Tag: Doom Patrol

  • ‘DOOM PATROL’ Review: Episode 2.08, “Dad Patrol”

    ‘DOOM PATROL’ Review: Episode 2.08, “Dad Patrol”

    The final countdown has begun and Armageddon is imminent for the ghastly Candlemaker charges forward in ‘Dad Patrol.’ The penultimate episode throws the dads into the limelight and if you know anything about the Doom Patrol, it’s that daddy issues are in abundance. The standout of this episode, once again, the incredibly faultless Dorothy Spinner, played by the flawless Abigail Shapiro. Gracefully tossing her into the mix for Season 2 was probably one of the best decisions made for the story in a show already so full of potential and showstopping performances.

    Chief, still denying that fact that Dorothy will inevitably grow up, decides that a ‘Dorothy Day’ is in order as in a few short hours she must be given to Kipling and the rest of the Knights Templar to ensure the fate of the word. As unintentional as it was it was, watching the Doom Patrol go through some of their lowest moments this season showed Dorothy just how rough it was to be a grown up. She had spent a majority of this season doing everything possible to escape the inescapable threat of growing up. In this one day, Chief attempts to make up for years of not being with Dorothy and try to relieve some of that guilt hes feeling before his time with Dorothy is up. Yet all throughout this day Dorothy is haunted by the spirit of her mother who beckons her forward to claim the red boots and grow up.

    Still reeling from the return of Miranda, Jane sets off to acquire a stuffed animal that once brought comfort to a sorrowful Kay, that had been forced deep into a well as a form of punishment from her abusive father. As primary its first priority to do what makes the girl happy, and with the return of Miranda and her claim that Kay is ‘Healing’, Jane goes into panic mode and she fears that if Kay really did heal she would cease to exist, this leads to her to the farm, where she believes that if she can acquire Kay’s stuffed animal, it can help her see that Kay needs her personalities. She’s joined by a confused Larry, stuck at a crossroads after an encounter with the negative woman, who told him that freedom from his cloth prison was an option, but he would need to become one with the negative spirit instead of just a host. But becoming someone new would mean letting go of his past, a past that has since defined who he is and he would once again be deserting his family, but this raises another question, would the negative spirit even want to merge with Larry? how do you coexist with such a being when you have little to no communication except for painful flashbacks.

    Shifting the focus to an even more depressing topic, Cyborg, on the hunt for a now wanted Roni Evers, is joined by an eager Rita, who has dubbed herself ‘The Bee Keeper’ after having her ego blown back up to superstar proportions by a local paper. Roni, using Uma jelly she nabbed from the scants, sought out revenge on the men who poisoned and irreversibly damaged her body. this leads to an altercation in the sub shop where the two had their first date. Vic had become so attached to Roni, thinking he finally found someone who liked him for him, cybernetic enhancements or not, he so blindly ignored the many red flags that even she warned him about. After being betrayed and hurt by so many people Roni had reached a point where she thought she was truly the only person looking out for her and would do anything she had to survive.

    Ending on a lighter note, were treated to a real reunion between Cliff and his daughter, Clara, who showed up to Doom Manor out of the blue. After showing her the tape of Nile’s confession the two really began to make progress. Seeing Cliff truly win for once was a satisfying enough as he had dealt with the loss of time and his family since he went operational. what really stuck with me was their final interaction, that of Clara offering Cliff an invitation to her wedding and the chance to be involved in a crucial point in his daughter’s life, and one true win for The Robotman.

    With the finale up next and the threat of the Candlemaker approaching rapidly, ‘Dad Patrol’ lays the character development on hard and once again doesn’t fail to flesh out these outlandish characters while exploring the wild and eccentric history of one of DC’s oldest teams. With the ongoing pandemic the show was unable to finish filming its sophomore season meaning next weeks finale is sort of a place holder until further notice, with the seasons tenth episode which would likely be folded into the shows third season when it undoubtedly gets the greenlight.

  • ‘DOOM PATROL’ Review: Episode 2.06, “Space Patrol”

    ‘DOOM PATROL’ Review: Episode 2.06, “Space Patrol”

    Jumping straight into the aftermath of Candlemaker’s assault on the underground, we’re shown Dorothy in shock as to what she’s just done and the immediate regret in her choice to make a wish. With the supposed death of baby doll and the rising coup within Jane’s subconscious ‘Space Patrol’ offers yet another change of pace and shows us the much stronger and developed characters being able to face what’s been bothering them and attempting to find freedom in their lives and take back what they’ve lost.

    When it comes to living in the stationary freak show that is Doom Manor, Nothing seems to phase the team, so when the long lost cosmonaut gang known as the Pioneers Of The Uncharted, lead by Valentina Vostok land on their front yard, Chief’s first reaction is to hide. Using their ship and fearing what could happen if she was ever to make a wish again, Dorothy steals Valentina’s ship and takes off for the vast and unforgiving vacuum of space. This leads Chief and Cliff to take off in their very own cosmic shuttle tailing Dorothy to the moon.

