Tag: Agents of SHIELD

Peggy Carter’s ‘Legends’ Episode May Confirm ‘Agent Carter’s Canonicity

There have been many debates about canonicity surrounding the Marvel Cinematic Universe. Agent Carter, Agents of SHIELD, and Marvel Netflix series have direct tie-ins to the film’s events but not the other way around. SHIELD has been a popular point of discussion. Agent Carter‘s Jarvis, played by James D’Arcy, appeared in Avengers: Endgame and added to the debate that they are, in fact, canon. We may get a more definite answer as of August 4th, as Disney+ will release brand new episodes of Marvel Studios’ Legends. Alongside the Avengers Initiative and The Ravagers episodes, Peggy Carter will get her own episode ahead of her What If return.

Why is that relevant? Well, the Legends series acts as a supercut of their adventure through the MCU. Haley Atwell‘s return as the character was one of the main focus points for the animated series. Before her grand return in Endgame, she had a cameo in SHIELD and later headlined her own series for two seasons titled Agent Carter. If her appearances in both are utilized in the supercut, it would confirm that the series are indeed canon.

Of courses, the Disney+ series takes place within the multiverse, which we witness grow in Loki‘s final episode. We’ve played around with the idea that these storylines can always be part of the more fittingly titled Marvel Cinematic Multiverse. At the end of the day, it’s less about canonicity but rather if Marvel Studios will acknowledge Marvel TV’s work. They have included many references to the films and even followed their storylines to connect to them. It may be the first time we get a more definite acknowledgment outside of an actor’s cameo.

Source: ComicBook.com

July 16, 2021
James Gunn Declares ‘WandaVision’ As The “First MCU” Show

There has been a lot of discussion surrounding the canonicity of Agents of SHIELD, Agent Carter, or even the Netflix series. Loki added the concept of the Sacred Timeline into the Marvel Cinematic Universe that may have put Marvel TV’s shows in a strange limbo. No one openly wants to confirm or deny their connection to the overarching stories developed by Marvel Studios. Early seasons of SHIELD had some strong connections to overarching events in the films but started to distance themselves as the story continued to unfold. The first film acknowledgment of a series was James D’Arcy‘s return as Edwin Jarvis in Avengers: Endgame. Well, James Gunn took to Twitter discussing MCU actors that appeared in DCEU projects and vice-versa. In it, he also made a clear statement regarding the former Marvel TV series.

https://twitter.com/JamesGunn/status/1410677884390236160

He also went on to clarify that there wasn’t as much communication between Marvel TV and Marvel Studios as we thought. There were implications they got some of the older assets to recreate iconic locations such as the Triskellion. Well, Gunn states that there wasn’t any coordination between the two companies.

https://twitter.com/JamesGunn/status/1410764308712022018

We do know there was some communication regarding events, as Agents of SHIELD did tie its release around Captain America: The Winter Soldier‘s twist. The big difference is that the mentioned WandaVision series was not only produced in its entirety by Marvel Studios, but it is also part of their complete roadmap. While story elements connected to the films, they didn’t build upon any from the series like how Doctor Strange in the Multiverse of Madness will continue Wanda’s story from her Disney+ series. There was still no reference to the newly formed spy organization at the tail-end of SHIELD‘s final season. Of course, it doesn’t mean the story could never be part of the MCU. There is still the likelihood of Marvel TV’s old series acting as part of the multiverse that is independent of the rest. Of course, Kevin Feige and his team could surprise us and add more elements from the shows in the near future that pay tribute to the Marvel TV projects but add their own spin.

Source: Twitter (MCU), Twitter (Coordination)

July 2, 2021
‘Loki’ Creator Further Calls into Question the Canon Status of ‘Agents of SHIELD’

Ever since Marvel Studios merged with Marvel TV with their Disney+ venture, we’ve all been keeping an eye out for clues about the canonicity of the ABC and Netflix series. Now that the franchise is venturing into the multiverse with Doctor Strange and the Multiverse of Madness, it could get even more complicated. All eyes were on the latest series heading to Disney+, Loki, to offer some kind of details on how it may fit into the ever-growing Marvel Cinematic Universe. When the first episode showcased the iconic sequence of Phil Coulson inspiring the Avengers, it seemed like the perfect opportunity to allude to his resurrection in Agents of SHIELD. In an interview with Fandom, the show’s head writer Michael Waldron offered a statement on its absence:

No, look, that is one other tendril of the multiverse, perhaps. I think just seeing mention of Coulson again, the very fact that it raises those questions, is exciting.

Now, he seems to kind of confirm that whatever happened in the series might be part of a different multiverse. Yet, as we theorized a few days ago, the first episode introduces us to the Sacred Timeline that exists to prevent another multiversal war. So, it technically doesn’t yet exist because neither does the multiverse. So, it currently wouldn’t be canon but will once the Sacred timeline starts falling apart. Waldron is also the writer of the upcoming Doctor Strange sequel which will explore the fallout of those events.

