The Multiverse Saga has often been criticized for introducing characters and concepts only to leave them on the shelf for years. But according to a new report making the rounds, Marvel Studios is finally looking to capitalize on one of its undisputed Phase 4 triumphs: Shang-Chi and the Legend of the Ten Rings.
A new report from industry insider Daniel Richtman suggests that a dedicated spin-off project tracking the shadow empire of the Ten Rings organization is actively in development once again, breathing new life into a corner of the MCU fans have been begging to revisit since 2021.
When we last saw the Ten Rings, Shang-Chi’s sister, Xu Xialing, had taken the throne of her late father’s global criminal empire. Despite promising her brother she would dismantle it, the post-credits scene revealed she was rebuilding the fortress with a new generation of female warriors.
In December 2021, following the success of Shang-Chi and the Legend of the Ten Rings, it was announced that director Destin Daniel Cretton was working not only on a sequel to the film but also a spinoff streaming series for Disney +. Though pretty much everyone at the time believed that spinoff was a Ten Rings-centric show led by Meng’er Zhang‘s Xialing, it turned out to be Wonder Man.
If the rumor pans out, perhaps could this project serve as the narrative runway leading directly into Shang-Chi 2. Cretton has Spider-Man: Brand New Day set for this July and Season 2 of Wonder Man on deck, so a spin-off allows Marvel to keep the Shang-Chi franchise warm without waiting for a full theatrical sequel.
But Kevin Feige and the newly promoted Brad Winderbaum aren’t letting up on the gas. The remaining live-action slate for 2026 is arguably the most consequential six-month stretch in the history of the Marvel Cinematic Universe, bridging the gap between grounded street-level grit and a multiversal apocalypse.
Spider-Man: Brand New Day — July 31, 2026 (Theatrical)
The highly anticipated fourth solo outing for Tom Holland’s Peter Parker isn’t just a sequel; it’s a total system reset. Directed by Destin Daniel Cretton (Shang-Chi), Brand New Day is pulling directly from the classic comic book status quo while throwing Peter into a dark, isolating new era.
The Four-Year Gap: Following an opening act that picks up nine months post-No Way Home, the film utilizes a massive four-year time jump, dropping audiences directly into the year 2028. Peter is now 21/22 years old, completely erased from the memories of his loved ones, and scraping by as an isolated, DIY hero.
The Tonal Whiplash: Fresh off his brutal solo special, Jon Bernthal’s Punisher serves as a primary supporting player. Bernthal has teased that Frank Castle acts as a grim reaper on Peter’s shoulder, offering a violent, uncompromising contrast to Spider-Man’s traditional idealism.
The Monster Within: With Mark Ruffalo’s Bruce Banner returning to the fold, rumor has it that Peter’s mysterious headaches are reportedly tied to a terrifying physical mutation arc, forcing a veteran, resource-less Spider-Man to protect a city that has entirely moved on without him.
ViSiONQUΞST — October 14, 2026 (Disney+)
Serving as the definitive conclusion to the trilogy that began with WandaVision and Agatha All Along, this 8-episode event series is taking a hard sci-fi, psychological approach to the synthetic soul of the MCU. Showrunner Terry Matalas (Star Trek: Picard) is leaning heavily into philosophical horror for the spooky season.
The Return of the Maker: The Disney Upfronts blew the doors off this project by confirming James Spader’s return as Ultron in both human and murder bot form. Paul Bettany has teased that Ultron acts as the “architect of Vision’s trauma,” appearing in a chilling “human form” to taunt White Vision as the android searches for a soul and pieces together his inherited memories.
The Children’s Crusade: The series will officially introduce a grown-up Tommy Maximoff (played by Ruaridh Mollica), reuniting the twins on the physical plane after Billy’s journey in Agatha.
The Multiversal Anchor: Bettany has teased that VisionQuest is the direct launchpad for his role in the next two Avengers films, with Vision’s analytical mind perhaps becoming crucial to Earth’s Mightiest Heroes staying in the fight.
Avengers: Doomsday — December 18, 2026 (Theatrical)
The main event. The crown jewel. The return of the Kings. Joe and Anthony Russo step back behind the camera for a film that has fundamentally rewritten the rules of the Multiverse Saga.
The Rule of Doom: Robert Downey Jr. returns to the MCU, not as Iron Man, but as Victor von Doom. The narrative focuses on the responses of the heroes of different Earth as Doom unleashes “a cascading crisis across the entire multiverse.”
