Lando was among the first series showcased as Lucasfilm’s future for their Star Wars ventures on Disney+. Yet, the series has pretty much been missing in action ever since, and was long believed that it may have just been dropped at some point completely. Across the three years development cycle, Dear White People creator Justin Simien joined production only to leave it later to direct Haunted Mansion.
Now, it seems that the project is alive after all. Atlanta and Swarm writers, Donald Glover and his brother Stephen Glover have joined the production to revive the long-dormant project. This deal did happen before the writer’s strike and who knows if it’ll still remain given it’s now facing a delay before it even got started. As such, it also seems like we finally got the confirmation it’ll see Glover reprise his role from Solo: A Star Wars Story.
This series might be the only chance for them to continue the set-up from that film’s post-credit sequence that has long been dormant. Though, the strike keeps many of the current developments as a big question mark until the studios finally return to the table and give their talent the money they deserve for the work they invested. So, we’ll see what the future holds once a fair deal has been found.
It seems like Sony is the first to cave. Hollywood is currently going through one of its most significant strikes as the WGA and SAG-AFTRA have decided to strike as no fair deal was made by any of the studios to make their life actually livable. Now, the trend continues as instead of coming back to the table to discuss the industry’s future, it seems Sony has decided to push back the major releases of their fall schedule.
The big push comes with Kraven the Hunter, which has now shifted to a release on August 30th of 2024, which was initially set to release this October. It seems they were mostly banking on Aaron Taylor-Johnson’s press tour to push the film; uncertain if that would actually help their next Spider-Man spinoff without the webhead’s involvement. Surprisingly, Madame Web is getting released two days earlier on Valentine’s Day of 2024.
That’s not all, as the Ghostbusters: Afterlife sequel has also been pushed further back to March 29th of 2024. It initially was going to have a Christmas release and had the lesser push even with the hope to wait it out until Paul Rudd is able to promote the project once the strike ends. They also postponed the Karate Kid reboot that was going to release in June next year to a December release.
There are also some films that have now ended up in limbo. Blumhouse’s They Listen lost its August release date from next year. Spider-Man: Beyond the Spider-Verse has lost its March release, which was hinted at when reports pointed to a troubled production (even if the released film is quite a visual feast). Though, they surprisingly gave Venom 3 a release date, as it stopped production during the strike, as the film is slated for July 12th while Bad Boys 4 will release on June 14th. Gran Turismo is still set for its August release.
From the time the earliest teasers for Secret Invasion rolled out online, it was clear that at some point in the show, Nick Fury wouldn’t be Nick Fury. Since writer Kyle Bradstreet left that “ace” up his sleeve, it was pretty evident from the time “Fury” infiltrated the Skrull hideout that it wasn’t really him. In fact, even in the aftermath of last week’s episode, plenty of fans had already guessed exactly what was going to happen with The Harvest; however, most of those fever dream theories were more interesting than what was delivered in “Home.”
As far as series finales go, Marvel Studios has seemed to have a hard time “sticking the landing” as everyone likes to say. To continue that analogy, the Secret Invasion finale would be more akin to a gymnast hitting the springboard and then launching headfirst into the pommel horse. For what was hyped up as a paranoia-landed spy thriller, the series as a whole lacked any sense of suspicion or mistrust as to who was or wasn’t a Skrull and despite their efforts, nobody actually believed Russia and America were going to war. Skrull Rhodey was always going to die. G’iah was always going to have her vengeance. “Who do you trust?” Certainly not the people rubber-stamping the choices made here.
Much as it had previously done with the Kree, Marvel Studios has now painted themselves into a corner with the Skrulls. Kevin Feige once proudly claimed that Marvel Comics pointed Marvel Studios in the right direction with their projects: “The answers are always in the books,” said the head man. It now seems that in their quest to avoid doing direct page-to-screen adaptations, they’ve entirely lost their way. Much like Ronan the Accuser and Mar-Vell before him, Kl’rt, the OG Super Skrull, will either be ignored entirely or greatly reduced in significance…so that the MCU could have Gravik? For decades, Marvel Comics has found ways to keep the Kree-Skrull War alive and interesting but somehow, over the course of two projects, Marvel Studios reduced it–and all its players–into minimalist impressions. What’s left? Some “peace talks” and a brand new most powerful being in the galaxy in Emilia Clarke’s G’iah and Fury’s Skrull wife. What are they going to do now? No idea. Varra’s work is apparently “important” and G’iah’s final scene reeks of the all-too-common theme among Marvel Studios’ writers that whatever comes next for the character is the next guy’s problem.
