Tag: Disney Plus

  • James Gunn Reveals ‘Lord of the Rings’ Inspiration For ‘Guardians of the Galaxy Holiday Special’ Animation

    James Gunn Reveals ‘Lord of the Rings’ Inspiration For ‘Guardians of the Galaxy Holiday Special’ Animation

    James Gunn made a triumphant return to the Marvel Cinematic Universe this week with The Guardians of the Galaxy Holiday Special. Designed as an ode to classic Christmas shorts, Gunn crafted a sweet, heartfelt, and authentic new entry in the Guardians mythos with all the proper trappings to ring in the season. Among these delightful tropes, as unexpected as it may have been, was a series of flashbacks done with a familiar animation style. Rotoscoping, a type of animation made popular by notable filmmaker Ralph Bakshi, is a process in which scenes are filmed in live-action and then traced onto animation cells. The result is a cartoon with a uniquely real-world feel.

    In a recent tweet, posted as a response to a fan on Twitter, director Gunn confirmed that the tribute to Bakshi was entirely intentional:

    Bakshi is known for a variety of films, but his most popular might be 1978’s lesser-known The Lord of the Rings adaptation. He also directed 1977’s cult classic Wizards, 1981’s adult film American Pop, and has worked on several cartoons, including the classic 1960s Spider-Man series. Bakshi’s work is well-known in the animation community, and it’s great to see Gunn introduce the style to a broader audience. The short segments of the Holiday Special ultimately allowed for several key moments in the series’ lore to be revealed. And the look of the rotoscope made them appear more memorable than if a traditional type of animation had been used.

    The Guardians of the Galaxy Holiday Special is now streaming on Disney+, and Gunn’s Guardians of the Galaxy Vol. 3 is scheduled to hit theaters on May 5th, 2023.

    Source: Twitter

  • ‘Willow’ EP Addresses the Madmartigan-sized Hole in the Disney Plus Series

    ‘Willow’ EP Addresses the Madmartigan-sized Hole in the Disney Plus Series

    The upcoming Disney Plus series, Willow is a nostalgic return to the fantastical lands of Tir Asleen and Galadoorn and the characters who inhabit it. The series is a direct sequel to the 1988 film of the same name and set 20 years after the events of it saw the evil Queen Bavmorda defeated by a band of people that included Willow and The Greatest Swordsman that ever lived, Madmartigan. However, while Warwick Davis returned to the role of Willow Ufgood in the series, there’s no sign of Val Kilmer’s Madmartigan, who played such an integral role in the film. During the global press conference for the upcoming series, Willow writer and executive producer Jon Kasdan talked about how Madmartigan’s absence helped shape the series into its final form.

    For Kasdan, the absence of the original film’s co-lead wasn’t a roadblock so much as the way to expand on his story by showing the impact it had on others, including his two children Kit and Airk, played by Ruby Cruz and Dempsey Bryk, respectively.

    It was always sort of going to be, right at the core of the story we were, we were telling. And it really had to be… but because we were telling a story that had so many young characters, and they were all sort of searching for their identity, the search for Madmartigan, and the question of what had happened to him was right at the heart of the story we were telling. And we knew that it would be woven into this quest in a fundamental way, really, to see where he was and what had become of him, and what he’d given up. Particularly for Ruby’s character, Kit, and for Dempsey’s character, Airk, in order to do good.

    Jon Kasdan

    Both Kit and Airk have taken their father’s near life-long absence from their lives very differently and when your father is the legendary Madmartigan, the hole left by his absence is a big one. Indeed according to Kasdan, it’s something the young heroes will deal with for the entire season.

    And that question sort of follows the whole season. And we always knew that we sort of wanted to pay it off in one way or another, and we had a lot of ideas about ways to pay it off and ways to leave it open.

    Jon Kasdan

    Though he’s not in the series, the tales of his deeds and adventures certainly play a large role thanks, in part, to the addition of a new character to the franchise. Amar Chada-Patel plays Thraxus Boorman, a warrior who shared an adventure or two with the Daikini Lady Lover and who Kasdan says was created out of need when Kilmer wasn’t able to be on set. And according to Kasdan, it provided an unexpected boost to the series.

    And one thing that happened, because Val himself wasn’t able to come out to Wales and work with us, was that we were a- we added this texture of a friend of Madmartigan’s, who could give us some clues about his whereabouts. And… and deepened the mystery around what happened to him, in a way that only actually extended the story we were already telling. So it was very satisfying, and it sort of prevented… it provided an opportunity for us to add a whole new element that we didn’t expect to the show.

