Author: João RP

  • ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 5

    ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 5

    Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at LawIn the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and in its fourth week, the show decided to focus on Jen’s love life. As for episode five, it shed some light on Jen’s nemesis, Titania.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 1
    Marvel Studios’ She-Hulk: Attorney at Law Episode 1

    We had already gotten a quick glimpse of her on the show’s premiere, only for She-Hulk to bring her down with a single punch as she raided a courtroom. This, so far, has been the only actual physical confrontation between the two on Marvel Studios’ She-Hulk: Attorney at Law. As for the comics, the story has been quite different as it is Titania’s strength and endurance that have propelled her into becoming one of She-Hulk’s lifelong adversaries.

    Secret Wars #3 1984

    When a cosmic being known as the Beyonder whisked Marvel’s best fighters to a mysterious realm known as Battleworld during the catastrophic events of Secret Wars, Titania (then Mary MacPherran) saw her life forever changed. She was unintentionally included in the group, just a regular citizen who had grown up being teased by peers for being from a low-income household and diminutive in stature. She and her buddy Marsha are then sent to Battleworld after making up a connection with Spider-Woman when Doctor Doom eventually finds them stuck there. He promises to equip them with cutting-edge alien technology in exchange for their participation in his army, which he intends to use to battle the Marvel superheroes on Battleworld. Once they agree, both of them undergo transformations: Mary becomes significantly taller and gains superhuman strength, endurance, and durability; Marsha can turn her entire body into blazing plasma.

    Following this, the two of them change their names to Titania and Volcana, respectively, and join forces with Doctor Doom to become villains. Titania then battles She-Hulk for the first time, achieving a rare win that would later develop into a protracted conflict between them.

    As for the show, and per the initial casting call when the character was referred to as Lucy, Titania is described as a glamorous Social Media influencer, a Kardashian-type if you may. Her origin is bound to differ from the comics’ since we’re still a few years away from the events of Secret Wars, with little to no guarantee that the upcoming movie will even play out in a way similar to the 1984 comic run where Titania made her debut.

    Although her super-human strength appears to still play a big role in her character, she has found other ways in which to confront Jen. According to Jameela Jamil, who plays her on-screen, her biggest superpower might actually be “being annoying.”

    Marvel Studios’ She-Hulk: Attorney at Law Episode 5
    Marvel Studios’ She-Hulk: Attorney at Law Episode 5

    Titania stands out because I think she’s the most annoying of them, actually. I think she almost doesn’t need to use her strength; she could just annoy you to death…and I think that is a superpower that we haven’t really utilized enough. She’s also very glamorous… and I like the fact that she’s completely unselfconscious. She’s completely unselfconscious and so, so weird.

    Jameela Jamil

    With Tatania deciding to face off with She-Hulk in a court of law instead of going the more traditional route of punching herself out of a situation, the series has deprived itself of the more action-orientated approach the comics usually go for, but the outcome of said decision is likely going to make her rethink strategy. With four episodes to go, and given the relevance given to the character, it’s perhaps pretty likely that a brawling face-off is in the cards, even if Titania doesn’t quite feel as the big bad the series has been teasing for a while.

    Secret Wars #7 1984

    The first five episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

  • ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 4

    ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 4

    Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at LawIn the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and now, in its fourth week, the show decided to focus a bit on Jen’s love life.

    While mainly focusing on Wong, Donny Blaze, and Madisynn, episode four’s B-plot followed Jen as she tried to rekindle her love life through a dating app. While initially presenting herself as… Jennifer Walters, Attorney at Law (to dismal results), she quickly realized that She-Hulk could be a far more intriguing persona in the eyes of the opposite sex. This didn’t come without its setbacks as the one guy who seemed like a perfect fit, even if being a textbook cliché, lost all interest when Jen reverted to her natural form.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 4
    Marvel Studios’ She-Hulk: Attorney at Law Episode 4

    This will undoubtedly become a learning experience for Jen, with one of two outcomes. In the future, she’ll either go out as herself so as not to surprise her dates when the morning comes, or she’ll try to keep up appearances and stay in She-Hulk form for as long as needed, while the guys are still around.

