Marvel Studios is famously secretive about their upcoming projects, and it would seem Loki star Owen Wilson learned this the hard way. The veteran actor has grown to become a fan favorite member of the Marvel Cinematic Universe as jet ski loving TVA Agent Mobius M. Mobius. Wilson will be back for the show’s second season, which is currently filming in London, but stated in a recent interview with ComicBook that he’s keeping his lips sealed on his character’s future.
Asked to give more information on Loki and Mobius, the former Royal Tennenbaums star revealed he made the mistake of saying too much in the past, and heard about it from Marvel themselves. The actor began with a brief, timid response to the question of what fans should expect in Loki Season 2:
Well, I do think that… you know, we’ll see what happens with this one. I immediately get kind of self-conscious because they’re so kind of uptight.
Owen Wilson
Wilson is, of course, referring to Marvel’s long history of shushing performers who are eager to give away details on their upcoming work. When pressed on whether or not he’s been scolded by the company in the past, Wilson gave an earnest and succinct answer:
Yes. Yeah, multiple times.
Owen Wilson
It seems nobody is safe from Marvel’s content lockdown. The actor has had fun with the strict set of rules in the past, however, once joking that Marvel boss Kevin Feige sent him an anonymous, threatening text after he let slip that Mobius would have a mustache in Loki’s first season. Hopefully, Wilson makes it to the premiere of the next season, and fans can be happy with all the surprises the show’s creative team has in store.
Marvel Studios’ fourth Phase has been full of exciting new characters making their live-action debut, and tomorrow, Tatiana Maslany will join their ranks as the title character in She-Hulk: Attorney at Law. The Disney+ series marks a milestone in the 42-year history of Jennifer Walters, but it’s far from the first time a studio has tried to bring the Jade Giantess to life. From the very first time she tore through the page in 1980’s The Savage She-Hulk #1 – Stan Lee‘s last major contribution to the Marvel universe – it was clear Jen had the potential to be every bit as popular as her incredible cousin. Hollywood took note, and the first attempt at putting She-Hulk on camera came within a decade of her conception. Before fans sit down to watch Attorney at Law, it may be worth taking a journey back through time to discover how the series came to be.
The Death of the Incredible Hulk
From 1977 to 1982, the Columbia Broadcasting System (or CBS, to be less dramatic) aired a full 80 episodes of The Incredible Hulk. A dramatic interpretation of the Hulk story, the series starred Bill Bixby as Dr. David Banner, a lonely physician on the run after exposure to Gamma radiation curses him with turning into a giant green rage monster whenever agitated. With very limited digital effects to rely on, bodybuilder Lou Ferrigno famously stepped in for Bixby whenever he transformed, and the overwhelming popularity of the duo is arguably responsible for the Hulk’s lasting influence on mainstream culture.
Following the end of the series, Bixby maintained his interest in playing Banner and pitched an exciting new concept to Columbia – a made-for-television sequel film that paired his character with Nicholas Hammond‘s Spider-Man, who previously headlined his own less-successful show from 1977 to 1979. The idea fell through pretty quickly, despite interest from all parties involved, and Bixby remained determined to make a live-action Marvel crossover happen. Years later, in 1988, this would result in The Incredible Hulk Returns, which paired Banner with Eric Allen Kramer‘s Thor. In concept, the film would act as a backdoor pilot for a Thor show on rival network NBC, although this never happened. Instead, another sequel movie would be made, titled The Trial of the Incredible Hulk, that featured the big muscle-bound meanie teaming with Daredevil, played by Rex Smith. Again, this was intended as a backdoor pilot, and again, it led to nothing but another Hulk film.
On the third try, according to Starlog Communications’ Comics Scene magazine, the writers intended to introduce a newer Marvel character to help carry the franchise forward. As of 1989, Bixby‘s last telefilm was planned to feature She-Hulk in all her green-skinned glory. Oddly enough, when it was ultimately released as The Death of the Incredible Hulk in 1990, there was no sign of Jennifer Walters to be found anywhere. It’s still unknown exactly why the heroine was booted from the production. Some reports, including another from Comics Scene, claim that Jen was abandoned in favor of a Black Widow team-up. Though Natasha Romanoff does not appear in Death, there is a Russian spy character named Jasmine (portrayed by Elizabeth Gracen) who plays a large role in the plot. There was a brief rumor that She-Hulk would be utilized in a possible fourth film, tentatively titled The Revenge of the Incredible Hulk, but production on that project stalled, and Bixby passed away tragically before it could be made. However, it wouldn’t be long before She-Hulk’s name was once again being batted around for television contention.
