Tag: Marvel Movies

  • New ‘Eternals’ Promo Banner May Hint at November Chinese Release

    New ‘Eternals’ Promo Banner May Hint at November Chinese Release

    Here’s a curious hint. There have been many discussions if Marvel Studios will manage to release any films in China this year due to various factors. Shang-Chi still hasn’t gotten one and there was no sign Eternals wouldn’t face the same fate. Chloé Zhao‘s win at the Oscars was heavily praised by the country until comments surfaced that changed their attitude to muting anything in relation to the director online. As such, it seemed unlikely her film will get a Chinese release. Yet, a new banner may have hinted at

    Twitter user @FILMemesTW shared a banner that reveals Eternals will release in Hong Kong theaters as of November 4th. The curious aspect is that it would be a day before it releases in the States. There hasn’t been an official statement so we might still need to take this with a grain of salt for now but it popping up online is curious.

    China has been very strict with its releases as of late, which has kept many productions from hitting any record numbers in their international box office. F9 and Godzilla vs. Kong have made around $200M alone in the Eastern country, which boosted their international standing quite a bit. The current leading film worldwide is a Chinese propaganda film that has garnered almost one billion in the country alone.

    Marvel Studios has still been performing well even without their usual Chinese release. Shang-Chi seems to be on route to pass $400M in its runtime which would be on par with films like Ant-Man in non-pandemic times. Black Widow also had the added benefit of releasing on Disney+ Premier Access which gave it a nice boost in numbers but added its own issues when it came to a foreign release. Still, it’ll be interesting to see if the Chinese release gets announced and how it may benefit the Zhao-directed project’s overall box office performance.

    Source: Twitter, The Numbers

  • The History and Future of Superheroes at Award Shows

    The History and Future of Superheroes at Award Shows

    Superhero movies and television have dramatically increased in quantity in this early part of the 21st century. Where only the most iconic heroes used to be recognized by the general public – think Superman, Batman, Spider-Man – even non-comic book fans now can list their favorite superheroes by the dozen. While DC entertainment and its characters seem eternally well-known and loved, the change in the conversation around superheroes on screen is in no small part due to the wild success of the Marvel Cinematic Universe. 

    WandaVision" - Marvel-Sitcom auf Disney+: Vorort-Horror mit Superhelden -  DER SPIEGEL

    Superheroes and their film and television exploits in particular have found their way into what feels like nearly every part of society. They routinely bring in over one billion dollars per film at the box office and inspire millions of fans. Still, the biggest award shows in the game, the Academy Awards and the Emmys, have long notoriously snubbed superheroes, or anything comic book-related. While WandaVision and The Falcon and the Winter Soldier have managed to secure Marvel Studios’ first Emmy nominations, its WandaVision’s astonishing 23 nominations – and currently 2 wins – are making headlines and history. So, is Marvel Studios’ first Emmy-winning series simply an anomaly? Almost certainly not. Looking at the history of how superhero visual entertainment has fared at major award shows, it’s pretty clear that the trend going forward is more critical recognition of the genre. In honor of WandaVision, let’s look at the Emmys. It’s an incredibly shortlist of winners.

    In 1978, Mariette Hartley was nominated for Outstanding Lead Actress in a Drama Series for The Incredible Hulk and actually took home the same Emmy in 1979, marking the first nomination and win for a comic book superhero franchise. The Incredible Hulk’s success remained the only Emmy recognition for a whopping 42 years until DC’s Watchmen opened the floodgates in 2020. The series won 11 Emmys out of 26 nominations including Best Limited Series, Outstanding Lead Actress, Supporting Actor, and Outstanding Writing for a Limited Series. Watchmen’s resounding success after virtually no recognition of the genre hasn’t slipped away quietly.

    Watchmen': Damon Lindelof foge da adaptação fácil em versão para TV -  Jornal O Globo

    This year’s Emmys have recognized several comic book adaptation series including WandaVisionThe Falcon and the Winter SoldierThe Boys, and The Umbrella Academy. WandaVision (along with The Boys) also follows Watchmen’s recognition in major above-the-line categories. Those include Outstanding Lead Actress, Actor, Limited Series, Supporting Actress, Directing, and Writing (twice) for a Limited or Anthology Series. The door for comic book superhero movies apparently blew right open for the Television Academy. 