    In She-Hulk #1 (2014) she decided to take up the latter as she tries to avoid what she calls “The Look”. The “I-went-home-with-She-Hulk-but-woke-up-to-this.” look. This approach somewhat opposes what we’ve seen from Jen in the series so far, as it is being in She-Hulk form that makes her a bit uncomfortable and feeling not like herself.

    She-Hulk #1 (2004)
    She-Hulk #1 (2004)

    But, as in the show, her decision isn’t always the best. And while in the series she got rejected by Arthur for being Jen, in the comic she’s rejected by Mika for being She-Hulk and exuding a lack of depth that perhaps Jennifer herself wouldn’t lack. The fact that Mika was looking for something more while being an underwear model himself just made it sting a little bit more.

    She-Hulk #1 (2004)

    Another similarity between the comics and the show is how She-Hulk apparently manages to fascinate all sorts of men. What they all seem to lack is a real interest in who the actual person behind She-Hulk is. When deciding to focus on everything that makes her visually unique, they completely miss the mark on what Jen believes she brings to the table when it comes to being in a relationship. It is only when she lets her guard down and somehow lets herself be a bit more superficial that things evolve, only to bring herself to the previously mentioned early morning rejection.

    This, the fact that men seem to have little to no boundaries in terms of approaching She-Hulk just due to the novelty factor, either in weird ways or simply in the worst possible situations, is also a common situation in the comics. This highlights just how entitled some men can be when it comes to women, and also just how much women have to deal with in similar circumstances. And if She-Hulk definitively has the physical prowess to stick up for herself if the situation asks for it, that is definitely not always the case in the real world. The way the series allows Todd to simply utter the words “What a specimen.” right after Jen basically admits to being indestructible just makes everything completely transparent. Just another thing that both the show and the comics have in common. Considering this run is about to turn 20 years old and the subject matter remains incredibly pertinent is also worth highlighting.

    She-Hulk #1 (2004)

    At the end of the day, all these trials and tribulations are what eventually lead to Jen feeling more like herself both in and out of She-Hulk form. Understanding when each look better suits the situation and taking advantage of what each allows her to accomplish that the other one doesn’t, as we’ll soon see in the series as we approach the second half of the season.

    The first Four episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

  • Ranking the ‘Predator’ Movies From Worst to Best

    Ranking the ‘Predator’ Movies From Worst to Best

    With Prey‘s release reviving the Predator franchise, it’s the perfect time to take a look back and rank the entries in the franchise that we all hold dearly. So, without further ado, let’s take a look at how the various entries rank from 1986 to today.

    7. Aliens vs. Predator: Requiem (2007)

    A sequel to an already weak spin-off wouldn’t have many chances of turning out any good, to begin with, and AVP: Requiem certainly fits the part. It doesn’t work as a Predator movie and it certainly doesn’t work as an Alien movie. The end result is so much less than the sum of both its parts that it is almost embarrassing how such iconic franchises would come together to provide such a lackluster idea of a movie.

    6. The Predator (2018)

    A prime example of how to go bigger just for the sake of going bigger without adding much to what made the initial Predator concept work so well. By having a new genetically enhanced Predator (a.k.a. Upgrade Predator), Predator hounds, and a few other standard innovations the movie quickly turns into a generic action feature with little regard for the subtleness and the Hunter vs Prey vs Hunter x-factor of the franchise.

    5. Alien vs. Predator (2004)

    The first installment of the AVP spin-off series introduces a few interesting concepts while trying to bring the two franchises together both through previously mentioned characters (Alien‘s Charles Bishop Weyland) and ideas (Predators hunting xenomorphs introduced in Predator 2). Even so, it show’s its hand way too soon, mostly disregarding the tension provided by the stealthiness and furtiveness that was a major staple of both its titular character’s series.