She-Hulk: Metamorphosis (ABC)
Only a year after she failed to debut in The Death of the Incredible Hulk, ABC reportedly began development on a stand-alone live-action series for She-Hulk. Nothing is really concretely known about the project, aside from the fact it was briefly publicized in 1990 as an upcoming venture from Marvel and New World Pictures. Unsubstantiated internet rumors suggested it may have been intended as a spin-off of CBS’ The Incredible Hulk, with Ferrigno and Bixby returning once more as supporting characters. Producer Jill Sherman Donner, who had worked extensively on the original show as a screenwriter, was attached to make the series happen. Gabrielle Reece, a volleyball player and fashion model, is rumored to have been cast as She-Hulk, while Baywatch actress Mitzi Kapture was supposedly on board as Jennifer Walters.
If the legend is true, ABC’s She-Hulk made it all the way to filming a pilot in 1991. The premiere episode is said to have revolved around Jen as an assistant district attorney, who is still haunted by the murder of her parents when she was a child. Hellbent on exposing a well-respected businessman as a secret criminal mastermind, presumably the one responsible for her family’s death, Walters is sent on a forced vacation to the Caribbean, where she bumps into Bixby‘s former physician. In this world, Jen and Dr. Banner are supposedly not related, and a romance is hinted at early on. Before anything can flourish between the two, however, a hitman shoots Jen for going after his businessman boss, and Banner makes the hard decision to give Walters some of his blood so she may survive. This results in Walters’ transformation into the Savage She-Hulk, who would not be as intelligent as her comic book counterpart. Instead, Reece‘s She-Hulk was rumored to be a lumbering monster much like Ferrigno.
Much of this was actually somewhat confirmed in the 2011 book You Wouldn’t Like Me When I’m Angry: A Hulk Companion, by Patrick A. Jankiewicz.* In his coverage of the Hulk’s history, Jankiewicz interviewed She-Hulk‘s Sherman Donner about the aforementioned pilot – which she had apparently titled “Metamorphosis.” The creative relayed much of the same information, and even revealed her version of She-Hulk was going to look radically different than the traditional design. Instead of being entirely green like her predecessor, Jen would have had golden skin with bright red hair and green eyes. Why? Sherman Donner explained:
I made her golden instead of green because green isn’t pretty. Changing her skin color made her seem more feminine, prettier and different than just making her green.
Jill Sherman Donner
It’s not known exactly why the pilot was canned before it aired, but the same sources that spread the plot claim there was concern over the lead actress’s ability to hold her own series. ABC is said to have wanted the more well-known Melissa Gilbert for the part and cancelled the entire production when Kapture couldn’t be replaced. Another potential reasoning behind the show’s end was the lack of interest in more Hulk content after the last telefilm flopped in the ratings. That, combined with Bixby‘s eventual passing, ended up derailing all plans for the jolly giant at the time, and if ABC’s She-Hulk was truly supposed to be connected to Bixby‘s world, it could have simply been an unfortunate casualty of the franchise’s untimely demise. Of course, that is mostly conjecture, but the timing does help the theory make sense.
*Disclaimer: Information regarding You Wouldn’t Like Me When I’m Angry: A Hulk Companion came from secondhand sources (cited below) and was included for the sake of providing as much information as possible. The author has not read this book personally.
She-Hulk: The Movie
Once it became clear She-Hulk wasn’t going to appear on television anytime soon, New World Pictures decided to shift gears and begin development on a film adaptation instead. Much like the previous live-action attempt, most of the details surrounding the ill-fated production are a little fuzzy. Different sources have claimed a variety of details, most of which will at least be mentioned here, but there are only a few solid truths that are known to be 100% accurate. Firstly, most everyone can agree that B-movie director Larry Cohen was hired to helm the project sometime in the early-to-mid-1990’s. Some outlets have said that Cohen also wrote the script, while others say screenwriter Carl Gottlieb was commissioned in his place. Either way, the project never made it to filming, and nothing much is known about the hypothetical plot.