Hopefully, when that happens, we also get a visual reference to it in the series, as they might tease the different timelines that might also connect directly into What If. We could get a brief cameo of the resurrected SHIELD from the last season’s finale, or maybe Coulson alongside Chloe Bennet‘s Daisy Johnson. Whatever they decide to do, here’s hoping the picture becomes clearer as the multiverse expands.

Source: Fandom

June 15, 2021
How ‘Loki’ May Have Decanonized ‘Agents of S.H.I.E.L.D.’ from the Current MCU Timeline

After the first Loki trailer teased the existence of the Time Variance Authority, it made us wonder how the Marvel Cinematic Universe will play around with the various timelines. It will finally explore the fallout from the events of Avengers: Endgame when Loki managed to escape his timeline and ends up in their timeless offices. We’ve hoped it may explore and explain what we can expect from the upcoming multiverse-focused Doctor Strange sequel. Especially if you consider that the film is written by Loki’s head writer Michael Waldron. Yet, the newly expanded introduction to time travel may have confirmed that Marvel TV’s first series may not be canon after all.

The first Avengers film led to the death of Clark Gregg‘s Phil Coulson. After getting stabbed in the back, the SHIELD agents’ popularity led to a campaign that would see his grand return on the small screen. Marvel TV, independently from its film studio, developed an entire series that focused on the mystery of his revival. Agents of S.H.I.E.L.D. went on to air for seven seasons. It started as a threat-of-the-week series before introducing magic, space, and even time travel. Of course, many wondered if these elements get explored in the time-focused Loki series. Yet, it seems that TVA agent Mobius, played by Owen Wilson, may have decanonized the series by just stating Coulson died. End of story.

There is also the concept of the Sacred Timeline that may have pruned it from the current MCU. It seems that the universe currently exists in one singular timeline that is kept in unison by the timeless bureaucrats. Things happen because they were meant to happen, as Loki learns painfully by witnessing his futile future. Now, we believed that there was a chance it took place in an alternative timeline. At the end of the final season, we see the complete resurgence of SHIELD yet hints that the Snap never happened in their timeline. Yet, the TVA confirms that the timeline tends to repeat over and over again. So, the events from the MCU so far don’t match up with that season’s finale to even confirm it canon in the main timeline.

So, is Agents of SHIELD officially not canon? Yes and no, as there is one possible way it becomes canon once again. The brief video introduction to the organization by Miss Minutes explains there was once a multiverse war that broke all timelines before they got restored into the Sacred Timeline. They also warn of the events that unfold when the multiverse comes into existence. It’ll be the focal point of Doctor Strange’s film, where he explores the madness resulting from it falling apart. As such, that nexus event could happen in Loki, as teased in one of the trailers when we see the timeline breaking apart at different points in time. The Variants in the upcoming What If series are our first indicator that this single timeline wasn’t going to last. For now, Agents of SHIELD do not seem to be part of the singular MCU timeline, but upcoming events could end up changing it. It may even be intentional if we consider other Marvel-related content. All we know is that the multiverse is inevitable and things can always change moving forward, but it seems the next multiversal war is a definite.

June 9, 2021
‘Shang-Chi’ Continues Marvel’s Exploration of Father Issues

Finally, the trailer for Shang-Chi and the Legend of the Ten Rings dropped. We got our first look at Simu Liu in the titular role, as he tries to live his own life out of the shadow cast by his father Tony Leung‘s Wenwu. After a ten-year rest, his father calls upon him to take over the leadership of the Ten Rings. His return into the world he tried to leave behind will re-awaken some dormant issues between him and his estranged parent. Now, producer Jonathan Schwartz highlighted the focus

The core of Shang-Chi’s arc in the comics is really a family drama. That was something that Destin keyed into really early on in our conversations, the idea of taking this broken family and this really dark, even abusive family background and seeing what that does to a child over time.

This story isn’t the first time that Marvel Studios has explored a dark and abusive relationship like this. Avengers: Infinity War put quite a bit of focus on how Thanos turned his adoptive daughter into the perfect killing machine. Of course, it pushed her away from him, as his warped view of the world left a deep rift between them. Let’s not even get started on his abusive behavior towards Nebula and how that even destroyed any chance for his daughters to bond.

Now, Thanos wasn’t the only father leaving a long-lasting scar on his child. Tony Stark’s journey was haunted by the sins of his father early on. The second entry in his trilogy highlighted that very legacy weighing down on Stark, who translated that into some rather destructive behaviors. Learning to overcome his issues allowed him to embrace his mentor role for Peter Parker. Now, unlike Gamora, he was able to make amends with his father in Avengers: Endgame even if Howard Stark had no idea he was talking to his son from the future. Still, it offered a more positive ending for Tony to take away and push him towards his final decision.