    Jon Kasdan

    Fans of Kilmer’s character shouldn’t despair at the star’s absence from the series, however, According to Kasdan, he and Davis are just as eager for his return as fans.

    Madmartigan is still out there, I mean, I have had many conversations with everyone involved, and our feeling is, he is, he is out there to be found, should the day arrive. And I think Warwick and I would both love to see him pick up that sword again.

    Jon Kasdan

    Where is Madmartigan? What took him away from his family? Find out when Willow begins streaming November 30th on Disney Plus.

  • Expect Plenty of Laughs Along with Adventure in the Disney Plus Streaming Series ‘Willow’

    Expect Plenty of Laughs Along with Adventure in the Disney Plus Streaming Series ‘Willow’

    1988’s Willow was a dark fantasy adventure dreamt up by a young George Lucas in 1972 before he ever put pen to paper for Star Wars. In 1986, the project began to come together with director Ron Howard, writer Bob Dolman and Lucas developing the script. Somewhere along the way, likely due to Dolman’s comedic chops, Willow became a far funnier fantasy film than contemporaries such as Kull and Labyrinth. Though it wasn’t a critical success, Willow developed a cult following and a fanbase that clamored for a sequel for over 30 years. That sequel will soon debut on Disney Plus and according to one of its stars, the spirit of the original lives on in the streaming series.

    During the global press conference for the upcoming streaming series, Warwick Davis, who reprises his role as Willow Ufgood, writer Jon Kasdan was able to embue Willow with the same sense of humor as the original.

    It’s important that we took that kind of ethos from the film, the humor, because that’s what really set ‘Willow’ apart from the other fantasy offerings of the 80s, was that it could look at itself and laugh and not take itself seriously. But also, as well as being a great kind of fantasy writer and sci-fi writer, Jon is also a very good comic writer as well.

    Warwick Davis

    While the 1988 film certainly wasn’t a full-on slapstick comedy, it was filled with laughs, often at the expense of Willow’s struggles with magic. In an attempt to recapture that magic, Dolman returned to write two episodes of the upcoming streaming series. Unfortunately, another source of comedic relief, Val Kilmer’s Madmartigan, is mysteriously absent from the series, though his presence is certainly felt throughout. The series is certainly much more light-hearted in tone than what fans have come accustomed to seeing in recent fantasy series such as Game of Thrones and The Rings of Power while still finding a nice balance of action as fans will find out for themselves when it begins streaming on Disney Plus on November 30th.

  • Warwick Davis On How ‘Solo: A Star Wars Story’ Helped ‘Willow’ Become Reality

    Warwick Davis On How ‘Solo: A Star Wars Story’ Helped ‘Willow’ Become Reality

    2018’s Solo: A Star Wars Story didn’t truly land with audiences or critics. More than that, it seems to have inspired Lucasfilm President Kathleen Kennedy’s decision not to recast iconic roles. Having done so unsuccessfully with one of Harrison Ford’s most iconic roles, Kennedy refuses to do it again even as Ford’s last adventure as Indiana Jones prepares to hit theaters, choosing to create an Indy-adjacent streaming series for Disney Plus rather than misfire on another recast. However, not all the takeaways from Solo were negative; in fact, it turns out that some behind-the-scenes conversations during its production were the genesis of the Disney Plus streaming series Willow.

    During the global press conference for the upcoming series, star Warwick Davis, who first starred as Willow Ufgood when he was 17 years old, shared his belief that despite many attempts to get a follow-up to the 1988 movie off the ground, it would never happen. “For years it’s been talked about, not by anyone official but by the fans“, said Davis. “They’ve constantly pestered me“, he continued, “saying ‘when are we going to see a sequel to that movie?’ And it’s a question that I could never answer.”

    A question, Davis says, he wasn’t able to answer until fate intervened. A Willow sequel seemed impossible for the star “Until I met Jon Kasdan“, said Davis of the writer and executive producer of the Willow streaming series. It turns out Kasdan, the son of frequent Lucasfilm collaborator Lawrence Kasdan who also worked on the script for Solo. As it turned out, Kasdan the younger was a fan of the Willow film as a kid and, according to Davis, joined him in feeling the time was right for a sequel series.