The Fluid Script: Production in London has been characterized by absolute secrecy. Joseph Quinn recently revealed that early scripts didn’t even have an ending, as the Russos and writer Stephen McFeely treat the film as a living document, utilizing “secret names” to hide massive legacy cameos until the cameras roll.
Marvel’s remaining 2026 lineup is all about consequence. The Marvel Spotlight experimentation of the year’s first half is giving way to projects that will drive the narrative of the main cinematic line. Peter Parker is being forced to grow up, White Vision is facing his literal demon creator, and the entire Multiverse is marching toward a date with Doctor Doom on December 18.
Buckle up. The summer belongs to the web-slinger, the autumn belongs to the synths, and this winter, there is only Doom.
The Daywalker is skipping the line straight to the end of the world.
According to industry insider Daniel Richtman, Marvel Studios has pinned down exactly when and where we will next see the Daywalker. The report claims that despite the solo film’s notoriously fluid production history, Marvel Studios is planning to bypass the solo film bottleneck by officially debuting Mahershala Ali’s Blade in the grand multiversal finale, Avengers: Secret Wars ahead of a major role in Midnight Sons.
It has been an agonizing seven years since Kevin Feige introduced Mahershala Ali at SDCC 2019, and five years since his disembodied voice warned Dane Whitman about the Ebony Blade in Eternals. While fans have worried that the endless revolving door of directors and script drafts meant the project was dead in the water, it seems as though Marvel and Ali have come to terms on a path forward for the character.
This is the most pragmatic move Kevin Feige could make. Moving ahead with a half-assed Blade solo film just to check a box has proven to be a creative minefield. By introducing him, and Ghost Rider–potentially played by Ryan Gosling— as high-stakes, multiversal heavy-hitters in Secret Wars, Marvel will satisfy the fans, honor Ali’s immense patience, and cleanly establish the supernatural infrastructure needed to launch the Midnight Sons in Phase 7.
The Netflix renaissance is no longer a phase—it’s a takeover. Fresh off the wave of positive response to the TV-MA Special Presentation The Punisher: One Last Kill, industry insider Daniel Richtman has reported that Marvel Studios is moving full steam ahead on a follow-up project for Jon Bernthal’s lethal vigilante.
While it’s currently unclear if this next step is another tight Special Presentation a full-scale limited series or a feature film, the narrative trajectory is obvious. One Last Killintentionally left Ma Gnucci on the board, setting up a comic-accurate turf war that will feature Frank shielding Sadie Sink’s mystery MCU character from the ever-present Department of Damage Control in Spider-Man: Brand New Day before heading up another Punisher project. And it looks as though whatever they project it is, it will feature one of Punisher’s most lethal villains.
Though he had a small role as Barry in Punisher: One Last Kill, fans were convinced that Jamal Johnson was actually playing the merc known as Barracuda in the special presentation. Thanks to an Instagram post from Johnson, it seems fans were indeed correct…and Johnson is teasing the potential for him to return in the role.
Introduced by writer Garth Ennis in the 2006 Punisher MAX series, Barracuda isn’t just one of the Punisher’s most formidable physical threats—he’s also one of the few villains who genuinely enjoys the chaos as much as Frank enjoys the punishment. Barracuda is the “anti-Punisher”—a military-trained killing machine who represents what Frank Castle might have become if he actually enjoyed the slaughter instead of viewing it as a tragic, solemn duty.
Bernthal has made it clear there’s more in the pipeline for the character and though he refuses to give it away, there’s plenty of news crumbs for fans to start imagining what’s next for The Punisher.
As fans prepare to dive into The Punisher: One Last Kill on Disney+, a new report from The Direct is fueling speculation that this Special Presentation might be the final audition for a full-blown theatrical Punisher movie.
While the current project is a standalone, 40ish-minute Marvel Spotlight entry, the conversation is rapidly shifting toward Frank Castle’s big-screen potential—especially with Jon Bernthal already confirmed for a major role in this summer’s Spider-Man: Brand New Day.
The Punisher: One Last Kill isn’t just another MCU spin-off; it’s a mission statement. Bernthal didn’t just return as the lead; he also co-wrote and executive produced the special alongside director Reinaldo Marcus Green. This level of creative involvement suggests Marvel is trusting Bernthal to define the adult tone of the character’s MCU future.
Moving forward. I think, speaking for myself, I know Jon, and I would love to make a movie, something that could go worldwide and be on screens everywhere. But obviously, that’ll be Marvel’s decision.