What is known for certain, and what is perhaps the most famous aspect of this doomed idea, is that actress Brigitte Nielsen was cast in the title role. Now-infamous publicity photos made their way online some time ago, originating from an article in an issue of Wizard Magazine, showing Nielsen as both Jennifer Walters and the mighty She-Hulk. At that point in the 90’s, the former Red Sonja star had made a name for herself as an action franchise lead. It’s been claimed in the past that the studio wasn’t confident She-Hulk would actually make it off the ground and hoped a photoshoot with someone of Nielsen‘s caliber would interest investors and get the project moving. Alas, the financial failures of the era’s other low-budget Marvel flicks (i.e. Captain America, The Punisher, and Howard the Duck) proved to be too damning and killed the film before lift-off.
She-Hulk: Attorney at Law
Oddly enough, Larry Cohen‘s failed blockbuster would be the last major attempt at bringing She-Hulk to life until Marvel Studios announced it would make a Disney+ series – previously mentioned as being titled She-Hulk: Attorney at Law – in 2020. This was likely, in large part, due to Universal’s acquisition of the Hulk’s film distribution rights in the late 1990s, and their subsequent determination to focus on getting a Hulk movie correct for over a decade. With all eyes on Bruce Banner, it doesn’t seem Universal had much interest in Jen Walters.
Even when Marvel Studios were able to get its hands on the Hulk, it was for crossover films only, preventing the studio from developing a full-blown solo franchise for the character that could have resulted in She-Hulk making her MCU debut years earlier. Luckily, after a lengthy and mysterious behind-the-scenes battle, it would seem Marvel Studios was at least able to come away with the ability to produce a streaming series, and now fans all over the world will finally get to see Jen Walters hulk-out in live-action. With any luck, there won’t be a problem bringing her to the big screen going forward.
Tim Roth is currently pulling off one of the most unexpected comebacks in the Marvel Cinematic Universe, but he couldn’t have done it without writer Jessica Gao. The She-Hulk: Attorney at Law creative recently sat down with Comic Book’s Phase Zero podcast to discuss the debut of her new series, and revealed in the process that she is the reason for Roth‘s return to the Marvel fold. Before Gao boarded the upcoming Disney+ project, the British actor’s Gamma-irradiated baddie was a bit of a one-off character in the franchise. He opposed Edward Norton‘s Bruce Banner in 2008’s The Incredible Hulk, and though he survived the events of the film, he has mostly been disregarded by Marvel Studios in the years since. That changed with Shang-Chi and the Legend of the Ten Rings, last year’s surprise hit that featured the Abomination in a quick cameo appearance.
According to Gao, it was actually her She-Hulk pitch to Marvel that sealed the deal on Emil Blonsky becoming a player in the MCU once more. She explained to Comic Book that she had envisioned Blonsky as part of her series from the very beginning, but was worried Marvel might turn the idea down after so much time away from the character:
So Abomination, Emil Blonsky, was in my original pitch and at that point, the last time we saw him was in 2008, The Incredible Hulk. I had no idea what their relationship to this character was anymore. I don’t know if they had any plans but it was a story I wanted to tell so I just put it in there. What’s the worst that could happen? I don’t get the job. Look, I have not gotten the job so many times at Marvel it was like old hat to me. I had no more fear. I was like Daredevil. I was the woman with no fear now.
Jessica Gao
She then dropped the intriguing tidbit that Marvel Studios was so on board with her concept, they added Abomination to Shang-Chi just to remind audiences of his existence before She-Hulk‘s release. Gao elaborated:
Because he was built in to be such a big part of the show in that original pitch and in the writer’s room, we really like, we were creating this whole story for him. Because everything in Marvel is connected, that was actually why he then was put in Shang-Chi, because he was in our show. That way, it was kind of to seed him so that people can get excited but also remember him and it kind of forced people to go, ‘Oh, I should go back and check in on him and remember who he is and what all of that was about.’
