Tag: dcu

  • Wonder Woman Casting: The Search for a New DCU Star

    Wonder Woman Casting: The Search for a New DCU Star

    The future of the all-new DCU was riding on the successful launch of James Gunn‘s Superman. As the new film , which was a hit with audiences and critics, closes in on $200 million at the domestic box office, it seems safe to say that, at least for now, the future is secure… though it certainly won’t look much like the original plan laid out by Gunn and SC Studios’ co-chair Peter Safran.

    While Supergirl and Lanterns, which were both included in the first look at the studio’s Gods and Monsters slate, are on track for release in 2026, they’ll be joined by Clayface, a true horror film, which only took shape over the past year. Beyond that, projects such as Booster Gold, Swamp Thing and Paradise Lost, seem to have lost all creative momentum; however, there’s no shortage of ideas in the queue and it sounds as though one of them is starting to move ahead quickly.

    After a recent report by Variety claimed that a Wonder Woman movie was being fast tracked at DC Studios, longtime industry insider Umberto Gonzalez has added fuel to that fire. According to Gonzalez, who recently appeared on The Box Office Podcast, the studio has begun the search for an actress to portray the DCU’s Princess Diana of Themyscira.

    Gonzalez indicated that Gunn and Safran are following the same plan that led them to Milly Alcock as the shared universe’s Supergirl and are looking for a not-so-household name with a TV-heavy resume rather than an actress with a background in big studio fare. It’s a new age at the box office and it appears that saving salary will be a primary concern as the new studio gets up and running.

    For his part, Gunn has confirmed that Wonder Woman is in development, though he certainly has not given any indication it has been fast tracked. “I mean, it’s not going to be until the scripts are ready,” Gunn said recently when asked about when fans might expect to see Batman and Wonder Woman join Superman in the DCU. “So, both the scripts (The Brave and the Bold and Wonder Woman) are being written now, and, if they’re good, then we’ll go into production immediately.

    Given Gunn’s recent comments that one planned film was abandoned because the writer could not put together a good script, the news is equal measures good and not so good; however, the studio is unlikely to bail on a member of the Trinity, meaning a new Wonder Woman film WILL happen, even if we can’t say when just yet.

    Source: The Box Office Podcast

  • Colin Farrell in Talks to Lead DC Studios ‘Sgt. Rock’

    Colin Farrell in Talks to Lead DC Studios ‘Sgt. Rock’

    During a recent press event, DC Studios revealed that the slate it presented in January 2023 had more or less broken down for various reasons with multiple projects having apparently fallen by the wayside and replaced by others. One of those new projects is Sgt. Rock, a World War II period piece set to be directed by Luca Guadagnino.

    News of the development of Sgt. Rock first broke in September 2024 and by November 2024, trade reports had former 007 Daniel Craig in line to headline the project. Those reports were recently disputed by DC Studios’ co-chair Peter Safran who said he and James Gunnnever met with Daniel.” At the time, Gunn and Safran revealed that they hoped for Sgt. Rock to begin principal photography this summer but only if they could lock down “the perfect actor.” Now it looks like they’ve just about made it happen.

    According to THR, the studio is in talks with Colin Farrell to portray Easy Company boss Sgt. Franklin John Rock. The character first appeared in the first DCU-set project, the animated streaming series Creature Commandos.
    Image Credit: DC Studios

    The role would make Farrell a DC two-timer as he currently plays Oz Cobb, a major player in Matt Reeves‘ Epic Batman Crime Saga, which is set outside the main DCU continuity. According to THR’s report, the new won’t interfere with filming on The Batman Part II, which won’t film until the end of the year at best while Sgt. Rock will get underway in the UK in a few months.

    Screenwriter Justin Kuritzkes, who penned Challengers and Queer, both directed by Guadagnino, drafted the script for Sgt. Rock.

    Sources: THR, Variety

  • DC Studios’ Reportedly Preparing to Film “Insane” Sci-fi Series

    DC Studios’ Reportedly Preparing to Film “Insane” Sci-fi Series

    Even as James Gunn and Peter Safran set out to build the DCU, the DC Studios’ co-chairs have made it clear that creatives will have freedom to tell stories through different mediums, genres and aesthetics. And so while Gunn’s Superman looks to be a bright, pulpy take on the Man of Steel, it takes place in the same continuity as Mike Flannigan‘s body horror flick, Clayface, and James Mangold‘s Swamp Thing, described as a “simple gothic horror movie.”