    Historically, superhero films have fared slightly better as the Academy Awards, or Oscars. Still, only nine comic book superhero movies have actually secured a win—and they are not at all what you would guess. Superhero movies have been recognized, generally, in technical categories, such as Best Makeup and Hairstyling, Visual Effects, etc. In fact, Suicide Squad (2016) is an Oscar-winner for the former category, and Spider-Man 2 also took home an award in the latter. Two wins have been as Best Animated Features. In 2009, The Dark Knight became the first to win an Oscar in a major, above-line category with Heath Ledger’s posthumous award for Best Supporting Actor, and boasted 8 total nominations.

    Joker Filmkritik: Da vergeht einem das Lachen

    It was not until ten years later in 2019 that Black Panther, among its seven nominations, became the first comic book superhero movie to be nominated for the coveted Best Picture category. It also took home 3 awards, giving Marvel Studios its first Oscars. In 2020, though, Joker, the iconic DC character made history again with a superhero record-breaking 11 nominations, including for Best Picture, Best Actor, Best Director, Best Adapted Screenplay, Best Editing, and Best Cinematography. The film nabbed only two awards though, including Best Score and Best Actor for Joaquin Phoenix’s performance. 

    It is clear that award shows are beginning to recognize the superhero genre. Still, it has not been a gradual increase over the decades. Instead, it arguably did not begin until the 2000s, and truly not until the late 2010s and early 2020s. As clear with this year’s Emmys, superhero film and television are finally getting the official acclaim that is arguably long overdue. The question is why, and more importantly, why so much seemingly all at once. Are superhero series and movies actually getting better or are more and more critics simply becoming fans themselves? The answer is probably both.

    Scorsese produziert Joker-Film für Warner - lauterfilme.de

    The superhero genre of the past was traditionally represented by flat “popcorn” flicks that simply brought comic book characters directly off the pages they came from. The goal was pure, simple entertainment with “shiny” action and larger-than-life science fiction-type stories devoid of much else. To some, the genre still carries that stigma and the assumption is that these movies and television series are nothing more than fun money-making ploys. However, as anyone who has watched enough of them can tell you, there is so much more going on lately.

    The sheer amount of films and shows have created an entirely new following and system of storytelling. An easy explanation is that, with countless properties being adapted and created, each one has to fight its way to being better than others in order for itself to stay afloat. A better explanation, though, is that the world has become so accustomed to superheroes and their stories that film and television makers can now shift their focus away from the classic empty but shiny plots to showcase and deliver deeper and more meaningful stories, using the genre as a vessel to do so.

    Black Panther - So hat sich T'Challa seit The First Avenger: Civil War  verändert

    While award shows have not traditionally been kind to comic book superheroes, the change can be seen, particularly just in the past few years. If this year’s Emmys, with WandaVision’s already noteworthy success, are any indication of what is to come, these beloved stories might be poised to be at the podium in record number in the near future. 

  • ‘DUNE’ Starts Off Strong Internationally While ‘SHANG-CHI’ Passes $320M

    ‘DUNE’ Starts Off Strong Internationally While ‘SHANG-CHI’ Passes $320M

    It looks like Denis Villeneuve‘s upcoming Dune film is off to a great start, as it managed to nab $36.8M internationally in 24 markets. Currently, it is ahead of Black Widow (which didn’t have a China release) and even Villeneuve‘s last film, Blade Runner 2049. It’ll have some smaller releases ahead of its domestic debut in late October which may work in the film’s favor of having an HBO Max release in the States. Perhaps it’s part of Warner Bros.’s strategy to avoid the piracy aspect that’s been hurting these day-and-date releases.

    Dune | Cineplexx AT mobile

    Shang-Chi has been doing quite well internationally, as it now stands at around $320M worldwide. It’s passed A Quiet Place Part II and Sonic the Hedgehog putting it at the higher end of this year’s earners. Its toughest competition remains the Chinese releases of Godzilla vs. Kong and F9, who managed to add an extra $200M in the market respectively. Yet, current predictions still put it at a strong $414M on par with Ant-Man. It may even pass Black Widow domestically at this rate. No small feat for a theatre-only release during a pandemic.

