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  • New Rumor Supports Joe Locke’s Casting as Wiccan in ‘Agatha: Coven of Chaos’

    New Rumor Supports Joe Locke’s Casting as Wiccan in ‘Agatha: Coven of Chaos’

    Marvel Studios WandaVision spinoff, Agatha: Coven of Chaos, is preparing for the early 2023 start of principal photography and the cast is seemingly growing by the day. One of the major additions to the Kathryn Hahn-led streamer was Heartstopper actor Joe Locke, who was cast as an unnamed gay, lead character for the 9-episode series. Locke’s casting came shortly after a report indicated that Agatha: Coven of Chaos looked to be set to introduce Billy Kaplan to the MCU, but a prevailing alternate theory as the actor playing Agatha’s son, Nicholas Scratch. Now, a new rumor seems to add fuel to the Wiccan fire.

    According to one YouTube channel, Locke’s role in the upcoming series is indeed that of Billy Kaplan/Wiccan. Of course, given everything that is known about the character(and the fact that Locke is a near-perfect match for the character’s physical appearance in the comics), Wiccan is the most obvious choice. Though Hahn’s character is the lead in Agatha: Coven of Chaos, the title would lead one to believe that the series will be dealing with the fallout of Wanda Maximoff’s time as the Scarlet Witch and her use of Chaos Magic. Doctor Strange in the Multiverse of Madness may also have given some hints as to the pending arrival of Wiccan as a representation of him was seen etched into the walls of Mount Wundagore.

    In the comics, Billy Kaplan is the son of a Jewish couple living in New York who is ultimately revealed to be the “reborn soul” of Billy Maximoff. Kaplan, who becomes a founding member of the Young Avengers. Destined to become the all-powerful Demiurge, Billy often found himself the target of schemes by other magic-wielders, including Loki, who sought his power for themselves. Given Agatha has lived by siphoning the power from others for so long, it would stand to reason that if she were somehow able to break free from Wanda’s spell, perhaps with the assistance of a group of other witches, she might take a keen interest in someone like Billy Kaplan.

    Marvel Studios has had no official comment on Locke’s role. Hahn and Locke have recently been joined in the series by Aubrey Plaza, Ali Ahn and Maria Dizzia, whose role as a witch in the series has been misreported. Principal photography is expected to kick off in January and wrap in May and the series is currently on the schedule for a late-2023/early-2024 release on Disney Plus.

    Source: YouTube

  • REVIEW: ‘Andor’ Episode 10

    REVIEW: ‘Andor’ Episode 10

    Sacrifice for the greater good has always been a central theme of Star Wars. From Obi-Wan becoming one with the Force in his duel with Vader in a New Hope, to Luke doing the same in The Last Jedi and Ben Solo giving his life for Rey in The Rise of Skywalker, sacrifice has been consistently present in the franchise. Episode 10 of Andor, “One Way Out”, continues that thematic resonance while illuminating just how circumstantial the nature of sacrifice can be. Andor isn’t about a fantastic moment where a Jedi becomes one with the Force for the good of the Rebellion; it is in large part, about much less spectacular characters losing bits of themselves by the day. And no episode of Andor hammers that point home more than “One Way Out.”

    Thought the prison break serves as the beautiful center of the episode, it’s the back alley conversation between Luthen Rael and his Imperial spy, Lonni, that stands out not only in the episode and the series, but also the franchise as arguably one of the most inspired and impassioned explanations of the true cost of the Rebellion. At this point, it’s hard not to think of Rael, a character new to fans just a couple of months ago, as one of the most integral figures in the Rebellion. Per his own words, however, his choices have damned him and he knows that he is fighting “to make sunrise” he knows he will never see. So when the galaxy celebrates its heroes at the end of A New Hope, nobody will to be grateful to Rael, nor to poor Lonni, nor to Anto Kreegyr, who Rael is so willing to sacrifice to keep things on track. While it’s ultimately heroes such as Luke, Leia, Han and Chewy who become the face of the Rebellion, Rael now must stand as its backbone. Stellan Skarsgård‘s work as Rael is among the most complex and brilliant in recent memory in a franchise that has all too often dipped into the well of bringing back familiar faces. In Rael, Tony Gilroy has created a new character that’s given more the the future of the galaxy than anyone will ever know.

