Tag: Disney Plus

  • REVIEW: ‘Crater’ Digs Deep into the Innocence of Youth

    REVIEW: ‘Crater’ Digs Deep into the Innocence of Youth

    In 2015, screenwriter John Griffin produced an unsolicited screenplay that drew rave reviews, finding itself with the fifth most votes on that year’s Black List, an annual list of Hollywood’s best, unproduced screenplays. Eight years and one major media merger later, Griffin’s screenplay, Crater, helmed by 13 Reasons Why and The Stanford Prison Experiment director Kyle Patrick Alvarez is set to hit Disney Plus and, as it turns out, the Hollywood execs were right about the potential in the script. Crater is an innocent and heart-warming coming-of-age story with hints of inspiration from genre classics such as Stand By Me, The Goonies and Ferris Bueller’s Day Off.

    Set on a lunar colony in the year 2257, Crater tells the story of Isaiah Russell-Bailey’s Caleb and the group of friends that help him fulfill a promise following the death of his father in a mining accident. Caleb enlists his group of friends–and a newcomer in Mckenna Grace’s Addison–to help him keep that promise and together they embark on a road trip across the moon full of fun, danger and discovery.

    On the moon, five teens take an unauthorized and adventure-filled road trip just before one of them is to be sent away on a seventy-five year journey to another planet, leaving behind his best friends.

    Description of Crater from the 2015 Black Lists
    (L-R): Orson Hong as Borney, Thomas Boyce as Marcus, Billy Barratt as Dylan, Isaiah Russell-Bailey as Caleb and Mckenna Grace as Addison in CRATER, exclusively on Disney+. Photo courtesy of Disney. © 2023 Disney Enterprises, Inc. All Rights Reserved.

    The kids’ mission is simple enough: take Caleb on the road trip he had planned with his father before his untimely death. However, the situation becomes complicated when Caleb learns that the clock is ticking and that he’ll be leaving the moon for the paradise planet known as Omega in three days. Further complicating things is an impending meteor shower that will force the inhabitants of the lunar dome into a lockdown that will last…3 days. Caleb and crew make the decision to steal a lunar rover, hit the road and head to a place Caleb’s mother and father held dear: a crater that holds an unexpected treasure.

    Given that the friend group’s adventure takes up the vast majority of the film’s runtime, the chemistry among the actors had to be strong in order for the project to work; fortunately, the young actors work well together. While the key relationship is between Caleb and Billy Barratt‘s Dylan, each of the young core has more than ample opportunity in the spotlight. Grace is great in her supporting role as Addison, whose intelligence and emotional maturity help center the group during some more frantic moments and the odd couple buddy dynamic between almost-too-mellow Thomas Boyce‘s Marcus and Orson Hong‘s WAY-over-the-top Borney adds humor and heart to the story.

    (L-R): Isaiah Russell-Bailey as Caleb, Mckenna Grace as Addison, Thomas Boyce as Marcus, Orson Hong as Borney and Billy Barratt as Dylan in CRATER, exclusively on Disney+. Photo courtesy of Disney. © 2023 Disney Enterprises, Inc. All Rights Reserved.

    Though the threat of danger is ever present as the kids make their way to the titular crater, the road trip is really about what every road trip is about: rebellion, introspection and the journey towards self-actualization. Caleb’s impending journey to Omega weighs heavily on him as not only will he never see his friends again, but given he’ll be in stasis for 75 years during the trip, they’ll all have had an entire lifetime of experiences that he’ll miss. And so, Caleb and his friends let it all hang out on their last few days together.

    Who will Caleb be without his parents and friends on Omega? Who will his friends become without him? These questions are explored and answered so innocently and authentically that Crater will make you remember what it’s like to be a teenager again and just how much of who you are at that time is determined by who you surround yourself with.

    Source: The Black List

  • ‘Crater’ Star Isaiah Russell-Bailey Reveals Which Classic Coming-of-Age Movie Served as Inspiration for His Character

    ‘Crater’ Star Isaiah Russell-Bailey Reveals Which Classic Coming-of-Age Movie Served as Inspiration for His Character

    The Disney Plus original movie Crater tells the story of a group of friends who take a road trip across the moon in their last days together. With Isaiah Russell-Bailey‘s Caleb set to leave the moon following the death of his father, the group comes together to break all the rules and help Caleb fulfill a promise to his dad. Part road trip and part coming-of-age, Crater shines a light on just how important friends are during our most trying times.