    As Forbes’ Scott Mendelsohn points out, the benchmark for potential sequels lies with a $350M box office. Tenet‘s early release set the current industry standard as it still tries to recover from the pandemic, which still has no end in sight. With this trajectory, it seems safe to assume that Dune will get a sequel, as it only adapts the first half of the original novel. Shang-Chi also seems like a safe bet to explore a new legend now that went beyond everyone’s expectations. We’ll see how the rest of the year plays out as more films hit the market.

    Source: Forbes

  • ‘SHANG-CHI’ Continues to Beat Out the Competition in its Third Weekend

    ‘SHANG-CHI’ Continues to Beat Out the Competition in its Third Weekend

    Another weekend has passed and it seems Shang-Chi is still holding on to the top spot. It’s currently eyeing to end the Sunday with a total domestic of $176.1M after an incredible hold of 61%. It’s the second-best third weekend in September with $21M only beaten by the horror film It with $29.75M. The film is showing healthy legs and also benefits from a lack of competition. It went up against the new release of Clint Eastwood‘s Cry Macho, which is only eyeing around $4.7M over the three-day weekend. Unlike the Marvel Studios production, it’s also currently available via HBO Max and could see a strong drop on Sunday.

    Marvel: Das verspricht der erste Trailer zu "Shang-Chi and The Legend of  the Ten Rings" | GQ Germany

    Currently, it looks like Ryan Reynold‘s Free Guy will take the second spot as it may pass the $5M mark this weekend. Other releases aren#t doing much better, as Cop Shop featuring Gerard Butler might miss hitting the $3M this weekend even with glowing reviews by critics. Its reception by viewers is telling a different story. It’s likely to end up on the sixth spot with horror films Candyman and Malignant ahead.

    Shang-Chi and the Legend of the Ten Rings seem to indicate that the core audience is back in theatres, but not everything is quite where it used to be. Venom: Let There Be Carnage moved back to its October 1st release and with Dune on the horizon, the films might add some much-needed energy. The lack of a Chinese release is hurting some films, as it’s been the saving grace for F9: The Fast Saga and Godzilla vs. Kong. The latter pulled in almost around $200M from that market alone putting it ahead of the current domestic leaders.

    Source: Deadline, The Numbers

  • Improvisation in Marvel Films: ‘GUARDIANS OF THE GALAXY’s Yaro Root Scene

    Improvisation in Marvel Films: ‘GUARDIANS OF THE GALAXY’s Yaro Root Scene

    Improvisation is a common feature on most movie sets. Actors taking creative liberties with their dialogue and behavior has led to some of the most iconic lines and moments in the Marvel Cinematic Universe. It includes the likes of the “I am Iron Man” bombshell from Iron Man and allegedly 80% of Taika Waititi‘s Thor: Ragnarok. Karen Gillan is no stranger to improvisation on sets, such as Avengers: Endgame‘s opening paper football scene with Iron Man and Nebula, but it seems her improvisation skills may have actually left their imprint all the way back in Guardians of the Galaxy Vol. 2.

    Speaking to BBC’s Radio 1 this week, the Guardians of the Galaxy actress revealed that another iconic Nebula moment was the product of improvisation. When asked about her favorite lines from her career, she surprisingly said one of them was the “It’s not ripe” line from the Guardians sequel.

    One that I noticed that people want me to always write on pictures is that improvised line actually from Guardians of the Galaxy Vol. 2, which is “It’s not ripe.” It was improv-ed at the time, and that has stuck beyond anything else.

    Karen Gillan

    The Yaro root is a fruit Nebula spends most of the film chasing in vain. The Guardians repeatedly warn her that it’s not ripe and actively prevent her from taking a bite. Finally at the end of the film, Nebula sneaks her way into trying the fruit and inevitably spitting it out followed by the above-mentioned line.

    How a Single Line Can Add More to the Story

    21+] Nebula Marvel Wallpapers on WallpaperSafari

    Although it might seem like a small side joke, the Yaro root also doubles as a well-written piece of characterization for Nebula. Despite her being an antagonistic, bitter character, the Guardians are still looking out for her best interests, even with something as simple as eating fruit when it’s ready. When the head-strong Nebula rushes to get what she wants on her own terms, it ends up being premature and not what she wanted. The Yaro root is a reminder of how Nebula can benefit from learning to trust others instead of struggling to get by on her own and achieving less.