    The idea is, of course, in line with the long publishing history of DC Comics and should have a similar impact at DC Studios in that it will allow for original ideas to evolve into (hopefully) great superhero stories. One of the earliest test cases for the premise may well be Lanterns, a streaming series that continues to sound a lot like an HBO prestige series. And if one cast member is to be believed, fans may not quite be ready for what DC Studios is about to do with Hal Jordan and John Stewart’s “terrestrial-based investigation story.”

    John Stewart and Hal Jordan are two of DC’s most compelling characters, and Lanterns brings them to life in an original detective story that is a foundational part of the unified DCU…

    -James Gunn
    In an interview with Collider, Poorna Jagannathan, who was cast in a supporting role in Lanterns, described it as “the best sci-fi script I’ve ever read.”

    This is the first script that I’ve read that I understand why there’s an NDA,” explained Jagannathan. “Everything is so insane. It is the best writing that I have ever read.” Created by Ozark writer Chris Mundy, DC Comics ace Tom King and TV legend Damon Lindelof, Lanterns will focus on two of the corps‘ most well-known members, John Stewart and Hal Jordan who will be working as “supercops on Precinct Earth.”

    “I don’t know anything about sci-fi, and I don’t care, actually,” continued Jagannathan. “But this script makes sci-fi seem like my world. It makes it so accessible to me. I understand everything about this world even though I don’t understand this world.”

    The series, with an impressive cast led by Kyle Chandler and Aaron Pierre, had already begun to generate some buzz online and Jagannathan’s comments won’t do anything to temper expectations. With cameras set to roll this week, it may only be a matter of time before DC Studios gives fans a first look at Lanterns which is expected to stream in mid-2026.

    Source: Collider

  • David Krumholtz ‘Supergirl’ Role May Tease Traumatic Flashbacks to Krypton’s Final Days

    David Krumholtz ‘Supergirl’ Role May Tease Traumatic Flashbacks to Krypton’s Final Days

    With the additions of David Krumholtz and Emily Beecham, DC Studios’ Supergirl: Woman of Tomorrow has begun to build its supporting cast. Though original reports of their casting indicated that Krumholtz and Beecham were playing Supergirl’s parents, it was unclear if the pair alhad signed on to play Zor-El and Alura In-Ze, the Kryptonian parents of Kara, or Jeremiah and Eliza Danvers, her adoptive Earth parents. That’s no longer in question.

    Following the trade report, Krumholtz took to Instagram to celebrate the news, calling it a “mindblowing privilege” to join the DCU while clarifying he had been cast as Zor-El.

    Based on Tom King‘s limited comic book series of the same name, Supergirl: Woman of Tomorrow follows Kara across the galaxy as she attempts to find a renewed purpose. It’s unclear just how one-to-one DC Studios’ adaptation of the book will be but Krumholtz‘s role as Zor-El may be relatively small if it’s similar to the role played by the character in King’s work. In the comic, Zor-El and Alura appeared as Kara recalled her final days in Argo City as her father prepared to send her away to save her life.

    Given that Superman will not include Kal-El ‘s origin story, it’s possible that Kara’s memories of her home planet may be the first time it is seen in the DCU. It’ll also be interesting to see what James Gunn and Peter Safran have in mind for Zor-El, who in recent years has become a cyborg under the control of Brainiac.

    Supergirl: Woman of Tomorrow is expected in theaters on June 26, 2026.

  • James Gunn Reveals One Project DC Studios Fans Won’t See Anytime Soon

    James Gunn Reveals One Project DC Studios Fans Won’t See Anytime Soon

    After nearly a decade in development hell, The Flash finally hit theaters in 2023. Mired in controversy due to star Ezra Miller‘s legal trouble and dead on arrival as Warner Bros. had committed to rebooting with the DCU in late 2022, the film performed poorly at the box office and served as a dour sendoff to the DCEU. Now, as DC Studios continues to forge ahead, it seems as though the specter of The Flash may continue to haunt the world of DC Comics’ greatest heroes.

    While responding to a question about the recently announced Clayface film on Threads, DC Studios’ co-CEO James Gunn clarified that a DCU-set Flash project won’t happen anytime soon.