    Written by John Griffin, Crater feels nostalgic despite being set hundreds of years in the future. The group dynamic featured in the film calls back to classics such as The Goonies, The Breakfast Club and even Ferris Bueller’s Day Off as the kids break all the rules and put themselves at risk to help their friend get where he needs to be. For a film starring a cast who were all born in the 21st century, Crater is definitely a throwback and according to Russell-Bailey, he had to do some homework and watch another 80s coming-of-age film before he found his inspiration for Caleb.

    (L-R): Isaiah Russell-Bailey as Caleb, Thomas Boyce as Marcus, Mckenna Grace as Addison and Orson Hong as Borney in CRATER, exclusively on Disney+. Photo by Patti Perret. © 2023 Disney Enterprises, Inc. All Rights Reserved.

    I watched Stand by Me in preparation for this film,” said Russell-Bailey. “And I watched it to kind of see who Caleb related to in the film. And I felt like he related to, you know, River Phoenix’s character and Will Wheaton’s character. And I tried to add a bit of their characters to Caleb, so I could make Caleb more well-rounded, as a character. And I love Stand by Me and all those old adventure movies,” he explained.

    Adapted from a Stephen King novella and directed by Rob Reiner, 1986’s Stand By Me is a genre classic that follows a group of boys’ adventure searching for a dead body. Nominated for an Academy Award, Stand By Me is largely considered one of the best films not only of the 1980s but also of all time and seems to have clearly been an inspiration for Griffin’s script. Specifically, the film’s closing lines–“I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?”–seem echoed Russell-Bailey’s performance as Caleb in Crater. Griffins’ script for Crater was one of the top five best unproduced of 2015 according to The Black List, it won’t be surprising to see it join the ranks of coming-of-age classics once it starts streaming on Disney Plus on May 12th.

  • ‘Secret Invasion’ Will Show a New, More Human Side of Nick Fury

    ‘Secret Invasion’ Will Show a New, More Human Side of Nick Fury

    Nick Fury has always been the MCU’s man with the plan. Always several steps ahead of the guy who thinks he’s the smartest guy in the room, Samuel L. Jackson‘s old spy has seen it and done it all. By the time the Chitauri invaded Earth in 2012’s The Avengers, ol’ Nick was already a seasoned veteran of alien affairs, having dealt with the Kree-Skrull War in the 1990s-set Captain Marvel. Next up for Fury is an alien invasion of a different kind in the Marvel Studios Disney Plus streaming series Secret Invasion and it’s set to show MCU audiences a whole new side of Fury.

    Secret Invasion will see Fury faced with his inability to keep a promise he made to the group of Skrull refugees he set out to help find a new home world nearly 30 years prior. As series co-star Emilia Clarke said, Fury “promised a lot of stuff a long time ago, and not a lot has happened. So understandably, a certain amount of resentment has been built.” According to Jackson, that Fury is not the same man featured in Secret Invasion. “Here you have a guy who’s showing his face, and showing his age,” said Jackson in a new interview with Empire, adding “It’s an opportunity to humanize someone that everybody thinks is superhuman.

    In Marvel Studios’ new series “Secret Invasion,” set in the present day MCU, Nick Fury learns of a clandestine invasion of Earth by a faction of shapeshifting Skrulls. Fury joins his allies, including Everett Ross, Maria Hill and the Skrull Talos, who has made a life for himself on Earth. Together they race against time to thwart an imminent Skrull invasion and save humanity.

    Official synopsis of Marvel Studios Secret Invasion

    As opposed to the comic book event from which it takes its name, Marvel Studios Secret Invasion is anything but a superhero cameo fest. That’s by design, according to executive producer Jonathan Schwartz, who wanted to take the focus off the MCU’s godlike icons and place it on the shoulders of its mere mortals. “One of the things we really wanted to bring to this show that makes it a little bit unique in the Marvel universe is vulnerability,” explained Schwartz and that means putting characters like Fury, Maria Hill, Everett Ross and newcomer Olivia Colman‘s Sonya Falsworth at the center of the show’s action. “Nick Fury is just a human, Maria Hill is just a human. A single bullet could take them out. That’s something we don’t always get in the MCU. To bring that level of tension, fear and vulnerability into one of our shows was really exciting,” said Schwartz.