And what of the hero of the series? After pushing the people he once took under his wing and hoped to find a home for into a war against their own extinction, Nick Fury…pisses back off into space? So he can make jokes again in The Marvels? After a half-assed explanation given not by Nick but by G’iah pretending to be Nick, old Nick is back and nobody would blame anyone for wondering how–or even if–the events of Secret Invasion will have changed him when we see him again. For four episodes, the series really only worked as a showcase for Samuel L. Jackson, Ben Mendelsohn, Don Cheadle and Olivia Colman’s talents; however, once it came time for it to change gears and try to find its relevance in the ongoing shared narrative, the wheels came off entirely. Ultimately, Secret Invasion will be remembered as a series of unfortunately misapplied and wasted concepts that show Marvel Studios just doesn’t value or understand the Cosmic corner of the comics that Feige once said held all the “answers.” It might be time for the studio to course-correct and work its way back to taking more inspiration from the comics–or it might be too late already.
One Piece Day gave us the live-action One Piece’s first full trailer. While we still have some time to wait for the actual release, it was an overall big day for Eiichiro Oda’s baby. He’s been working on it for 26 years and has been very open about his involvement in the project. So, the One Piece Day event wasn’t just about Gear 5 and the anime but also gave us quite a few first looks for the series.
The Gomu Gomu no Mi in the One Piece Live Action. Notice the detail of the Marine symbol on the stolen box… 👀 pic.twitter.com/DrBmatL1DT
— Artur – Library of Ohara (@newworldartur) July 22, 2023
The detail of it being part of a Marine case stands out, as that is a revelation that wouldn’t become relevant until 20+ years later. Yes, they considered a detail that wouldn’t really pay off for many years to come, which highlights that those involved with the project are big fans of the original series. We’ll have to wait and see how it comes together, especially if they even hint at how the Red-Haired Pirates get their hands on it before Luffy ends up eating it.
The first full trailer for One Piece has dropped, which offers us quite a better look at what we can expect from this live-action series. Surprisingly, it seems to still retain some of the goofier aspects of the franchise, which highlights just how much influence the series creator, Eiichiro Oda, has on this project. We also got a look at a News Coo, which is only one big part of this world’s unique flora and fauna.
Surprisingly, we did not see a Den Den Mushi, also known as a Transponder Snail (the inspiration behind our very own One Piece podcast). In this world, they do not communicate through phones but rather these snails that have the ability to connect and also end up looking like the person using it. We kind of expected they would keep it at a minimum, but a new image surfaced online from @OnePieceNxBr, which unveils that we are definitely getting the iconic Den Den Mushi. This one even being similar to Axe-Hand Morgan.
— One Piece Netflix Brasil (@OnePieceNxBr) July 22, 2023
It’s this detail that highlights this project isn’t trying to go for realism, but is introducing us to a unique world. One Piece‘s world-building has been its biggest strength and the Netflix original is smartly diving into that as a way to make it work. Sticking to some of the iconic aspects also makes this series stand out, even if it likely is quite a bit more expensive for the necessary work relevant to keep this world going. Here’s hoping that once it releases in late August, it’ll draw in the viewership to keep it going for many more years.
Disney has been experimenting quite a bit on how they can grow the audience for their various shows. Just recently, it was announced that Ms. Marvel is heading to ABC and quite a few of their animated shows get limited releases on Disney’s various TV channels. Now, they are also trying it out with another Marvel series.
Hulu has unveiled that the first three episodes of Secret Invasion, which is going to release its season finale next week, will be available for a limited time on Disney’s sister streaming service. It’s an interesting way to promote the series and gain additional viewers ahead of the finale but it’ll continue to be available until August 17th.
The strategy isn’t bad, as it’s more about also expanding the bundle they are offering for those interested in multiple streaming services. While viewership for this series wasn’t among Marvel’s best, it doesn’t have any superheroes that tend to carry these kinds of projects. Though we generally don’t know what makes a Disney+ series successful in the eyes of Disney, as they release no data and we have to rely on third-party analysis. One of the important reasons writers and actors are fighting for better pay.
One Piece has some iconic music and it was not going to be a small task. Yet, there were more and more hints that perhaps composer Sonya Belousova would be working on the live-action’s music after she shared an Instagram video of some pirate-esque music.
We’re thrilled to have been invited by Netflix, Matt Owens, Steve Maeda, and Tomorrow Studios to become part of the Straw Hats crew and craft the ONE PIECE live action music universe by serving as composers, songwriters, and music producers for the live action adaptation of the beloved manga. We have plenty of surprises in store for fans of the franchise and new fans. It will be an incredible adventure with songs and virtuosic flamenco guitar, hip-hop and big band jazz funk fusion, folk and circus, rap and big epic swashbuckling orchestra, featuring extraordinary artists. We’re so excited to set sail for ONE PIECE when it premieres on Netflix August 31!
