Does Warner Bros. have another The Flash on their hands? The last time the production studio was all-in on a DC Studios project from the former era did not end as they hoped. After becoming one of the biggest bombs of the studio’s 100-year history, even performing worse than Green Lantern, they are quite nervous that the next project sticks the landing. While there is little advertising going around for Blue Beetle, which is set to release in only a few weeks, Warner Bros. may once again be too focused on the future.
Their next big hope is the release of James Wan’s Aquaman and the Lost Kingdom, which is riding on the potential of the first film’s $1 billion holiday release. The only issue is that the film is seemingly sinking in one way or another. The film has undergone three reshoots by now, which is not something you normally want to hear about a film. One or two reshoots are pretty common nowadays, but the problem seems to stem from the film going through countless test screenings.
During one round, the new Warner film heads, Michael De Luca and Pamela Abdy, got involved; the latter got involved in the editing process. That led to the film scoring even lower and ended up going through another round of reshoots. Supposedly, the story clarity is an issue for viewers of The Lost Kingdom. Plus, now one can add the fact that the second reshoots including Ben Affleck, who was set to replace Michael Keaton’s character after his originally planned return at the end of The Flash, is now also scrapped by DC heads James Gunn and Peter Safran.
They are pointing to the overworked visual effects houses as one reason, but they have affected many other films ever since the pandemic started. It seems like too many cooks were involved and the film has likely gone even further over its initially planned budget of $205M. So, the film would have to do a lot of heavy lifting to make its money back. Oddly, Black Adam remains the highest earner at the box office for DC since the pandemic started and Dwayne Johnson may have held is promise after all.
If you’ve been watching Marvel Studios’ latest Disney Plus streaming series, Secret Invasion, it may have come to your attention that Nick Fury just isn’t himself these days. As the audience has all too often been reminded by everyone in the show that knows him, Fury hasn’t been the same since the Blip. However, as the consequences of Fury’s secrets have continued to come back to haunt him–and potentially the entire human race–glimmers of the old spy have begun to shine through and, as of the end of the latest episode, it seems that yeah, Fury is thinking he’s back. But did Fury’s return come too late?!?!
Not to put too fine a point on it but the answer is no. And being able to answer that question ahead of the series’ finale is, as Samuel L. Jackson might certainly put it, a mother fucker. As wonderful as Jackson’s performance has been, including the unforgettable scenes he shared with Ben Mendelsohn and the chemistry he continues to share with the criminally underutilized Olivia Colman, Secret Invasion continues to be more about Fury’s past–which by proxy includes the collective past of the MCU–and the bind that puts him into in the present. However, because the Nick Fury and MCU are known to have a future beyond Secret Invasion, the audience already knows the score: despite taking heavy body blows, Fury’s going to Rocky Balboa Gravik’s “Skrull ass” and save the day. We know this because Fury is alive and well in The Marvels. We know this because there’s no way the Marvel Studios Parliament greenlit a project (Armor Wars) about Skrull Rhodey. While that doesn’t mean there might not be some surprises in the finale (after all who among us was not both completely surprised and thrilled to see that one character from Black Widow show up?), the finale pretty much writes itself and that makes anticipation for it a bit low and the buzz around it will likely be a bit dull.
I love playing him, and I love the fact that they’re opening him up to all these other possibilities and this whole life that he has. So hopefully I’m not done, and in this new phase of the MCU I’ll still be floating in and out of there somehow, some way.
Samuel L. Jackson on Nick Fury
That’s not to say that Secret Invasion hasn’t excised a pound of flesh or two from Fury. Over the course of the first five episodes, he’s lost his longest standing ally in Talos, his right hand in Maria Hill and had to come face-to-face with the idea that even he is fallible. But for Secret Invasion to truly matter, the events of it must change the man known as Nick Fury and set him on a new path just as the events of Captain America: The Winter Solider did for Steve Rogers. The good news is that it would seem Jackson has no interest in walking away from the role of Fury which means the next 4-5 years could pay off the investment fans of the MCU have put into Secret Invasion and, to be fair, that’s exactly what Marvel Studios One Above All, Kevin Feige, sold to fans when the first wave of Disney Plus series were first announced.