Jessica Gao
It seems Hulk’s former rival will have a lot to do when She-Hulk: Attorney at Law hits the small screen on August 18th. Gao‘s comments may also indicate The Incredible Hulk will have a more important role in the grand scheme of the MCU going forward. After all, the writer’s final comment implicates Marvel boss Kevin Feige as the perpetrator behind seeing Abomination back into the mainstream so seamlessly. When asked whose idea it was to put the monster in Shang-Chi, Gao replied:
All eyes are on D23’s potential film and television announcements, but the Expo unveiled today that fans should look out for more video game news as well. In a press release, the House of Mouse revealed that it will stage a showcase for its upcoming Marvel and Disney games at 1:00 PM – Pacific Time – on Friday, September 9th.
The digital presentation will be hosted by Kinda Funny’s Blessing Adeoye Jr., and will feature exclusive first looks at new content from Disney & Pixar Games, Marvel Games, Lucasfilm Games, and 20th Century Games. For those hoping to watch the showcase in real time, it will be streamed live on YouTube, D23Expo.com, and the social media pages for D23, Disney, and Marvel Entertainment. Anyone attending the convention will be able to watch live on the Premiere Stage, with an added presentation following the live stream featuring developer interviews, special guests, and exclusive giveaways.
Titles fans can expect to see discussed during the showcase include LEGO Star Wars: The Skywalker Saga, which has been released but likely has more downloadable content on the way, and Marvel’s Midnight Suns, a tactical role-playing game that is set to become available in stores sometime next year. Disney Dreamlight Valley, a life-sim game releasing on September 6th, has also been listed as part of the virtual display.
Curiously, the press release for the event also names the upcoming Marvel ensemble game from Skydance New Media as a topic of conversation. That game was announced last year as a narrative-driven blockbuster with an original story, but nothing has been made public since. Hopefully, D23 can provide some more exciting answers when the time comes.
Aaron Taylor-Johnson has his fingerprints all over the comic book movie genre. The actor had his breakthrough playing the lead in 2010’s Kick-Ass, an adaptation of Mark Millar’s popular Image comic series, and it’s 2013 sequel, before quickly moving on to portray the speedster Pietro Maximoff in 2015’s Avengers: Age of Ultron. While Taylor-Johnson has yet to reprise that role, he is set to bring the title character to life in next year’s Kraven the Hunter, marking his fourth overall foray into the genre and putting him on a possible collision course with Spider-Man himself. If all that wasn’t enough, the actor recently revealed that he also had an opportunity to join Fox’s now-defunct X-Men universe in 2018.
Speaking with The Hollywood Reporter in support of his new film Bullet Train, Taylor-Johnson admitted he landed his new role partly because he was already familiar with director David Leitch. The filmmaker had previously helmed Deadpool 2, and supposedly, had once reached out to Taylor-Johnson in hopes he’d join the cast. THR got the surprising scoop while the action star was explaining why he wanted to work on Bullet Train:
Well, I don’t think it’s autopilot by any means, so I do believe in a bit of fate and luck. I feel fortunate and lucky that we were able to make this movie during a pandemic. I’ve always wanted to work with Brad Pitt. I’ve always wanted to make a movie on a Los Angeles soundstage. This was yet another movie I fought for. This was one of those hot scripts around town, and David Leitch actually asked me to be in ‘Deadpool 2’ ages ago.
While he never gave any indication of which character he might have been up for, he did state that it was ultimately his decision not to do the acclaimed sequel. Comically, Taylor-Johnson also adds that the meeting with Leitch wasn’t enough to book his Bullet Train role, but it did get him a spot in the line to audition. He explained:
So I met him, but I didn’t do that. So when this came around, I was like, “Hey, do you remember me?” And he was like, “Of course. I like you as an actor.” So I was like, “Cool, what about this character?” And he was like, “Get in line, buddy. There’s like ten other actors who want this job and they’ve got a bigger name than you do.” (Laughs.) So I don’t expect these roles to be handed out, and I’m willing to fight for them, which is what I had to do for this. So I think I’m in the driver’s seat because I’m working hard. I also try to manifest what I feel, and sometimes, the universe brings it back my way. But you still have to actively go out and get it.
Taylor-Johnson’s celebrity is on the rise, so expect to see a lot more of the former Godzilla star in the years to come. Bullet Train is now in theaters, while Kraven the Hunter is scheduled to release on January 13, 2023.
