WandaVision was just the first of six planned series to be released in 2021. Marvel Studios is going all-in with Disney+ to further expand their Marvel Cinematic Universe. The shows will have a good mixture of supernatural and grounded storylines. Ms. Marvel explores the story of a girl adjusting to high school with supernatural abilities. There is also the series planned around Clint Barton. We know that he will pass on the torch to the next generation with Kate Bishop, who will be played by Hailee Steinfeld. We don’t know if the series will also use this opportunity to explore Clint’s own background but it could be a factor. Well, the actor released a photo from the set that may give us that answer.
What makes this quiver so interesting is the SHIELD logo and its obvious age. In Avengers we saw that he was using a modern quiver that could automatically change the arrowheads. Here he is going back to his roots with a worn-out model. It looks like the archer is going to be down on his luck throughout the story and won’t be able to rely on his fancy tools. Now, the exciting aspect is also that there might be some emotional value to this specific tool in his arsenal. It wouldn’t be too surprised if we also get a look into what drew a young Clint to join SHIELD and why he explored archery. We may also see how the Ronin persona, which was introduced in Avengers: Endgame into his own backstory. There is a very personal story to tell here and it will be interesting to see how it all intertwines with the larger story that will introduce Kate Bishop.
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After rewatching the latest episode of WandaVision, I’ve come to realize I never asked myself the question of why they decided to reintroduce Monica Rambeau in this story specifically. The character has close ties to Carol Danvers, but it seemed surprising they wanted to include her in a series focused on Wanda. Yes, it works to introduce an older version of the character played by Teyonah Parris, but something felt like it was missing. Advertisement showcased her as an essential character for the series. The moment the episode started, it suddenly clicked with me. At that very moment, I realized why exactly she is here and her importance moving forward into the rest of the season.
I will be mainly spoiling the opening of this episode. If you are planning on going in without any spoilers then be sure to return to this article later. Otherwise, continue at your own risk.
The episode opens up with Monica being blipped back into existence. She finds herself in a hospital where everyone is in disarray. Her priority is the empty bed beside her, as she tries to find out what happened to the person she was at the hospital. It turns out, her mother, Maria Rambeau, was fighting cancer. The surgery went well before she got snapped. It is heartbreaking when she finds out that her mother survived before facing a relapse two years later. We see her try to keep her composure, try to return to a normal life, and somehow move on with whatever happened to her. She returns to back to work and is ready to take on her old tasks again. Instead of falling into the tragedy, she accepts it and tries her best to move on.
Her journey is a counterpoint to that what made Wanda bring Vision back to life. They both lost someone very dear to their heart, but one couldn’t let go. It leads to some questionable decisions that are still unknown in how far they go. Monica is here to become the emotional anchor that probably leads to the final decision of the show. Her experience of loss could help Wanda learn the same lesson. It is her chance to learn that forcing something to exist won’t make the pain go away. The ending of this episode highlights that aspect of her journey moving forward.
We don’t know exactly where they are going with this yet, as we still have five more episodes to go. Monica is returning in Captain Marvel 2, so some story elements might get a focus later on. Still, the main character of this story is Wanda and her grief. It may also be what brought together an unlikely pairing of characters that would turn an entire town of New Jersey into a sitcom. Marvel Studios’ first venture into long-form storytelling feels unrestricted in many ways but still part of an ever-expanding franchise. I cannot wait to see what the future has in store for us in next week’s episode.
We can all agree that the third episode of WandaVision, “Now in Color”, had a LOT going on. Wanda’s pregnancy goes VERY fast. Vision senses that something is wrong, but when he starts trying to tell Wanda, the scene rewinds and starts over. By the end of the episode, Wanda and Vision have the two baby boys, formally known as Billy(Wiccan) and Tommy( Speed). In the comics they are part of the Young Avengers. Billy has the powers that his mother has, and Speed has the same powers as Pietro. Let’s go to Geraldine’s role in the show. Right from the beginning, we could tell she was a little weird; Agnes and Herb add to that by saying that she doesn’t have a house or a family. When she was with Wanda she somehow knew about Pietro being killed by Ultron. How does she know this? An angry Wanda kicks her out of whatever reality they are in. At the end of Vision, Agnes, and Herb’s conversation Herb says something like “We’re all…” but never finishes the line. What could he be saying?