    One thing I really love about this episode was seeing Chief being able to really face what he has done. Feeling as is life had been devoid of normality he saw Dorothy as his one chance to finally have something normal for once. He only saw few ways to do this and in doing so pushed her farther and farther away from him. This leads us into Dorothy and her reluctance of growing up, her desire to remain youthful has become a burden on herself and is beginning to take a toll on her, as she becomes weaker Candlemaker becomes stronger and stronger and once hes strong enough to take a permanent form Dorothy will have to face her biggest consequence yet. This season Cliff has reeled with the fact that Chief is the reason behind all his struggle and the loss of his family, through that he’s taken parts of his anger out on Dorothy, but being the only one who can safely venture out onto the surface of the moon, he must console Dorothy leading him to see this as another chance at raising a child while still hanging onto the past.

     

     

     

     

     

     

     

     

     

     

     

     

     

    Taking more of spotlight this episode, Larry finds solace of some sort in Valentina. When she reveals to also be housing a negative spirit within her, its ironic to see after all this time that Larry has spent searching for some sort of comfort to rescind his years of built of guilt, that person comes right to him. She informs him that it takes awhile but once you’re able to bond with it and see yourselves as one then you can truly be free and comfortable in your own skin. Larry takes this advice and believes that he may still have a chance to reconcile with his family, and thinks he can make it right.

    After decades of being hidden away from the world and working towards conquering her own inner demons that have plagued her since adolescence, Rita has taken back control of her ever expanding issues, and attempting to venture back into the real word would be no easy task. Joining a community theater production, Rita finds herself in a retelling of her first time back in society, the day she lost control and rained havoc onto the town. Towards the end of rehearsal, Rita meets with the actress that will portray the ‘Blob Monster.’ The actress continues to describe her ideas of the role and goes into full grotesque detail, seeing the pain in Rita’s eyes, it doesn’t seem like an easy task, but she hold its together. An excellent and quite cathartic callback to season one where a waitress describes how Rita Farr’s career fell apart, where shes unable to keep it together and commits the onslaught that the play is based on.

    With only three episode left in this season its strange to see how much is still being setup, I am unsure if they weren’t able to complete a episode or two due to the worlds current unfortunate circumstances. The developments within Jane are interesting to see but I feel as if more if needed to justify whats happening with her character, and this episodes cliffhanger is surely something that’ll leave you scratching your head.

     

     

  • ‘DOOM PATROL’ Review: Episode 2.05, “Finger Patrol”

    ‘DOOM PATROL’ Review: Episode 2.05, “Finger Patrol”

    A quaint return to Doom Manor is brought to us in ‘Finger Patrol’ after last weeks provocative festivities, but not before we see many of the main characters split up into multiple diverging story lines that offer more of a build up for what is to come later on in the season. While at first glance there doesn’t seem to be much going on, we’re treated to a some delightful character bonding and development that was well needed, but its not until the episode reaches it end that we’re thrown a curve ball that could quite possibly change the dynamic of the team and even the show in episodes to come.

    Doom Patrol: Finger Patrol Promo Gives Cyborg a New Look | CBR

    The dynamic robotic duo takes quite the spotlight this episode, with Cliff dubbing them “Steele & Stone.” After being given hope by The Chief that Cliff may one day be able to feel again, Cliff believes he could speed the process up with help from Silas Stone. This leads Cliff to drag Cyborg back to Detroit where Cliff is only met with disappointment. One thing that stuck out here and one of the first plot holes that I’ve noticed, Silas recollects that he denied helping Niles with the development of Cliff’s metal prison as it would make him an accessory to Niles’ crime. Yet in season one Silas says that if Niles would’ve taken his notes, that Cliff could’ve been so much more, which makes one wonder which story is true. Following this, we’re given some great development and bonding between Cliff and Victor, and for once Cliff offers some helpful advice to Vic about his current love endeavor with Roni Evers.

    On the other side of things, that is about as delightful as it gets for this episode, for a second it feels as if Larry is going to be able to confront the guilt and regret he feels towards abandoning his family and never being honest to them about who he really is. He decides enough is enough and he and Rita venture out to help Larry’s family empty out his late son’s old home. All seems well and it felt almost cathartic to see the sulking seep out from beneath Larry’s bandages and see him happy for once. That is until his son, Paul, reveals that when he said he “followed in his fathers footsteps” he really followed his footsteps and joined the Bureau of Normalcy, and spouts years of pent up rage, anger, and blame towards his father, blaming him for his family’s troubles.

    Finally we’re given a rather interesting side plot focused on Jane’s alter ego, Baby Doll, and Dorothy. Chief believes that the two would be the best of friends and for bit they are. since the season started there has been an interesting dynamic going on within Jane, a power struggle between her and those who reside within her head. she’d been dealing with the stress of being the main personality while the others demanded more time above ground. This delivers a more irritable and more sensitive Jane that has become much more of a hot head this season. Finally when we reach the boiler room were shown a distressing chain of events that leads to one of Jane’s personalities killing Dorothy’s best friend, Manny the Wendigo. As an act of childish rage Dorothy makes the decision to make a wish, the full might of Candlemaker is put on display, being stuck as voice within Dorothy’s head for a better part of the season it was unclear what exactly his abilities were, but once he infiltrates the underground and slaughters those who get into his way were setup for an interesting end to the season.

    It is wild to think that we’re already halfway through the season, and with only four episodes left in season 2 and so much set up for the future just in this episode it’ll be interesting to see how they wrap things up in the end. Doom Patrol has become such outside of the box, breaking down limitations, type of comic book show. It doesn’t follow any sort of formula and just focuses on the characters and lets them push the story forward, and with this episode even though its basically one big recipe for the main course that is the rest of the season, it continues to deliver on every aspect.