Author: Hunter Radesi

  • Chadwick Boseman Wins Posthumous Emmy for Marvel Studios ‘What If…?’

    Chadwick Boseman Wins Posthumous Emmy for Marvel Studios ‘What If…?’

    Chadwick Boseman has been gone for two years, but his legacy continues to shine. Best known for his iconic portrayal of King T’Challa – the Black Panther – in the Marvel Cinematic Universe, the late actor picked up his first and only Emmy win at last night’s Creative Arts ceremony for his work voicing a multiversal Star-Lord in Marvel’s animated What If…?. One of many MCU stars who returned to do voice work for the series, Boseman was a noticeable stand-out when he appeared in the episode “What If…T’Challa Became a Star-Lord?” and quickly grew in popularity as he recurred throughout the rest of the season. His efforts, recorded before he died but released almost a full year after, earned him the award for Outstanding Character Voice-Over Performance.

    Boseman beat out an extremely competitive group at this year’s event, rising above the likes of Bridgerton‘s Julie Andrews, Moon Knight‘s F. Murray Abraham, Big Mouth‘s Maya Rudolph, Central Park‘s Stanley Tucci, fellow What If…? alum Jeffrey Wright, and Archer‘s Jessica Walter, who passed away in 2021. The win puts an end to Rudolph‘s victory streak, after the comedian won the award for the past two years in a row. Boseman‘s wife, Taylor Simone Ledward, accepted the Emmy on his behalf, giving the following statement to Deadline:

    When I learned Chad was nominated, I started thinking of everything that was going on in the world and our world and being so in awe of his commitment and dedication and what a beautiful moment that one of the last things he would work on was something so important to him and to the world but also something new. You can’t understand your purpose unless you ask what if? What if the universe is conspiring in my favor? What if it’s me? Chad would be so honored and I am honored on his behalf.

    Taylor Simone Ledward

    What If…? will return for both a second and third season on Disney+, though the release dates are currently unknown.

    Source: Deadline

  • ‘The Walking Dead’ Star Cast as ‘Superman & Lois’ Villain

    ‘The Walking Dead’ Star Cast as ‘Superman & Lois’ Villain

    Superman & Lois has found its next big bad. The hit CW series, which stars Tyler Hoechlin and Bitsie Tulloch in the title roles, closed out its second season with a major tease for the future. Longtime Arrowverse contributor David Ramsey appeared as a multiversal version of his character John Diggle to namedrop and set up Bruno Mannheim, the leader of organized crime syndicate Intergang, as the third season’s potential main villain. Now, only a few months later, Ramsey has spilled the beans on who might be playing Mannheim when the series returns.

    Speaking at the “Arrow Guests: Saving Star City” panel at DragonCon, Ramsey revealed that actor Chad L. Coleman would be playing the primary antagonist in Superman & Lois Season 3. While Ramsey did not confirm who exactly Coleman would portray, the previous hints at Mannheim’s role in the next season make it likely that the former Left 4 Dead 2 star will be the one bringing him to life. For fans unfamiliar with the performer, Coleman rose to fame playing Dennis “Cutty” Wise on HBO’s The Wire. He then had a successful turn as fan-favorite character Tyreese Williams on AMC’s The Walking Dead, and has also appeared in a recurring capacity on shows like Hulu’s The Orville, Amazon’s The Expanse, and FX’s It’s Always Sunny in Philadelphia.

    This will be the second time Coleman appears in an Arrowverse project, after having played Tobias Church in four episodes of Arrow back in 2016. If he is truly playing Bruno Mannheim in Superman & Lois, then viewers can expect to see him wielding some fairly cool weaponry on the small screen. Mannheim’s Intergang is known for it’s use of highly advanced technology, bestowed upon them by Darkseid himself in the hopes they could find the Anti-Life Equation. It sounds like the Man of Steel will have his hands full when the show is once again airing on the CW.

    Source: The Direct

  • REVIEW: ‘The Rings of Power’ is ‘The Lord of the Rings’ For Everyone

    REVIEW: ‘The Rings of Power’ is ‘The Lord of the Rings’ For Everyone

    Deep in the Sundering Seas, a ship sails toward peace and freedom. All onboard are merry, as they know what bountiful future awaits them, save for one soul. Galadriel, a young Elven warrior, is not content. She looks around with concern and restlessness as her companions begin to sing a holy song in unison. Her brethren embrace what they understand to be a blessing, yet Galadriel is unable to wrap her mind around the same joy. The boat rolls onward, but her true journey lies somewhere behind it. This scenario, which plays out near the end of The Rings of Power‘s first episode, is how many may have felt when The Lord of the Rings films first premiered two decades ago.