I think that Westview is a real town and Wanda just took it over and made everyone puppets in her very own world. She made a perfect paradise for her and her family. She did all this so she could live a perfect life with the twins and Vision. Sometimes Vision starts saying things that might ruin her paradise and she simply makes it so it never happened. So obviously Vision thinks that something is wrong but Wanda makes it so he never gets to finish those thoughts.
Arlyn’s Assumptions
Elizabeth Olsen and Paul Bettany both say this next episode is mind-blowing and something huge is going to happen. Olsen says that it is a change in perspective. These past three episodes have been in Wanda and Vision’s perspective inside this bubble they are in. Maybe in this next episode, the perspective will shift to someone outside the bubble. As seen in the trailer Monica is outside of the bubble and reaches her hand in it. Also seen, the beekeeper guy that shows up is not in a beekeeper suit when he enters the bubble. This shift is mostly likely shifting into what’s happening from S.W.O.R.D.’s perspective.
This week’s installment of WandaVision took us to another decade as the story was set in the fully-colored sitcom world of the 1970s. The transition from the black-and-white palette of the two premiere day episodes to this comparative rainbow of an aesthetic was far from the only change in the manner the decade of choice’s sitcom elements played into, though, so let’s take a look at how WandaVision tackled the era of the Third Great Awakening.
Now in Color
I’ve already mentioned how this episode was the first time during the series in which we saw color other than the credits and ending of Episode 2. I appreciated that the palette of the 1970s was different from the one for the scene we saw at the end of the 1960s. That one was more muted with lots of neutrals like white, beige, and plenty of shades of brown, with only the colors seen on the characters and their clothing really popping out (most notably, the purple of Vision skin and the red of Wanda’s lips and clothing).
Conversely, the 1970s is full of bright hues from Wanda’s multicolored striped number to many of the walls in the house. However, what I appreciated about this was that the designers went with colors that were particularly big in that decade, with plenty of yellows and oranges abound, as well as some darker greens and lighter blues. Here’s hoping that now that the show is in color, these deliberate palette decisions will continue every week to match the era.
A Less Derivative Approach
Aesthetically, the episode does a bang-up job at capturing the 1970s, especially the hairstyles and aforementioned color choices. When it comes to the area of sitcom-specific material, though, the episode is pretty light on that compared to the first two. A lot of Marvel fans have been waiting for more emphasis on the action and mystery elements of WandaVision, and while we got that this week the majority of the show was still rooted in the sitcom antics but didn’t feel like it was supposed to be paying homage to other shows for the most part.
There are only two very obvious references to specific shows here: the house inspired by The Brady Bunch (which isn’t quite an exact recreation but it’s clear that an homage to the show is what they’re going for) and the theme song similar to The Partridge Family’s “Come on Get Happy”, which can actually be heard in Marvel’s own Ant-Man and the Wasp. Unlike the previous two episodes it’s mostly just the music that’s similar; since the entire Partridge Family opening sequence consists of animation and stylized photos the only specific visual emulated in this opener is The Mary Tyler Moore Show’s sprawl of colored copies of the program’s name before transitioning into live-action footage.
Unlike the first two decades, there’s no specific episode of a classic 70’s series like The Brady Bunch or The Jeffersons I could point to as the inspiration for this episode’s storyline. It seems like it’s almost supposed to be an homage to pregnancy and childbirth storylines, which have been present on sitcoms ever since their inception (though this episode is far enough along into the decades to allow the characters to acknowledge the pregnancy directly without having to dance around it with terms like “expecting” like they did back in the 1950s). I think this is actually a better method as it allows WandaVision to carve out its own identity rather than present itself as simply a tribute to old shows, but to do this after two episodes with more specific references makes this one feel as if there’s just a little something missing and I wish they would have just gone their own way a bit more from the get-go.