-Reinaldo Marcus Green
Green admitted that while One Last Kill is a streaming event, both he and Bernthal “would love” to see Frank Castle lead his own theatrical film. “Obviously, that’ll be Marvel’s decision,” Green noted, but emphasized that the demand for an R-rated theatrical Punisher has never been higher.
To be honest, I can’t speak to that. I don’t know what the plans are for the future of the Punisher. The only thing that we hope that we were able to accomplish is the demand for more if we were able to accomplish that. Hopefully Jon [Bernthal] and Marvel will come together to make something worthy of what the audience would want to see out of that character.
-Reinaldo Marcus Green
Following the success of Deadpool & Wolverine and the two TV-MA seasons of Daredevil: Born Again, Marvel Studios is reportedly no longer afraid of the R-rating in theaters. With Disney pivoting back toward theatrical releases and away from aggressive streaming slates, Frank Castle is the perfect candidate to lead a lower-budget, high-impact, R-rated Marvel Knights cinematic line.
The production of Avengers: Doomsday is shaping up to be as chaotic and unpredictable as the multiverse itself. In an interview with Josh Horowitz, Fantastic Four star Ebon Moss-Bachrach dropped some fascinating details about the secretive writing process behind the Russo Brothers’ return and hinted at what to expect from Ben Grimm’s time on screen in the upcoming film.
According to Moss-Bachrach, the sheer scope of the fifth installment in the Avengers franchise made the process of filming his portion feel disjointed, especially in comparison to the smaller scale Fantastic Four film.
“Doomsday was different in that it’s a bigger movie with more moving parts, and I think it was more compartmentalized, whereas Fantastic Four: First Steps, we were there like every every day, every day, having a sense of the thing,” said Moss-Bachrach.
“These movies are so interstellar and so galactic and conceptual. So, it’s very hard sometimes to understand what’s going on in the story. And Doomsday was a little bit harder for me to hold all the parts,” he continued. “And, I mean, I knew where I was, I knew which planets, which universe I was in. But how it was connecting to other universes, I would have to go back to, like, ‘Joe [Russo] can you just, I know you’ve talked me through, can you just tell me one more time?‘”
When asked by Horowitz if he’d worked from a completed script, Moss-Bachrach ultimately revealed that at least his portion of the process wrapped without him being aware of the film’s ending.
“Yeah, I did read a full script, but those scripts change quite a bit,” he said before changing course. “You know what? Probably not, it probably didn’t have a full, like, third act. I don’t think it had an ending. I don’t think anyone gets to see that stuff.”
While one of the four teasers released for Doomsday teased Thing’s interactions with Earth-616’s Wakandans and Talokanil, Moss-Bachrach also seemingly revealed that the Thing will be sharing some scenes not only with Robert Downey Jr.’s Doctor Doom but also some powerful mutant heroes, marking the first time members of the Fantastic Four and X-Men have shared the screen.
“What a wonderful man. Like, what a great set leader he was. He’s been doing this for a long time and he was so generous and really, like, checking in, making sure everyone was good. Really good coach energy there… I would look around the room and it’d be like, ‘There’s Ian McKellan, and there’s Channing Tatum,’ it’s a lot.”
Set both after the events of Netflix’s The Punisher Season 2 and during the events of Daredevil: Born Again Season 2, One Last Kill will tee up Frank for his upcoming big screen debut in Spider-Man: Brand New Day.
While the Special Presentation is designed to be standalone, it will certainly reference some of the events from both seasons of The Punisher and Season 1 of Daredevil: Born Again. With that in mind, we present The Ultimate List of What to Watch Before The Punisher: One Last Kill.
The Complete and Definitive MCU Punisher Prep
If you have time to watch it all before you decide to stream One Last Kill, here’s everything to make sure you maximize your enjoyment. Though The Punisher did not appear in Season 2 of Daredevil: Born Again, it is most certainly relevant since One Last Kill is set during it and explains what Castle was doing during the season.
If you start now, you can take it all in before the streaming debut of One Last Kill.
Essential Prep
Daredevil, Season 2 (2016)
🍅 81%
Episodes 1-4, 9 and 11
To understand the Punisher, you have to witness the tragedy that birthed him. While his debut in Daredevil Season 2 is packed with visceral action, its true importance lies in the ideological war between Matt Murdock and Frank Castle. In Episodes 1-4, we see Frank at his most raw, culminating in the “Penny and Dime” monologue that redefined the character for a generation. These episodes aren’t just backstory; they establish the “no-half-measures” code that puts him at odds with the current street-level heroes in Born Again. Furthermore, Episode 9 is the first piece of the puzzle for his relationship with Wilson Fisk, showing a mutual respect between two monsters that still haunts the MCU today.
