As part of Disney’s presentation at Brazil’s CCXP, Dave Filoni and Jon Favreau revealed that Season 3 of The Mandalorian will debut on Disney Plus on March 1st!
As the teaser trailer for the third season revealed, Pedro Pascal’s Din Djarin will have to deal with the consequences of his choices and finds himself stripped of his identity as a Mandalorian.
Season 3 of The Mandalorian is expected to spend quite a bit of time on Mandalore and continue to follow up on storylines begun told during the animated series The Clone Wars and Rebels. At CCXP, Favreau claimed the upcoming season will be the biggest yet.
We want to keep the surprises in, so that each week is an unexpected discovery […] But I will say that the scope is bigger than ever: space battles, and more Mandalorians
Black Panther: Wakanda Forever has introduced the world to Dominique Thorne‘s Riri Williams. A young, talented engineer that develops her own version of the iconic Iron Man armor and becomes the hero known as Ironheart. Not only did she have a major part in the latest Black Panther movie, but she’ll also get her own Disney+ series.
In a new interview with Collider, Thorne shares what will make the character stand out from her introduction, we’ll actually get to meet her in her own element. It’s a great sentiment as we meet her while being threatened by Talocan’s god-like leader and dragged along by Wakandans, or as she points it out as “when life is leading her.”
And also we’re getting to see her in her element, which is quite literally the opposite of what we saw of her in Wakanda Forever. We’ll get more time to see what the other colors are and to see how she leads her life, rather than how she is when life is leading her.
Dominique Thorne
The series will also see her continue her work on her new armor. Even while she built a comic-accureate design in Wakanda Forever, she couldn’t just run around with a Vibranium-infused suit of armor. So, she’ll be back to where she started and forced to build upon to create her dream project. Now, she just has more experience and with an unlikely threat on the horizon, she’ll have to figure out something fast.
Disney+ has been busy promoting its big-budget shows based on popular IP like Marvel, Star Wars, and many more. Of course, the family-friendly company has not been wasting any time to also focus on some iconic stories for its younger streaming audience. Diary of a Wimpy Kid by Jeff Kinney has made its way to the streaming service Disney+ as an animated film in 2021.
It’s sequel, Rodrick Rules, is about to hit Disney+. Yet, as revealed by the series creator Jeff Kinney in an interview with One Take News, they’re already working on a sequel based on The Last Straw. So, those hoping for Disney+ to spend more time on this adaptation are going to be happy to know there’s more to come.
Yeah, I don’t know how much I’m allowed to say but I will say that yes, The Last Straw is in the works and I’m hoping to do lots and lots of [animated Wimpy Kid films] over time.
Jeff Kinney
The book series that this is based on first released back in 2007, and it’s spawned sixteen entries with the latest Diper Överlöde having released this October. So, it’s not too surprising that Kinney is excited to do a lot more. If the series remains as a staple for young kids to check out, he might just get his wish and Disney is no stranger to enjoying a long-running franchise based on a popular IP having a prominent spot on their platform.
Daredevil: Born Again is preparing to head into production in February and amid rumors of street-level heroes such as White Tiger appearing in the show, comes a very interesting addition to the cast. According to insider Daniel RPK, Michael Gandolfini has landed a role in the streaming series.
The 23-year-old Gandolfini made a name for himself by playing a young Tony Soprano, a role previously held by his later father, James, in HBO’s The Many Saints of Newark. Gandolfini doesn’t have many credits to his name as his acting career only began in earnest following his father’s death in 2013. He recently had a role in the Jodie Turner-Smith and John Cena film The Independent and will next be seen in the Joaquin Phoenix film, Disappointment Blvd.
Gandolfini’s role in Daredevil: Born Again has not been revealed but we can add that his character is described as an ambitious and earnest risk-taker with a very Staten Island-esque persona. Given that description, it’s possible Gandolfini is playing an up-and-coming mafioso, given the island’s ongoing reputation as a home for organized crime. Should that be the case, one intriguing possibility for the role could be Richard Fisk, the son of Wilson Fisk, aka the Kingpin. Richard has often been a thorn in his father’s side and has often tried to take his place atop organized crime.
