With Warner Bros. Discovery looking to revamp its slate, fans can expect plenty of changes to occur in the coming months. We’ve already seen multiple changes to the studio’s DC slate, from the cancellation of Batgirl to the Joker 2 officially receiving a release date, and yet there’s still plenty that remains unknown. Recent reports have suggested outside of Joker: Folie à Deux, no other DC film has received the green light, even the previously announced sequel to the critically acclaimed The Batman. So, it shouldn’t be too surprising then that the actors previously involved within the DC Extended Universe are unclear as to whether they’ll return. One actor unsure of his future within the DC Universe is JesseEisenberg.
During a recent appearance at the 28th Sarajevo Film Festival to promote his directorial debut, When You Finish Saving the World, Eisenberg was asked about a possible return to the DC world. In his response, Eisenberg noted that while he wasn’t a comic book fan, he enjoyed playing Lex Luthor. Should he be given the chance to do so again, Eisenberg would gladly do so, but he’s not holding his breath.
“I’d be shocked if I wound up in a DC movie, but it would be a pleasant shock. Listen, I’m not a comic book fan. To me, it was not playing a role that I’d envisioned since childhood. To me, it was a chance to play this great character that this great writer wrote, and I loved doing that. So, to play it is a joy, and to not play it isn’t something that I’m going to be ashamed to tell my kids about, because that is not an important genre in my life, even though I loved doing that movie.”
Jesse Eisenberg
While it might not be an important genre in his life, the actor is still willing to partake in another superhero film, whether it be DC or Marvel. As he explained, just because superhero films are “commercial films,” it doesn’t mean they don’t often come with great roles. “Because as an actor, you do all kinds of different things, and sometimes great roles show up in really commercial things and sometimes terrible roles show up in independent films.”
Eisenberg’s directorial debut, When You Finish Saving the World, hit theaters earlier this year. Up next for him is A Real Pain, which he’ll direct and co-star in alongside Kieran Culkin.
Netflix has nabbed another big name for its sixth season of Black Mirror. Deadline reports that Rory Culkin is set to join the impressive cast of the forthcoming season. News of his casting comes about a month after it was revealed Zazie Beetz, Paapa Essiedu, Josh Hartnett, Aaron Paul, Kate Mara, Danny Ramirez, Clara Rugaard, Auden Thornton and Anjana Vasan have all joined Season 6 of Black Mirror. As with the others, little is known regarding the actor’s role in the anthology series.
Culkin is coming off of FX’s Under the Banner of Heaven where he starred alongside AndrewGarfield. He recently starred in 50 States of Freight, Castle Rock and Waco. He has also previously starred in Signs and Scream 4. The actor also previously led the podcast, Outliers, which followed a young, unnamed boy who believes he and his father are the last remaining humans in a world ravaged by mysterious creatures until that belief is shattered by the truth.
The sixth season of Black Mirror is the first season to be produced through writer CharlieBrooker‘s Netflix-backed banner, Broke & Bones, which he runs along with Annabel Jones. Production on Season 6 of Black Mirror is currently underway with no release date yet announced. It is expected this season will follow the same pattern as Season 5, with limited episodes that are closer to feature film length.
She-Hulk: Attorney at Law is about to be one of your new favorite Marvel Cinematic Universe projects. While much of the first episode was dedicated to establishing Jennifer Walters as an All-New, All-Different Hulk, all the elements are in place for a wildly delightful half-hour comedy series. She-Hulk takes the MCU to a place it honestly has not touched before now, which is somehow both smaller in scale yet feels like an A-list production in terms of its enjoyability and presence in the wider universe. The Marvel Studios universe has now expanded to a place where stories that seemed far-fetched a few years ago have a comfortable place in the MCU, and She-Hulk is opening the door for all of them.
As the “origin” episode, the premiere is not particularly representative of the rest of the series in terms of its structure. She-Hulk is, ultimately, an episodic show that focuses on week-by-week or case-by-case stories involving Jen’s legal career. Still, the amount of time spent on her origin and development as a Hulk with Bruce Banner manages to be thorough enough to connect Jen to a specific, growing section of the MCU and explain enough to allow the show to proceed without too many questions about who or what she is as distractions. In fact, the early fourth wall break serves to precisely lay out the intent of the episode yet still center everything within Jen’s non-superhero life.