    As Rael readily accepts that there’s no way off the path he’s chosen, Mon Mothma finds herself at a crossroads from where it seems there is no gentle path for her to take. Desperate for funding, the Senator finds herself in league with the gangster Davo who proves more than willing to provide her with the money she needs, but in exchange for a detestable cost: the apparent betrothal of her daughter to Davo’s son. Though Mon is quick to dismiss it, Davo doesn’t believe she’s quite as disgusted as she puts on. The series has gone to some lengths to show that Mon’s work has already come at the cost of familial relationships but Episode 10 leaves the audience to wonder just how far she’ll go to finance the Rebellion. Andor’s creatives have done fascinating work with Mon. Originally a minor character who seemed to stand out as a beacon of everything bright and shiny about the Rebellion, the series has fleshed her out and painted her in a much different light.

    Given the way the episode laid bare grim repercussions for Rael and Mothma, Cassian’s time in prison hardly seems like much of a sacrifice at all. In fact, it’s Andy Serkis‘ Kino Loy who had the most interesting journey in the prison arc. Initially a “company man”, it’s Loy who makes the episode’s most grandiose example of sacrifice, risking his life to lead the prison break with the knowledge that the “one way out” meant he would never be free. Unable to swim, Loy stands back while the other, including Cassian and Melshi, who turns up alongside his escape buddy in Rogue One, swim to freedom. The final shot of the episode, which shows Cassian and Melshi running across barren plains, is rich with symbolism. Cassian has no prospects ahead of him as he runs from his past. He has no safe haven to which he can return. The entire galaxy is after him. What comes next over the final two episodes will almost certainly remedy that and cement his place in the Rebellion, but given the job the series has done setting up the fractured nature of the fledgling alliance, it’ll be most interesting to see in which group he finds his way.

  • ‘The Imperfects’ and ‘Partner Track’ Canceled by Netflix

    ‘The Imperfects’ and ‘Partner Track’ Canceled by Netflix

    Well, it seems that the two latest series have gotten the axe from Netflix, as Partner Track and The Imperfects won’t be returning for second seasons. They remained in the Top 10 for around three weeks but have not really pulled in a massive audience worldwide with Partner Track only debuting at #4 and The Imperfects at #3. Without any clear growth in the following weeks, the streaming service wasn’t going to bring back the franchises for more entries.

    The big surprise is Partner Track, as it ended on a big cliffhanger that there were expectations for the show to perform and it was produced with a more modest budget; which Netflix keeps a close eye on to ensure their return on investment. Arden Cho had the leading role in the series but will remain with Netflix to work on other projects alongside series creator Georgia Lee. She’ll return in the upcoming live-action Avatar: The Last Airbender series, which has high expectations set by Netflix to become one of their next big series.

    The Imperfects explored a trio of unlikely powered individuals as they try to find a way to heal their monstrous new abilities. The series starred Rhianna Jagpal, Morgan Taylor Campbell, and rising star Iñaki Godoy in the lead roles. The latter is also set to return for the upcoming live-action One Piece series, which also has high hopes to become a mainstay on the platform given the success of the original manga series.

    Source: Deadline

  • ‘Black Panther: Wakanda Forever’ Pulls in $45M in Advance Ticket Sales

    ‘Black Panther: Wakanda Forever’ Pulls in $45M in Advance Ticket Sales

    All eyes are on Black Panther: Wakanda Forever‘s release later this week, as it’s the final entry of Marvel Studios’ ambitious Phase 4 and rounds out the year for the studio. The studio has faced a bit of a sophomore slump but still remains a constant when it comes to its box office success. Many have wondered if Wakanda Forever would buckle under the weight of the previous entries and the loss of its main star Chadwick Boseman, but it’s currently performing very well.

    According to The Hollywood Reporter, the latest Black Panther film has already pulled in $45M in advance sales just in the United States with quite a few days still to go. It’ll release worldwide on Wednesday with no releases in China or Russia planned currently. At the moment the film is likely to make at least $175M with some hoping to be closer to $200M depending on word-of-mouth from the film. Even Disney CEO Bob Chapek highlighted the pre-sales in the latest earning call.

    Ryan Coogler has delivered another culture-defining film … evidenced by advance ticket sales.

    Bob Chapek

    The film has sold more than Thor: Love and Thunder but is behind Doctor Strange and the Multiverse of Madness, which was perceived as an event film and was quite frontloaded. It may reach $60M+ by Friday which would put it past the first Black Panther which ended up earning $202M in its opening back in 2018. It went on to pull in $1.34M and it’ll be interesting to see how Wakanda Forever manages to perform in comparison once it releases in a few days.