Marvel Studios wasn’t the only live-action adaptation in the Marvel family exploring family ties as a core anchor for their storytelling. Marvel TV gave us the ever-expanding family in Agents of SHIELD. The relationship between Phil Coulson and Daisy Johnson, especially during the second season while being hunted by her biological father. We witnessed her even sacrifice a potential relationship with him to ensure he doesn’t have to live with the nightmares of his own actions driven by desperation to find her. Daisy carried that weight with her with Coulson taking on that role she was missing.

Now, an episode that hit home with me was in Daredevil. The close relationship between the Murdocks before tragedy would eventually separate them was laid out in just a few episodes. We see a father struggling to meet ends meet by doing the only thing he believes he can do. The weight of trying to take care of his son and ensure he doesn’t repeat his mistakes will tear at anyone’s heartstrings. In a way, the story of parentage and how it defines the next generation will continue carrying an important role in the MCU, as younger heroes take over legacy titles. It looks like Shang-Chi is kicking off a new generation of heroes with father issues.

Source: Entertainment Weekly

April 19, 2021
Failed Pilot: Looking Back at ‘MARVEL’S MOST WANTED’

After a stand-out performance in one of last year’s best films, the charismatic Delroy Lindo has found himself in the heat of awards season headlines. With his name back in the public eye, I remembered simpler times in Marvel Television history that many seem to have forgotten. I am referring to that lost period in 2015 when Agents of SHIELD was supposed to have a spin-off, with Lindo set as one of the leads. Yes, acclaimed actor and Tony Award-nominated thespian Delroy Lindo once signed the dotted line to become part of the Marvel Universe on ABC. The series was titled Marvel’s Most Wanted, but it never came to fruition. Public interest in the show died almost as soon as news of its demise came to light, but what we learned about the project in the months beforehand indicated it could have been one of the more unique projects in Marvel Television’s repertoire. So, why didn’t the series make it to air? Let’s take a look at the brief history of this unproduced Marvel unicorn.

Background

It was long before The Avengers‘s success, Marvel TV’s Jeph Loeb was trying to adapt lesser-known characters to the small screen. Marvel’s Mockingbird was announced at the 2011 San Diego Comic-Con. They teased it as an Alias rip-off for ABC Family, where Bobbi Morse was a college student who tried to balance her life working for the famous spy organization and going to college. It was eventually dropped in favor of the MCU tie-in SHIELD show, but to make up for it, an older version of Morse was introduced in that show’s second season, played by Adrianne Palicki. Unable to use classic love-interest Clint Barton organically, she had an ex-husband mercenary. It was the obscure comic character Lance Hunter who got reinvented with Nick Blood in the role. The pair become series regulars for two seasons until, still intent on giving Mockingbird her show, Loeb and showrunner Jeffrey Bell had them written off to become the protagonists of their very own spin-off.

Most Wanted

Most Wanted would have been a Mr. and Mrs. Smith-inspired action thriller that saw the duo on the run from a long list of enemies looking to claim a bounty on their heads. At the heart of the story, there would have been the relationship of Morse, a rule-abiding badass, and Hunter, a renegade hotshot, as their semi-romantic dynamic would evolve over multiple seasons. The two would have found themselves in the employ of one Dominic Fortune, a suave rogue adventurer first introduced in Marvel comics in 1975. His wealth of resources would have kept them both alive in exchange for their expertise on assignments. In January of 2016, Marvel TV announced that Lindo will tackle the role of Fortune. A couple of months later, the rest of the cast filled out, with Fernanda Andrade coming on board to play Fortune’s mysterious niece Christina Santos. Oded Fehr joined as the show’s villain, who was teased as a well-known character from the comics. Sadly, his actual role has never been revealed. The pilot even featured a guest appearance from up-and-coming talent Mckenna Grace, who went on to join the MCU as a young Carol Danvers in Captain Marvel.

So What Happened?

Although it never aired, Marvel Television did film a pilot. Produced in early 2016, it seemed certain that the project would get a series order, with showrunners Bell and Paul Zbyszewski openly confident in the prospect. However, in May of that year, ABC announced that Most Wanted would not be happening. The news came as a shock to SHIELD fans, who felt cheated out of more time with two fan-favorite characters now permanently expelled from the world of Marvel Television, for what felt like no real reason. Eventually, ABC President Channing Dungey explained the situation with a statement to Slashfilm.

Most Wanted, ultimately at the end of the day, did not feel as strong as some of the other pilots that we shot. We talked about it with Marvel and we all came to an agreement that we want to figure out what the next show is that we do together, is something that we all feel is as creatively strong as it can be.

Most Wanted was given a small chance of survival, as it got shopped around to other networks, but its strong ties to SHIELD prevented any sort of interest from ABC’s competitors. Ultimately, the project didn’t get picked up, and circumstance meant Palicki never got a chance to finish the story of Mockingbird, the character who ironically started it all. Blood did eventually reprise his role as Hunter for a single episode of SHIELD‘s fifth season. Sadly, Lindo and company never got to leave their mark on the MCU as promised, and the rest of us were left wondering if the proposed spin-off would have been as unique as its mother series’ final few seasons.