The cast in the first episode is limited, but there is no question that Tatiana Maslany is an absolute star in the role. Criticism about She-Hulk’s CGI will not go away even with the final product, but any inability to accept it and move on is only to the detriment of the viewer. The visual effects take nothing away from Maslany’s performance, She-Hulk’s general character, or the ability to enjoy She-Hulk. Mark Ruffalo, who practically shares the episode with Maslany, is similarly phenomenal in his role here. In fact, it is arguably Ruffalo’s best portrayal of Bruce Banner in the MCU.
Because of how She-Hulk nestles itself within the MCU in such a specific casual-yet-important way, its uniqueness cannot be overstated. Quite frankly, after this series, the MCU can never go back to the all-encompassing tone it has had in the past. The show is the perfect final series of Phase Four, which generally felt like an experimental phase to diversify the types and styles of MCU projects. She-Hulk captures the self-awareness of the MCU alongside its tone of focusing on the more day-to-day reality of the universe. If any project has ever invoked feeling “comic book-y,” it is hands-down this one. The post-credits scene is perhaps a perfect example of the ground-level, casual-framing nature of this series. Gossip about Captain America’s virginity, or lack thereof, is now canon to the MCU, whereas before it mostly existed on Twitter.
She-Hulk has a comedic tone that isn’t slapstick or cheap. It feels more mature, real, and grounded in both reality and the universe it exists in. Billed as a half-hour comedy, it feels far from simply being a goofy and empty attempt at laughs. But the superhero elements in this episode do tip the scales a bit further away from truly feeling like an episodic comedy. A challenge going forward for the show will be allowing it to have its own comedic personality that rises above what it seeks to accomplish in terms of any larger MCU plot. For example, hints of a building Hulk universe are obvious in this episode. There are no indications yet that it cannot remain relatively self-isolated, and viewers should be prepared for the end of the “superhero origin” part of She-Hulk’s story early in the series, and perhaps this first episode served to cover and complete it.
It should also be recognized that even with only one episode as a reference, She-Hulk so far seems to be the MCU’s most successful attempt at a woman-led project. Maslany’s performance combined with the script itself is reminiscent of contemporary, quality non-comic book female-driven TV. Jen’s character has so much more texture as it is being written by women seemingly without any hesitation to be unceremoniously honest and genuine as to what Jen’s life (Hulk for or not) would look and feel like. Ms. Marvel also did a phenomenal job with Kamala Khan, but writing and portraying an adult woman with more mature themes feels incredibly fresh in the MCU, even if overdue.
In sum, She-Hulk’s premiere episode has every indication that the series will be a hit. The tone of the show is one that is designed to be simply fun, enjoyable, and even pander to fan service. Not every show or style of humor works for every person, but it is difficult to imagine any major widespread criticism (aside from the CGI) that is not based, in part, on some people’s unfounded discomfort with female superheroes or straight-up misogyny. The toxic “M-She-U” crowd will surely keep yelling into oblivion. But if She-Hulk exemplifies the “M-She-U”, it only proves that that universe is an excellent place to be.
She-Hulk: Attorney at Law has finally found its way to Disney+, offering Marvel Studios’ first comedy. The big challenge is seemingly creating a classic comedy concept with fully CG characters. Director Kat Coiro points out that same challenge in an interview with Variety, as they had to find a way to make the series stand out visually with the rest of the Marvel Cinematic Universe, while still playing in a comedic world.
It’s really about pinpointing those comedic scenes that are about rhythm and banter and dialogue, and allowing those to be shot in the way that traditional comedies are — often cross shooting and allowing actors to improvise. Now, you add to that CG characters, and it’s a whole ‘nother level of complex. When you watch the first episode, you see that Mark [Ruffalo] and Tatiana [Maslany] are bantering.
Kat Coiro
She highlights how they found a balance with the VFX, especially in how important it was to be “really prepared” to ensure that they could also have fun with the concept.
There’s a comedic point of view there. They’re also two CGI characters who require incredible amounts of VFX passes. So it was about being really prepared, knowing exactly how we were going into it, so that we could then allow them space to have fun. That really is the challenge. You have to have fun. To have a comedy, there has to be a sense of playfulness. There has to be a sense of trust that you can improvise and go off script and explore things.
Kat Coiro
It definitely sounds like a challenge to go off script with a CG character, especially with the work required to make these characters stand out as realistic as possible. Still, it’s important for a comedy to allow its actors to breathe with the moment-to-moment comedy to add something special to the series. So, it seems they tried their best to have a balance of both.