    So even though it’s a small line from a silly gag, I think this line is actually rather important to her character arc. The meaning of the line makes it all the more impressive that it was an improvisation, especially when you consider that its director James Gunn has previously stated that about 99% of the final dialogue in his films are straight from the script. It’ll be interesting to see if her tendency for improvisation might come to the forefront with director Taika Watiti in Thor: Love and Thunder. As mentioned previously, he’s a fan of improvisation and perhaps he’ll get more of these character-developing scenes through improvisation.

    If you are interested, you can check out the interview with Karen Gillan right here:

    Source: Deadline, MTV, Yahoo, Twitter, The Hollywood Reporter, BBC Radio 1, Twitter

  • Deep Thoughts: Hypothetical Marvel Studios 2022 Release Calendar, V2

    Deep Thoughts: Hypothetical Marvel Studios 2022 Release Calendar, V2

    Back in January, we looked at one hypothetical 2022 release calendar for Marvel Studios. We’ve been through another round of production delays and release date shifts and with 2022 just a few months away, have a little bit better idea of when we might expect to see Marvel content next year. With that in mind, here’s version 2.0 of a totally made up and hypothetical way Marvel Studios 2022 release schedule might look.

    Originally set to stream on Disney + in 2021, rumored production delays pushed Ms. Marvel’s MCU debut to 2022. With the number of streaming series Marvel Studios has to get through in 2022, it would seem like they’d want to kick off the new year with a bang, debuting Ms. Marvel as soon as possible, dropping the first of the expected 6 episodes on January 5th.

    Now that Wednesdays are the new Fridays, we know that Marvel Studios has no aversion to dropping a new film while a series is streaming. With that in mind, it’s possible that the they get She-Hulk’s 10 episode run started as early as February 23rd, one week after an episode of Marvel Legends catches fans up on the stories of Bruce Banner and Emil Blonsky, two characters who will have big roles to play in the series.

    While She-Hulk is in the middle of its run, fans will FINALLY get the sequel to 2016’s Doctor Strange on March 25th, 2022 when Doctor Strange in The Multiverse of Madness hits theaters. Marvel Studios will almost certainly have a few episodes of Marvel Legends ready to view to prep fans to remind fans not only of what Stephen Strange, Wong and Mordo have been up to, but also to remind them of the journey of the film’s primary antagonist, the Scarlet Witch.

    Right after She-Hulk finishes its extended run (remember, it’s 10 episodes and will stretch from late-February through late-April), fans will be able to head to theaters for the next chapter in the saga of the God of Thunder when Thor: Love and Thunder comes crashing in on May 6, 2022. Marvel Legends episodes covering the journeys of Thor and the Guardians of the Galaxy are almost a sure thing and we’ll certainly need to catch up on Natalie Portman’s Jane Foster, who will have been absent from the MCU for almost a decade when this film releases.

    From the God of Thunder to the avatar of the Egyptian God of the Moon…Marvel Studios Moon Knight, featuring Oscar Isaac in the lead role(s) could hit Disney Plus as early as May 11th. In our first draft, we had Moon Knight streaming about one month earlier, but with Ms. Marvel moving to 2022, it got pushed. Realistically, should Marvel Studios wish to do so, they could move Ms. Marvel to this slot, much closer to the character’s next appearance in November’s The Marvels.

    We’re not sure if Marvel Studios will go this route, but interestingly enough the mythology of Moon Knight has some ties to the mythology of Black Panther. Should Kevin Feige and crew wish to make that explicit on screen, there could be some small connection between the two that would make Black Panther: Wakanda Forever fit nicely in order after the completion of Moon Knight’s expected 6-episode run. Wakanda Forever is one to keep an eye on as well, as production delays due to an injury to Letitia Wright have pushed the expected completion of principal photography into early 2022.

    Marvel Studios intends for the animated series What If…? to occur annually and we know they’ve already done a lot of work on Season 2, so it’s likely it’ll be ready for a Summer 2022 debut. Season 1 was 9 episodes, so we’ll go with that for now and slot July 20th as the drop date for the first episode of Season 2, which will see the return of Haley Atwell’s Captain Carter and adapt a scenario from this year’s Black Widow film.