    And so when audiences reconnect with Fury at the beginning of the series, gone is the eye patch and trenchcoat so long associated with the character. “All those things are part of a Nick Fury that’s invulnerable,” Jackson explained and Secret Invasion is more about peeling back the layers of who Fury is…and who he has been behind all the secrets. “It’s great to have an opportunity to find out who he was and delve into how much of a toll his job actually takes on his personal life,” said Jackson adding that the new spin on the character has given him a renewed interest in continuing to portray the character, “I love playing him, and I love the fact that they’re opening him up to all these other possibilities and this whole life that he has.” With Secret Invasion hitting Disney Plus in just over a month, audiences will get to find out just what that life has been and what the cost of it might be.

    Sources: Empire, Vanity Fair

  • First Look at Michael Gandolfini from the Set of ‘Daredevil: Born Again’

    First Look at Michael Gandolfini from the Set of ‘Daredevil: Born Again’

    Despite a significant drop off in the volume of set photos showing up online, Marvel Studios Disney Plus streaming series Daredevil: Born Again is still filming in and around New York City. While the ongoing WGA strike may eventually shut production down, the series has continued with its business and last week one of the series’ stars was spotted for the first time.

    New York Newswire Director of Photography Steve Sands snapped several shots of Daredevil newcomer Michael Gandolfini in action on the set of Born Again.

    No official word has come from Marvel Studios on who Gandolfini will be playing in the series, rumors have swirled that he’ll be portraying a younger version of Wilson Fisk during flashback sequences. The set photos certainly give away anything that seems to confirm nor deny that rumor.

    As of now, Daredevil: Born Again is expected to stream on Disney Plus sometime in 2024.

  • Yoda’s Age in ‘Young Jedi Adventures’ Revealed

    Yoda’s Age in ‘Young Jedi Adventures’ Revealed

    Though Lucasfilm’s new animated series, Star Wars: Young Jedi Adventures, is set during the High Republic Era, a period of time that spans 500 BBY-82 BBY and is set well before the prequel films, it does include a familiar face. At the center of the series are three Jedi Younglings, Kai Brightstar, Lys Solay and the adorable Poob, Nubs, who are learning the ways of the Force and the core values of the Jedi Order. While the trio of Younglings are assigned a Jedi Master at their Jedi Temple on the planet Tenoo, they are frequently visited throughout the seven-episode series by one of the most iconic Jedi: Master Yoda.

    Including Yoda gives the show a sense of familiarity while exploring the High Republic era, a time period which to date has only been developed through comic books and novels; additionally, it fills in the gaps of the Jedi Master’s long life. Fans of the original trilogy remember that Yoda was 900 years old at the time of his death in The Empire Strikes Back. Given that the events of that film took place four years after the Battle of Yavin, that places Yoda’s birth in the year 896 BBY…well before the beginning of the High Republic Era. So how old is Yoda in Young Jedi Adventures?

    Though he’s already walking with a cane, Yoda is a bit sprier than he’s shown to be during the prequel era…as to be expected from a youngster only in his 600s! According to an official synopsis of the show, the events of Young Jedi Adventures are set 200 years before the events of The Phantom Menace. That film was set in the year 32 BBY, so following that canonically established timeline, Young Jedi Adventures is set in the year 232 BBY meaning Yoda would be 664 years old during the time period explored in the animated series.

    By the time Luke Skywalker came to him on Dagobah, Yoda had been training Jedi for over 800 years and that’s exactly what he’s up to in Young Jedi Adventures. Given his incredibly long life, Yoda’s inclusion in the High Republic Era was always a given and this is hardly the first time he’s appeared in a project set during that time. Since the conception of the High Republic Era’s rollout, Yoda has always been a part of the plan to introduce the new time period and has been featured in multiple comic books already. According to Daniel José Older, a lead story architect for the High Republic Era publications, Yoda is “already a respected member of the Jedi Council at this point,” and is “doing what he loves best: looking out for the young folks.” Given the expansion of Yoda’s story currently ongoing in a solo comic, it’s safe to say the wise, old Jedi Master will continue to show up across Lucasfilm’s line of media.

    Source: Star Wars

  • ‘Young Jedi Adventures’ Synopsis Clarifies Canonicity of the Animated Adventure

    ‘Young Jedi Adventures’ Synopsis Clarifies Canonicity of the Animated Adventure

    As part of Star Wars Day 2023, Lucasfilm rolled out new a seven-episode animated series set in the High Republic Era, Young Jedi Adventures. Though it’s aimed at younger audiences, the question of whether or not the events in the series are considered canon has been raised as the series introduces new characters–and even a brand new species–during an era that’s yet to be explored outside of publication. In a press release, Lucasfilm has addressed the issue of the canonicity of the new series.