    Universally loved by fans and critics alike, it quickly became heresy to suggest the original live-action trilogy wasn’t for everyone. While all manner of brethren sang it’s praises like a holy verse, some simply couldn’t bring themselves to join in. Their journey lay elsewhere, in the gutters of other fantasy deemed “less-than” by those who could more naturally comprehend the great works of J.R.R. Tolkien. To be fair, these high-ground thoughts were never entirely misplaced. Peter Jackson‘s movies are indeed a generational achievement, and the novels they’re based on are undoubtedly a cornerstone to which all subsequent entries of the genre owe their existence. Nevertheless, The Lord of the Rings was never an easy story for the average viewer to sink their teeth into.

    Filled with intense exposition and expansive world-building, it could often feel like there was homework required to fully appreciate the cinematic experience. Beautiful, awe-inspiring filmmaking, for sure, but also perhaps too much for some to take in at once. On the other hand, Jackson‘s Hobbit prequels were derided for leaning too far in the other direction. Too much explosive action, not enough thoughtful commentary. The Rings of Power, a new prequel series from Amazon set a full Age before the events of Tolkien‘s seminal masterpiece, feels special for at least one major reason – it works in a way where viewers are granted both pace and spectacle. The series’ pilot and its follow-up, each directed by J.A. Bayona, are chock full of the gorgeous visuals and thrilling set pieces one has come to expect from adventures set on Middle-earth, but pull them off while maintaining the intellectual integrity of the franchise.

    Anyone who might have been worried about the show not living up to the iconic aesthetic of the films can rest well knowing this is not the case. It’s very clear that The Rings of Power is the most expensive television series ever created. From the very beginning, it looks absolutely unreal. This is the same Middle-earth fans have spent years obsessing over, only it feels quite a bit younger. Not only are several of the protagonists in the ensemble cast literally younger versions of established Tolkien characters, like Morfydd Clark‘s aforementioned Galadriel or Robert Aramayo‘s gleaming Elrond, but much of the landscape gives off the essence of a used car restored to its former glory. The grime of Sauron has yet to truly taint the world, even if his dark presence is ever looming.

    As a result, the premiere episodes exude a fairly fresh aura to potential new fans of the franchise. This is not a project anyone has to rewatch older films to enjoy. It’s amicable for those who have loved what’s come before and welcoming to those who’d finally like to try giving Middle-earth a shot. There is some of that familiar exposition, yes, but the show’s episodic format allows for it to be delivered in smaller, separate doses as opposed to all-at-once. Interspersed between are countless moments of shock and amazement that will leave audiences pondering on how a television series could pull all of it off. There are grand scenes of war, charming competitions of friendship, slaughtering at the hands of a lumbering troll, and a horrific game of hide-and-seek played with a skull-fit orc.

    It’s impressive how effortlessly The Rings of Power shifts between these many masks in its attempt to weave an epic tale. The characters, too, are plenty of fun to spend time with. New light is shed on well-known names, enough to make them – possibly – even more likable, and enthralling introductions are made for the latest faces to join the universe. Viewers are reminded exactly why they fell for the varying species of Middle-earth, especially the Hobbits and the Dwarves. Any time spent with Harfoots (Harfeet?) or the cave-dwelling Khazâd is an automatic highlight of the episode.

    Best of all, the premiere episodes leave fans with more questions than they do answers. Without spoiling anything, there’s much to dissect in the coming season. Despite a runtime of over two hours and a lot to establish, A Shadow of the Past and Adrift do a fantastic job of keeping the audience entertained and engaged while setting up plotlines that will last for a long time to come. With an agreeable approach and a stunning coat of paint, The Rings of Power might just be the first Lord of the Rings entry that everyone can fall in love with.

  • ‘The Rings of Power’ Stars Discuss Gandalf Theory 

    ‘The Rings of Power’ Stars Discuss Gandalf Theory 

    After years of waiting, fans can finally stream The Rings of Power on Amazon Prime. The series, a prequel to J.R.R. Tolkien’s classic Lord of the Rings trilogy, premiered it’s first two episodes on Thursday to high praise from critics. Multiple new characters found themselves introduced during the show’s initial hours, alongside younger versions of some familiar names. One fresh face, however, was that of Daniel Weyman’s mysterious Stranger, a lumbering giant of a man with strange mystical abilities. The character was shown falling to Middle-earth in a meteor in the series’ pilot.