In 1972 when George Lucas first dreamt up what would eventually become the 1988 film Willow, the foundation of the story was the idea of propping up, in Lucas’ words, “a little guy against the system.” As a fantasy adventure releasing in the wake of giants such as House of the Dragon and The Lord of the Rings: The Rings of Power, Willow, the Disney Plus streaming series that serves as a legacy sequel to the film, is certainly just as Lucas conceived it. Not nearly as hotly anticipated as House of the Dragon or The Rings of Power, Willow comes to the party as an overlooked underdog that might seem to find itself facing a steep climb to success in comparison to those powerhouses. 50 years later, Willow remains exactly what Lucas envisioned it to be. While it takes a beat to prove its worth and is certainly not made to appeal to the same audience as the House of the Dragon or The Rings of Power, the elements of Willow coalesce into a fun, heavily 80’s-inspired series that finds its own way in the epic fantasy genre.
The series navigates the familiar archetypes of a fantasy quest against a jaw-dropping array of scenery, with each episode moving from one spectacular, even if horrifying, setting to another. Shot in Wales, Willow takes full advantage of the varied geography of the country and some well-used CGI to fully realize the fantastical and familiar settings of Tir Asleen and Nockmaar while introducing some incredible (and spoilery) new places along the way. In terms of production value, Willow delivers from beginning to (almost) end. That extends beyond the settings to character designs that range from truly frightening (The Gales are going to give kids nightmares) to adorable (the mudmander that will give Falkor vibes to any 80’s kid).
As with the settings, Willow’s cast of characters works to find a balance between familiar and new. Warwick Davis returns as High Aldin Willow Ufgood and Joanne Whalley has what amounts to an extended cameo as Sorsha, now the Queen of Tir Asleen who is without the love of her life, Val Kilmer’s Madmartigan. Madmartigan’s black hole-esque absence is central to the series’ main plot as it can be measured by the effect it has on those around it. No one feels the effects of it more than his children, Kit and Airk Tanthalos, played by Ruby Cruz and Dempsy Bryk, respectively. The children of Madmartigan feel both familiar to the character-Kit, as a restless adventurer, and Airk, as a prolific lover of ladies-but incomplete as they strive to find their own ways. They’re joined in the cast by fellow newbies Erin Kellyman as Jade, Ellie Bamber as Dove, Tony Revelori as Graydon Hastur and Amar Chada-Patel as Thraxus Boorman. Much like the audience, most of these new characters may have only an inkling of an idea of who the great sorcerer Willow is, making it easy for newcomers to the story to catch up along with them. While Davis brings so much more to the role than he did as a 17-year-old in 1988, it’s the young cast of characters that propels the plot from its center.
The center of that plot is, of course, a quest that not only puts the heroes in peril but also forces them to examine who they truly are. Without delving too far into spoilers, it’s fair to say that each of Willow’s new heroes questions who they are along the way and that each of them come to find out that they are not necessarily who they thought they were going to be.
It’s no coincidence that the executive producer and head writer of a series that features people stepping out of the shadow of their father and discovering who they truly are is executive producer and writer Jonathan Kasdan. Just like the fellowship taking on the quest, the series takes time to find narrative coherence and that may be, in part, because Kasdan is undertaking a quest of his own, finding himself in the same way the new group of heroes does. Like Kit and Airk, Kasdan finds his way out from the shadow of a larger than life father (legendary screenwriter Lawrence Kasdan) over the course of the series. Like Kit and Airk, the series comes complete with echoes of the works of Kasdan the Elder (fans of Indiana Jones will find themselves reminded of some classic scenes); however, those echoes don’t define Kit and Airk nor do they define Willow. Rather like the heroes on the quest, Kasdan finds his own way while embracing the influence of the works of his father and others in the genre.