    We decided that there should indeed be more ‘Willow,’ and so that was the catalyst for this project to happen, really, and it happened very quickly in Hollywood terms. You know, it wasn’t years and years of development, before I knew it I was sat on set, in Wales for the very first day of filming. Once again looking just like ‘Willow, but a slightly older, more mature, better-looking version. Sexier.

    Warwick Davis

    Of course, it didn’t hurt the chances of a follow-up happening that the conversations about it happened on the set of Solo, where Ron Howard, who directed Willow, was helming the Star Wars origin story. According to Kasdan, the three of them formed a triumvirate that believed there was more story to tell.

    There was the impulse certainly between Ron and Warwick and myself to continue this story, and return to this world. And I came at it as a fan, and they came at it both as the creators, and they found a champion in me, and I kept fighting and sort of hoping that we’d get a chance to go back here, and my ace was always that Warwick would be back and that he would look so attractive and America would – and the world – would really fall on their knees. I think everyone got that, and everyone appreciated that, that there was something really special in the opportunity to bring this character back to the screen.

    Jon Kasdan

    Fans of the original film will have a chance to decide for themselves how necessary the sequel series is when Willow streams on Disney Plus beginning November 30th.

  • ‘Andor’ Showrunner Teases a Fan-Favorites Arrival in Season 2

    ‘Andor’ Showrunner Teases a Fan-Favorites Arrival in Season 2

    While many downplayed a prequel series to Rogue One‘s Cassian Andor, the Disney+ series has quickly become a fan-favorite. Unlike the previous series on the streaming platform, it feels the most detached from the weight of Star Wars legacy. We did see some familiar faces, but they don’t overstay their welcome in a series that doesn’t hide away from the darkest aspects of the Empire’s rule.

    Diego Luna’s return as Andor gave the series a familiar face while telling a very detached story from the original film, but the upcoming second season will start introducing some familiar elements. The biggest hope for Rogue One was the arrival of the fan-favorite droid K-2SO, voiced by Alan Tudyk, and in an interview with Collider, showrunner Tony Gilroy seemingly hints that the character will finally join.

    Well, I think that’s one of the responsibilities of Part 2. Obviously, if we’re going to walk into Rogue, we have to deal with that.

    Tony Gilroy

    It’s ironic that when the show was initially announced, it seemed like K-2SO would feature in the series before suddenly Tudyk confirmed he wasn’t involved with the production. Seeing how the show tackled the Empire from the eyes of Andor, it does make sense that wanting to give him a more personal story it might’ve been too early to introduce the character. Keeping him for the second season opens up more potential, especially in how it established Andor’s overall view of the Empire. So an Empire droid ending up on his side might take the reluctant Rebel on a wild ride.

    Source: Collider

  • Latest ‘Marvel Studios’ Legends’ Confirms Star-Lord Has a [SPOILER]

    Latest ‘Marvel Studios’ Legends’ Confirms Star-Lord Has a [SPOILER]

    Well, this is a surprising reveal that confirms a long-time theory. Marvel Studios has started the tradition of creating small supercuts to share the adventures the various Marvel Cinematic Universe characters have gone through in the past few years. Marvel Studios’ Legends is a great little guide for those that don’t actively follow every project the studio puts out. With the Guardians of the Galaxy Holiday Special on the horizon, we got a new entry recapping our favorite ragtag group of space heroes. Surprisingly, it includes a deleted scene that confirms a surprisingly familiar connection.

    As it turns out, Pom Klementieff‘s Mantis is actually Star-Lord a.k.a. Peter Quill’s sister. There have been some theories that this might be the case when we first meet Mantis with his father, Ego. There was a short showcase of his many lovers from across the galaxy, which included someone that looked quite similar to Mantis’ race. Plus, Ego has collected his children for one purpose and there always was the question of why he kept her around. With her being his daughter, it makes sense he kept her around just in case she might become useful.

    It’s interesting that she shared this with Drax, who’s the one to reveal it with the line “he should know you are his sister” and that they’d go out of their way to set up this connection as part of the recap. So, we’ll see if this might be something James Gunn explores further in the upcoming Holiday Special and third entry of the trilogy. Also, it’s nice to see someone find out they have a sister that isn’t seemingly planning on killing them; Thor could give him some pointers.