    There have been no shortage of theories on who the unnamed person actually is, but one has stood out more than the rest. A popular opinion online says that Weyman is secretly portraying a young Gandalf as he first appears in existence. According to a recent interview with ET, the actor has known the true identity of the Stranger since he was cast – but he won’t be spilling the beans anytime soon. When asked about the Gandalf theories, Weyman responded that fans will have to keep watching to find out:

    I would think, hopefully, people will have as much fun watching his story as I had filming it. And I suppose the best thing to say is that while we were working, I, at each point in the story, knew exactly where the character was and who he was and what he was going through. So, from my point of view, it was quite an easy task to follow that through.

    Daniel Weyman

    On the other hand, his co-star, actress Markella Kavenagh, was left just as much in the dark as viewers during the creative process. Kavenagh portrays an adventurous young Harfoot named Nori in the show, and is the one who discovers and helps the Stranger when he crashes to Middle-earth. She explained that she was forced to learn his real identity as filming went on:

    [We were] finding it out week to week. I mean, you’ll see when you watch it why it was also kind of beneficial because of how the Stranger is and how Nor is as well. But yeah, it was an experience.

    Markella Kavenagh

    Actress Cynthia Addai-Robinson, who has not yet appeared in the series, chimed into the conversation to add her take as well. She claimed that, in her opinion, there is a real joy in watching a mystery unfold without immediate answers:

    We enjoy all the fan theories and we have those ideas. But even for some of us, we don’t ultimately know the way in which our characters are going to have these experiences. And the audience will also get to see it as it unfolds as well.

    Cynthia Addai-Robinson

    The Rings of Power is now streaming on Amazon Prime.

    Source: ET

  • REVIEW: ‘Midnight Fight Express’ is The Best Crank Movie Except It’s A Game

    REVIEW: ‘Midnight Fight Express’ is The Best Crank Movie Except It’s A Game

    In 2006, Lionsgate Films distributed a project touted as one of the most high-octane movies of all time. Crank, an incredibly raunchy action film starring Jason Statham, revolved around a highly-skilled assassin who was poisoned by his rival and subsequently forced to keep his adrenaline pumping in order to survive. The premise was promising, and seemed to indicate there would be plenty of over-the-top violence and radical movement occurring throughout it’s 88 minute runtime. Unfortunately, aside from some deceivingly shaky cameras and the occasional thrown punch, the movie mostly just used unnecessarily offensive dialogue and some truly awful public behavior to illustrate it’s concept. Midnight Fight Express, on the other hand, is everything Crank should have been and more.

    An exciting new Beat ‘Em Up from the folks at Humble Games, Midnight Fight Express is actually the rip-roaring brawler it’s title suggests it will be. The basic idea is relatively easy to comprehend, and honestly, the gameplay is too. Babyface, a dormant sleeper agent, is activated by a talking drone and sent out into the streets of a city on the verge of collapse. With the landscape overtaken by an innumerable amount of gangs and crime syndicates, the player controls Babyface as he wipes out every bad guy in sight and begins to learn more about himself and the forces he’s singlehandedly opposing. It’s as straightforward as that, and the game is much better off for it’s commitment to simplicity.

    The player starts off with a few base abilities – punch, dodge, and grab. One can either punch their way through a group of evildoers, or pick up a weapon to help bash their heads in. Aside from the occasional firearm, which proved the hardest to control in combat, the amount of damage a weapon does is pretty clearly related to how big it is. If a player would like to take a large man down in fewer hits, they should probably find some sort of massive wrench or metallic baseball bat. If they want to roll around and swing in for a sneak takedown, they should probably beat the snot out of someone with a knife and take that instead. As they clobber their way up the baddie ladder, players will also find themselves able to unlock new moves and techniques that diversify gameplay and aid in taking down boss characters. This keeps the game interesting without overcomplicating what already works.