“These episodes will intersect with the movies in a very big way,” Feige told Variety in a 2019 inteview. “It’s a totally new form of storytelling that we get to play with and explore. It’s the first long-form narrative that Marvel Studios has done — they’ll be six episodes, eight episodes, 10 episodes with the actors from the films playing their characters. They’ll be changing, evolving, growing in those event series and then those changes will be reflected in their next film appearances,” Feige explained. So while fans continue to wait for each of these series to be “the next big thing”, Feige could easily quote Dennis Green and remind fans that “they are what we thought they were.” But therein may lie the problem with Nick Fury in Secret Invasion. If the finale simply reinstalls old Nick Fury into the MCU, which is what the whole series has been preparing fans for, then there’s been no change, no evolution and no growth. If the Nick Fury who appears in The Marvels hasn’t been irrevocably changed by the events of Secret Invasion, then it will be fair to judge the series as a failure.
As for the rest of the episode, it’s a bit of a microcosm of the series as a whole. Like the deaths of Maria Hill and Talos before him, Pagan’s death at the hands (?) of Gravik was weightless. It’s hard to think of a supporting character in any of the MCU series that was as impotent as Pagan; seemingly every action undertaken by the character, even his death, would have had the same impact on the series if it happened off screen or didn’t happen at all. For all the razzle dazzle of G’iah becoming a Super Skrull, she participated in a good old-fashioned shootout with the meanie Skrulls rather than Super Skrulling and the same can be said of Gravik who resorted to his hand-to-hand combat skills to kill the mutinous meanies Skrulls. Given the importance of the Kl’rt in the comics, to see the idea of Super Skrulls relegated to a few cheap VFX scenes makes the entire idea feel squandered. Even the episode’s McGuffin, The Harvest–an idea that has circulated since Thor’s blood lingered around during the Battle of New York seen in The Avengers–seems stripped of any real danger around it since Fury’s plan to give it to Gravik will certainly resolve in some way other than a bunch of Avenger-powered baddie Skrulls trotting around the Earth. As far as pentultimate episodes go, “The Harvest” came up short but with one episode left to go, there’s still time before the impact of Secret Invasion can truly be judged.
Just three months after it opened in theaters, Marvel Studios’ Guardians of the Galaxy Vol. 3 will land on Disney Plus on August 2nd. The film, which opened in theaters on May 5th, was director James Gunn’s final project for the studio before moving on to co-chair DC Studios and was received fairly well by critics, including our own Michael T. Ford III.
Crank up the volume, the Guardians are coming home ❤️ #GotGVol3
After opting for short, 45ish-day theatrical runs for many of their MCU films, Disney has opted for longer windows with their more recent films before streaming them on D+. Black Panther: Wakanda Forever hit the streaming service 82 days after release and fans waited 89 days before being able to stream Ant-Man and The Wasp: Quantumania which is the same number of days it will have been when Guardians of the Galaxy Vol. 3 arrives on Disney Plus.
After a rough stretch of Phase 4 and 5 films that included Thor: Love and Thunder and the aforementioned Quantumania, Vol. 3 was largely a return to form for Marvel Studios. Though it was a darker entry than either of its predecessors within the franchise, the film delivered one of the MCU’s most detestable villains in recent memory while giving some of the MCU’s most beloved heroes satisfying conclusions to their character arcs while also leaving room for them to return. Guardians of the Galaxy Vol. 3 is now available to buy on digital platforms.
2023 remains a rough year for entertainment, while writers and actors are fighting for their livelihood, it looks like people just aren’t that big into going to the movie theaters anymore, or at least not as frequent. If not even Tom Cruise can bring in the audience after last year’s mega release of Top Gun: Maverick, it may be a bigger showcase of just how rough this year has been.