    Source: Disney+ via The Direct

  • ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    ‘Andor’ Season Finale Settles a Nearly 30-Year-Old Debate

    The Season One finale of Andor cemented the series as one of Star Wars’ best projects to date and almost certainly the most complete of its offerings on Disney Plus. The episode also featured a post-credit scene that clarified a much-theorized plot point from earlier in the season as it showed to what end the parts being made in the prison on Narkina 5 were being used: to assemble the first Death Star. While that scene makes for yet another interesting connection to the events of Rogue One, namely why Cassian was willing to give his life to ensure the Death Star plans got to the Rebels after potentially learning he helped build the weapon, it also may end a long-standing debate first put forth nearly 30 years ago about the second Death Star.

    In Kevin Smith’s 1994 film Clerks, the film’s deuteragonists, Randal and Dante, enter into an ethical debate about the destruction of the second Death Star as seen in Return of the Jedi. Though DS-2 was, as the Emperor put it, “fully armed and operational”, it was still under construction when it was destroyed by Lando Calrissian. As Randal explained to Dante in Clerks, something about the attack “just never sat right” with him. As Dante questions him, Randal reveals that he believes a project of that magnitude would take more manpower than even the Empire could muster, meaning they must have brought in independent contractors to finish the job. Assuming they all died in the explosion, Randal believes they were innocent “casualties of a war they had nothing to do with” but Dante is not so sure. Though he doesn’t express it, Dante seems to believe that anyone willing to build a Death Star isn’t innocent. The debate is famously settled when a third party comes in and, while paying for his coffee, tells the pair that any real contractor thinks with his heart and “not his wallet.”

    The events of the post-credit scene of the season finale of Andor seem to render the debate moot. While Randal was likely correct in presuming that the Empire didn’t have enough manpower to build DS-2 so quickly, neither he nor Dante posited the possibility that the Empire simply employed droids. Given the fact that droids played an integral role in constructing DS-1, it stands to reason they’d play at least an equal role in the construction of DS-2 meaning that the number of innocent independent contractors who meet their doom at the hands of Lando. Maybe Smith can work the events of Andor into another film down the road.

  • REVIEW: ‘The Guardians of the Galaxy Holiday Special’

    REVIEW: ‘The Guardians of the Galaxy Holiday Special’

    If you’re looking for a 40-minute Marvel Studios Special Presentation that changes the entire landscape of the Marvel Cinematic Universe, The Guardians of the Galaxy Holiday Special isn’t going to satisfy your craving. While the special does somewhat surprisingly advance a few plot points, those ultimately feel like bits that happen here to save precious minutes of screentime in Guardians of the Galaxy Vol. 3, which will almost certainly change the entire landscape of the Marvel Cinematic Universe. Director James Gunn has made it quite clear that Vol. 3 is the end for this group of Guardians and that it’s a love letter to Rocket, who he’s openly described as a character he loves more than any other he’s ever written and one who he believes deserves a “spectacular” final chapter. If Vol. 3 is a love letter to Rocket, The Guardians of the Galaxy Holiday Special is a shorter and less spectacular love letter to a pair of characters who have yet to truly have been in the spotlight in any of the Guardians’ appearances to date. If you’re looking for a 40-minute Marvel Studios Special Presentation that puts Drax and Mantis and their odd couple relationship front and center, The Guardians of the Galaxy Holiday Special is going to land just fine.

    Star-Lord and Gamora have certainly had their time in the spotlight over the course of Guardians of the Galaxy, Guardians of the Galaxy Vol. 2 and Avengers: Infinity War. Somewhat surprisingly, Nebula, who is a much less important character in the comics, has been given ample time to shine in Guardians of the Galaxy, Guardians of the Galaxy Vol. 2, Avengers: Infinity War and Avengers: Endgame. And though Rocket is going to be the star of the Guardians of the Galaxy Vol. 3 show, he and Groot have had quite a bit of attention. Despite having a very compelling arc in the Dan Abnett and Andy Lanning comics on which Gunn has based his film version of the Guardians, Drax hasn’t been much other than muscle and comic relief and Mantis has been around mostly to make funny faces and occasionally use her powers when convenient.

    To be fair, Gunn is certainly well-aware that the two characters haven’t ever really been given the time that the others have. Recognizing that and the great chemistry that exists between Dave Bautista and Pom Klementieff, Gunn once approached Marvel Studios about a Drax and Mantis spin-off film. While the director was told there would be no room on the theatrical slate for such a piece, he also said that while it might not be a movie, the pitch hadn’t been forgotten. And ultimately, as theorized here, The Guardians of the Galaxy Holiday Special turned out the be the Drax and Mantis show, complete with exactly the type of humor audiences have come to expect from the pair.

