the Hawkeyes going their separate ways after sharing some honest moments about how much each one means to the other. The great takeaway here is that Clint, through all his troubles and daddy issues of his own, has provided Kate with the positive father figure she was never going to have in Derek.

    When you’re dealing with a character like Clint Barton, who has been around for so long, there are so many possible stories from which to draw. If you’re looking for one that seems most ready made for Disney Plus and that keeps as many of the key points as possible, it’s certainly Jeff Lemire’s. Lemire’s work on Kate Bishop’s background is equally well-done and likely to inform the MCU version of the character. At this point it’s likely to be a while before we start to uncover some plot points for the series, so as we sit around and speculate, it’s great to have these panels in mind!