The Dilemma of The Decade
As I said, I appreciate the show going its own way with this episode but I think part of the way the sitcom elements contribute to the overall story is each potentially highlighting or offsetting a certain mood or attitude present in its episode. Ideally, this wouldn’t be directly lifting a story from a sitcom episode from that era, more like how the “wholesome” 1950s showcased Wanda and Vision’s innocence to the whole situation, and the changing attitudes of the 1960s taking the episode from silly fun to giving us (and the characters) a bit more of a hint as to the overall plot; the beds moving together and color being added to this world is intercut with clues as to what might really be going on.
This sort of thing isn’t really present in the 70’s episode, but the creators were probably in a tough spot here. The sitcom eras naturally have to go in order (at least for now, since it appears Wanda will discover the ability to mix them up at some point as showcased by some of the trailers) so the birth of the babies had to happen now. But unlike the decades before and after it, the 1970s didn’t really have a lot of iconic sitcoms with babies in them, even ones focusing on family dynamics like the aforementioned Brady Bunch and Partridge Family.
Women had also gained many opportunities in the working world by this point (which was nodded to in this week’s WandaVision via Geraldine telling a story about her job promotion) and things like divorce and single-parenthood were much less taboo. Therefore, a lot of the most popular shows of the era were workplace sitcoms like The Mary Tyler Moore Show, politically charged ones like All in the Family and Maude, or shows featuring non-nuclear family living situations like Diff’rent Strokes, Three’s Company, or The Odd Couple. So it’s understandable why the episode’s storyline doesn’t utilize a lot of 70s-based tropes, as they didn’t really fit with the whole childbirth plot.
Hopefully, WandaVision will be able to find a nice balance between paying homage to shows of the past, telling its own story, and including more creepy and mysterious elements in its remaining three sitcom era-based episodes.
Like a lot of MCU fans, for some time I’ve been trying to figure out what is going on in WandaVision. Where’s this series heading? What’s Wanda’s state of mind? Who is the villain of the show? How will this lead into Doctor Strange: In the Multiverse of Madness? How exactly is Vision alive? Is he alive? How will Monica get her powers? What will happen in the last big final battle? How might mutants figure into this show, if at all? And how can everything fit together to make a coherent story?
Possible major spoilers for WandaVision below!
To be clear, the following is based on my own speculation, based on trailers and such that is already out there, not insider information. That being said, after a lot of thought about a lot of things WandaVision, I believe I’ve figured out one key piece to the puzzle. I believe Wanda will attempt to recreate the Mind Stone in the hopes of making her fantasy life with Vision and her children a reality. This will very, unfortunately, backfire on her, in spectacular fashion, as is seen in some WandaVision trailers. The destruction of this Mind Stone will likely create the mess that awaits Doctor Strange in the Multiverse of Madness, may open a door for Billy and Tommy and maybe even Papa Vision to survive the series, could tie into Monica gaining powers, and quite conceivably could inadvertently lead to the creation of more mutants. The latter making Wanda Maximoff, in a way, the mother of all mutants. Kevin Feige really does love Wanda, doesn’t he?
You may have some questions about how I came to these conclusions, so if you’re curious, please read on…
As I mentioned, I’ve been mulling over many aspects of WandaVision for a while now. Utmost in my mind was: How is Vision alive? Is he really alive or her imagination? Is he of his own free will or not? In regards to the last question, there are lots of hints and clues within the show so far, pointing both to Vision having some free will within the sitcom fantasy, and to him being under Wanda’s control. His restraint was shown during their dinner with the Harts, his looking to Wanda for her okay to help, when Mr. Hart was clearly in danger of choking to death, being chief among them. As I mentioned in an article about this last week, we all know if Vision was fully in control he would have helped Mr. Hart right away. Another moment comes up during the third episode, where Vision begins to think something is wrong during his conversation with Agnes and Herb. He is exhibiting free will there, in his curiosity and questioning. This appears to be happening again in other trailer footage of future episodes where he seems to be going on his own and investigating things. Considering Wanda would probably not want him to investigate here, this is a clear indicator of free will. It is possible that in the beginning, he had less free will but as time goes by, and he “reboots” so to speak, he begins to exhibit more of his old self, and his own free will to do things that are not necessarily going to make his beloved Wanda pleased.