Warner Bros. Discovery is looking to pull another batch of titles from HBO Max. It was revealed on Wednesday that the streaming service will be pulling a large list of titles including The Not-Too-Late Show with Elmo, Generation Hustle, Uncle Grandpa and Ellen’s Next Great Designer. The biggest surprise, however, is that the service is also set to remove Aquaman: King of Atlantis from the service this week.
Aquaman: King of Atlantis was first announced in January 2020. The HBO Max original animated series centered on Aquaman’s first day on the job as the king of Atlantis. Joining him in the series were Vulko, the scholar, and Mera, the water controlling warrior-princess, who were there to serve as his two royal advisors. The series saw the hero rise to the challenge as he fought to prove himself worthy of being King of Atlantis.
James Wan, who directed the first Aquaman film and its forthcoming sequel, Aquaman andThe Lost Kingdom, was on board as a producer through his Atomic Monster banner. He produced the animated series alongside Michael Clear, Rob Hackett, Sam Register and Warner Bros. Animation. The series premiered in Oct. 2021 and has since become available to rent through other platforms including Amazon’s Prime Video and iTunes.
As Warner Bros. Discovery continues to evaluate the company as a whole, it’s likely more cancellations and removals will be announced in the coming weeks. Especially given that the goal is to merge HBO Max and Discovery+ by next year.
“As we work toward bringing our content catalogs together under one platform, we will be making changes to the content offering available on both HBO Max and discovery+. That will include the removal of some content from both platforms,” the company said in a statement to the press. “At the same time, we’re already starting to bring our content catalogs together like the launch of the new CNN Originals Hub on discovery+ and a curated collection of Magnolia Network content coming soon to HBO Max.”
It’s Thursday, teammates, and that means it’s time for more NFL news. Welcome to The Morning After Huddle! Derwin James has mastered the art of the ”hold-in”.
Here’s what you need to know:
Of course, you know we can’t talk about the Chargers without an obligatory GO CHAHHGERS! GO! (Arnold Schwarzenegger would be proud) Mr. Derwin James is a rich man, securing the largest safety contract in NFL History yesterday. Derwin and the Chargers agreed to a 4-year extension worth $76.4 million with $42 million guaranteed. Now, that’s California love.
In case you missed it, former NFL player, Manti Te’o, who is known for his claims about a fake girlfriend, has a Netflix documentary about the saga. The story unfolds in the new season of Untold, where viewers get an inside look into how it happened. Te’o says hearing the lyrics ”you cannot heal what you don’t reveal“ at a Jay-Z concert prompted him to speak up. Word to Hov.
Finally, what you have been waiting for, your Key Signings and Trades Roundup:
TRADE: The Las Vegas Raiders will pickup a 2024 7th round pick by trading S Tyree Gillespie to the Titans
Episode one of Marvel Studios’ latest Disney Plus streaming series, She-Hulk: Attorney at Law, gave audiences plenty to chew on. The immediate fourth-wall break, the appearance of one of the MCU’s douchiest characters to date and the breakthrough appearance by Jameela Jamil’s Titania were certainly all eye-catching and worth discussion, however, another brief Easter egg is one that might foreshadow the biggest payoff.
Well before Episode One, “A Normal Amount of Rage”, aired, fans were well aware that a car crash was responsible for Jennifer Walters gaining the incredible powers of her cousin, Bruce Banner’s alter ego, the Hulk. What fans did not know, however, was that the car crash was caused by a Sakaaran ship that came to Earth in search of the Hulk. Why would that ship be on Earth? What could the Sakaarans want with the Hulk? A potential answer comes from both the comics and the ship’s appearance could lend credence to a nearly year-old rumor.
The planet of Sakaar was introduced in 2017’s Thor: Ragnarok and although the Hulk’s adventures on the planet are done, it doesn’t mean the consequences of those adventures have all come to bear. As explained in Thor: Ragnarok, time moves in mysterious ways on Sakaar, so while Hulk may not have been gone too very long as perceived by his friends on Earth, he also may have spent quite a bit of time on Sakaar.
Thor: Ragnarok very clearly adapted bits and pieces of one of the Hulk’s most popular Marvel Comics’ stories: Planet Hulk. Miek and Korg, who were both major players in Greg Pak’sPlanet Hulk, were introduced in Ragnarok, but there were another half-dozen or so other major characters who never appeared. Foremost among them are Caiera, who Hulk married on Sakaar, and their son, Skaar.