Sources: Slashfilm, Collider, The Hollywood Reporter, Entertainment Weekly, IGN, Slashfilm, Variety, Collider

February 12, 2021
Pitching a ‘Metal Gear Solid’ Inspired S.H.I.E.L.D. Game

We have entered a new era of Marvel’s gaming. Sony’s Spider-Man kickstarted a brand new franchise. Marvel’s Avengers attempted a new style of game for the franchise. Now, many of us wondered if we could see any other games based on iconic characters. Spider-Man had the advantage of learning from the games that were released years ago. So, I started wondering if there is any template that would be perfect to use for the Marvel universe. At one point, I was replaying Metal Gear Solid 5: The Phantom Pain, and I then realized it. Hideo Kojima could bring us an amazing game based on the spy organization S.H.I.E.L.D. I do doubt he would ever tackle a third-party IP like this but it is still a fun experiment. So, here are the reasons I believe that Kojima would be perfect to bring Nick Fury and the spy organizations into the gaming world.

Tactical Espionage Action

So, the most obvious reason is the stealth-gameplay from the Metal Gear Solid. Just imagine being able to take control of iconic S.H.I.E.L.D. agents Nick Fury, Maria Hill, Quartermaine, or Jimmy Woo. You’ll have a set of different characters available with unique aspects. Quartermaine might be more of a combat-focused character. He has more ammunition available while Jimmy can hack specific doors. You can access different missions where you infiltrate locations from comic history like an underwater HYDRA base. Maybe you even have to sneak through the Avengers mansion. They are spies so they will do anything to get access to the information they need. They also are regular people so they won’t be able to just take on superpowered individuals. So, it makes sense that they are more stealth-based.

Let’s imagine a scenario of Maria Hill having to get her hands on valuable intel. It would reveal the whereabouts of Baron Zemo, who has gone off their radar. So, you infiltrate the location while stealing one of the soldier’s uniform. Halfway through the base, you realize you don’t have the required key card to continue. So, you have multiple choices. You can use Maria’s knack for disguises to take over from a higher ranking member. Of course, you have to learn the enemies’ patterns and find the perfect time to steal it. Or, you try to squeeze your way through an air duct through which you uncover a discussion between Zemo and the Grim Reaper. You could risk jumping in to take them out, or you focus on your mission.

Heroic World Building

There is one more reason that Kojima‘s approach to storytelling would work well with a S.H.I.E.L.D.-based game. He has this style that easily blends supernatural worlds with military action. To give an example, the original MGS focuses on the character of Solid Snake. The story slowly eases us into a world filled with supernatural characters. Many players fondly remember the moment Psycho Mantis takes over our controller. The entire game ends in a battle on top of a giant Metal Gear mech. He isn’t a stranger to this type of storytelling that would help players jump into a world filled with superheroes, magic, and other dimensions. Plus, he has a way of handling even the most absurd characters. Even S.H.I.E.L.D. has its fair share of strange members like Dum Dum Dugan sticking around since the 1940s.

It would be such a perfect opportunity to let Kojima‘s sometimes insane writing style enter this expansive world. Marvel already did all the world-building over its history. Death Stranding is quite a confusing story, but it does work on an incredible world-building. You start a simple espionage story before you realize people aren’t who they seem to be. You are facing villains with abilities beyond your comprehension, but there is no way around them. Some of your teammates are Skrulls in disguise. It also lets the boss fights get crazier as the story progresses. It opens up the question if S.H.I.E.L.D. becomes too dependent on the heroes to come to the rescue. Nick Fury wants to take things into his own hands and prove that humans are capable of so much more. If there is anyone that can keep the balance of realism and surrealism.

Just a Pipe Dream

Even as I write this article, I know it is a pipe dream. Kojima Productions is focusing on unique IPs. Marvel would supervise soo much that Kojima would get flashbacks to the times working at Konami. Moreover, Konami still has the rights to the Metal Gear Solid franchise. A similar build would get the attention of their lawyers. Still, a part of me hopes that this concept could see the light of day at one time. They can create a roster of unique characters that would include Inhumans or Mutants. Your roster grows as the game’s world starts to expand with new threats. You can be part of S.H.I.E.L.D. growing throughout the game and seeing it adapt to the world around it. It also forces you to adapt your playstyle along the way, as each new mission or encounter comes with its own new challenge. In a world filled with wonders, wouldn’t you want to prove the world you can stand among the mightiest?

October 5, 2020
Marvel TV and the Recasting Dilemma

2020 marks the 5th year since the Marvel-Netflix universe debuted with Daredevil. The year also coincides with the “reverting” of the character rights to Marvel, 2 years after the first set of shows were canceled abruptly. Because of this and rumors of Kevin Feige having an interest in bringing back some cast members like Charlie Cox, loyal fans of the shows are optimistic in seeing these characters played by the same actors in potential movie appearances moving forward.