Mission Impossible – Dead Reckoning Part One has opened at the top of the box office this weekend, but managed to pull in a soft $56.2M over three days. It did have the benefit of a five-day opening and managed to push forward towards around $80M, it’s still a far shot from the initial $90M that was expected from Cruise’s star power. Perhaps Maverick was more about the adrenaline than what he was cooking up.
Ticket sales are behind 2018’s Fallout, which still is the highest-grossing of the franchise, and even behind Mission Impossible II released in 2000. Though, the five-day total is higher than the first and it does have a strong A CinemaScore which will likely give it some good legs moving forward. Though competition is stiff at the moment with Barbie and Oppenheimer likely to bite into it.
The issue, a common one by now, is that it has a similar price tag to Indiana Jones and the Dial of Destiny at around $300M. While it has a bit more staying power given stronger reception and audience score, it’s still an uphill battle either way. The starts and stops of COVID are being highlighted as one major issue as to why its budget increased as it did. Though one could also argue the same for most productions releasing now that faced COVID limitations and ballooning budgets, but there hasn’t been much reporting on those cases oddly until now.
The film did, however, makeup with its release internationally at around $155M. Though China remains the same weak box office release as it has with other productions since they allowed Western productions back in. The rest of the weekend was rounded up with other recent releases. Indiana Jones passed $302M globally while Insidious: The Red Door is showing some good holds. Even Elemental managed to pass the $300M mark and stands proud at $311.7M.
It’s safe to say that the “death” of Ms. Marvel was probably one of the most controversial decisions by Marvel Comics. Yet, it seems they had some big moves happening while the special issue Fallen Friend: The Death of Ms. Marvel remains a sour spot for some, there was a pretty expected strategy. Just as we were mourning the fallen hero, we already have an update on what we can expect from her comic’s future.
The big reveal is that Iman Vellani, who plays Kamala Khan in the Disney+ series, is actually co-writing the project alongside Sabir Pirzada, who worked on the series. Carlos Gomez and Adam Gorham are providing the art with Sara Pichelli involved with the comics’ main covers. As part of the reveal, Vellani reveals what it was like moving on from writing fan fiction to the real thing.
This was way scarier than joining the MCU for me. Those projects feel like they live in their own dimension, so I guess I can separate myself easier. But you can hold a comic book! I’ve never written anything before in my entire life, but I have read many comics, so I just wrote what I would want to read. I was given a very professional tool to write what is essentially my own fan fiction.
Iman Vellani
Check out the cover for the new series.
As the cover unveils, Ms. Marvel is moving on from her Inhuman story towards embracing a new identity. The first Muslim superhero for Marvel is now a mutant, just as it was revealed in the Disney+ series. For those still mad at this revelation, it was the creator’s original intention to have her a mutant but ended up as an Inhuman due to the story that was written at the time. Of course, we’ll see just how long Kamala is going to stick around with the X-Men before once again embracing her Captain Marvel roots, which will be the focus of the upcoming The Marvels film.
It’s been a wacky day. SAG is officially entering a strike alongside the WGA while Bob Iger seemingly decides to shift the blame to a cracking industry on the people desperately keeping it alive. With millions to spare, he seemingly decides to take some wild swings in a recent interview by not only blaming the current situation on those trying to survive but even hitting into his own company.
Disney isn’t perfect and has had some rough patches throughout the years, but they have developed two golden geese: Pixar and Marvel. They had the kind of bankability any franchise still dreams of, especially direct rivals like DC. Yet, the last few years have been rough on the industry and they made some big steps to grow their streaming business.
Now that the pandemic is seemingly done and behind us, they are back peddling their original plan and trying to become theatrical giants once more. While they proved to still be the most consistent up until now, Bob Iger decides to downplay Pixar’s creative output as “creative misses” while knowingly highlighting that their streaming releases of these iconic films slowed down their box office prowess.
There were three Pixar releases in a row that went direct to streaming, in part because of — mostly because of COVID. And I think that may have created an expectation in the audience that they’re going to eventually be on streaming and probably quickly, and there wasn’t an urgency. And then I think there was some, I think you’d have to agree that there were some creative misses, as well.