    The backdrop for the adventures of the two is truly steeped in the fact that these Guardians have been and continue to be a family. The special opens with Kraglin tells Nebula, Drax and Mantis a short story about how Yondu once ruined Christmas for Peter. Still reeling from the loss of Gamora, a rough-looking Peter Quill seems to exist as a shell of the once brash and bravado-filled Star-Lord he once was. Mantis, whose big “secret” gives her a reason to feel a bit more responsible for trying to break Peter out of his slump, hatches a plan with Drax to give Peter a great Christmas by giving him a present that he will never forget. To Drax, there’s only a Kevin Bacon will do. Drax and Mantis head to Earth where holiday shenanigans ensue.

    Of the pair, Klementieff’s Mantis truly takes the lead and is given the most to do. In the comics, the character was a highly-skilled martial artist and while she’s had a few tussles in the MCU, she’s mostly been relegated to putting characters to sleep or manipulating their emotions. Make no mistake, she does her fair share of that here too, but she also gets to show off some slick hand-to-hand moves. Bautista’s Drax has his fair share of funny moments as well, though he seems at times to be doing more belly-laughing than talking. The duo’s adventures on Earth only take up about 25% of the special’s runtime, but ultimately provide 90% of the laughs. Returning to space, they manage to give Peter-and Kevin Bacon-a Christmas they’ll never forget.

    The special is full of everything fans of Gunn’s work with the Guardians have come to expect. While it’s not essential viewing for casual fans, the story absolutely adds to the overall story and emotional core of the Guardians. Gunn’s at his best when exploring the dynamic of this misfit group and by watching the special, hardcore MCU fans will find themselves feeling even more emotionally invested in the group; in that way, it’s almost unfair to have an inkling of what Vol. 3 is set to do to them. It’s also worth noting that this project could never have been done as well as it was without Gunn behind it. His emotional investment in these characters and their family make it work. And of course, there’s the music. From the hilariously off-beat Christmas jam written by Gunn and belted out by the Old 97’s in the opening to the interesting, to Hanoi Rocks’ “Dead By Christmas” and, of course, Kevin Bacon rocking out in space, the soundtrack hits the requisite holiday beats while triggering emotions throughout.

    Marvel Studios is on to something with these short-form special presentations and are definitely 2-for-2 following Werewolf By Night with The Guardians of the Galaxy Holiday Special. While not essential viewing, this one is going to play well for hardcore and casual fans alike as it gives just enough of a narrative push to the story of the Guardians while helping us all remember how important family is this time of year.

  • REVIEW: ‘Andor’ Episode 12

    REVIEW: ‘Andor’ Episode 12

    Andor writer and executive producer Tony Gilroy has a knack for creating unnerving tension in his projects. Whether in the Bourne franchise, Armageddon or his directorial debut, Michael Clayton, Gilroy’s works often resolve under incredibly stressful circumstances that leave the audience reeling while they process. The season finale of the first season of Andor, “Rix Road”, and in fact the entire first season itself, certainly fits that pattern, slowly using every tool at the creative’s disposal to simultaneously build tension within the audience and the characters nearly right until its final moments.

    On the surface, the finale is all about the convergence of nearly all of the series’ key figures on Ferrix where they hope to find Cassian returning for Maarva’s funeral. But what makes the episode carry so much weight is that it also works as a convergence of nearly all of the series’ key themes. This thematic convergence is much more impressive both in the way it is reflected by the key parties involved and also that it was possible at all, much less done so well given the scope of Andor. Has been oft-discussed, the 12-episode season was shot as “pods” of 3 episodes and each “pod” seemed to neatly tie up the themes that pervaded each of them. To have them all thunderously return here required significant planning and craftmanship by Gilroy and his team.

    Most prominent among those thematic echoes is the recurring idea that everyone has their own rebellion. That sentiment, first spoken by Vel Sartha to Cassian in “The Axe Forgets”, and the weight it rightfully carries in a galaxy where the Empire has now made it clear that there are no limits to what they’ll do to maintain “order”, come rushing back to mind during Maarva’s funeral march down Rix Road. During the holographic speech recorded before her death, Maarva powerfully reminded the people of Ferrix that they’ve been comfortably and somewhat selfishly ignoring the truth of the Empire. Calling it both a “wound that won’t heal” and a “darkness reaching like rust into everything”, Maarva uses her final moments to tell the people of Ferrix to wake up. Indeed her “last words” before B2 stops broadcasting are “Fight the Empire!”, inciting and inspiring the Rix Road revolution. Maarva Andor goes down in history as an OG Rebel by stirring the people of Ferrix to fight.