    Set 200 years before “The Phantom Menace,” during the High Republic era, “Star Wars: Young Jedi Adventures” follows Jedi younglings as they study the ways of the Force, explore the galaxy, help citizens and creatures in need and learn valuable skills needed to become Jedi along the way. Produced by Lucasfilm in collaboration with Wild Canary for Disney+ and Disney Junior, “Star Wars: Young Jedi Adventures” is executive produced by Lucasfilm’s James Waugh, Jacqui Lopez, and Josh Rimes. Michael Olson (“Puppy Dog Pals”) is showrunner and executive producer; Elliot M. Bour (“Elena of Avalor”) is supervising director and co-producer; Jeannine Hodson (“Puppy Dog Pals”) is producer; and Lamont Magee (“Black Lightning”) is consulting producer. “Star Wars: Young Jedi Adventures” stars Jamaal Avery, Jr. as Kai Brightstar, Juliet Donenfeld as Lys Solay, Dee Bradley Baker as Nubs, Emma Berman as Nash Durango, Jonathan Lipow as RJ-83, and Piotr Michael as Master Yoda. 

    The reference to the events of The Phantom Menace would certainly seem to cement the series as canon in the Star Wars universe despite the show not really targeting the type of audience who cares about such things. As executive producer and Lucasfilm Senior Vice President Franchise Content & Strategy James Waugh explained “Star Wars transcends generations; fans of all ages deeply connect with its imaginative worlds, mythic stories, and unique characters.”

    Fans of the Marvel animated series, Spidey and His Amazing Friends, will find it shares a lot in common with Young Jedi Adventures. Not only does the new Star Wars series share the animated style of the Spidey show, it’s also similarly formatted and each pair of episodes is packed with opportunities for young viewers to learn core values through brand new characters. “When developing Star Wars: Young Jedi Adventures, the first Star Wars series created for preschoolers, the creative team never stopped thinking about how this show may be a “youngling’s” first step into a larger world and their first time experiencing the limitless potential of the Star Wars galaxy,” explained Waugh. “The show’s characters, tone, and the life lessons woven throughout each episode were written just for them, and our talented team was committed to honoring the cinematic legacy while staying true to the expectations of parents for the youngest of audiences.

    You can read our full review of the new animated series right here before checking out the series which is now streaming on Disney Plus.

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  • REVIEW: ‘Star Wars Visions’ Returns With Style and Beauty

    REVIEW: ‘Star Wars Visions’ Returns With Style and Beauty

    There’s no easy way to really talk about a project like Star Wars Visions. The anthology series offers something unique with different studios getting the chance to tell a unique story in a galaxy far far away. Going into the second season, Lucasfilm is taking a new approach by expanding beyond Japanese studios to give the world an opportunity to leave a unique stamp on this anthology series. Did their ambitions continue to make this series stand out in this ambitious era of animation?

    One thing is clear: the idea to go beyond anime made this season truly stand out. The animation is beautiful and every studio brings something unique to each project. What continues to be the big selling point of this anthology is just taking known concepts and giving them new life by allowing other creatives to play around with the world we are familiar with. With the added variety of creatives, it adds to the feeling that these stories are quite a bit more personal this time around.

    El Guiri’s Sith offers a visual showcase that blends the lines between reality in its visual style to add something that uses color in such a creative way, it caught me off-guard when its story caught up with the visuals. A lot of this season, at least early on, explores the themes of on which side of the Force you’ll find yourself. Screecher’s Reach by Cartoon Saloon and Mir’s Journey to the Dark Head offer these really interesting stories in two distinct ways. They offer a look at what you’re willing to do to accomplish your goals but end up in very different places.

    Then you also have some fun with Aardman’s animated I am Your Mother, which just looks at a young X-Wing pilot cadet and her relationship with her mother. Of course, there’s also something just so charming about the stop-motion approach from the creators of Wallace and Gromit that makes this little special just stand out, especially with its humor.

    Then you also have 88 Pictures’ The Bandits of Golak and Punkrobot’s In the Stars, which explore the galaxy far far away from the unique perspectives of those just trying to survive. It highlights how two very distinctly animated projects explore tales of survival in a Sith-dominated world. Even Studio La Cachette’s The Spy Dancer uses that concept to offer a rather heartfelt twist in its short runtime.