Bob Iger
While he seemingly ignores this part when discussing their Marvel releases, it’s bizarre to see him downplay the value of projects like Luca, Turning Red, and even Elemental. We don’t know what projects he’s talking about specifically, but it sounds a lot like a justification for why they went to streaming only with their projects. It almost feels like a way to save face without doing so. It’s a darn shame that this is how the hard-working animators are treated by their own studio head after being a strong part of its legacy for years.
“I can do this all day.” For fans of the MCU, hearing alt-universe Peggy Carter utter one of Steve Rogers’ most memorable lines in her brief appearance in Doctor Strange in the Multiverse of Madness was a react-out-loud moment. Haley Atwell, who first brought Peggy to life in Captain America: The First Avenger, also recently reacted out loud…except her reaction wasn’t as positive as most in the theater.
In an interview with EW, Atwell described Carter’s appearance in Multiverse of Madness as “a frustrating moment.” Atwell, whose latest film, Mission: Impossible-Dead Reckoning Part One, just hit theaters explained that the brief appearance in the Doctor Strange sequel was not her cup of tea. “I’m like, ‘That wasn’t my choice! When she was like, ‘I could do this all day’ and then followed by she’s immediately cut in half by a frisbee,” said Atwell. “And the audience being like, ‘She can’t do it all day. Apparently you can’t, so, egg on your face.’ That doesn’t really serve Peggy very well.“
Of course that Peggy isn’t THE Peggy, something Atwell certainly knows after having voiced another, other alternate version of the character in Marvel Studios’ first canonical animated adventure, What If…?. According to Atwell, her experience with that project was a little more enjoyable. “I felt like I had much more to do in the What If…? animation series,” explained Atwell. “I mean, any actor will tell you, to be able to go into a booth in effectively your pajamas and do an animation is great fun because you’re focused on the voice as the instrument and your main performative tool.“
With another season of What If…? still on the slate for Marvel Studios and plenty of other adventures left to go in the Multiverse Saga, there will likely be plenty of chances for Atwell to reprise the role of Peggy Carter. Given she’s voiced her displeasure with the particularly bad case of being cut in half the character experienced in Multiverse of Madness, it seems likely her next role will be more well-rounded.
Marvel is the big fish in the pond and for the first time in a long time, they had a project not quite reach the heights they usually do. While Ant-Man and the Wasp: Quantumania didn’t crack the $500M, it was more a warning of what was to come throughout the summer box office with one bomb after another that barely crack the $300M ceiling. Outside of a few exceptions, including Guardians fo the Galaxy Vol. 3, it has been rough all around.
That still didn’t stop people from calling it the end of Marvel Studios and the Marvel Cinematic Universe; a common complaint throughout the Internet’s long history with the franchise. Still, Disney CEO Bob Iger is seemingly aware that their own ambitions became a focus point of general audience drag. He ends up discussing the performance of some recent releases, but generalizes the topic of how their streaming ventures hurt their theatrical output.
There have been some disappointments. We would have liked some of our more recent releases to perform better. It’s reflective not as a problem from a personnel perspective, but I think in our zeal to basically grow our content significantly to serve mostly our streaming offerings, we ended up taxing our people way beyond — in terms of their time and their focus — way beyond where they had been.
Bob Iger
He ends up highlighting Marvel as an example by downplaying previous TV ventures and stating that audiences’ “focus and attention” was diluted. While the internet would make that seem true, there’s a big batch of people out there that generally don’t keep up even when there were just two or three films a year. Plus, there was the whole pandemic that changed many viewers’ behaviors and strongly showed its fangs this summer at the box office. The sudden increase in output to appears the Chapek era of “all-in streaming” strategy still played a role in this multi-faceted world.
Marvel’s a great example of that. They had not been in the TV business at any significant level. Not only did they increase their movie output, but they ended up making a number of television series, and frankly, it diluted focus and attention. That is, I think, more of the cause than anything.