    Of course, while the game is not that hard to understand, it’s also not without it’s challenges. As the player progresses though the city and, eventually, down into the sewers – among other places – they will encounter tougher and tougher opponents. Every time a new class of evil is introduced, the gamer must adjust their playstyle slightly to accommodate the new type of threat. Additionally, not every level plays out exactly the same way. Some feature a bit more traversal, with Babyface jumping around rooftops or fighting his way through subway stations, while others focus more on a specific gimmick. Some standouts include a sequence of tasks involving trains, where the player must fight inside while avoiding a sniper aiming through the windows or use oncoming cars to their advantage, and a mission that takes place entirely within a single bathroom, where Babyface has to clear waves of gang members before he can leave.

    After using both a console controller and the keyboard to play, it can probably be said that the controller is best for the way this game handles combat. As the footage and Crank comparison might imply, everything that goes on in Midnight Fight Express is designed to happen very quickly. The brain has to think fast or not at all in order to continue surviving, and a controller seems to be more applicable to that kind of scenario. This might be a matter of preference, but especially when it comes to ensuring one swings a punch in the correct direction, there was a noticeable difference in play quality between the two gaming options.

    Last, but certainly not least, Midnight Fight Express allows the player to have a lot of fun with customizable appearances and sandbox elements. Beating up baddies in a variety of fun ways earns the player coin to spend in the main menu’s shop, where they can make Babyface look as cool or goofy as they please. This is a great way to dive further into the spirit of the game, which is also sort of hilarious when it wants to be. As with most Steam games of this generation, a lot of the dialogue is incredibly silly without being anything too uncomfortable to read. Police are idiots, thugs are idiots, bosses are idiots, and even sometimes, the drone can be an idiot too. It’s all a bit cheesy and plays in good respite.

    Overall, Midnight Fight Express is a dumb, simple, full-throttle, kick-ass, good time. It’s exactly what it advertises, and can almost be cathartic if the player needs it to be. All the action of John Wick packed with the energy of Crank and wrapped in the scenic views of Escape From New York. Highly recommended to anyone who simply wants to spend an afternoon smacking villains upside the head at a breakneck speed.

  • Michael Jackson Wanted to Play Morpheus in ‘The Sandman’

    Michael Jackson Wanted to Play Morpheus in ‘The Sandman’

    Michael Jackson is, without a doubt, one of the most famous people to ever live. Yet, with all his success, there also came a hefty amount of failure. The pop icon was best known for his career in music, but also famously attempted to make a name for himself in the world of acting. While Jackson did land a few roles during his lifetime, in films like The Wiz and Men in Black II, his on-screen filmography has quickly become more well-known for the projects he couldn’t make happen. Legend tells of numerous occasions when the Thriller star tried using his fame and fortune to cast himself as characters that creatives didn’t necessarily see as a good fit. This includes the time he thought of purchasing Marvel so he could wear Spider-Man’s mask, and when he told George Lucas he wanted to play Jar Jar Binks in the Star Wars prequel trilogy.

    Now, over a decade after Jackson‘s death, writer Neil Gaiman has revealed the singer also made a play for the lead role in an early attempt at adapting The Sandman. Speaking with Josh Horowitz on the Happy Sad Confused podcast, Gaiman explained that a live-action television series based on his acclaimed graphic novel was being developed in the late 1990’s, and Jackson wanted in:

    By 1996, I was being taken to Warners, where the then-president of Warner Bros sat me down and told me that Michael Jackson had phoned him the day before and asked him if he could star as Morpheus in ‘The Sandman’. So, there was a lot of interest in this, and they knew that it was one of the Crown Jewels, and what did I think? And I was like, ‘Ooh.’

    Neil Gaiman

    Obviously, this version of the show never came to fruition, and it would take almost another 30 years before The Sandman saw the light of day. Tom Sturridge would ultimately be the one to bring Morpheus, Dream of the Endless, to life on screen, as the series finally found a home on Netflix earlier this month. Jackson ending up away from the role might have been best for the project as well, as the musician was arrested on charges of child molestation only a few years after his bid for Morpheus ended. Despite an eventual acquittal, the accusations against him never quite went away, and a career in film and television went completely down the drain.

    The Sandman is now streaming on Netflix.

    Source: Variety

  • Jordan Peele Hints at ‘Nope’ Sequel

    Jordan Peele Hints at ‘Nope’ Sequel

    Jordan Peele’s Nope took audiences by storm when it hit theaters earlier this summer. Full of unexpected plot twists and rich thematic elements, many fans are still trying to dissect and figure out the details of the film a month after its release. One such mystery, which has become a fixation of many online theorists, is the true identity of Michael Busch’s “Nobody.” The unnamed character appears in the movie’s trailers, shown walking calmly in the opposite direction of the panicking crowd, but does not appear in Nope’s final cut. “Nobody,” the character’s moniker, comes from the actor’s IMDb listing.