I say “reboots” as in, yes I think this is Vision’s body, repaired either by Wanda’s own reality-altering powers or through attempts to bring him back without the Mind Stone. The Mind Stone was not, after all, a requirement of him living, it’s just the fact that it was so viciously ripped from his head that he appeared dead. I believe there is no reason to not think that some of Vision’s programming, the essence of who he was, could still be in that body just awaiting a spark of life to bring him back for real. Certainly, there is no reason to think that Wanda would not believe that as well. This is perhaps why we see her at the SWORD facility. She may have been working with them to try to bring him back to life, only to find they could not, and perhaps taking his remains with her for safekeeping until a solution could be found. So if that theory of mine is correct, this might explain why she’s imagining him alive again, and perhaps using her powers to try to bring him back “online.”
Vision and Wanda were always deeply connected not only through the power of the Mind Stone stuck in Vision’s head but through love. So with all of that in consideration, what if because of her love and grief, Wanda attempts to use her powers to bring Vision back to life, and to some extent succeeds in “rebooting” him? And does so to the extent that his body comes to life again, with his personality, and free will, and love for Wanda very much intact? Wanda and Vision are connected through the Mind Stone’s power, even tho it is no longer lodged in his head, there may be residual energy from it infused his is vibranium imbued body. Wanda’s connection to the Mind Stone may be the one thing she has that can actually save him, through repowering and rebooting. But what if that’s still not enough?
What would Wanda do then? And what about her children with Vision that were born in episode three? What if the outside world threatens them? Because it definitely will. What would Wanda do then? I think everyone knows not to mess with a mother protecting her children, and Wanda is certainly no one to mess with, as Thanos himself learned. So what can she do to protect Vision, her children, and their alternate reality with the likes of Monica and SWORD figuratively and literally knocking at her door? What can she do, how can she protect them, and how does this all lead into Doctor Strange: In the Multiverse of Madness?
Some deep thoughts and a rewatch of WandaVision trailers on Youtube later and the solution starred me and Wanda right in the face. Look at that moment in the “Daydream Believer” trailer where Wanda is staring at what appears to be a levitating Mind Stone. One might think it’s a flashback but for the fact that she wouldn’t have seen the yellow stone inside of Loki’s scepter when Hydra was experimenting on her. She appears ragged and distraught, she stares at the seemingly forming stone. It may be a trailer maker’s trick but it seems as if the yellow light and particles and dust are gathering to form the stone in front of her. Then it explodes with a flash, sending Wanda back for a split second in the trailer. It really looks to me as if she’s actually using her powers to form the stone, but she fails and it cracks and explodes in front of her. This is no flashback. It’s her present. If I’m correct about this, there is only one reason why she would attempt to recreate an Infinity Stone, and that’s in a desperate attempt to save Vision and her children.
The Mind Stone appears to form right before Wanda’s and our eyes in the second WandaVision trailer.
Could she even do this? Can she actually form an Infinity Stone? Her stans often refer to her as the “most powerful Avenger” and even Wanda Maximoff superfan Kevin Feige has conceded he thinks she is the strongest Avenger after she nearly took out Thanos in Endgame. That was just because Thanos killed her Vision, she has his kids now. I don’t doubt Wanda will find the strength to do whatever it takes to keep them safe. However, if you can’t quite buy that she could form one with her powers alone, think about this possible route they could take, as set up in Avengers: Endgame. As Thanos pointed out in that film:
Gone. Reduced to atom…. I used the stones to destroy the stones. It nearly killed me, but the work is done.
Technically the Infinity Stones still do exist in the prime MCU timeline, they are merely reduced to dust. Could Wanda, with her very specific and strong connection to the Mind Stone and her incredible powers combined, somehow reach out and pull together the remnants of the Mind Stone from across the universe and form the stone again? Is that an explanation that viewers would accept? I think I would.