Rumors have long pointed to the potential appearance of Skaar in She-Hulk: Attorney At Law and the appearance of the Sakaaran ship on Earth does little, if nothing, to dispel those rumors. Fans of the Marvel Comics might remember that Skaar first appeared in the midst of the World War Hulk event; notably, a World War Hulk film is rumored to be in development at Marvel Studios.
Could the Sakaaran ship be the precursor to Bruce Banner meeting his son, Skaar? Could that meeting be a precursor to a World War Hulk movie being announced, given the rumors that Universal’s distribution rights for Hulk films are set to expire in 2023? Hopefully, these questions will be answered in the near future, allowing fans to start guessing about a whole new set of possibilities.
Production is officially underway on School Spirits, the young adult drama being adapted for Paramount+. Deadline has announced that Kristian Flores (Reboot), Spencer MacPherson (Reign), Kiara Pichardo (The Society), Sarah Yarkin (Texas Chainsaw Massacre), Nick Pugliese (Dramarama) and Rainbow Wedell(The Wilds) have officially joined the cast. They’ll star alongside the previously announced Peyton List and Milo Manheim. Also joining the series in recurring roles are Josh Zuckerman (The Offer) and Maria Dizzia (13 Reasons Why).
The series will follow List’s character as she finds herself stuck in the afterlife and goes on to investigate her mysterious disappearance, alongside a group of other students that are also stuck in limbo from her school. Flores is Simon Elroy, MacPherson is Xavier Baxter, Pichardo is Nicole Herrera, Yarkin is Rhonda, Pugliese is Charley, and Wedell is Claire Zolinski. While Zuckerman and Dizzia will portray Mr. Martin and Sandra Nears.
Oliver Goldstick, who previously worked on Pretty Little Liars, is the showrunner. He’ll also executive produce alongside Nate and Megan Trinrud, who wrote the pilot. Max Winkler, who recently worked on Freeform’s Cruel Summer, is set to direct and executive produce as well.
School Spirits is based on the forthcoming graphic novel of the same name by Nate & Megan Trinrud and Maria Nguyen. The novel will be published next year through Clarion Books, an imprint of HarperCollins Children’s Books. It is being produced by Awesomeness Studios and production is currently underway in Vancouver.
Marvel Studios’ fourth Phase has been full of exciting new characters making their live-action debut, and tomorrow, Tatiana Maslany will join their ranks as the title character in She-Hulk: Attorney at Law. The Disney+ series marks a milestone in the 42-year history of Jennifer Walters, but it’s far from the first time a studio has tried to bring the Jade Giantess to life. From the very first time she tore through the page in 1980’s The Savage She-Hulk #1 – Stan Lee‘s last major contribution to the Marvel universe – it was clear Jen had the potential to be every bit as popular as her incredible cousin. Hollywood took note, and the first attempt at putting She-Hulk on camera came within a decade of her conception. Before fans sit down to watch Attorney at Law, it may be worth taking a journey back through time to discover how the series came to be.
The Death of the Incredible Hulk
From 1977 to 1982, the Columbia Broadcasting System (or CBS, to be less dramatic) aired a full 80 episodes of The Incredible Hulk. A dramatic interpretation of the Hulk story, the series starred Bill Bixby as Dr. David Banner, a lonely physician on the run after exposure to Gamma radiation curses him with turning into a giant green rage monster whenever agitated. With very limited digital effects to rely on, bodybuilder Lou Ferrigno famously stepped in for Bixby whenever he transformed, and the overwhelming popularity of the duo is arguably responsible for the Hulk’s lasting influence on mainstream culture.
Following the end of the series, Bixby maintained his interest in playing Banner and pitched an exciting new concept to Columbia – a made-for-television sequel film that paired his character with Nicholas Hammond‘s Spider-Man, who previously headlined his own less-successful show from 1977 to 1979. The idea fell through pretty quickly, despite interest from all parties involved, and Bixby remained determined to make a live-action Marvel crossover happen. Years later, in 1988, this would result in The Incredible Hulk Returns, which paired Banner with Eric Allen Kramer‘s Thor. In concept, the film would act as a backdoor pilot for a Thor show on rival network NBC, although this never happened. Instead, another sequel movie would be made, titled The Trial of the Incredible Hulk, that featured the big muscle-bound meanie teaming with Daredevil, played by Rex Smith. Again, this was intended as a backdoor pilot, and again, it led to nothing but another Hulk film.