It’s in respecting and understanding the genre, and the giants that built it, that Kasdan manges to build a series that while reminiscent of so many classics becomes content being its own thing. Each episode of Willow features exactly the kind of swashbuckling action fans of fantasy adventures would hope to see; each episode of Willow features some sort of dialogue of side quest that deepens the overall lore of the series; each episode of Willow features chivalry, honor and love. But the strength of the story is that in any given episode, any one of the fellowship may find himself/herself moving through the familiar tropes. Willow is not the traditional quest of one central hero surrounded by companions; in fact, the series provides enough time for each character to wear both titles.
Willow continuously plays with the familiar tropes of the genre in ways that are both reflective of the 1988 film and imbued with a sense of modernity. Want a swashbuckling knight who falls in love with a princess? Willow has it. Want crusty trolls? Willow has them. Want terrifying Bone Reavers? Willow has them, too. However, Willow, much like the Nelwyn sorcerer for whom it is named, has plenty of tricks up its sleeve and, if given a chance, will come to surprise you. As has been shown over the past decade or so, success is not a given for a legacy sequel. Jonathan Kasdan seemed to be well-aware that any attempt at a successful sequel to 1988’s Willow, a cult classic whose charm has grown over the years, would have to be earned. He did so by cleverly balancing the series between the past and the present, putting together a series that while slow to start, will have fans anticipating the next installment by the end of Episode 3. Willow is a worthy successor to the film that, just like its delightful bunch of young heroes, carves its own path through familiar territory.
Legacy sequels are all the rage in Hollywood. While there’s no shortage of new IPs heading to theaters or streaming networks, audiences are delighting in nostalgic projects such as Top Gun: Maverick, Cobra Kai and Scream (2022). Not every legacy project, has landed with fans, however, and what often seems to be the tipping point is finding a balance between what made fans fall in love with the property in the first place and moving the story along in an unpredictable direction. For Jon Kasdan, the executive producer and writer of the upcoming Disney Plus streaming series, Willow, finding that sweet spot wasn’t necessarily easy.
“You know, that… it’s the challenge,” said Kasdan of balancing the fantastical nature of the 1988 film with an updated, contemporary tone. According to Kasdan, that became the key challenge of putting together the series, “With every episode you’re sort of walking the line between, between making it familiar and satisfying what fans expect from the brand ‘Willow,’ and then trying to push it forward and tell a story that’s surprising and unexpected.”
And you know, the great weapon we had with us was Warwick, who just lent the whole universe of ‘Willow’ credibility, and the moment you see him on screen, you suddenly believe these six other foolish kids could somehow fit into that world, and really inhabit it. And they did so so beautifully and with such gusto and enthusiasm. And authenticity, that it was sort of an amazing thing to watch all these things come together, and become something that feels like a progression from the movie as much as a love letter to it.
Jon Kasdan
Fans will have a chance to judge just how well-balanced the series is when Willow begins streaming on Disney Plus tomorrow!
The upcoming Disney Plus streaming series Willow serves as a direct sequel to the 1988 film of the same name. The series introduces a slew of young, new characters and while the main focus of the plot is a quest that features the new group, the series is still very much connected to the film and includes the return of several characters from it. Warwick Davis, who was just 17 years old when he first played Willow Ufgood, and Joanne Whalley, both of whom shared the bulk of the screentime of the film with Val Kilmer’s Madmartigan, are back to reprise their roles. Despite Kilmer’s iconic hero not being able to return, one other memorable character does make a return for Willow: the roguish Brownie Rool, played by Kevin Pollack.
Rool was one of a pair of Brownies tasked by Cherlindrea with accompanying Willow to Tir Asleen to safely deliver Elora Danan. Rool shared quite a few scenes with Willow during the course of the film, but interestingly enough, as revealed during the global press junket for the upcoming series, the two actors had never met.
As Jon Kasdan explained, the effects necessary for the Brownie scenes in Willow required them to be shot in a different location, so it wasn’t until production on the series got underway that Davis and Pollak finally met for the first time.
There was a… there was an incredible thing that happened where we got our friend Kevin Pollak out to reprise his role as Rool. And he told me when he arrived that he and Warwick had never actually done any scenes together, because all of the brownie bits in the movie had been filmed on, at Skywalker in Northern California. And Warwick and he got to actually riff off each other, and Tony got to be a part of that, and it was quite an amazing thing to kind of watch them actually interact, these old friends who didn’t know each other.