It would also prevent the whole issue of having more than one Infinity Stone of the same type in a timeline at once, which I’d think would cause a certain amount of chaos as well. Either way, the Mind Stone exploding, could bring on a catastrophe that creates or opens up various realities, and multiverses among other important, consequential, events for the MCU. Now, I’m aware the stone exploded before, when Wanda destroyed it in Avengers: Infinity War, and nothing seemed to happen as consequence. However, Thanos pushed rewind fairly soon after, so we didn’t really get to see the consequences. Also, some of this might depend on what Wanda’s trying to do with the stone at the time. For instance, if she’s trying to use it to bend reality to the extent that she’s expanding her Westview bubble to encompass the whole world, and the stone explodes due to instability, then that could believably fracture reality, and set up the multiverse for Doctor Strange 2. It may also set up a scenario where Vision, Billy, and Tommy, live beyond the last episode of this series.
In the second WandaVision trailer, the Mind Stone appears to explode in front of Wanda.
Lastly, a note on Mutants and possibly Monica as well. Depending on what exactly Monica and S.W.O.R.D. are up to during the course of the series, it’s possible that Monica gains her powers as a result of the explosion of the Mind Stone, or equally likely as a way to try to combat a certain “scarlet witch” who is angry, protective, and not willing to just talk things out.
As for Mutants, and how they could come into the MCU here, I believe that the effects of the Mind Stone exploding could provide a suitable explanation. Wanda and Pietro are mutants in the comics, even if they are not yet referred to as that in the MCU. Ultron commented in Avengers: Age of Ultron, that they were the only ones who survived Strucker’s experiments with the Mind Stone. There’s been some debate for a while why that was, and whether or not the Maximoff twins were in fact Mutants (even if they weren’t calling them that). It’s long been speculated that the Mind Stone triggered latent abilities in the twins which may be connected to their mutation. This would explain why the twins don’t have the same powers. More recently, I’ve seen many speculate that the HYDRA soak, commercial in the third episode might be a hint at this as well. The “Release the Goddess within” catchphrase is a pretty strong wink to the idea that the Hydra experiments on the twins with the Mind Stone are what unlocked the twin’s latent abilities.
This line of thinking about the twins and the effects of the Mind Stone on them certainly makes the how and why Wanda might “create mutants” much clearer. This notion that Wanda might somehow create Mutants has been around for a while now. How and why has been more difficult to answer. It occurred to me that if exposure to the Mind Stone brought out Pietro and Wanda’s mutant powers, then it would do the same for other Mutants that have not had their powers activated yet.
My first thought was that perhaps Wanda tries to expand her fantasy world’s bubble to encompass the world, and exposure to her powers triggers other mutants. It’s certainly one possible scenario. But then I realized that Wanda may actually be attempting to form a Mind Stone and use it to protect her family. With the Mind Stone exploding in front of her, it appears she was unsuccessful. Now, what if the Mind Stone explosion lets loose a shock wave of the Infinity Stone’s energy throughout the world, and this energy triggers mutant genes in certain humans? What if that’s the last thing we see evidence of during WandaVision? That would be a pretty mind-blowing result and an incredibly exciting note the end WandaVision on, right? And something I think I could and would like to see happening. We shall see.
Episode 4 of Disney+’s streaming hit WandaVisionis set to become a pivotal point for the show. After only the first three episodes being shown ahead of time to select reviewers (our own Charles Villanueva being one of them), one would expect that there might be a reason why Marvel Studios drew the line where it did in terms of getting even more information surrounding the show out there. And now, as we reach the half-way point of what is the sitcom-themed portion of the season, even the biggest stars of the show aren’t holding back in terms of hyping what, to them, might be the biggest episode yet.
Paul Bettany says Episode 4 will “blow our [the audience’s] minds”, but it’s the words chosen by Elizabeth Olsen that might help us better understand what might be in store this Friday. While being interviewed by DigitalSpy, Olsen said:
I think the reason why they show the press the first episodes is because Episode 4 is quite a shift. It’s a really fun perspective swap and I think a lot gets understood at that moment.