    We’re holding a beat on development,” said Gunn of a potential Flash-led project. No Flash-centric project was announced during the January 2024 reveal of projects expected to be part of DC Studios’ Chapter One: Gods and Monsters and even as the makeup of that batch of projects evolves, no word about the Scarlet Speedster getting another crack at a solo outing has come.

    That’s not to say, of course, that Barry Allen, Wally West or both won’t appear in other projects. Though the studio’s Teen Titans film is expected to feature the same core cast as Teen Titans Go!, Wally West, aka Kid Flash, appeared in over a dozen episodes over five seasons and has always been a core team member in the comics. Additionally, a character who many have presumed to be Wally West was among the dead heroes shown to Amanda Waller in a vision of one possible future of the DCU.

    Source: Threads

  • ‘Superman’ Set Prop Solves New Teaser’s Major Mystery

    ‘Superman’ Set Prop Solves New Teaser’s Major Mystery

    The first teaser for DC Studios’ Superman garnered over 250 million views in its first day, making it, according to DC Studios’ co-chair and the film’s director James Gunn, the most viewed trailer in the history of DC and its parent company, Warner Bros. Given the latter’s century-long history of producing some of Hollywood’s biggest movies, that’s an incredible accomplishment.

    The teaser provided the first look at David Corenswet‘s Man of Steel and the all-new DCU and it looks as though there will be a lot going on both in Metropolis and around the globe. In fact, it’s possible that at least a few of those 250 million views came from fans checking out the trailer multiple times while trying to uncover some clues about a mysterious figure seen on the front page of The Daily Planet.

    Visible in several different scenes, the front page story of the paper boasts the headline “Hammer of Boravia Creates Havoc Downtown” next to a photo of said Hammer. Without a clear look at the photo, fans began to theorize about who the character may be with classic DC villain and Legion of Doom member Gorilla Grodd a popular pick. The character does, after all, appear in Creature Commandos and the blurry image does contain a pretty bulky figure. However, a high-res copy of the paper obtained by Twitter user DCU Updates reveals exactly who the chaos causer is and some very intriguing details that add context to the teaser.

    It turns out the mysterious “Hammer of Boravia” is actually just the Hammer of Boravia, a character it seems that Gunn created for the movie rather than someone drawn from DC Comics’ lore. And he’s made the front page The Daily Planet because he came to town looking to tangle with Superman after the Man of Steel took it upon himself to end Boravia’s invasion of its neighboring country, Jarhanpur.

    Metropolis was targeted by a superpowered mystery man on Sunday, resulting in over 20 million dollars in damage to the city. The self-titled “Hammer of Boravia” attacked Downtown Metropolis claiming it was retribution for the recent political interventions in Boravia by Superman. This vengeful expedition turned into a terrorist assault on American soil, hospitalizing 22 Metropolis citizens. Boravia has been the source of numerous headlines worldwide in recent weeks as it invaded its neighboring country Jarhanpur, only for the brief war to be swiftly ended by the Superman. The President of Boravia, Vasil Glarkos(?), maintains the Hammer of Boravia is not a representative of the national government, but rather an independent vigilante.

    As theorized here, Superman seems to have taken inspiration from one of the character’s earliest comic book adventures which saw him single-handedly put a stop to a civil war raging in Boravia. It remains to be seen what stake, if any, LuthorCorps has in the Boravian invasion of Jarhanpur and if that’s how Superman ends up in the sights of Nicholas Hoult ‘s Lex Luthor.

    When addressing the political ramifications of his actions, Superman said, “While critics thousands of miles away from this conflict continue to argue if what I did was right or wrong, the bottom line is peoples lives were threatened. I had to act.”

    The notion of Superman inserting himself into global geopolitics isn’t novel, having played a major role in the character’s DC Comics history, with the character once having renounced his U.S. citizenship in Action Comics #900. “I’m tired of having my actions construed as instruments of U.S. policy,” the hero said, adding “Truth, justice and the American way – it’s not enough anymore. The world’s too small. Too connected” And that certainly seems to be the vibe Gunn was after by having the character involved in the invasion of Jarhanpur.

  • James Gunn Reveals the One Major Marvel Mistake He Won’t Repeat in ‘Superman’

    James Gunn Reveals the One Major Marvel Mistake He Won’t Repeat in ‘Superman’

    After a nearly decade at Marvel Studios in which he built the foundation for the MCU’s Cosmic corner, James Gunn has now endeavored to build something far more massive. As the co-CEO of DC Studios, Gunn seeks to find the sweet spot that allows for DC Comics rich stable of characters and stories to carve out its own space in the spotlight while also providing a way to ensure the fledgling shared universe has the same kind of staying power Marvel Studios has managed to display.