Thor: Love and Thunder has come and gone, but it hasn’t left the mainstream conversation. The fourthquel was responsible for introducing audiences to many exciting new locations, many of which will be discussed for years to come. Perhaps the most visually pleasing was Omnipotence City, a glorious meeting place for gods of all pantheons and the site of the film’s most colorful sequences. The locale was also popular with fans for it’s many intriguing cameos and godly designs. Marvel Studios artist Sung Choi recently took to Instagram to reveal some design work he completed for the film as part of the “early exploration” process for Omnipotence City, and it features quite a few faces that could fill the same category of shock and awe.
Among those present appears to be Cyttorak, the deity that famously powers X-Men villain Juggernaut through an ancient artifact known as the Crimson Gem of Cyttorak. Seated next to him is what looks like a version of Galactus, the infamous world-eater who plagues the Marvel Universe on a regular basis, and Ganesha, the real-world Hindu god of intellect and wisdom. Also present are what could be Aegis, the golden Lady of All Sorrows, of Marvel’s Proemial gods, and what looks like a Mandalorian from the Star Wars franchise. The latter could be a fun reference to director Taika Waititi‘s time on the hit Disney+ series.
Curiously, the largest god seated all the way at the top of the throne room is incredibly similar in design to the comic book version of Ajak – leader of the Eternals. It’s possible Ajak was at one point considered as a cameo to tie-in with Marvel’s Eternals film, and this art was produced before Salma Hayek landed the role. Finally, on the right, fans will be able to spot two major characters from Thor lore who actually did end up making the movie’s final cut. Hercules, played in the post-credits scene by Brett Goldstein, is drawn sitting beside a god who looks like Amatsu-Mikaboshi, the malevolent Japanese Chaos King who acted as a the villain of Greg Pak‘s Chaos War arc, a story in which Hercules and Thor team-up to defeat them. It’s important to remember this art was likely devised before anything was set in stone for the project, and Choi likely threw in random gods to get a better feel for how the throne room should look. Either way, it’s still fun to speculate.
The Last of Us cast is expanding in a big way. IGN is exclusively reporting that brothers Sam and Henry, who play an important role in the original video game’s story, will be played by Keivonn Woodard and Lamar Johnson, respectively. Set photos of the pair with Pedro Pascal’s Joel and Bella Ramsay’s Ellie circulated the internet a few months back, but no confirmation of the actor’s identities could be made at the time. In addition to Woodard and Johnson, the live-action adaptation has also cast Graham Greene and Elaine Miles as new characters Marlon and Florence. This duo is an entirely new creation for the show and did not play a part in Naughty Dog’s virtual series of post-apocalyptic adventures.
The report says Woodard and Florence will be portrayed as a married couple living alone in the Wyoming wilderness, a state familiar to gamers as the home of Gabriel Luna’s Tommy and the basis of his survivalist community. Interestingly, the press release that came with the casting announcements included a bit of information that reveals a major story change for the HBO series. In the video game, Joel and Ellie meet Sam and Henry while on the run from a group of deadly scavengers in Pittsburgh, but in the show, they will instead meet the brothers while hiding from a revolutionary movement in Kansas City. While the movement itself remains unnamed, the group will supposedly be “seeking vengeance” when they encounter the protagonists on their cross-country journey.
This is a departure from the events of The Last of Us Part 1, but it does sound a lot like the Washington Liberation Front from The Last of Us Part II. Perhaps this change was made to better connect the stories for a potential second or third season. It could also be that this revolutionary movement is a branch of the Fireflies, who play a large role in both games and may have reason to want revenge on Pascal’s Joel.
The hierarchy of power at Warner Bros. Discovery is changing, and the future of DC Films will never be the same. As has been widely reported over the last week, new WBD CEO David Zaslav has been busy making a series of drastic alterations to the company’s film slate. Batgirl, along with several other potential projects, received an unexpected axing, and nothing that’s been previously announced is still set in stone. According to The Hollywood Reporter, this includes projects that were never publicly revealed but planned as major announcements by DC Films President Walter Hamada. Perhaps the biggest idea that will likely not see the light of day? An adaptation of Crisis on Infinite Earths, which was reportedly being staged by Hamada before Zaslav changed the game.