    In a new interview with Variety, Peele explains that there’s still plenty of story to tell regarding Busch’s Nobody. The writer and director suggests there will be some answers provided in the future.

    The story of that character has yet to be told, I can tell you that. Which is another frustrating way of saying, I’m glad people are paying attention. I do think they will get more answers on some of these things in the future. We’re not over telling all of these stories.

    Jordan Peele

    Peele has not yet announced what his next film will be, but this quote makes it sound like a sequel to Nope could be in the cards. The end of the film may wrap up nicely, but there are still plenty of questions that could be answered within the world it established. At the very least, it sounds like Peele could have plans for something set in the same universe – like a spin-off or epilogue. Other popular directors, namely Quentin Tarantino, have made similar moves in the past, crafting entirely separate stories that still manage to reference each other whenever possible. Maybe when Peele unveils his fourth opus, it will continue his trend of succinct titles and use a familiar name – Nobody.

    Nope is now playing in theaters. It’s also now available to rent through On Demand.

    Source: Variety

  • ‘Glass Onion: A Knives Out Mystery’ Characters Revealed

    ‘Glass Onion: A Knives Out Mystery’ Characters Revealed

    It’s the moment every Knives Out fan has been waiting for. After an auspiciously long wait, Empire Magazine has finally revealed the identities of the sequel’s many characters. The star-studded project has been the subject of much speculation since the full cast began to become public over the last couple years. Now, audiences will be able to put fictional names to all the very real faces occupying Rian Johnson‘s next Benoit Blanc mystery. Of course, Daniel Craig will be back as the now-iconic Southern detective who has become the centerpiece of the Knives Out franchise. As for the rest, that’s where things get a little more unfamiliar.

    Titled Glass Onion: A Knives Out Mystery, the second Blanc adventure concerns a group of old acquaintances who are summoned to Greece by a rich mutual friend for a murder-mystery game that becomes a little too real. Starring in the film will be Kathryn Hahn, who is set to portray Governor Claire Debella, a Connecticut politician who is now running for the Senate. According to director Johnson, she “pisses everyone off, and is trying to thread the needle in many different ways, in terms of her public persona and what she’s willing to compromise in order to stay in office“. Next is Kate Hudson as Birdie Jay, a fashionista, and Iron Fist star Jessica Henwick as Peg, her assistant. Not much else was said about this duo, but it’s safe to assume the talent involved in their dynamic will be a joy to watch.

    Edward Norton is set to play Miles Bron, a billionaire tech disruptor. Johnson spoke about Bron candidly, saying “the species that [Miles] is derived from will be instantly recognizable to a lot of people in our era of tech billionaires“. Leslie Odom Jr. will bring to life Lionel Toussaint, a scientist who works for Bron. As for Dave Bautista, he’ll play against type as a popular YouTuber named Duke Cody, while Madelyn Cline portrays Whiskey, his girlfriend and assistant. Finally, Janelle Monáe will be seen as Cassandra ‘Andi’ Brand, a tech entrepreneur.

    Ethan Hawke is confirmed to have a role in the film, though his character is the only one that remains unknown to viewers. It’s possible that Hawke is the rich mutual friend who brings everyone else together in the first place, or the one that bites it early in the plot, but that remains to be seen. Glass Onion: A Knives Out Mystery will stream exclusively on Netflix starting December 23rd.

    Source: Empire

  • ‘House of the Dragon’ – Best & Worst of ‘The Rogue Prince’

    ‘House of the Dragon’ – Best & Worst of ‘The Rogue Prince’

    House of the Dragon is back for another round of violent mayhem and questionable decision making! The series’ second episode, titled The Rogue Prince, was all about succession and the disdain that comes with being rebuffed. In fact, it was so much about succession, it might as well be called Succession With Dragons, because it feels an awful lot like Succession, but with very cool dragons instead of Brian Cox. Anyway, the episode continues the show’s strong start with a heavily political outing – replacing last week’s jousting duels with a series of Small Court shouting matches. Everyone either wants King Viserys to marry their kid, or name them the direct heir to the Iron Throne. Events play out as chaotically as one might expect. Let’s get into it.