Bob Iger
One thing concerning this comment is claiming that Marvel has “not been in the TV business at any significant level,” which means Iger is mainly referencing Marvel Studios as an entity or generally forgetting the past few years. Their Disney+ output is far removed from the weekly releases of a 22-episode season that was Agents of SHIELD. The various Netflix series set the standard for many’s expectations of the current shows.
That is also ignoring Hulu’s Runaways which ran for two seasons, the non-Disney productions like Legion and The Gifted. We also can’t forget Cloak & Dagger which ran on Freeform and we haven’t even touched upon any of the animated series or whatever Inhumans wanted to be. There was more output from Marvel at one point, and seems like an oversimplification of a post-COVID media world.
At the end of the day, if a film is good but not worth a rewatch in theaters: why watch it in theaters? Their strategy to release films within 45 days created a new habit for viewers and ended up dragging their box office successes more than diluting viewers’ attention. Similar to how they milked their other golden goose on the streaming service and ended up hurting Pixar’s box office success long-term. It’s never that simple.
It looks like Funko Pops for the next Marvel Cinematic Universe entry is slowly finding its way online. While we still have some time before The Marvels‘ releases in theaters this November, it looks like a sneak peek of what’s to come has surfaced online. To be fair, these don’t include anything majorly new that wasn’t already hinted at in the trailer, but it’s definitely interesting to get a bit more from the project.
As shared on Instagram by IG account funkochaseryeg, a new box set is unveiled that includes a Pop figure of Captain Marvel in her binary form. Not just that, but it also confirms that the kittens we saw in the trailer are indeed the children of Goose, who will definitely leave chaos in their wake; never double-cross a Flerken kitten. The box also includes Ms. Marvel and Photon Funkos.
Goose seems quite dominant as part of the merch push, but that’s not too surprising. The feline was a standout in the first Captain Marvel movie and has been highly anticipated to return to the franchise since he puked out the Cosmic Cube. It’ll be interesting to see how they will explore the storyline with the kittens and if perhaps Goose has a surprisingly more active role in the film moving forward.
On August 23rd, Lucasfilm’s latest Star Wars streaming series, Ahsoka, will debut on Disney Plus. Rosario Dawson, who brought the beloved character from animation into live-action in The Mandalorian, now takes the lead in her own series that will reunite the former Jedi with her friends–and enemies–from Star Wars Rebels. With the debut of the series creeping closer, it’s time for the Ultimate List of What to Watch…
Tier One
If you feel the need to know watch or rewatch everything that might be important to the show before tuning into Ahsoka, you better set some serious time aside and get started ASAP. Though this is an Ahsoka Tano solo series, it will almost certainly follow threads from her appearances throughout animation and live-action and advance the plot of the ongoing Mandoverse/New Republic Era stories being told by Jon Favreau and Dave Filoni. If you want to ensure you won’t miss a beat, watch every second of everything listed here:
Tales of the Jedi Season 1 Star Wars: The Clone Wars (2008) Star Wars: The CloneWars Season 1-7 Star Wars: The Bad Batch Star Wars Rebels The Mandalorian Seasons 1-3 The Book of Boba Fett
Tier Two
If you don’t have quite that much time on your hands, Disney Plus has already done a fantastic job of assembling a collection of key episodes that will prepare fans, both old and new, for what to expect in Ahsoka and we’ve added plenty of our own suggestions to that list!
The Beginning
Star Wars: Tales of the Jedi Season 1: Episode 1-Life and Death
The birth and early days of Ahsoka Tano. “Life and Death” provides a wonderful look at Togruta culture and Ahsoka’s first dabbling with The Force.