On the third try, according to Starlog Communications’ Comics Scene magazine, the writers intended to introduce a newer Marvel character to help carry the franchise forward. As of 1989, Bixby‘s last telefilm was planned to feature She-Hulk in all her green-skinned glory. Oddly enough, when it was ultimately released as The Death of the Incredible Hulk in 1990, there was no sign of Jennifer Walters to be found anywhere. It’s still unknown exactly why the heroine was booted from the production. Some reports, including another from Comics Scene, claim that Jen was abandoned in favor of a Black Widow team-up. Though Natasha Romanoff does not appear in Death, there is a Russian spy character named Jasmine (portrayed by Elizabeth Gracen) who plays a large role in the plot. There was a brief rumor that She-Hulk would be utilized in a possible fourth film, tentatively titled The Revenge of the Incredible Hulk, but production on that project stalled, and Bixby passed away tragically before it could be made. However, it wouldn’t be long before She-Hulk’s name was once again being batted around for television contention.
She-Hulk: Metamorphosis (ABC)
Only a year after she failed to debut in The Death of the Incredible Hulk, ABC reportedly began development on a stand-alone live-action series for She-Hulk. Nothing is really concretely known about the project, aside from the fact it was briefly publicized in 1990 as an upcoming venture from Marvel and New World Pictures. Unsubstantiated internet rumors suggested it may have been intended as a spin-off of CBS’ The Incredible Hulk, with Ferrigno and Bixby returning once more as supporting characters. Producer Jill Sherman Donner, who had worked extensively on the original show as a screenwriter, was attached to make the series happen. Gabrielle Reece, a volleyball player and fashion model, is rumored to have been cast as She-Hulk, while Baywatch actress Mitzi Kapture was supposedly on board as Jennifer Walters.
If the legend is true, ABC’s She-Hulk made it all the way to filming a pilot in 1991. The premiere episode is said to have revolved around Jen as an assistant district attorney, who is still haunted by the murder of her parents when she was a child. Hellbent on exposing a well-respected businessman as a secret criminal mastermind, presumably the one responsible for her family’s death, Walters is sent on a forced vacation to the Caribbean, where she bumps into Bixby‘s former physician. In this world, Jen and Dr. Banner are supposedly not related, and a romance is hinted at early on. Before anything can flourish between the two, however, a hitman shoots Jen for going after his businessman boss, and Banner makes the hard decision to give Walters some of his blood so she may survive. This results in Walters’ transformation into the Savage She-Hulk, who would not be as intelligent as her comic book counterpart. Instead, Reece‘s She-Hulk was rumored to be a lumbering monster much like Ferrigno.
Much of this was actually somewhat confirmed in the 2011 book You Wouldn’t Like Me When I’m Angry: A Hulk Companion, by Patrick A. Jankiewicz.* In his coverage of the Hulk’s history, Jankiewicz interviewed She-Hulk‘s Sherman Donner about the aforementioned pilot – which she had apparently titled “Metamorphosis.” The creative relayed much of the same information, and even revealed her version of She-Hulk was going to look radically different than the traditional design. Instead of being entirely green like her predecessor, Jen would have had golden skin with bright red hair and green eyes. Why? Sherman Donner explained:
I made her golden instead of green because green isn’t pretty. Changing her skin color made her seem more feminine, prettier and different than just making her green.
Jill Sherman Donner
It’s not known exactly why the pilot was canned before it aired, but the same sources that spread the plot claim there was concern over the lead actress’s ability to hold her own series. ABC is said to have wanted the more well-known Melissa Gilbert for the part and cancelled the entire production when Kapture couldn’t be replaced. Another potential reasoning behind the show’s end was the lack of interest in more Hulk content after the last telefilm flopped in the ratings. That, combined with Bixby‘s eventual passing, ended up derailing all plans for the jolly giant at the time, and if ABC’s She-Hulk was truly supposed to be connected to Bixby‘s world, it could have simply been an unfortunate casualty of the franchise’s untimely demise. Of course, that is mostly conjecture, but the timing does help the theory make sense.