The Punisher, Season 1 (2017)
🍅 68%
Episode 1
The 2017 premiere of Frank’s solo series, titled “3 AM,” is a masterclass in the War at Home. It shows Frank Castle attempting the impossible: quitting. By burning his gear and taking a sledgehammer to literal walls, Frank tries to bury the soldier. This episode is the essential spiritual predecessor to One Last Kill, which begins with Frank once again trying to find a life beyond the violence. It also sets up his showdown with Ma Gnucci–played by Judith Light–in the special presentation.
While you could skip straight to Born Again, Jon Bernthal and showrunner Dario Scardapane have been vocal in interviews (and the Born Again Official Podcast) that the Netflix shows are not only 100% canon but crucial to understanding the man and his mission.
The Punisher, Season 2 (2019)
🍅 61%
Episode 13
The Season 2 finale of the Netflix era serves as the definitive transition into the Frank we see in the 2026 specials. It is here that Frank stops running from his nature and accepts that he is a “man in the box.” By ending the season with Frank dual-wielding rifles against a street gang, the show signaled his transformation from a man seeking revenge to a vigilante seeking a purpose. This version of Frank—the one who accepts his role as a necessary evil—is the exact version that Mayor Fisk now uses as a boogeyman to justify his anti-vigilante task forces.
Pay close attention to the return of Jason R. Moore as Curtis Hoyle. While Frank is the hammer, Curtis has always been the anvil Frank relies on to stay grounded. Frank is going to need every ounce of that Netflix-era humanity to survive, Ma Gnucci, a villain who is just as relentless as he is.
In this episode, Frank Castle’s return is triggered by the ultimate insult: the co-opting of his symbol. For years, the Punisher Skull had been adopted by a faction of corrupt NYPD officers—the very men Fisk uses to enforce his order. When Frank finally steps out of the shadows to confront these officers, it isn’t just about vigilantism; it’s about identity theft. He makes it clear that the skull isn’t a badge of authority or a trend—it’s a mark of a man who has lost everything and has nothing left to fear. This episode is crucial for One Last Kill because it establishes Frank’s current mission: cleaning up the mess his own reputation created. He isn’t just hunting criminals anymore; he’s hunting those who wear his face while breaking the law.
Episode 4 also serves as the first major reunion between Red and the Punisher in years, but the tone has shifted significantly since their rooftop debates. While they are still fundamentally at odds regarding the sanctity of life, there is a weary, veteran respect between them. Frank sees a Matt Murdock who is increasingly desperate and isolated after the loss of Foggy Nelson. In this episode, Frank acts as a dark mirror, forcing Matt to realize that the city Fisk is building has no room for “really good lawyers.” It sets the stage for Frank’s role in the One Last Kill special as the man who does what Matt Murdock can no longer afford to do: finish the job permanently.
Episode 9
Frank’s return in the first season of Born Again was a shock to the system. In Episode 9, we see a Frank Castle who has been forced to watch his symbol be co-opted by corrupt NYPD officers—a plot point that Bernthal has noted was a major inspiration for the One Last Kill special. This episode is crucial because it updates Frank’s status quo: he is no longer just a lone wolf; he is a witness to the systemic rot of Fisk’s New York. His confrontation with Matt about the death of Foggy Nelson provides the emotional fuel for his current state of mind, bridging the gap between his personal grief and his new civic rage. And, of course, One Last Kill will follow Castle after his escape from Fisk’s dungeon prison and explain his absence from Born Again Season 2.
If you are truly pressed for time, here’s a boiled-down “Must-Watch” list:
Daredevil Season 2, Episode 4 (“Penny and Dime”) — The emotional soul of the character.
The Punisher Season 1, Ep 1 (“3 AM”) — Frank’s return to his mission and his attack on the Gnucci crime family.
Daredevil: Born Again, Season 1, Episode 9 — To see his new MCU status quo and his escape from Fisk’s dungeon that once again sets him loose on the criminals of New York City.
About The Punisher: One Last Kill
The Punisher: One Last Kill stars Jon Bernthal, Judith Light, Jason R. Moore, Roe Rancell, Mila Jaymes, Nick Koumalatsos, and Colton Hill.
As Frank Castle searches for meaning beyond revenge, an unexpected force pulls him back into the fight.
The Special Presentation was written by Jon Bernthal & Reinaldo Marcus Green. Kevin Feige, Louis D’Esposito, Brad Winderbaum, Sana Amanat, Jon Bernthal, and Reinaldo Marcus Green executive-produced.