    4. Predators (2010)

    The concept of introducing humans into an alien game preserve jungle planet is an interesting one but it could have been pushed a bit further since it only seemed to be used to justify the eclectic group of characters and the lack of outside interference. Still, it manages to provide a few remarkable sequences while expanding on the Predator mythos.

    3. Predator 2 (1990)

    With the best opening sequence of the entire franchise, Predator 2 brought its titular character into the concrete jungle of near-future Los Angeles. The change of pace was a bold yet remarkable choice as the Predator’s brutality managed to fit right into a dystopian society where Jamaican and Colombian drug lords ruled over the city while the police just stood by and watched. It proved to be the stepping stone for both the AVP spin-offs (the xenomorph skull) and 2022’s Prey (the flintlock pistol from 1715).

    2. Predator (1987)

    An all-time classic with all the 80s action movie clichés that you can think of. Still, the movie works on a number of levels, with the authenticity given to it by the real-life backdrop of the Mexican jungle and the incredible prosthetics developed by master Stan Winston being two of the highlights. The now iconic theme was composed by Alan Silvestri (who later went on to write The Avengers theme).

    1. Prey (2022)

    This choice might suffer from recency bias but it could also be fair to say that looking back at the original Predator might trigger an emotional response from fans. Going back to the basics and the beautiful simplicity that made the original Predator grab the viewer and not let go until the credits rolled, Prey manages to outdo its predecessor by instilling the franchise with its best cinematography yet but most importantly with the most satisfying character journey of the entire series.

    Check out our review here.

  • REVIEW: Prime Video’s ‘Paper Girls’ Doesn’t Deliver

    REVIEW: Prime Video’s ‘Paper Girls’ Doesn’t Deliver

    Over the past few years, there have been enough comic book adaptations for audiences to understand that the medium can either work tremendously well when made into a live-action TV series or turn into a failure of epic proportions. From the incredible Deadly Class, the long-running The Walking Dead, and the utter disgrace that was Jupiter’s Legacy, comic book TV adaptations come in all shapes and sizes. In most cases, not even being extremely faithful to the source material proves to be a guaranteed winning formula making it easy to accept when certain changes are made to make the show work better through a different medium. But in other cases, such as with Prime Video’s Paper Girls, some of the charm, scope, and even ambition that the original comic series displayed, which to a point were at the very heart of it, seems to have been lost along the way making the show worse for it.

    Brian K. Vaughan and Cliff Chiang‘s Paper Girls, published by Image Comics, began its run on October 7, 2015, and ended on July 31, 2019 with its 30th issue. It won the Eisner for Best New Series in 2016 with its creative team winning multiple awards throughout its run. For several years it remained as one of the best-regarded series being published thus making a TV adaptation being greenlit in 2020 a not-so-surprising validation of the broader appeal of the source material.

    Prime Video’s Paper Girls

    As for the show, when the story begins, much like in the comic series, four Paper Girls cross paths on November 1st, 1988, Hell Day. They are soon brought into a timestream conflict between The Old Watch (similar to the Marvel Cinematic Universes’ Time Variance Authority) and the STF Underground. Following a random encounter with two STF time-travelers, they find themselves in 2019 where they learn a bit more about what is really at stake. Initially wanting no part in the war, wishing only to get back home to their 1988’s Stony Stream, they soon realize where their loyalty should reside as new friends, and older versions of themselves find themselves targeted by the Old Watch with the four girls needing to play a big part in the fight in order for the war not to be lost.

    The heart of the series is, obviously, in its four leads: Erin, Mac, Tiffany, and KJ (played by Riley Lai NeletSofia RosinskyCamryn Jones, and Fina Strazza). It is through their eyes that the story beings to unfold, and it is their fears and expectations that move the story along. But albeit the portrayal of all four girls is on point with the source material, the way audiences are expected to get to know them and, from there, connect with their personal journeys is somewhat sabotaged by the pacing in which the story is being told.