*Disclaimer: Information regarding You Wouldn’t Like Me When I’m Angry: A Hulk Companion came from secondhand sources (cited below) and was included for the sake of providing as much information as possible. The author has not read this book personally.
She-Hulk: The Movie
Once it became clear She-Hulk wasn’t going to appear on television anytime soon, New World Pictures decided to shift gears and begin development on a film adaptation instead. Much like the previous live-action attempt, most of the details surrounding the ill-fated production are a little fuzzy. Different sources have claimed a variety of details, most of which will at least be mentioned here, but there are only a few solid truths that are known to be 100% accurate. Firstly, most everyone can agree that B-movie director Larry Cohen was hired to helm the project sometime in the early-to-mid-1990’s. Some outlets have said that Cohen also wrote the script, while others say screenwriter Carl Gottlieb was commissioned in his place. Either way, the project never made it to filming, and nothing much is known about the hypothetical plot.
What is known for certain, and what is perhaps the most famous aspect of this doomed idea, is that actress Brigitte Nielsen was cast in the title role. Now-infamous publicity photos made their way online some time ago, originating from an article in an issue of Wizard Magazine, showing Nielsen as both Jennifer Walters and the mighty She-Hulk. At that point in the 90’s, the former Red Sonja star had made a name for herself as an action franchise lead. It’s been claimed in the past that the studio wasn’t confident She-Hulk would actually make it off the ground and hoped a photoshoot with someone of Nielsen‘s caliber would interest investors and get the project moving. Alas, the financial failures of the era’s other low-budget Marvel flicks (i.e. Captain America, The Punisher, and Howard the Duck) proved to be too damning and killed the film before lift-off.
She-Hulk: Attorney at Law
Oddly enough, Larry Cohen‘s failed blockbuster would be the last major attempt at bringing She-Hulk to life until Marvel Studios announced it would make a Disney+ series – previously mentioned as being titled She-Hulk: Attorney at Law – in 2020. This was likely, in large part, due to Universal’s acquisition of the Hulk’s film distribution rights in the late 1990s, and their subsequent determination to focus on getting a Hulk movie correct for over a decade. With all eyes on Bruce Banner, it doesn’t seem Universal had much interest in Jen Walters.
Even when Marvel Studios were able to get its hands on the Hulk, it was for crossover films only, preventing the studio from developing a full-blown solo franchise for the character that could have resulted in She-Hulk making her MCU debut years earlier. Luckily, after a lengthy and mysterious behind-the-scenes battle, it would seem Marvel Studios was at least able to come away with the ability to produce a streaming series, and now fans all over the world will finally get to see Jen Walters hulk-out in live-action. With any luck, there won’t be a problem bringing her to the big screen going forward.
Marvel Studios’ She-Hulk: Attorney at Law is set to premiere this Thursday, and as evidenced in the trailers, Jen’s fourth wall breaking will be a big part of the series. Jessica Gao, who serves as the head writer on the show, previously discussed the importance of including fourth wall breaking in the series, stating it was one of the most essential factors from the comics she ensured carried over into the series. However, it looks like it took a bit for the creatives to decide how to work it into the show.
During the virtual press conference last week, Gao was asked how She-Hulk breaks the fourth wall in a way unique to her character. According to Gao, it was a bit of an evolutionary process to decide how the titular hero would use the fourth wall breaks within the series. “I mean, we really talked. It went through a lot of evolutionary steps. A long journey of, like, how much should she talk to camera? Is she talking directly to the audience? Is there another meta element? Is she talking to somebody else, like, that’s more behind the scenes?”
Early scripts had the series using text boxes with editor’s notes instead of having Jennifer Walters talking directly to the camera. Gao took inspiration from the comics and how editor’s notes were added in text boxes. “At one point, there was an iteration in the scripts where, instead of really talking directly to the camera, there were, kind of text boxes that were editor’s notes, like the comic books, how there were editor’s notes in comics.”
Had the series decided to keep the text boxes, Walters would’ve interacted with them on screen, but it was ultimately scrapped. “And she was actually interacting with the editor’s notes that would be onscreen. I mean, we did eventually scrap that idea. But I mean, we went through a lot of different versions of how she would do it.”
While it would’ve been fun to see Tatiana Maslany‘s Walters interact with editor’s notes on the screen, the creatives seem to have made the right decision by choosing to have her speak directly to the camera.
She-Hulk: Attorney at Law premieres on Thursday, August 18th.
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