It’s the age-old question among MCU fans since the inception of Marvel Television with Agents of S.H.I.E.L.D. back in 2013 that keeps coming back: when are these characters going to appear in the films? After all, they’re deeply beloved among fans and the actors themselves have it in their contracts to appear in films if the opportunity arose. But in the 11 years of the MCU, this question has never been outright addressed by the powers that be. Kevin Feige has either dodged or politely answered fluff to every hard-hitting Marvel TV question asked. For example in 2015, when asked point-blank about any movie appearances, he said:

Into the movies? No. Well…. Right now, what Jeph Loeb and the TV guys are doing is focusing on those shows. And certainly with Daredevil coming out last night and being so well received. The next one’s already in production and the one after that has been announced. So I think they’re doing quite well for themselves in that medium. We’ve certainly had discussions on where down the line, who could show up where. But I think they’ve been very smart in saying, “Let us establish this here first.” They’re off to a very good start.

That’s just one of the handful of fluff answers the mastermind of the MCU has given to the press. If you count him purposefully avoiding any Marvel TV answers in a Reddit AMA a couple of years back, his feelings on the matter are telling. During the 2015 same press tour for Avengers: Age of Ultron, Joss Whedon candidly, albeit jokingly, spoke about the film division’s true feelings about Agents of S.H.I.E.L.D. saying, “I think actually the movie people were a little bit cross about the TV show. They were sort of like ‘Well you can have this but not this. And this but not that.’ It’s complicated enough as it is without me adding another layer of complication.” Just last December, when all these brand spanking new Disney+ shows were getting announced, Kevin Feige shadily affirmed that it would be the first time TV content would interlink with the MCU.

Of course, diehards have always known why it’s always been like this; the feud between Kevin Feige and his former boss and overlord of Marvel Television, Ike Perlmutter, that made collaboration between the two divisions near-impossible. But that all changed several months ago when the current iteration of Marvel Television was disbanded following those Netflix cancelations. Right then and there, Disney announced that Kevin Feige was being promoted to Chief Creative Officer for Marvel Entertainment, practically making his rival Ike’s position obsolete in the company. The announcement’s fine print stated that all creative decisions for any property – be it in comics, animation, TV, or film – would go through Feige. This was, in many ways, the biggest status quo change for the Marvel Studios system. All of a sudden, the keys to Marvel TV’s future were now handed to Kevin Feige.

As all the Marvel Netflix characters await their return into the hands of the MCU’s showrunner, two new questions beg to be raised. Should the characters be rebooted from scratch or should they live on with continued stories in the MCU?

Believe it or not, the answer is a very complicated one and starts with the man himself, Kevin Feige. It shouldn’t come as a surprise now, following the billion-dollar success the Infinity Saga became, that Kevin Feige loves being able to do what he wants. His system at Marvel Studios has always prided itself on having the freedom to go bold and big whenever and wherever regardless of the cost. Marvel TV’s creative decisions, however, have remained separate from Feige’s purview and a lot of them haven’t been exactly great.

An amazing character like Iron Fist made his live-action debut in a show that was nothing short of lackluster. Iron Fist‘s second season was an undeniable improvement but the first season’s stench dwarfed the corrections they made that it was too little, too late. Luke Cage, Jessica Jones, and The Punisher all started out as very strong shows but slowly diminished in quality as their stories progressed. Even the highly-publicized Defenders team-up show that was the epicenter of Marvel’s multimillion deal with Netflix failed to live up to its hype despite having all the tools to make it great. And in light of reports of Jeph Loeb’s racist mandates that derailed the creative process for these shows, the whole thing seems like one wasted opportunity after another. It’s honestly a miracle that Daredevil managed to stay consistently solid amidst all that.

With hundreds of hours of content, these shows have already established their own set of rules and canon. Even though the canon initially revolved around the events of the first Avengers movie or the Incident, they’ve pretty much taken their own steps to where they wanted this corner of the Marvel universe to go. This might not lineup with Kevin Feige’s idea of a Marvel street-level universe, especially now that street-level properties like Moon Knight and Blade have been greenlit. Kevin Feige likely has his own idea of K’un L’un and Shou Lao, his own take on Frank MIller‘s iconic Hand/Bullseye/Elektra saga, his own version of Luke Cage that is primed for the Avengers, and his own vision of how he wants these characters to be. It’s hard to imagine any interest from Kevin Feige in continuing and tieing into stories that he had no hand in shaping.

People have brought up the idea of doing a soft reboot i.e. continue with the cast but start from scratch. This makes more sense than straight-up continuing the established Marvel-Netflix status quo; the fans win by getting to see their favorite actors play their favorite characters and Marvel Studios gets a fresh start on where to take them. However, going this route has its own set of problems. Netflix is, by and large, a competitor of Disney, especially now that the House of Mouse has its own streaming service. Even though the live-action “rights” of all the Defenders characters revert to Disney this year, that doesn’t preclude Netflix from airing all the existing Defenders shows, which they legally own.