    Prime Video’s Paper Girls

    For context, the first episode, Growing Pains, manages to fit the entirety of the first arc of the comics. Such a breakneck pace doesn’t leave enough room for audiences to breathe. Events just happen without being fully explored, both in their meaning and in the way the girls are experiencing them. Several whoa moments from the comic series are left out making the story feel flatter and more generic than the source material deserved it to be treated. The pace throughout the rest of the season is staggering, to a fault. Some moments are borderline boring and should probably have been a bit more dynamic and fast-paced. Had the show been able to maintain a constant rhythm the entire season, taking a bit more time with the setup but not letting go once all the plot pieces were set in place, the benefits would likely be enormous. 

    The slow pace is also made worse by the choice to have the girls time travel to relatively similar periods. Unlike the comics, where there they either go to or reference the year 20000 and 11706 BCE, in the show we see them go from 1988 to 2019, to 1999, and eventually to somewhere in the late 50s or 60s. This dramatically reduces the impact of the possibilities presented to the girls through time travel and just how big of a scope the story is missing out on. We still get the mech robots, the pterodactyls, and the giant steampunk blimp, but all that craziness seems more like an exception rather than the norm that Paper Girls deserved.

    Prime Video’s Paper Girls

    What still manages to be present in the show, albeit in a not very focused way, is how it manages to capture both sides of expectation management towards the future. And the past. Paper Girls is all about how the envisioned future always seems to find a way not to present itself, and just how much that sometimes has to deal with the inability people have to move and work towards it. But that can be okay, sometimes life happens and people just have to manage to do the best they can with the cards they are dealt with. Other times, we find the best versions of ourselves in unexpected places, even if somehow we should have really seen it coming a mile away. The perfect future isn’t always the right one, and the possibilities ahead are always more important than the ones left behind. And in that regard, Paper Girls might still also have the time to make better choices in its own future.

    All in all, Prime Video’s Paper Girls is overall a letdown when regarding expectations that a fan from the comic series would naturally have ahead of the show. But even with all its troubles in terms of pacing, the diminished scope that takes away from the epicness of the plot, and even some issues when it comes to sound mixing, shot composition, and editing, this might not be it for the show. Both the season finale and the main cast, which will continue to grow and perhaps lift the entire show to new heights, could still help turn things around in season two, which has already been greenlit. That display of confidence ahead of the series premiere is something not to be taken lightly, and the fact that there is still much to improve should be an opportunity to bring the series one step closer to the unforgettable nature of the source material.

    Paper Girls season one is now streaming, in its entirety, only on Amazon Prime Video.

  • ‘Ms. Marvel’ From Page to Screen: Episode 5.2

    ‘Ms. Marvel’ From Page to Screen: Episode 5.2

    With Ms. Marvel’s Episode 5, entitled “Time and Again”, the series’ connection to Ms. Marvel comics continues to be present, even if sometimes in a more subtle way. In Episode 1, we looked at how the series adapted from the comics the moment Kamala’s powers were activated; for Episode 2 we delved into the comics’ and series’ introduction and handling so far of the character Kamranin Episode 3 we looked at the interesting source material for the series’ villains, the Clandestinesand in Episode 4 we went into how Red Daggers were introduced and how they compare to the comics’ Red Dagger. As for episode 5, following our dive into Kamala’s ancestors during Partition, we now focus not so much on what happened in the show, but on what future comic events it might be hinting at.

    Episode 5 of Marvel Studios’ Ms. Marvel ended on a somewhat weird note. If on one hand the Clandestines’ subplot was apparently swiftly resolved, the Damage Control threat somehow gained traction with the attack on Kamran and Bruno at the Circle Q. While there is no real perfect counterpart to this sequence in the comics, the aftermath could perhaps lead Bruno down an interesting, yet painful path, taken straight out of the comics.