The Clone Wars Season 1
Star Wars: The Clone Wars Season 1: Episode 2-Rising Malevolence
Star Wars: The Clone Wars Season 1: Episode 19-Storm Over Ryloth
The Clone Wars Season 3
Star Wars: The Clone Wars Season 3: Episode 21-Padawan Lost
Star Wars: The Clone Wars Season 3: Episode 22-Wookie Hunt
Star Wars: Tales of the Jedi Season 1: Episode 5-Practice Makes Perfect
The Clone Wars Season 5
Star Wars: The Clone Wars Season 5: Episode 17-Sabotage
Star Wars: The Clone Wars Season 5: Episode 18-The Jedi Who Knew Too Much
Star Wars: The Clone Wars Season 5: Episode 19-To Catch a Jedi
Star Wars: The Clone Wars Season 5: Episode 20-The Wrong Jedi
The Clone Wars Season 7
Star Wars: The Clone Wars Season 7: Episode 5-Gone with a Trace
Star Wars: The Clone Wars Season 7: Episode 6-Deal No Deal
Star Wars: The Clone Wars Season 7: Episode 7-Dangerous Debt
Star Wars: The Clone Wars Season 7: Episode 8-Together Again
Star Wars: The Clone Wars Season 7: Episode 9-Old Friends Not Forgotten
Star Wars: The Clone Wars Season 7: Episode 10-Phantom Apprentice
Star Wars: The Clone Wars Season 7: Episode 11-Shattered
Star Wars: The Clone Wars Season 7: Episode 12-Victory and Death
Order 66
Back-to-back episodes of the first season of The Bad Batch take place on Ryloth where a young Hera Syndulla finds herself in the midst of a crisis that changes the course of her life. Now alone and in hiding, Ahsoka finds herself face-to-face with an Inquisitor in the final episode of the first season of Tales of the Jedi.
Star Wars: The Bad Batch Season 1: Episode 11-Devil’s Deal Star Wars: The Bad Batch Season 1: Episode 12-Rescue on Ryloth Star Wars: Tales of the Jedi Season 1: Episode 6-Resolve
Rebels Season 1
Star Wars Rebels Season 1: Episode 1-Spark of Rebellion, Part 1
Star Wars Rebels Season 1: Episode 2-Spark of Rebellion, Part 2
Star Wars Rebels Season 1: Episode 15-Fire Across the Galaxy
Rebels Season 2
Star Wars Rebels Season 2: Episode 1-The Siege of Lothal: Part 1
Star Wars Rebels Season 2: Episode 2-The Siege of Lothal: Part 2
Star Wars Rebels Season 2: Episode 3-The Lost Commanders
Star Wars Rebels Season 2: Episode 4-Relics of the Old Republic
Star Wars Rebels Season 2: Episode 18-Shroud of Darkness
Star Wars Rebels Season 2: Episode 21-Twilight of the Apprentice: Part 1
Star Wars Rebels Season 2: Episode 22-Twilight of the Apprentice: Part 2
One of the best seasons of any animated Star Wars series–maybe any series of any kind–Season 2 of Rebels gives Ahsoka a big story with a big payoff.
Rebels Season 3
Star Wars Rebels Season 3: Episode 5-Hera’s Heroes
Star Wars Rebels Season 3: Episode 8-Iron Squadron
Star Wars Rebels Season 3: Episode 10-An Inside Man
Star Wars Rebels Season 3: Episode 15-Trials of the Darksaber
Star Wars Rebels Season 3: Episode 17-Through Imperial Eyes
Star Wars Rebels Season 3: Episode 21-Zero Hour, Part 1
Star Wars Rebels Season 3: Episode 22-Zero Hour, Part 2
These episodes, by and large, showcase Thrawn, the Heir to the Empire who will play a major role in Ahsoka.
Rebels Season 4
Star Wars Rebels Season 4: Episode 10-Jedi Night
Star Wars Rebels Season 4: Episode 12-Wolves and a Door
Star Wars Rebels Season 4: Episode 13-A World Between Worlds
Star Wars Rebels Season 4: Episode 15-Family Reunion
Star Wars Rebels Season 4: Episode 16-Farewell
The final season of Rebels left fans wanting more and Dave Filoni responded with the suite of New Republic Era projects that include Ahsoka.
Mandoverse Appearances
The Mandalorian: Chapter 13-The Jedi
The Book of Boba Fett: Chapter 6-From the Desert Comes a Stranger
As you can see, if you have any intentions of being fully prepared for Ahsoka, you’ve got your work cut out for you. Get after it and may the Force be with you!
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