    Source: Hollywood Reporter

  • Disney+ Adds 12.1M Subscribers, ‘Ms. Marvel’ Highlighted as a Contributor

    Disney+ Adds 12.1M Subscribers, ‘Ms. Marvel’ Highlighted as a Contributor

    It’s very clear for a while that streaming is a high-investment game and those costs only continue to grow over time. Netflix still has showcased that this model doesn’t always promise instant wins as expectations on all sides continue to grow to hope to be the one that draws in the biggest crowd. In Disney’s latest earnings call, it was highlighted that Disney’s streaming losses have continued to grow to $1.47 billion even as it added an impressive 12.1M subscribers in the last quarter.

    Overall, Disney is doing well in the streaming market by hitting 235M subscribers overall, as Hulu added one million and ESPN+ another 1.5M. Ms. Marvel, interestingly enough, was highlighted as one of the shows that gave Disney+’s growth a boost, which is interesting considering it had a lower viewing count when compared to others in the franchise. It once again may highlight the importance of Disney diversifying its portfolio to draw in viewers, especially a younger generation.

    The biggest concern lies in how Disney has doubled its year-over-year investment, which will have investors and shareholders uncertain about the potential of this market. CEO Bob Chapek hinted that these costs have now peaked and profitability would start in 2023.

    The rapid growth of Disney+ in just three years since launch is a direct result of our strategic decision to invest heavily in creating incredible content and rolling out the service internationally, and we expect our DTC operating losses to narrow going forward and that Disney+ will still achieve profitability in fiscal 2024, assuming we do not see a meaningful shift in the economic climate. By realigning our costs and realizing the benefits of price increases and our Disney+ ad-supported tier coming December 8, we believe we will be on the path to achieve a profitable streaming business that will drive continued growth and generate shareholder value long into the future.

    Bob Chapek

    There’s a lot of hope in the new ad-tier version of these Disney bundles to make that profitability possible especially as they also have a price increase planned. If they manage to accomplish this task, the world may take another look at the streaming market’s longevity. The Wrap considers it a signal of “streaming fatigue” but that’s difficult to truly say at this point even with minor signs potentially steering it in that direction. At this point, the first promise of profitability is crucial for Disney to prove their investment was truly worth it. Overall Disney has a revenue of $20.1 billion in its quarter with an operating income of $1.6M.

    Source: THR, Twitter, The Wrap

  • ‘Gotham’ Knights Adds Lauren Stamile and Damon Dayoub in Recurring Roles

    ‘Gotham’ Knights Adds Lauren Stamile and Damon Dayoub in Recurring Roles

    There was a time when people thought the CW wasn’t moving forward with Gotham Knights, the story of Bruce Wayne’s adoptive son uniting with the children of Gotham’s iconic villains to take on a new threat after the death of his father. The series is seemingly staying far away from most comic influences and paving its own adaptation but will still include elements from the original.

    While most CW series are getting axed currently, it does seem like they are quite busy working on the series by Batwoman trio Natalie Abrams, Chad Fiveash, and James Stoteraux. The series has now added two recurring roles with Lauren Stamile and Damon Dayoub joining the DC project. They will play the parents of Brody March, Lincoln, and Rebecca March. The series showrunners had the following to say about the casting:

    We are absolutely thrilled to add Lauren and Damon to our already stellar cast. It’s very fitting for their characters in particular to join our world of Gotham. And while fans of the comics may recognize Lincoln’s name, they should expect some twists in the stories to come.

    Lincoln is teased as a “self-made industrialist with designs on becoming Gotham’s next mayor” who has a bit of an obsession with gaining more power. Stamile will be taking on the role of a wife that is trapped in an unhappy marriage but tries to keep up the facade. No further details are given on what to expect from their characters and generally where the series’ overarching narrative might be heading but it’s currently set for a midseason release.

    Source: Deadline

  • BREAKING: Disney Hoping to Develop an ‘Indiana Jones’ Series for Disney+

    BREAKING: Disney Hoping to Develop an ‘Indiana Jones’ Series for Disney+

    Indiana Jones is set to make a big comeback with the upcoming fifth film starring Harrison Ford in the iconic role once again. Yet, it seems that Disney is not interested in leaving it with just that single project. According to a new report by Variety, it seems they are also hoping to develop a Disney+ series based on the iconic archaeologist’s globe-trotting adventures. They don’t have a writer or showrunner in place. So, it’s not a definite project at the moment but definitely something they are looking into.

    There’s also now ord if they are hoping to develop a prequel, many might recall the plans to make an Indiana Jones Jr. series a long time ago, or even if this might act as a spinoff simply set in the same world. Ford has openly stated he’s done playing the character with the upcoming fifth film, which could also hint as it acting as a sort-of reboot with someone else in the title role. Still, we don’t have much to go on as of now.