Sonya Belousova & Giona Ostinelli
Belousova has also taken to Twitter to share her excitement about being involved with the project. Though, it’s interesting she calls it “BIG BIG NEWS ALERT #1” which gives some hope that perhaps more is on the way. She does hint at more updates to follow.
BIG BIG NEWS ALERT #1! Giona & I are the composers, songwriters & music producers for @onepiecenetflix live action adaptation of the best selling manga series in history. August 31st on @netflix. 🏴☠️🏴☠️https://t.co/2lWJRBzB0K
They both are famous for their work on another Netflix series, The Witcher. They went on to create the viral hit “Toss a Coin to Your Witcher” and have quite some iconic songs that have the same potential. The only question is if we’ll get a new rendition of “To the Grand Line” or “Bink’s Sake” when the series releases in August.
Here’s a fun surprise, but it looks like One Piece is getting some brand-new merchandise. We already got a tease during Anime Expo; a big sign that Netflix is all-in with this new project. While most of us may have thought they were planning to slowly roll out a few products as they test the waters, it looks like they aren’t holding back after all.
Hot Toys shared a tweet confirming that they are working on collectibles of the iconic series but based on Netflix’s live-action adaptation. Sadly, they have yet to share anything on what characters will get the Hot Toys treatment and if these are similar to their iconic Marvel Cinematic Universe line-up, but it’s definitely a great surprise.
The King of the Pirates is searching for the treasure that would make the dream come true (and maybe the collectibles as well)!
The timing of the tweet is also quite interesting, as One Piece Day is this weekend. They are having an in-person event in Japan, and it wouldn’t be too surprising if they actually reveal it over the weekend. They will have some props at the location, but there was no word if they will also include merchandise. Seems like we’ll have to wait until tomorrow to find out.
Yeah, you read that right. Things are not looking good for Blue Beetle. The next installment in the DC(E)U is only a few weeks away from hitting theaters. yet, there’s a noticeable lack in marketing for the latest addition that’ll explore the story of young Jamie Reyes as he becomes the iconic hero. Sadly, Warner Bros. Discovery is not going all out to market the film and the fangs of The Flash’s slip is showing.
Superhero films have become a dime a dozen, so audiences (especially this year) are more selective about what they want to watch and what not. It’s why we had a surprisingly brutal summer box office with very few real “winners” out there. While some films are managing to leg out, it’s not really rosy for the “big return” of the summer box office.
As such, the film is currently projected to open to $12M to $17M. Yes, that is what it’ll likely make over its entire opening weekend with a total range not going any higher than $55M. While we don’t know the budget of the film, it’s still a worse performance than Shazam! Fury of the Gods earlier this year.
While some talk a lot about superhero fatigue, it’s just a blockbuster fatigue overall and people are more selective on what they watch in theaters. Prices are skyrocketing so the expectation on what a film can do is higher than ever before. Blue Beetle was barely marketed and the last two DC films fell flat on their noses. So, it’s just looking like people don’t truly trust the brand enough for it to be worth their money.
It’s finally here: One Piece Day. A celebration of one of the longest-running Shonen Jump series is almost here as Eiichiro Oda celebrates 26 years of Monkey D. Luffy’s journey. This year, however, is a bit special as we also have a live-action series on the horizon. On August 31st, the world will see how showrunners Matt Owens and Steven Maeda worked hard to bring this classic to life.
While the first teaser still had some skeptical about the series’ potential; mostly a result of past iterations not quite living up tot he standard of the material they adapt, there’s a lot of excitement given how much Oda has been involved with this project. Now, we’ve only been waiting for a full-fledged trailer to finally release and it seems the wait isn’t long anymore.
Director Marc Jobst has teased that we can expect the full trailer quite soon; many speculating it’ll be release tomorrow once One piece Day is in full swing. After today was just a pre-show with a screening of One Piece Film Red, it does seem likely they might release something tomorrow. Not only that, but the Straw Hat Grand Fleet fan website also added a new function perfectly timed ahead of the weekend.
That’s not all, as Netflix Japan’s official Twitter page also promoted the event just the other day, which continues to add more relevance to something Netflix-related happening during the event. Given the studios are still not paying writers and actors what they are owed, it’s unclear if any of the non-SAG cast will be attending or if they have another pre-recorded video message like with Anime Expo.
— Netflix Japan | ネットフリックス (@NetflixJP) July 21, 2023
It’s still not a full confirmation, but it would be surprising if we didn’t get any kind of trailer this weekend. If not, there’s still the chance we might get some character posters to tie us over. It’s not uncommon or the full trailer to drop around a month before release for a Netflix series, which makes the timing match even better. Here’s hoping we don’t have to wait long for the reveal.
Source: Twitter
Cookie Consent
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.