    Marvel Studios’ Ms. Marvel Episode 5
    Marvel Studios’ Ms. Marvel Episode 5

    Leading up to Secret Wars, Kamala finally met her hero Captain Marvel as New York was soon to be destroyed by an incursion. This later led to Carol making Kamala the leader of a group they named the Carol Cadets. The Cadets were created following the discovery of an Inhuman named Ulysses, who through the use of mathematics could basically predict the future. They were made to go after criminals who were yet to commit any sort of crimes but that Ulysses deemed likely to end up doing so. This was something that began not to sit right with Kamala’s friends, around the same time she also began to fight back against the idea behind the creation of the Cadets by questioning their methods.

    This all led to Bruno trying to break into the Cadets’ facilities in order to set free who, in his eyes, happened to be detained there without a valid reason. Said break-in went wrong and Bruno had to deal with the consequences, being left bedridden with third-degree burns all over the left side of his body, losing the use of his left hand (his dominant one), and with serious doubts if he’d ever be able to walk again.

    Ms. Marvel #10 (2016)

    Once he finally regained conscience, and even though Kamala tried her best to stay by his side throughout his hospital stay, Bruno made it extremely clear that he held her responsible for the situation that left him in the state he found himself in. He considered she was focusing too much on her superhero life without regarding the consequences to the people around her who loved her, taking everyone for granted. He vowed to never want to see her ever again, and that his next step would be moving away to study at the Golden City Polytechnic Prep, in Wakanda.

    Ms. Marvel #18 (2017)

    Once there, he was involved in an attempted vibranium robbery, he met King T’Challa and eventually went back home when he realized that Kamala was who he wanted to be near. Unfortunately for him, Kareem, the Red Dagger, had by then stepped into the frame.

    Marvel Studios’ Ms. Marvel Episode 1

    It’s hard to predict if the Circle Q explosion might end up serving as the catalyst to a similar journey for the MCU’s Bruno. If it does, it would certainly be something worth going into in the second season (?) of the show, with perhaps Black Panther: Wakanda Forever being a possible project in which to feature a Matt Lintz cameo in the meanwhile.

    The first five episodes of Ms. Marvel are now streaming on Disney+.

  • ‘Ms. Marvel’ From Page to Screen: Episode 5.1

    ‘Ms. Marvel’ From Page to Screen: Episode 5.1

    With Ms. Marvel’s Episode 5, entitled “Time and Again”, the series’ connection to Ms. Marvel comics continues to be on full display. In Episode 1, we looked at how the series adapted from the comics the moment Kamala’s powers were activated; for Episode 2 we delved into the comics’ and series’ introduction and handling so far of the character Kamranin Episode 3 we looked at the interesting source material for the series’ villains, the Clandestinesand in Episode 4 we went into how Red Daggers were introduced and how they compare to the comics’ Red Dagger. As for episode 5, we focus on the bulk of the flashback that we got in the first half of the episode.

    One of the most interesting ways in which Ms. Marvel adapted the comics is by expanding upon the story of Kamala’s ancestors during Partition. Of course, it has been obvious since the second episode of the series that what happened with Kamala’s great-grandmother in 1947 was key to understanding Kamala’s powers and the bangle. In Episode 5, the thrust of the story was a flashback to Aisha and her husband, Hasan, in 1942-47, ending with Aisha’s death as Hasan and their daughter, Sana, made it on the last train to Karachi.

    Marvel Studios’ Ms. Marvel Episode 5
    Marvel Studios’ Ms. Marvel Episode 5

    In Ms. Marvel #8 and #9 (2015), we get a small snippet of this same time period in Kamala’s family history. In fact, it begins with a pregnant Aisha hastily getting ready to flee India to Pakistan with many of her family members. She sees a shooting star, which gives her some hope in the dark time. Notably, the comics’ only mention of Aisha’s bangles is in this brief story. She sold her jewelry and hid the money inside her wedding bangles in case she and her husband were separated.

    In the second half of the comics’ version of the flashback, we jump to Kamala’s mother in Karachi around the year 2000. She is living with her mother and family—Aamir is young and she is pregnant with Kamala. She had chosen to move to New Jersey for her family, but she had many doubts and worries about her children’s futures in a new country and culture. Kamala’s grandmother tells Kamala’s mother how strong Aisha was and tells her that they are a family of survivors.