Jon Kasdan
With so much time having passed since the events of the original, neither Willow nor Rool are quite in the same places they were the last time they were seen. Fans of the original will certainly get a kick out of the changes to Pollak’s character when Willow begins streaming on Disney Plus on November 30th.
Marvel Studios’ next Disney Plus streaming series, Secret Invasion, is being billed as a paranoid spy thriller and as information about it has slowly trickled out, life is imitating art. Just one month after an official Marvel site revealed Emilia Clarke’s character as Abigail Brand, a new rumor points in an entirely different direction. Or does it…?
According to insider Daniel RPK, Clarke’s character is called G’iah and, as oft-theorized, is a Skrull and the daughter of Talos, who returns as one of the series’ leads. Through set photos and a trailer, Clarke has only ever been seen as a human and according to the rumor, her human name in the series will be Nell. Set photos revealed Clarke’s Nell interacting quite a bit with Kingsley Ben-Adir who is set to play the piece’s villain. Ben-Adir’s character, Gravik, is a Skrull who has a long history with Ben Mendelsohn’s Talos who, from the first trailer for the series, seems to be key to whatever plan the Skrulls have for Earth.
Given that Secret Invasion is based on a comic book event with the tagline “Who Do You Trust?”, it’s certainly worth wondering how much misinformation Marvel Studios may have chosen to let into the wild ahead of the series’ 2023 release. Could Clarke’s character still be the MCU’s version of Abigail Brand? Did Marvel Studios intentionally misrepresent who she was on an official site? In the comics, Brand was an Agent of S.W.O.R.D. working to intercept extraterrestrial threats to Earth. Given that Clarke’s character has been seen working so closely with Gravik in set photos, it’s possible she could be a S.W.O.R.D. spy…but it’s also possible she’s spying on S.W.O.R.D.! Who Do You Trust!
Secret Invasion will stream on Disney Plus in Spring 2023.
Ant-Man and the Wasp: Quantumania is now the next Marvel Studios film up to continue the franchise. Accordingly, we are seeing plenty of news bits here and there about the upcoming film which will feature potential Multiverse Saga Big Bad Kang the Conquerer.
During the global press event for Willow, Kasdan explained that the real meat of the series came from a question about the character around whom the events of the first movie transpired: Elora Danan. “Well it evolved really out of the conversations that Ron (Howard) and I had on the set of ‘Solo’“, said Kasdan of how the story for the Willow series came to be. Continuing on, Kasdan made it clear that the fate of the baby who was destined to become empress was a must have, saying, “and one thing we always knew was sort of at the core of it was, who… what became of Elora Danan?We thought that that was a subject with a lot of promise.“
The events of 1988’s Willow saw the evil Queen Bavmorda’s plot to banish the spirit of Elora Danan, who was prophesied to dethrone her, thwarted by Willow and his friends. The film ends with Elora safely in the hands of Sorsha and Willow back in his village. According to Kasdan, the farewell between Willow and Elora didn’t sit well with him when he saw the film as child:
The movie ended with a sort of bittersweet moment of Warwick kissing this baby and then saying, ‘okay, goodbye, I’ll never see you again.’ And as an eight-year-old I was sort of like, well what is… you mean, they’re not going to live together and they’re not going to have a life together? And how is she going to find out about all this stuff that happened to her?
Jon Kasdan
30 years and change later, that bittersweet feeling and the questions of a curious child turned into the beginnings of a streaming series with an epic scope. Certainly, a child of Elora’s immense potential would continue to need protecting and as Kasdan explained, once it was clear she was going to be the core of the story, more questions about Elora and her safety came up.
And that felt like a great jumping-off place for a series, and we knew we wanted this question sort of right in line with that, we knew we wanted this question about, who was protecting her and was perhaps the best way to protect her not telling her who she was?
Jon Kasdan
What became of Elora Danan? See for yourself when Willow streams on Disney Plus beginning November 30th.
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