    Then you also have Triggerfish’s beautifully animated Aau’s Song and D’art Shtajio’s The PIt that highlight just how diverse these stories can be told. The new season continues where the first left off and hopefully, they will continue making more seasons. Stand-outs personally were Screecher’s Reach and The Spy Dancer which felt like the perfect combination of beautiful animation with emotional storytelling. It’s not to say that the others didn’t provide the same but when you have so many good choices, it becomes difficult to truly pinpoint what makes a project stand out.

  • Joe Locke’s ‘Agatha: Coven of Chaos’ Role Revealed Disappointing Dozens

    Joe Locke’s ‘Agatha: Coven of Chaos’ Role Revealed Disappointing Dozens

    Ever since he was cast in Marvel Studios WandaVision spinoff Agatha: Coven of Chaos, Joe Locke has been at the center of one of the greatest controversies of our time. Would Locke’s character, described as “a gay teen with a dark sense of humor” and “a fanboy”, be an immensely popular character from the Marvel Comics who fits the description perfectly and, like Agatha, is connected to the events of WandaVision or would he be a character that dozens of fans of Wikipedia skimming recently discovered?

    Despite it making much more sense for Locke to be playing Billy Kaplan, the former of the two characters, more than one insider and plenty of fans were sure he was playing the latter: Nicholas Scratch. The mystery was deepened even further recently when actress Patti LuPone, who admittedly has no clue what the MCU is all about much less too much about the comics on which it’s based, said Locke was playing a “familiar” in Coven of Chaos. LuPone’s words threw fans into a tizzy but fortunately, it seems everyone can relax as Locke’s body double has revealed the Heartstopper star’s role.

    The Scarlet With Update Twitter account uncovered stunt actor Jamie Sears‘ resume which lists Locke’s character as Billy.

    The news comes as a major shot to the gut to the legions of Nicholas Scratch fans out there. If Locke truly is playing Billy Kaplan, it may mean that all of Nicholas Scratch’s great comic book arcs may never be realized in the MCU. Fortunately, with or without Scratch, there’s still plenty of room for Salem’s Seven to appear on Coven of Chaos when it hits Disney Plus next year.

    What’s your favorite Nicholas Scratch story? Let us know in the comments.

    Source: Twitter

  • REVIEW: ‘Peter Pan & Wendy’ is Among Disney’s Best Live-Action Remakes

    REVIEW: ‘Peter Pan & Wendy’ is Among Disney’s Best Live-Action Remakes

    Peter Pan & Wendy joins the ranks of another live-action remake from Disney that debuted on Disney+. The former was Robert ZemeckisPinocchio remake from last year and 2019’s Lady and the Tramp. Yet, there’s something special this time with visionary director David Lowery at the helm after his work on The Green Knight creates a higher expectation of bringing Neverland to life in a whole new way. Does it live up to the original and can it change the experience some have had with recent live-action releases?

    There’s an interesting dynamic at play with how Peter Pan & Wendy adapts the original Disney film from 1953. A lot of familiar elements are here and most of the opening pretty much just echoes the animated classic. In some ways, the only thing it does is further highlight the bond between Wendy Darling (Ever Anderson) and her mother (Molly Parker) that becomes the center of her story in the original. Also, it’s funny seeing Alan Tudyk in another Disney film in another minor side role as George Darling.

    Her life is changed the moment Peter Pan (Alexander Molony) enters the picture and they are cast off into an adventure. It all feels so familiar and even drags on a tad bit, but that all suddenly changes the moment we travel to Neverland. The visuals kick off in such a beautiful manner that feels like something out of a surreal experience than just a bunch of kids using fairy dust in a long-forgotten realm. The sound design and visuals (with a cute little reference to the animated Peter with an iconic stance from the actor) just hit this tone that makes it feel like everything will be different from this point on.

    On one side, there is a lot more in this story compared to others. Tiger Lily (Alyssa Wapanatahk) has a better role in the story and gets her time to shine early on and is among the more notable side characters. We still follow similar plot points from the original but unlike other live-action remakes the film doesn’t really spend too much time on things that aren’t truly necessary. Hook’s introduction is handled great and I was surprised to see his men sing classic songs as a sea chanty.

    Speaking of, the biggest change this time around is in the way they handle Hook as well as his rivalry with Peter Pan. Jude Law gives quite a subdued performance for a character that was showcased as bumbling in the original animated series. There’s a beautiful balance at play highlighting his role in the story that has been changed to add more depth to his character and his ongoing battle with a child that refuses to grow up. This addition might be the second-best thing the film does besides casting Jim Gaffigan as an amazing Mr. Smee.