One of the most popular comic book tales to ever exist, Crisis follows the heroes of the DC multiverse as they come together to prevent its destruction at the hands of the all-powerful Anti-Monitor. The series concluded with the defeat of the Anti-Monitor, and resulted in the entire DC multiverse condensing into a single Earth. It seems likely this event could have been Hamada’s plan to converge the many tones and timelines presented throughout DC’s most recent films. With Zack Snyder’s original vision for the DC Extended Universe not panning out, the success of Joker and The Batman proving stand-alone worlds could still be profitable, and The Flash set to introduce the multiverse concept to the franchise, a Crisis-type situation did feel like a natural solution to all the chaos. After all, the comic is notable for its willingness to kill off characters and reset storylines for the sake of audience understanding.
It’s worth noting that Marvel Studios just announced an adaptation of Secret Wars in its plans for the Multiverse Saga, the 2015 version of which is pretty similar in concept to Crisis. While this is entirely conjecture, it does make one wonder if Zaslav wanted to avoid comparison and opted for the hard, sudden reboot instead. For those who would still like to see a Crisis adaptation, The CW produced one a few years back with a major crossover of all its Arrowverse television series. That was well-received by fans and should be able to quench the Crisis thirst until a film is inevitably made in the apparently not-so-soon future.
*For an original, untranslated version of this review – click here*
The first-ever Guardians of the Galaxy spin-off has arrived, and it’s just about the cutest thing ever. I Am Groot, also the first starring vehicle for Vin Diesel in the Marvel Cinematic Universe, is a CG-animated mini-show from the minds of Ryan Little and Kirsten Lepore. It’s first season consists of five short episodes, each only a few minutes long, that mostly feature Baby Groot stumbling his way through an adorable series of shenanigans across the galaxy. While the project is technically canon to the wider MCU, it more or less functions as entirely it’s own affair. There is no prerequisite viewing, aside from maybe the aforementioned Guardians films, and there is no pressure to understand anything important. It’s really just Baby Groot being Baby Groot for a solid 20 minutes.
Obviously, this is not a serious show made for grown-up adults. That doesn’t mean an adult can’t love it, because this series is the definition of lovable, but nobody should go into I Am Groot expecting a deep dive into the character’s origin or personal beliefs. Instead, one should anticipate hearty laughter and a little bit of water to come out of their leaky eyes. It’s essentially the opening dance sequence from Guardians of the Galaxy Vol. 2 stretched out long enough to give it its own title. Anyone with a child who loves Groot will want to turn this on immediately because it will likely become that kid’s new favorite show. Diesel‘s endearing, pocket-sized hero pulls out all of his signature moves. From antagonizing equally delightful intergalactic creatures to performing the most destructive arts-and-crafts time ever, Groot does it all with the sweetest, most amusing big eyes and tiny smile the universe has ever seen.
That being said, these shorts are genuinely worth the watch for parents and children alike. I Am Groot can be viewed as an entertaining, educational project designed for toddlers, using Baby Groot and the problems he runs into as great examples of overcoming adversity. Granted, Groot is not a well-behaved baby. He is, however, wildly entertaining and sure to give kids a good chuckle. On the parental, or adult-who-doesn’t-have-kids-but-likes-Marvel-a-lot, side of things, I Am Groot is an undeniably charming look into a corner of the Marvel Universe that, frankly, nobody ever thought they would see. The only other Marvel character to make an appearance isGroot’s best friend and father figure, Rocket Raccoon, voiced again by Academy Award nominee Bradley Cooper. Isolating Groot from his peers allows viewers to take a rather interesting peak at what sort of chaos the little tree can cause when left completely unattended.
Although nothing too special, I Am Groot does earn it’s place as part of the Disney+ catalogue, and will probably leave young ones wanting more. The shorts have the potential to be a blink-and-you’ll-miss-it chapter for the MCU, and may be the sort of thing people forget about after a single viewing, but it will ultimately be the response from the target audience that determines it’s longevity. More episodes have been confirmed to be on the way, so perhaps this is just the beginning of many Groot solo adventures down the line. Either way, it’s not anything worth stressing about. Just sit back, relax, and enjoy Baby Groot in all his precious glory.
*For a translated version of this review – click here*
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