    Gunn’s experience at as a filmmaker Marvel, where he directed three films and one special presentation in the Guardians of the Galaxy franchise, certainly wasn’t entirely positive. While Guardians of the Galaxy was nearly universally beloved, each of its sequels presented their own unique challenges, including, according to Gunn, some of his own making and one in particular that he’s eager to avoid as he builds the base of the DCU.

    While talking to Phase Hero about DC Studios’ first theatrical project, Superman, Gunn was asked if the film would feature any end credits scenes, a tradition fans of superhero projects have grown accustomed to thanks to Marvel Studios. Gunn‘s response indicated that his ideas on the popular scenes have evolved over time.

    Sort of,” said Gunn when asked by Brandon Davis is Superman would have a credits scene. Before explaining what his plans were, he explained what they are not.

    If you look at my credits scene on the Marvel movies, the one time I fucked myself was when I put Adam Warlock in because then I’m like, ‘Oh shit, now I gotta put Adam Warlock in the next movie,’ which actually was a pain in the ass.”

    -James Gunn

    Admitting to having painted himself into a corner by having to work Adam Warlock into Guardians of the Galaxy Vol. 3 isn’t all that surprising both because Gunn has always been incredibly introspective and because it was fairly obvious to anyone who watched the film that the character wasn’t a great fit for the story. Gunn’s awareness that Marvel’s credits scene tradition, which began as fun, well-intended source of “water cooler conversation”, has developed into an issue for the studio is refreshing. The scenes have distracted from the films, aren’t always followed up and have dipped in quality over the years; in short, it’s time for them to go, or at least become less important. And it sounds as though that’s what Gunn has in mind for whatever credit scenes he has cooked up for Superman.

    So I’m not gonna set up whole universes with end credits scenes,” Gunn told Savis. “I love giving audiences who sit through all of the credits end credits scenes but I’d rather it be something that’s fun for fans and not necessarily ‘Hey, we’re setting up the whole next part of the universe.” So while Nathan Fillion‘s Guy Gardner, who will debut in Superman, will have a role in the streaming series Lanterns, maybe don’t expect a scene that sets the stage for his role in the series… because that scene can just be included in the first episode of Lanterns and allow Superman to tell Superman’s story.

    As if Gunn’s pragmatic, experience-based reasoning isn’t enough, there’s also the fact that developing superhero projects has proven to be a very fluid process, something of which he’s keenly aware as DC Studios gets up, up and away. As he’s made clear, being in development and being in production are two very different ideas at DC Studios.

    Projects which seemed to be close to being realized when the DCU slate was first revealed in January 2024 have moved down the list while others have been bumped up. Gunn recently stated that Supergirl: Woman of Tomorrow was not initially intended to be the DCU’s second film and Clayface, which will go into production early next year, wasn’t even part of the original list of Chapter One projects. So, as Gunn points out, why add something important to the end of a project when so much can change.”Because I know how it goes and I know what it’s like,” said Gunn of why the credits scenes shouldn’t carry so much importance.You think of the best credits scene, but then you gotta adhere to that down the road.”

    Source: Phase Hero

  • ‘Superman’ Star on Presenting a Different Type of Threat to Kal-El

    ‘Superman’ Star on Presenting a Different Type of Threat to Kal-El

    While Alexander Joseph Luthor is inarguably one of the greatest comic book villains of all time, he may also be one of the greatest comic book characters… period. For over 80 years, Lex Luthor has proven himself over and over again as a worth archenemy of Superman and capable of challenging the combined might of DC Comics’ greatest heroes, often defeated only by his own imperiousness and humanity.

    As DC Studios launches an all-new cinematic universe, Luthor will rightly find himself front and center in Superman, the DCU’s first theatrical offering. Given the task of bringing Luthor into the DCU and immediately establishing him as a true threat is Nicholas Hoult (Juror #2), who, among others, follows Gene Hackman, Michael Rosenbaum and, most recently, Jesse Eisenberg as the power-hungry genius. Following the release of the first trailer for Superman, DC Studios lifted a standing embargo on interviews with the cast, including one in which Hoult explained how he hoped to carve out his own spade among the many iterations of Luthor across multiple mediums.