    Marvel Studios seems to be aiming to have Secret Invasion ready to stream just ahead of The Marvels. Production on the series in kicking off in earnest in October in the UK, allowing for some actors to complete work on The Marvels before shifting over to Secret Invasion. If everything goes smoothly, the series should be ready for Disney Plus by September 28th, 2022, leaving a week to recover before the Captain Marvel sequel hits theaters on November 9, 2022. Truthfully, we have no confirmation that the two projects are tied together, but we’re pretending they are for the purposes of this experiment. Presumably, both of these projects would be preceded by some Marvel Legends episodes recapping the adventures of Nick Fury, Talos, Carol Danvers, Kamala Khan and Monica Rambeau before telling the next chapters of their stories.

    While Secret Invasion is doing it’s thing, Marvel Studios might have to find room to drop the first of its Holiday Specials. Rumor has it that the Halloween special might just feature Werewolf By Night, a character originally believed to be starring in his own streaming series. Production on the special is set to take place early next year, so it shouldn’t be a problem to have it ready to go for, let’s say, October 26th.

    Even though the entire piece is hypothetical, this one has the greatest uncertainty. I’ve recently heard a rumor that production on Echo might get pushed JUST a bit, to April 2022, making it almost impossible for it to stream in 2022. Should it hold to its originally reported January 2022 date, however, we could easily see it debut on Disney Plus by November 16th.

    Should the calendar hold, Marvel Studios could wrap up 2022 with its second holiday special, the Guardians of the Galaxy Holiday Special. This one will film during production on Guardians of the Galaxy Vol. 3, so it’ll be ready to drop whenever they choose, maybe even on December 28th, 2022!


  • Richard Madden Talks How Chloé Zhao’s Unique Vision of Ikaris Inspired Him to Join ‘ETERNALS’

    Richard Madden Talks How Chloé Zhao’s Unique Vision of Ikaris Inspired Him to Join ‘ETERNALS’

    All eyes are now on November’s release of Eternals, which will introduce the world to the earliest point in time of the Marvel Cinematic Universe. We’ll get introduced to a brand new alien race that existed long before the Avengers were around. Director Chloé Zhao whipped up quite the cast which includes Game of ThronesRichard Madden. He’ll take on the role of Ikaris, an important figure in the Marvel comics.

    In an interview with Total Film, the actor revealed why he was interested in taking on the mantle and how the non-superhero aspects of this superhero drew his interest.

    That’s why I was drawn to him. I don’t see him as a superhero I’ve seen before. I see him as a man first, and quite a complicated character, before a superhero. You know, superheroes have laser eyes. Superheroes can fly. So, there’s lots of parallels. But as a character, I’ve not seen anyone like him before.

    Richard Madden

    He also goes on to highlight how Chloé Zhao’s vision played a key role in his decision, as it is her vision of these characters that added that flair to draw him to the role.

    The concept of these characters, and how deep Chloé wanted to go with these people who have been alive for so long, and have experienced so many different things. So that’s what really intrigued me – how these people interact with each other, and also the rest of the world when they’ve seen everything and done everything. That was kind of fascinating.

    Richard Madden

    Marvel Studio’s strength was always humanizing their characters. So, Zhao’s vision seems to fit perfectly into the way they’ve approached the MCU. He also teased that he would make a perfect leader for the Avengers, whose existence is still kept unknown to some degree, but confesses he can only make predictions for what the future holds for MCU.

    Source: Total Film via The Direct

  • ‘SHANG-CHI’s Ten Rings Almost Looked Like They Did in the Comics

    ‘SHANG-CHI’s Ten Rings Almost Looked Like They Did in the Comics

    Audiences have been praising Shang-Chi and the Legend of the Ten Rings for the way it smoothly translates complicated comic ideas to the big screen. Among these adapted concepts was the function of the titular Ten Rings, which were simplified in the MCU for the sake of storytelling. However, Marvel VFX artist Sean Walker has revealed that this almost wasn’t the case. He explained in an interview with Comic Book:

    The Ten Rings actually went through a range of color changes. At one point, each individual effect had its individual styled use of the Rings. For example, when Wenwu is creating a bustle out of them, or a whip, or projectiles, they actually had their own unique color scheme, they were all in a similar color palette.