    What stands out in this film is truly its beauty. The sets feel like they tell a story and the updated looks of the Lost Boys’ home or even just the pirate ship lend to this world feeling way more fleshed out than ever before. You can also see him returning to the magic that made his other live-action remake, Pete’s Dragon from 2016, stand out even from the original. Even as elements remain the same, it feels just that slightly bit more mature when it needs to be and childish when it wants to have fun.

    The film embraces its own whimsy with the way it handles even the simplest scenes. There’s a fun irony of the most childish performances coming from the pirates that act a bit more unhinged unlike the children, who seemingly take things quite a bit more seriously. My only gripe would be Alexander Molony is a bit wooden in his performance. While you do get that arrogance you’d expect from Peter Pan, his character’s personal growth doesn’t truly feel reflected in his performance. He’s a great choice for the role but it just doesn’t quite come together here.

    The performances overall are great; the pirates are especially some of the bits I looked forward to seeing the most. John and Michael Darling (Joshua Pickering and Jacobi Jupe) have some fun moments but are mostly sidelined with the story taking a stronger focus on Wendy’s plot that gets intertwined a bit more into that of Hook’s and Peter Pan’s rather than her just taking don’t he role the original set upon her. Ironically, in a way, the story feels like it has grown up quite a bit since we last saw it in 1953, but it didn’t forget that childish charm that made it so special.

    At first, I was worried that this film would only retread familiar ground from the original but once we enter Neverland, it makes a story of my childhood feel new and fresh. There’s a lot more depth this time around that makes it stand out from others that simply feel like they are replicating the “feel” of the original and missed the heart of why we fell in love with these stories. The struggle of wanting to stay a child forever and growing up is a big conflict many of us go through even as we get lost in our work life. Sometimes we don’t truly leave that childishness behind and are a bit blind to the things that make us smile. You’ll cry, you’ll laugh and you’ll be astonished by some of the beautiful shots at play in Peter Pan and Wendy.

  • Andy Serkis Reveals the Fate of His ‘Andor’ Character

    Andy Serkis Reveals the Fate of His ‘Andor’ Character

    Season 1 of Lucasfilm’s Star Wars streaming series Andor took a deep dive into some uncomfortable corners of the galaxy far, far away. One of those corners included the moon known as Narkina 5, which was the location of an Imperial Prison Complex where Cassian Andor found himself sent following his arrest on Niamos. There, Andor met one of the series’ most talked about new characters: Andy Serkis‘ Kino Loy.

    The floor manager of Unit-Five-Two-D, Loy evolved from a no-nonsense ball buster to one of the organizers of the wonderful “One Way Out!” breakout from Narkina.

    When he was incarcerated, he then almost sheds any desire to look out for other people apart from himself. Just do his time and get out. To try and get out and just survive the sentence, the torture, the desensitization. I think it was that desensitization that made me perhaps have that slightly lost but kind of hardened and toughened shell.

    Andy Serkis on Kino Loy

    That breakout, as you might remember, led to the prisoners having to jump into the water surrounding the prison and the revelation that, after having led the prisoners to freedom, Loy couldn’t join them in their escape because he couldn’t swim. The last we saw of him, Loy was left behind in the prison to face an uncertain fate: did he make the jump or choose to remain in prison and face the consequences? In an interview with ET, series creator Tony Gilroy and Serkis recently revealed Loy’s choice.

    Well, he didn’t die,” revealed Gilroy, adding “I don’t know what happened, but he didn’t die. We never see him die.” According to Serkis, that means Loy stayed behind at the prison because he certainly didn’t jump. “If he jumped, that would be the end of him and he would be out of the picture,” explained Serkis. “But no, he’s alive and [Kino’s] working out his next move.”

    Does that mean Loy might turn up in Season 2? While neither Gilroy nor Serkis gave any indication, the short answer is most likely “no.” While fans responded well to Serkis‘ character and there might be a time and place for him to return, Season 2 of Andor looks set to move at breakneck speed covering 4 years of time in 12 episodes. The Narkina 5 arc was beautifully designed and shot and had a major impact on the audience and Andor and with the fact that the prisoners there were making components for the Death Star already revealed, it might be best to let that part of the story remain complete.

    Andor Season 2 is expected to hit Disney Plus in 2024.

    Sources: ET Online, Collider