The keyword here seems to be “perspective swap” and how that might help answer a few questions the first three episodes set up. I remembered how on Lost, after witnessing the crash of Oceanic Flight 815 in season one, the first episode of the third season showed us the exact same event from the perspective of The Others, which was when we learned how Ethan and Goodwin first infiltrated the survivors of the crash. WandaVision might end up doing something similar, if not with an entire episode, at least with a few flashback sequences where we get to experience events we’ve already seen, but from the perspective of those coming from outside Westview. And the best thing is that there is previously released footage that seems to indicate just that.
On the story featurette released by Marvel Studios on January 15th, we get multiple shots of sequences that happened in the first three episodes that we haven’t seen yet. The fact that they are through the eyes of both Geraldine and the beekeeper instead of Wanda or Vision, who have been the audience’s vehicles so far, helps to understand how that “perspective swap” might transpire.
First, we get the encounter between Wanda, Vision, and the beekeeper, from his point of view. When he first appeared in Episode 2 he was the focus of attention, but what we get from this other footage is that Wanda and Vision have now taken up that role. He is watching them, and it will be interesting to see if, a few seconds later, after Wanda says “No!”, he gets to see them rewind into their home or if he himself is rewound back into the sewers. Speaking of sewers, we also get a show of him entering the Westview Bubble through there. He seems to be wearing a suit that turns into the beekeeper outfit, something that the reality inside the bubble sees as a better fit to its timeline.
We will probably also get Geraldine’s side of the story, as there are a couple of shots of Geraldine first coming into contact with the bubble in the presence of Jimmy Woo, at a time the military presence outside of Westview was still nowhere to be seen. There is also new footage of Geraldine being thrown out of the bubble by Wanda, something that might help in recapping that event. We see her flying out towards the outskirts of town while also getting a shot that explains how she left the Vision residence. Through the wall, one that Wanda is seen reconstructing. This goes hand-in-hand with what Olsen said in an interview with TvLine, that what happened between her character and Geraldine is..
answered in the following episode
There might be a few more sequences that we haven’t seen yet that’ll help provide that perspective shift Olsen speaks of, with several lingering questions maybe being answered, but with a few more being raised. In three days, we will all know for sure.
The Covid-19 pandemic has affected different industries worldwide. And Hollywood is one of those industries that took a heavy hit. Many of these studios are still holding their films back, with many of them having been delayed into 2021 and are now being pushed even further into 2021 or 2022. As the global film industry loses billions of dollars as months push by and these films keep getting delayed, many have been looking at another approach to distributing such projects for the audience to see in a post-pandemic world. At the beginning of the pandemic, studios seemed to be reluctant to release the movie on a different online platform instead of a theatrical release, making it tough for them to choose the right platform to release their films. But, in times of desperation, more and more studios have started to opt for releasing their films on streaming platforms, some even going as far as making a hybrid option to release their films on theaters and streaming platforms on the same day, at no additional cost. And this has been a heavily debated topic during this past year, some calling the move bold and great for fans of these films, while others seem to think otherwise. Well now, it seems that Disney and Marvel may follow suit with the upcoming release of the Black Widow film.
According to Variety, following the slate shift Walt Disney Studios did last week and seeing how the MCU films were practically left untouched, there exists a strong possibility that Marvel Studios could be considering a hybrid release for the first film of Phase 4: Black Widow. What does this mean? Chances are they’re waiting for the release of Raya and the Last Dragon, due out on March 5th. Raya and the Last Dragon is opting for Disney’s first hybrid release, so to speak, by releasing the film in theaters and via Disney+’s Premier Access service on the same day. Depending on how the film does with that hybrid business model, there is now a real possibility that Black Widow could opt for that option as well. And with the weight that this is a Marvel Studios film, chances are that this film could make some real gains in a post-pandemic world.