    Sean Walker

    In the comics, the rings did not function as a singular unit like they do in the film. Instead, each ring had its own unique power and color-coding that its wearer could use at will. Walker’s comments indicate that the MCU almost stayed true to this before slimming the idea down. He continued to reveal that the different colors were almost used as a way to convey the story’s themes in a visual manner:

    But in order to really clearly define this is Wenwu and this is Shang-Chi, we stuck to a much narrower color palette. So Shang-Chi’s colors actually mimic his mum’s color palette, so we looked to her for her greens and for yellows and greens. Especially in the initial fight between his parents.

    Sean Walker

    As anyone who has seen the movie would know, this range of color was eventually trimmed to just solid blue and orange. While the original idea was a good one, it’s probably for the best that the VFX team chose to simplify their effects. The result is a simple and appealing vision for the film’s climactic battle, and the rings functioning as a unit proved beneficial for the project’s action choreography.

    Source: Comic Book

  • ‘SHANG-CHI’s Fala Chen’s Used as Reference for the Great Protector Dragon

    ‘SHANG-CHI’s Fala Chen’s Used as Reference for the Great Protector Dragon

    There’s a lot to be excited about when a new Marvel Studios film hits theatres. Not only do we get a new entry in the ever-expanding Marvel Cinematic Universe, but get a new perspective on the world. Shang-Chi and the Legend of the Ten Rings introduced us to the dimension of Ta Lo, which introduced the world to the MCU’s first dragon. The existence of the Great Protector left us with many questions and it seems that there’s one aspect of the character we may have not noticed.

    In an interview with ComicBook.com, one of the Weta Digital VFX supervisors, Sean Walker, revealed that they wanted to tie the film together with Easter eggs inspired by its theme of family. One of those being that the Great Protector’s eyes are based on Fala Chen, who plays Shang-Chi’s mother, Jing Li. They also tease that there are many other details that keep the character alive throughout the film.

    We kept looking at Shang’s mother for reference for almost everything. Even the Dragon’s eyes were initially based off by Fala Chen’s eyes, the actress who played Shang’s mom.

    Sean Walker

    It’s a clever idea as his mother’s death plays an integral part in his journey, as it parallels that of Wenwu. His father’s grief lets him get manipulated by the Dweller in the Darkness while Shang-Chi works alongside the Great Protector. In a way, these two mystical creatures act as representations of what path they chose after her tragic death. It’s great to see how a simple Easter egg also can turn into a strong story-telling device similar to how Dormammu was played by Benedict Cumberbatch in Doctor Strange. It’ll be interesting to see what other hidden details are in the story.

    Source: Comic Book

  • ‘SHANG-CHI’ Concept Art Offers Closer Look at Abomination’s Redesign

    ‘SHANG-CHI’ Concept Art Offers Closer Look at Abomination’s Redesign

    Shang-Chi surprised many when one of its trailers revealed the grand return of Abomination. While we knew he’ll make an appearance in She-Hulk, we only heard that Tim Roth will reprise the role. There was no mention if he’ll show up in his human form, or if he’ll look similar to what he did in 2018’s The Incredible Hulk. The trailer changed all that when we got a more comic-accurate design for the character. Many didn’t even believe it was the same character at first, but the film’s recently released revealed that it is indeed the transformed Blonsky.

    The new design still kept elements from the original, and Marvel Studios Senior Visual Development Artist, Anthony Francisco, took to Instagram to share a closer look at the character’s new design. He did get the more comic-accurate ears and green skin. Yet, the concept art reveals he still retains the protruding bones from his first design. It’s somewhat difficult to make out in the film but we might get a closer look once the Disney+ series drops.

    It’s a great design and Marvel Studios likely will utilize these assets in the Disney+ series with some minor tweaks here or there. We’ll see if they point out the new design in the series, as Mark Ruffalo‘s Bruce Banner might be surprised. It would be perfect if Blonsky fights back by pointing out that he looks different from their last encounter. Hopefully, the wait isn’t too long until we get our first look at the legal comedy and the wacky part of the MCU it’ll introduce us to.

    Source: Instagram