    The Best – The Women of King’s Landing

    There was a lot to love in The Rogue Prince. When it comes to the very best part of the episode, however, it becomes a little harder to narrow things down. The obvious resolution to this would be the moment Milly Alcock‘s Princess Rhaenyra came swooping through the clouds to put a stop to unnecessary bloodshed and reclaim what was hers. Yet, the true answer is actually a bit finer and lies deep within that very sequence of events. Throughout this entire episode, the women of King’s Landing absolutely run circles around their male counterparts.

    Rhaenyra and her best friend, Emily Carey‘s Alicent Hightower, are the heart and soul of this entry. This may turn out to be true of the series as a whole, but it’s especially on display here. The moments they are on screen are consistently the most interesting of the episode. Alcock and Carey‘s characters also mirror each other perfectly, as both are forced to confront their unknown futures via awkward conversations with their respective fathers. There’s a moment specifically early on when Alicent seems to realize she may one day wed Viserys, and the look of quiet disturbance that crosses her face puts every other performance in The Rogue Prince to shame. An honorable mention must also go to Eve Best‘s Princess Rhaenys Targaryen, who finally gets some chewable dialogue in a pivotal scene with her cousin’s daughter.

    The Worst – King Viserys’ Wife Sweepstakes

    Similar to last week, this episode’s worst moment is less of a storytelling critique and more of an uncomfortable, cringe-filled sigh. Now six months after the death of his wife and newborn son, King Viserys is pressured to select a new bride. It matters not if the man is still grieving, as the kingdom and his family’s reign must continue to persevere. Only, there’s one massive problem. As is customary in the culture presented in the Game of Thrones franchise, all of Viserys’ potential suitors are either literal children or very young women who don’t want to be involved – and honestly, it’s really gross. Yes, this is part of the show, but that doesn’t mean it’s enjoyable to watch a grown man flirt with a girl who is, at most, a few years older than his teenage daughter.

    Ultimately, Viserys chooses Alicent as his future bride. This is weird because, again, she is basically a teenager and very close with his own child. However, the episode makes it seem like the more noble choice by setting up the King’s decision with a truly terrible conversation. Before he decides on Alicent, his Grace must consider the pros of wedding Rhaenys and Lord Corlys’ 12-year-old daughter instead. This culminates in a shockingly uncomfortable scene where Viserys essentially goes on a date with the aforementioned Lady Laena, who tells him her mother said she “won’t have to bed him until she’s 14.” It’s something worth gagging over. Luckily, this is as far as that relationship goes, but it doesn’t make the fact Alicent will likely have to birth her friend’s half-brother much of an easier pill to swallow.

  • Daniel Kaluuya Comments On ‘Black Panther: Wakanda Forever’ Absence

    Daniel Kaluuya Comments On ‘Black Panther: Wakanda Forever’ Absence

    Black Panther: Wakanda Forever will see the return of multiple stars to the Marvel Cinematic Universe, but Daniel Kaluuya will not be one of them. The actor, fresh off an acclaimed turn in Jordan Peele’s Nope, was shockingly absent when the cast of the sequel film took the stage at last month’s San Diego Comic-Con. He portrayed W’Kabi, a close friend of Chadwick Boseman’s T’Challa and a morally conflicted member of Wakanda’s advisory board in 2018’s Black Panther. However, the Get Out breakout doesn’t seem to mind being absent from the highly anticipated second entry of the franchise. Instead, he says he’ll be excitedly rooting for his friends from the sideline.

    Speaking exclusively with Variety in a recent interview, Kaluuya was asked if he’d gotten around to watching the gorgeous trailer for Wakanda Forever released at SDCC. He responded cheerfully:

    Of course, I’ve seen it! It’s amazing.

    Daniel Kaluuya

    When pressed to comment on not having a role, Kaluuya gave another respectful and succinct answer:

    It’s what’s best for the story, what’s best for the film. I’m excited for it. I’m excited to watch it.

    Daniel Kaluuya

    W’Kabi played a big part in the political landscape of the first film, so it will be interesting to see how the sequel is better off without him. Perhaps Kaluuya’s character is away from the country when Tenoch Huerta’s Namor attacks, or perhaps he’s an early, off-screen casualty that helps propel the Black Panther story forward. Only time will tell. As for his future with Marvel, Kaluuya was forced to keep playing coy:

    You know I can’t tell you! You’re supposed to start with that!

    Daniel Kaluuya

    Black Panther: Wakanda Forever hits theaters on November 11th.

    Source: Variety