    Disney’s focus on IP is well-known and it would’ve been quite surprising if they haven’t thought of further developing the Indiana Jones brand in some way. Still, they have only thrown the idea out there and are likely looking for someone to pitch their take on the project. Who knows if this might even see the light until 2026 if no one is currently attached, to begin with? Lucasfilm has also not been very thorough in consistently putting gout projects, which could also play a factor and doesn’t mean we’ll definitely see a series spin out of this initial kick-off.

    Source: Variety

  • Ana de Arma’s ‘John Wick’ Spinoff ‘Ballerina’ Adds Keanu Reeves

    Ana de Arma’s ‘John Wick’ Spinoff ‘Ballerina’ Adds Keanu Reeves

    The John Wick franchise is continuing to grow, as not only are we getting a TV spinoff that explores the early days of the iconic hotel chain but also a female-led spinoff only known as Ballerina as of now. It’s unclear if this new cinematic franchise will receive an original naming to tie it all together, but it does seem like the franchise’s iconic star, Keanu Reeves, is set to join the production of the upcoming spinoff.

    Collider has shared the news that he’s already in Prague filming to return as the iconic character that kicked off a new franchise. He’ll be joined by the returning Ian McShane with Ana de Armas being attached as this spinoff’s main star. Len Wiseman is directing the production based on a screenplay by Shay Hatten. There’s no word if this story is set after any of the John Wick titles, or potentially explores the early days of the hitman’s time as Baba Yaga.

    It’s crazy to think that a simple concept would end up growing to become such a massive franchise. Even the small horror film A Quiet Place is continuing to grow with its first spinoff in the works. So, we’ll see just how big this franchise can go, especially if Ballerina and The Continental end up being successes. There are many more hitmen out there in this neo-noir world. So, there are also many more stories that could be told that would still fit within the story we were introduced to all the way back in 2014.

    Source: Collider

  • ‘Black Panther: Wakanda Forever’ Eyeing Massive $365M Opening

    ‘Black Panther: Wakanda Forever’ Eyeing Massive $365M Opening

    Black Panther: Wakanda Forever is set to open huge at the box office this weekend. The sequel to 2018’s massively successful Black Panther is eyeing a $365 million worldwide opening. That includes a projected domestic between $175M-$185M and $180 million internationally. Those numbers would put Wakanda Forever on track for an opening between $355M to $365M.

    Should those numbers hold, that’ll give Wakanda Forever the third highest debut of the pandemic following fellow Marvel movies, Spider-Man: No Way Home ($568M) and Doctor Strange In the Multiverse of Madness ($429M). Unsurprisingly, box office experts expect Wakanda Forever to dominate the box office for some time. With little to no competition, Wakanda Forever could realistically dominate until Avatar: The Way of Water releases on Dec. 16.

    Since estimates came online, Wakanda Forever has been consistently tracking for an opening North of $175 million. With positive word of mouth, it’s entirely possible Wakanda Forever‘s box office haul will only continue to climb.

    Black Panther: Wakanda Forever stars Angela BassettLetitia WrightWinston DukeDanai GuriraFlorence KasumbaLupita Nyong’oMartin FreemanTenoch HuertaDominique ThorneMichaela CoelMabel Cadena and Alex Livinalli. It’s set to hit theaters on Nov. 11th. Tickets are available now.

    Source: Deadline.

  • Season 4 of ‘Manifest’ Debuts to 57.1 Million Hours Viewed

    Season 4 of ‘Manifest’ Debuts to 57.1 Million Hours Viewed

    Manifest debuted the first half of Season 4 on Netflix last week to impressive numbers. It was revealed today that the series easily took the No. 1 spot on last week’s Top 10 list on Netflix. The first 10 episodes of Season 4 are said to have pulled in 57.1 million hours viewed within the first three days on the service. Also impressive, the first season of Manifest also reentered the top 10 with 20.3 million hours viewed ahead of Season 4’s debut.

    When Manifest was canceled by NBC last July, the series ended up being shopped around, but at the time, it seemed uncertain it would find another home. In fact, even Netflix initially passed on saving the NBC drama. But as fans continued to stream the series and the number of viewers continued to grow, the streaming giant retracted its initial decision and decided to save Manifest. It’s of note that, in the end, Netflix ended up having to beat out NBC to renew the show for a fourth season.

    The fourth season of Manifest consists of 20 episodes and sees the return of its all-star cast consisting of Melissa RoxburghJosh DallasAthena Karkanis, J.R. Ramirez, and more. As of now, there’s no release date for the second half of Manifest Season 4.

    Source: Deadline.