To continue the cast puts Disney in a tough spot. Say they bring back Charlie Cox as Daredevil or Vincent D’Onofrio as Kingpin in a new Daredevil film. It’ll be the shit because both of them are absolutely great in that role. You go out of the theater and say to yourself, “That movie was amazing. Charlie and Vincent were killer. I sure would love to see more of them together.” Well, guess what? You can see them together in the comfort of your own home. Just queue up the show on Netflix and enjoy 39 hours of Charlie and Vincent at your behest.

Therein lies the biggest problem with continuing the cast. To continue this iteration of Daredevil will inevitably drive audiences to check out Charlie Cox’s other appearances as Daredevil and where else will they find more of that but on Netflix, Disney’s #1 competitor in the streaming wars? “But the fans! Disney has got to listen to the fans!” Fans are great and play a big part in why these things get made but at the end of the day, it’s corporate interests that drive the decision making. Remember, this is Disney we’re talking about. There’s a reason why they refuse to even give Universal the time of the day even if its to make a highly-demanded Hulk solo film. There’s a reason why the Sony-Spidey talks broke down last year. It’s hard to imagine a scenario where Disney becomes cool with its content driving audiences to Netflix.

Logistically and fiscally, it’s more sensical to just completely start from scratch. Get a new face to play all these characters and tell the stories you want right from the beginning. Avoid the trouble of turning audiences towards your competitor. Get rid of the baggage of having a pre-established canon. Yes, losing the cast members, who’ve done exemplary work on these shows, will sting hard but it’s the easiest way to move forward.

Ultimately, the one guaranteed silver lining here is that these characters will live on no matter what. Regardless of the cast returning or not, we’re a hundred percent going to see the Marvel Studios version of Daredevil, Iron Fist, Luke Cage, and Jessica Jones down the road under Marvel Studios. The Netflix shows may have clocked in longer than all the MCU films combined but there’s actually a lot in the comics the shows didn’t get to explore. A lot of that had to do with budgetary constraints, so the creative teams had to opt for a more grounded, real-world gritty tone. While that’s not a bad thing, it’s important to remember that these stories are based on source material that’s grand and exciting. Dragons exist! Sorcery exists! Demonic ninjas exist! A villain called Stilt-Man has hydraulic legs! Daredevil should be able to traverse high-rise buildings like he would in the comics. Danny Rand needs to fight an actual dragon. With the budget Marvel Studios invests in their projects, these things are all possible now.

As for the other defunct Marvel TV shows, they’re in a slightly better position than the Netflix shows. For one, they don’t have the competitor problem the Netflix shows pose since ABC, Freeform, and Hulu are all under the Mouse House. Now that Agents of S.H.I.E.L.D. has ended and in light of rumors of a S.W.O.R.D. Disney+ show happening, Chloe Bennet reprising her role as Quake is certainly a possibility. It’s logistically a lot easier to soft reboot someone like Quake and incorporate her into the MCU without worrying about helping the competitor. If anything, a film appearance might boost the syndication deals ABC has with international networks. Of course, it’ll be a matter of Marvel Studios being interested in that idea. But judging from stuff that’s been said, it’s clear that the fan demand to see the Marvel TV actors appear in the films might not be as mutual as some people think. However, stranger things have happened. We all at one point thought that neither Spider-Man nor the X-Men would ever make it to the MCU. Yet here we are.

August 17, 2020
REVIEW: ‘Agents of S.H.I.E.L.D.’ Season 7
It is hard to believe that Agents of S.H.I.E.L.D. is over. After seven years the show has finally aired its final episode. It has been quite the journey. Somehow, Marvel TV’s first major series has survived quite a few hurdles. It saw strong ratings drop throughout its first season. Each season got shifted around the schedule to make way for other shows. Its fifth season finale was even titled “The End”. Suddenly, it gets renewed for two more seasons. Against all odds, SHIELD has now outlived all other Marvel TV shows. At the same time, it signifies the end of an era. Kevin Feige took control to expand into streaming services. As we enter the new Disney+ era, let’s talk about the final mission for our favorite SHIELD agents.

As you continue reading, please keep in mind that there will be spoilers. Only continue at your own risk.

An Adventure Through Time

The story starts us off where the last season ended. Our team ends up in the 1930s. The Chronicoms, a race of synthetic aliens, are trying to destroy SHIELD before it was even truly founded. As such, our ragtag team of agents is forced to chase them down throughout history. On their trip, they have to ensure that HYDRA is established. They infiltrate Area 52. At one point, they even have to stop project INSIGHT centuries before it happened in Captain America: The Winter Soldier. Luckily, they have an LMD Coulson to keep them company on their travel through time.