The film has already been delayed twice this past year, and in any other normal case, the film could be delayed again no problem. But there is a catch and it is ultimately Marvel’s Achilles heel. By having these “Phases” into check, and by pushing the films further and further back, not only would Black Widow be delayed, but that would cause a domino effect that could shift the entire current MCU Slate back. There have been murmurs that the reasoning behind Black Widow‘s delay is due to the contract clauses that some actors have regarding this film, asking for a theatrical release rather than a full Disney+ Premier Access. So now, with this hybrid release becoming a possibility, there may exist a loophole to these clauses and there is a real chance that we could be seeing this on our devices really soon.
We’ve already seen how Wanda is in control of what happens inside the Alternate-Reality Bubble that envelopes Westview. From the way she almost unknowingly affects her surroundings, which then tend to mimic her emotional state, to how she manages to rewind certain moments so that the narrative doesn’t stray too much from the one she had envisioned. One of the times she decided to do the latter was in Episode 3, after the contraction-induced blackout, when Vision seemed to become a bit suspicious about their circumstances. But the most memorable one was during Episode 2 when, after returning home from the talent show, both she and Vision crossed paths with an enigmatic figure dressed as a beekeeper. We got actual graphics and sounds of film rewinding, as the couple returned indoors and the casual meeting was avoided, showing us just how in control of that reality Wanda really is.
Since the Bubble is exactly that, a bubble, Wanda’s powers don’t seem to have any effect on the outside world. We’ve already seen footage of the fields surrounding Westview and, besides the huge military presence, everything seems normal. What remains a mystery about those shots are the tall, floodlight-type devices directed towards the bubble that seem to be holding it back, preventing it from engulfing everything in sight.
And, by keeping the outside world unaffected by Wanda’s powers while Wanda herself is stuck inside the bubble rewinding her narrative at will, this could mean that the outside timeline would become dissociated from the bubble’s. All of this would indicate that even though it seems like mere days have gone by inside the bubble, that could translate into weeks or even months outside, in the real world. This would be a way to explain how everything seems to be moving so fast, from small events like the Hart dinner party to bigger, usually longer and more relevant occurrences like Wanda’s pregnancy.
Wanda’s rewinds only affect each person’s consciousness, so that each of them can forget the situation that prompted the rewind, not their physical body itself. One wouldn’t become 5 minutes younger after a 5-minute rewind, that sort of stuff. This would mean that both Billy and Tommy might have actually been carried to term after all, even if for everybody, us viewers and Vision himself included, it all seems to go by really, really fast. Having this be such a central issue of the show would also provide some context as to why the commercials shown at each episode’s intermission seem to have a common underlying theme: Time.
There are also a few other visual clues that hint at the passing of time not being as conventional as expected. On the “Story Featurette” released by Marvel Studios, we see footage of Geraldine/Monica coming into contact with the bubble for what it seems to be the first time. She’s just outside of town, in pretty much the same place we see her getting thrown out to in Episode 3, just by the town’s Billboard. Here we notice how the surrounding fields are empty, whereas when she gets expelled from the bubble, there’s this huge military compound already set up, something that might have taken more than a few weeks to do. If that early shot was when she first entered the bubble, this might hint that several weeks/months have gone by when she gets out, an idea reinforced by both how the military seem to react to her, as a stranger they don’t know aything about, and her own reaction, like she just woke up from a long dreamlike situation, not recognizing where she was.
Paul Bettany has recently tweeted out that Episode 4 will blow our minds, so maybe in four days, WandaVision will begin to shed a little bit of light on all of this. But having Wanda emerge from the slumber of Westview, years after she first entered it, realizing that the world moved on while she was stuck in time, both literally and metaphorically, mourning the ones she loved and still coming out of it empty-handed, would be something.
After a short excursion last week, John Locke is back in the studio discussing the minerals and metallic wonders of Earth. Wakanda is finally opening up their famous Vibranium mines to the public, while New Asgard seeks the remains of Mjolnir. In a world full of superheroes, there are still many surprises to unveil in the latest episode of LockeDown:
If you enjoyed the episode, don’t miss out on getting early access by subscribing to our Patreon to be one of the first to listen to the next entry:
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Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.