    Maarva’s words resonate with the words of another dead character who longed to see the Rebellion move ahead. Though he had a short arc in Andor, Karis Nemik’s manifesto, which Cassian read through when he first returned to Ferrix earlier in the episode, ultimately served more as a book of prophecies. Nemik’s beliefs that “the smallest acts of insurrection” advance the cause of the Rebellion, that “the Imperial need for control is so desperate because it is so unnatural”, that “authority is brittle” and that “oppression is the mask of fear” are all fully realized during Maarva’s revolt. It’s ultimately the act of an Imperial officer to stop Maarva’s speech that becomes the tipping point of a largely unarmed group of mourners (there is, of course, the bomb) choosing to charge into battalions of troops. The Empire’s devastating response ends in mass casualties but with so many survivors, including those who escaped, word of what happened on Ferrix will spread and can almost certainly be counted on to become a key point on the timeline of the formation of the Rebellion.

    Though Cassian hasn’t been the primary protagonist of every episode, the finale goes a long way in bringing him to the end of a long character arc that started with him simply in search of his long-lost sister. Cassian’s transformation comes in part when he seemingly comes to the conclusion that the audience has had all along: despite believing his actions only ever impacted him, he’s right at the center of the series of events that have caused so many unintended consequences for those he loves and those he’s never met. Seemingly inspired by the memory of Clem Andor’s words that “people don’t look down to where they should…they don’t look past the rust”, which connect directly to his words to Luthen Rael during their first meeting, Cassian changes the course of his entire life. Though he has ample opportunity to escape, Cassian chooses to seek out Rael and fully commit himself to the Rebellion. Sure of his worth, Rael smirks as he takes Cassian back into the fold, but as awesome as that is for Cassian, it’s likely problematic for some of the others involved and a likely plot point for an early arc in Season 2.

    Ultimately, Episode 12 of Andor is a remarkable standalone episode depicting what will certainly come to be known as one of the inciting moments of the Rebellion and a remarkable season finale that embraces the massive totality of Season One. So often finales miss by only serving one of these purposes but Gilroy served both purposes masterfully by resisting previously established themes, stirring a sense of tension that had been building for 12 episodes while also putting at the center of the episode an event that built on that tension while providing a release that will carry over to Season 2 for the audience and the characters.

  • ‘Andor’ Finale Post-Credit Scene Explained

    ‘Andor’ Finale Post-Credit Scene Explained

    Season One of Andor concluded with a bang. A series of them actually, as the people of Ferrix stood against the Empire in what could only be described as a revolution. The revolt may go down in the books as the first open act of defiance against the Empire, but as audiences already know, the Empire isn’t going down quite yet. In fact, it’s still building to its peak level of terror. To that end, the episode came with the first post-credit tag of the series which served as a chilling reminder that the worst from the Empire is yet to come.

    Set deep in space, the tag shows a group of small droids shuffling around and installing some very familiar-looking components into a much larger assembly. As the camera pulls back, it’s revealed that the droids are putting together a layer of the Death Star’s Superlaser. Given Andor’s 5 BBY setting and the massive undertaking of assembling a station the size of the DS-1, its construction fits the timeline as well as many fan theories that have swirling about since Episode 8.

    The Superlaser’s power came from the combination of 8 separate laser beams which were converged into the one massive, planet-killing beam that made the Death Star the most terrifying weapon in the galaxy. Though no details were given, it seems as though the droids are using the components to assemble channels for the individual beams.

    Of course, the most chilling aspect of the post-credit scene is the realization that the components being installed were built by Cassian and his fellow inmates in the prison on Narkina 5. The tag adds context to so much of Andor, Rogue One and really any other projects that take place in the timeline prior to A New Hope. The prisoners at Narkina 5, a place that felt so incredibly oppressive, were working tirelessly and competitively to create the Empire’s most oppressive weapon.

    For Cassian, coming to learn that he’d build part of the Death Star could go a long way in explaining his commitment to its destruction in Rogue One, where he’s willing to give his life to ensure the plans get to the Rebels. Finally, with the Empire becoming aware of the growing threat of a Rebellion and the fact that the tag shows the importance of the parts the prisoners have been building, it provides a terrifying additional layer to the idea that the prisoners of Narkina 5 were never getting out and also that by escaping, they may have paused the project just long enough to let the Rebels catch the break they needed to ultimately destroy the Death Star!