Even after Mack’s warning, they keep changing history. SHIELD’s history gets rewritten multiple times. Wilfred Malick, the before-mentioned HYDRA founder, lives long after his expiration date. His son, Nathanial Malick, wasn’t sacrificed to Hive. He even steals Daisy Johnsons’ quake powers. Afterlife is invaded by HYDRA, where Daisy meets her sister. She was supposed to kill herself but is interrupted by Nathanial. They even invite multiple characters unto the Zephyr-One. Luckily, only Agents Carters‘ Daniel Sousa stays on board beyond his time.

Throughout the season, one of the major mysteries is the whereabouts of Fitz. Simmons has an implant in her neck that keeps her from remembering. He doesn’t show up until the final episodes. Luckily, to fill the void a lot of familiar faces appear throughout the season. Daisy’s mother Jiaying helps Yo-Yo get her powers back. Patton Oswalt returns as the Koenig’s great-great-grandfather. One particular highlight is the return of the first seasons’ main villain John Garret. Tragically, Bill Paxton sadly passed away a few years ago. His son James Paxton took on the role in his honor. He gives us an amazing performance that felt like a younger version of the character. Still, I was expecting more cameos and callbacks. With six seasons to choose from, it felt a little lackluster. I was hoping for a grand return of Brett Dalton‘s Grant Ward or Jason O’Mara‘s Patriot.

Highlights of the Season

As I am looking back at the entire season, there is a lot to cover. Instead of giving recaps of every single episode, I want to talk about my favorite episodes and the moments that made them standout in this season. A general highlight is that each episode had a different opening title depending on the era they were in. It was a fantastic touch that just made this season just a bit more special.
- #701 The New Deal kicks off the season and is our real introduction to what we can expect. It is always great to see the return of Coulson and him getting used to not being fully human. What sold this episode was our LMD agent meeting Franklin D. Roosevelt. It was a calm moment. Our former historian got to geek out to meet a historical figure.
- #704 Out of the Past embraced the classic film noir storyline. I love the in-universe reasoning for Coulson’s inner monologue and that everything is in black and white. Sousa was a highlight throughout the season. He is fleshed out much better here than in Agent Carter, which made me happy to see him join the team long-term.
- #707 The Totally Excellent Adventures of Mack and The D gave us Mack at his lowest. The twist from the previous episode of his parents death was heavy but it was this episode that let it sink in. We’ve never seen Mack like this. It was kind of depressing and it was so great when the episode just suddenly turned into an 80s slasher flick. It was jarring at first but with Deke anything is possible. Also, respect that they managed to add as much blood as they did.
- #709 As I Have Always Been was probably the darkest and funniest episode of the season. It’s a bit of a cliché to have a time loop storyline nowadays. Yet, I do believe they really added some perfectly dark humor to make it stand out. The ongoing joke of them getting killed by Enoch was hilarious. Speaking of, Enoch turned into one of my favorite characters in the show. So, this was a rather sad farewell to a fantastic character.
- #711 Brand New Day was a bit of a filler episode. It set up mostly everything for the finale but it really turned the tables at the end. Suddenly, the Chronicoms destroy every SHIELD facility. The moment we see the Triskelion getting blown up was a shocking sequence. It also just highlighted how great the effects work is on this show by Mark Kolpack and his team.
- #713 What We’re Fighting For has some amazing scenes. The reveal that our team was in the hazmats suits from the last season’s finale was great foreshadowing. The action sequences were done incredibly well. The reveal of Fitz and Simmons’ kid was beautifully done. The sequence through the Quantum Realm surprised me quite a bit. Also, ending the series the same way the first episode ended was a nice touch.
Overall, this was one of the best seasons. The time travel antics made me wish we had more episodes to explore this concept. Sadly, you do realize they ran out of budget later in the season due to a stronger focus on indoor scenes. Still, they managed to make this season feel like they had no restrictions. After seven seasons, they mastered the balance between action, comedy, and heartfelt drama. Especially as the show entered the more fantastical realms of the MCU, they always managed to keep a focus on their characters.

The season’s weakest link is the villains. Nathanial Malick works in theory. It helps to have a HYDRA connection but he feels underdeveloped. Also, the Chronicom’s lose their edge after a few episodes. Sibyll was a great addition. It gives the evil alien race a face. It even makes sense with the reveal that they planned on including M.O.D.O.K. at one point. They just don’t do much with her. She gets killed off-screen without a true resolution. It felt like it was trying to balance a new storyline while also paying tribute to the previous seasons. Yet, it lacked the focus to bring it together. Still, it’s a great season. I am more upset that we don’t get more time with this concept beyond these 13 episodes.

All About the Agents

Clark Gregg‘s performance as Coulson is as iconic as ever. It still makes me wish he will continue this role no matter what. We got some amazing additions throughout the seasons. Chloe Bennett‘s portrayal of Daisy Johnson has truly evolved since her initial appearance. To see her become a superhero throughout the show added a great heroic element. This season especially highlighted her arc and character development. Hopefully, these two will continue to have a future in the MCU.