    Ms. Marvel #9 (2016)

    Kamala’s grandmother then passes down Aisha’s wedding bangles to Kamala’s mother. The live-action version of this story is taken from the page yet altered significantly to meet the demands of the Ms. Marvel story. In the comics, the story was mostly to emphasize the struggles and journeys Kamala’s ancestors had to go through during Partition and beyond.

    Ms. Marvel #9 (2016)

    But it does also hint at the family’s Inhuman heritage, as it ends with Kamala’s grandmother saying she always felt there was some sort of secret and strength that the family carried. Ms. Marvel hits those same notes by tying the story to Kamala’s (and her ancestors’) powers and superhuman heritage.

    Marvel Studios’ Ms. Marvel Episode 5

    The first five episodes of Ms. Marvel are now streaming on Disney+.

  • Swamp Thing

    Swamp Thing

    Premiere: TBD

    Set to be written and directed by James MangoldSwamp Thing has been described by James Gunn and Peter Safran as “tonally different” than the other projects in Chapter 1: Gods and Monsters but still “interconnected” with the rest of the slate. Not expected to release before 2027, Swamp Thing will “investigate the dark origins” of the Green Man created by Len Wein in 1972.

    Cast

    • Unknown actor as Alec Holland/Swamp Thing
  • Creature Comandos

    Creature Comandos

    Premiere: December 5, 2024

    The first project to be given the green light by co-chairs Peter Safran and James Gunn’s DC Studios, Creature Commandos is a seven-episode animated series slated to be released on Max in 2024. , Creature Commandos is already in production working off scripts by Gunn. Safran stated that he was “staggered at the caliber of the scripts” adding “we’ll see how everything else comes, but the screenplays are amazing.“ Based on a comic book team that included a gorgon, a werewolf, and Frankenstein’s monster going to battle in World War II, Gunn’s Creature Commandos will have a little different makeup and will be assembled by Amanda Waller.

    Cast

    • Frank Grillo as Rick Flag Sr.
    • Viola Davis as Amanda Waller
    • Anya Chalorta as Circe
    • Sean Gunn as Weasel and G.I. Robot
    • Steve Agee as John Economos
    • Maria Bakalova as Princess Ilana Rostovic
    • Zoe Chao as Nina Mazursky
    • David Harbour as Eric Frankenstein
    • Indira Varma as Bride of Frankenstein
    • Alan Tudyk as Dr. Phosphorous
  • Waller

    Waller

    Premiere: TBD

    Waller, which was greenlit at WB before James Gunn and Peter Safran created DC Studioswill see the return of Viola Davis to the titular role that she first filled in 2016’s Suicide Squad.  Though it remains to see how it will fit into the all-new, all-different DCU, according to SafranWaller set between Seasons 1 and 2 of Peacemaker and should hit Max before the release of Superman: Legacy.

    In March 2024, Gunn shared the news that the production of Waller had been delayed by the strikes, forcing a shift in production. The events of the series will not take place after Season 2 of Peacemaker.

    Cast

    • Viola Davis as Amanda Waller
    • Steve Agee as John Economos
  • The Authority

    The Authority

    Premiere: TBD

    Slated as the second theatrical release in Chapter 1, The Authority is described by James Gunn as a project about group of “morally grey characters” who are “basically good intentioned” but think that “the world is completely broken and the only way to fix it is to take things into their own hands, whether that means killing people, destroying heads of state, changing governments—basically, whatever they want to do to make the world better.” The script, which was outlined by Gunn, was being developed by an unknown writer before the WGA strike.

    The team roster has changed considerably and the DCU iteration of the team has not been revealed but it is very likely that Apollo and Midnighter are among those chosen for the adaptation.

    Cast

    • María Gabriela De Faría  as Angela Spica/The Engineer