    According to Hoult, part of what will make this Luthor different–perhaps a big part–is that he exists in a world full of heroes. Having learned to thrive in a world full of metahuman characters would certainly be a departure from previous iterations in which Luthor dealt only with Superman or was just coming into his own. “The thing about this Lex, I think that was most exciting to me was being in a James Gunn universe,” said Hoult. “Like you said, so emotionally raw and powerful, but huge in the scope of the world and what he’s creating.” For Hoult’s Luthor, that means leaning heavily into his ingenuity and ability to think ahead.

    He’s smart and ruthless and he has to outmaneuver Superman on certain levels because he can’t match him in others.

    -Nicholas Hoult on Lex Luthor in Superman

    While Gunn is adamant that Superman exists only to tell this story and not to set up the next several DC Studios’ projects. At the same time, he’s also made it clear that the future of the DCU is indeed riding on the success of Superman. Should it succeed, it’s nearly impossible to imagine a passionate comic book fan like Gunn would utilize Luthor as a one-and-done villain, allowing Hoult the opportunity to take on Superman again or, possibly, emerge as an even larger threat as part of the Legion of Doom. If that’s to happen, Hoult’s Luthor would need to be the type of villain that is both hateable and relatable, an idea of which the actor is keenly aware.

    But there’s also something about this character, hopefully from my standpoint, where even though you perhaps don’t agree with his process, there’s an element where you can understand on some levels where he’s coming from and why perhaps what he’s pushing as his ideology is perhaps better for humanity,” explained Hoult. As with Marvel Studios Loki or Thanos, villains whose motoves the audience can at least partially understand make for wonderful cinema because they offer a true challenge to the hero. While this isn’t the type of Luthor that’s often been presented in animated or live-action Superman adaptations, it looks to be the goal here and given the character’s status, it’s well-deserved and well past time that Superman’s greatest for can offer more than some snide remarks and Kryptonite traps.

    Superman lands in theaters on July 11, 2025

    Source: Comic Book

  • Matt Reeves Confirms When ‘The Batman Part II’ Will Begin Production

    Matt Reeves Confirms When ‘The Batman Part II’ Will Begin Production

    Recent news about the state of the sequel to 2022’s The Batman has raised concerns among fans. Direct word from DC Studios’ co-CEO James Gunn indicated that writer/director Matt Reeves had not turned in a complete script yet and with the Gunn having made it clear that projects will not be given the green light to move into production without completed and approved scripts, buzz started to grow that The Batman Part II may not make its 2026 release date.

    That concern was alleviated to some extent when World of Reel shares news that the film was on track for a May 2025 start of principal photography and that the project is expected to “blow away” fans of the Caped Crusader. However, as encouraging as that was, nothing is officially official until it’s official…and now it’s official.

    In an interview with The Batman co-star Zoe Kravitz, Reeves confirmed that while he has not completed the script for The Batman Part II, principal photography remains on track to get underway in 2025.

    Yeah, we’re finishing the script. We’re going to be shooting next year,” Reeves said in response to Kravitz inquiring as to if he was writing the script for the sequel.

    As World of Reel reported, a May 2025 start of filming would allow for the film’s star, Robert Pattinson, to complete his obligations on Christopher Nolan‘s next project in time to prepare for his return as Vengeance. Should things stay on track, The Batman Part II should have no problem meeting its October 2, 2026 release date.

    Sources: World of Reel, Variety

  • James Gunn Confirms ‘Superman’ Teaser Release Date as Official Logo and Poster Are Released

    James Gunn Confirms ‘Superman’ Teaser Release Date as Official Logo and Poster Are Released

    Following weeks of speculation over the release of the first teaser trailer for DC Studios’ Superman, director and DC Studios’ co-chair James Gunn has put an end to what’s been a growing online debate.

    Through a pair of social media releases, fans now know when the teaser will be released to the public, have their first look at an incredible new motion poster featuring David Corenswet‘s Kal-El and a glimpse at the official logo.

    Following the debut of the trailer to press on December 16th, the trailer will be released online on Thursday, December 19th, at 9:00 AM EST/6:00 AM PST.

    The nostalgia-driven motion poster calls on fans to “Look Up” as it brings to mind 1978’s Superman: The Movie by playing an altered version of John Williams’ iconic “Superman March” while Kal-El defies gravity.

    DC Studios’ first theatrical entry in the all-new DCU, Superman will soar into theaters on July 11, 2025.