Fitz and Simmons were the glue of the team. Their romance was just iconic and it was especially a highlight this season. The revelation that they were able to spend time with their daughter had me in tears. Who would’ve thought we’d miss Fitz this much. Iain De Caestecker is a fantastic actor. So, it was a bit disappointing that he only appeared for about two episodes. I was this close to retitling this show “Finding Fitz” and doubted he would ever actually make an appearance.

The rest of the cast is also fantastic. Standout performances this season go to Henry Simmons as Mack and, as I already mentioned, Joel Stoffer‘s Enoch. I’ve always been huge of Mack throughout his appearances. He was the perfect choice as director of SHIELD after Coulson’s death in the show’s fifth season. Enoch was a surprise. I believed he was a one-off character at first. As soon as he kept reappearing, I started to care for this character. His performance of a robot alien slowly with growing empathy was incredible. The moment he called Fitz his best friend was both heart wrenching and funny.

Broken Timeline

I loved this season quite a bit. The ending is a great touch. The ending showed us a world where SHIELD lives on. Mack has stolen Fury’s wardrobe to continue as a director. Daisy is in space with Sousa and her sister, Kora. Fitz and Simmons left this life behind to raise their daughter. May works as a teacher at the SHIELD Coulson Academy and Yo-Yo is still out there doing missions. The one who started it all has a rather somber moment. Coulson flies off in Lola to just do what he always wanted to do. It’s a fitting ending for this show. It echoes Coulson’s words from the first season when the spy organization fell apart at the hands of HYDRA. They are agents of SHIELD not the agents of nothing.

My only gripe is, this takes place about two years after The Snap should’ve happened. We saw that in Avengers: Endgame that the world never really recovered from that event. This show kind of glanced over that moment as if it never happened and now it doesn’t match the world we saw previously. There is a good chance that their escapades in the fifth season splintered them off into a different timeline but until an official word comes out we might never know. For now, most people can only go by their headcanon. Especially with the end of Marvel TV as we know it, this would’ve been a great way to kind of put a nice ending on it all. It still is a great ending. I respect that the showrunners Maurissa Tanchaeron, Jed Whedon, and Jeffrey Bell focused on their stories rather than let the larger MCU determine their direction. It just ends with more open questions that necessary. It could lead to some disappointment as people are expecting these characters to return in the future.

A Spy’s Goodbye

At the end of the day, it has been a fantastic seven-year run. Every show has its issues and SHIELD is not exempt from that. My only gripe is that they never did anything with the Secret Warriors. Still, I think a show does something right if the ending gives you peace. Yet, at the same time, you wished it would continue. It’s a strong testament to the writing and the team behind it. We were here for the characters and the show never forgot that. So let us raise a glass to bid Agents of SHIELD goodbye and hope for a bright future for these actors. Hopefully, we might see them again in the MCU one day.

Source: Digital Spy
August 15, 2020
‘Agents of S.H.I.E.L.D.’ Season 7 Almost Featured M.O.D.O.K.

Agents of S.H.I.E.L.D. has come to an end with its seventh season. Our team of misfits had their final confrontation with an alien race of sentient robots called the Chronicoms. The last season was a wild ride featuring time travel, outer-space ship battles, and super-powered fights. In an interview with the A.V. Club, showrunners Maurissa Tancharoen, Jeffrey Bell and Jed Whedon revealed some plans that had to be scrapped before starting production. The most significant detail was that they were planning on featuring MODOK as the central villain but weren’t allowed to by Marvel Studios. Here a quote by Jeffrey Bell:

We had a lot of ideas where we were—and I’ll say this, I don’t care—we were given the green light originally to use certain characters from Marvel, and started to break story based on those characters—[Coughs.] MODOK—and then they retracted it. So there were a bunch of things that were going to get a little batshit crazy that were above our pay grade, in terms of the toys we were allowed to play with.

This opens up the question, why weren’t they allowed to use MODOK? He has seen growing popularity, especially with the reveal as the main villain in the upcoming Avengers game by Square-Enix. The most likely reason may be connected to the rumors surrounding Ant-Man 3. Back in April, a rumor started that suggested that he was part of a previous draft of the film. They may still have some plans for the character, especially with AIM already existing in this universe since Iron Man 3. A villain that is just a giant head also seems like a good fit for a more comedy-driven franchise like Ant-Man. A character like MODOK would make for an interesting addition to the franchise and it would’ve been strange to force him into the final season without AIM lurking around. His role was most likely taken over by the Chonicom Sibyl. She acted as the mastermind behind the race, so he may have taken on that role. Still, MODOK joining the larger MCU is a fun prospect and can’t wait to see what plans they have with him. Hopefully, they will balance his ridiculous design and more vicious nature.

Source: AV Club, DisInsider

August 13, 2020