The Punisher: One Last Kill debuts May 12th on Disney +.
Marvel Studios’ plans for the First Family just hit a major speed bump. According to a report from Jeff “The In” Sneider, Matt Shakman is reportedly moving on from the MCU to helm a new, original Planet of the Apes film for 20th Century Studios.
While Shakman’s work on The Fantastic Four: First Steps was designed to launch a new flagship franchise, his jump to a different Disney-owned mega-brand suggests that a direct sequel to the 1960s-set space adventure may be further off than fans hoped—and likely under new leadership.
LOS ANGELES, CALIFORNIA – JULY 21: Eric Pearson attends The Fantastic Four: First Steps World Premiere at the Dorothy Chandler Pavilion in Los Angeles, California on July 21, 2025. (Photo by Rodin Eckenroth/Getty Images for Disney)
Shakman isn’t making the jump alone. He is bringing First Steps screenwriter Josh Friedman with him to develop what is being described as a “new original story” for the Apes franchise.
With First Steps pulling in a respectable but not record-breaking $521.8 million at the global box office, Disney is reportedly pivoting Shakman to revitalize the Apes brand while the Fantastic Four characters are integrated into the larger Avengers narrative.
The Fantastic Four cast (Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach) are already locked in for massive roles in Avengers: Doomsday and Avengers: Secret Wars. This Avengers window gives Marvel breathing room to find a new director for a standalone sequel, which was reported by Variety to be in development for a potential 2028 release.
Shakman was the architect of the FF’s aesthetic. His departure signals that Marvel is moving away from the director-led era of solo trilogies–like James Gunn‘s Guardians and Jon Watts Spidey–and back to a more utilitarian model where characters move between directors as they flow in and out of the Avengers event films. For fans, this means the First Family will be plenty busy—but their next solo outing might look very different.
The Mutant Saga just secured a powerhouse creative roster that should have every Marvel fan breathing a sigh of relief. In a major interview with Men’s Health, Lee Sung Jin (the Emmy-winning creator of Beef) officially confirmed he is deep in the “writing trenches” for Marvel Studios’ X-Men reboot, have some insight into the studio’s vision for the project and what X-Men content has shaped his love for the mutant heroes and villains.
Director Jake Schreier previously worked with both Lee and co-writer Joanna Calo on Thunderbolts* and Beef. This shorthand allows them to tackle the “ideology and interpersonal drama” of the X-Men with a level of grit and realism rarely seen in blockbusters.
What I’m excited about with Jake’s vision for the X-Men—and [Marvel president Kevin Feige and co-president Lou D’Esposito] are fully aligned with his vision—is that he wants to get back to focusing on the characters first. These are amazing characters with very rich backstories full of so much emotion. There are so many intra-team dynamics and relationships. There’s soapy stuff. And sure, there are political themes baked into the DNA of X-Men too, and those are evergreen, but we want to get back to character-first storytelling.
-Lee Sung Jin
Jin’s comments signal a massive tonal shift for the franchise. Rather than focusing on multiversal cameos or cosmic threats, the Beef creator is aiming for the heart of what made the original Chris Claremont comics a cultural phenomenon.
Lee emphasized that Schreier’s vision is to lean into the “soapy” interpersonal dynamics. “These are amazing characters with very rich backstories full of so much emotion,” Lee told Men’s Health.
A lifelong fan, Lee revealed he grew up on the 90s animated series and “devoured” X-Men ’97. He’s bringing that deep-rooted love for the “found family” aspect of the team to the script.
The writing process is reportedly a hands-on, daily collaboration between Lee, Calo, Schreier, Kevin Feige, and Lou D’Esposito. Lee described the sessions as “invigorating,” with the team “in the lab every day” to perfect the draft.
While the immediate focus is on a single great movie, Schreier and Feige have confirmed they are already mapping out sequels and spin-offs. The goal seems to be to move away from the villain-of-the-week model and toward a long-term ideological war narrative… something that the X-Men are well-suited to handle.
Alan Cumming is back in Avengers: Doomsday as Nightcrawler and he’s been quite forthcoming about his past and present experiences as the mutant teleporter. While fans are ecstatic to see the blue teleporter return, Cumming’s comments have pulled back the curtain on the “trauma” of the early 2000s X-Men era and the massive, secretive scale of the new Avengers epic.
In his latest chat with Deadline, Cumming revealed that the Doomsday script is a maze of misdirection. To prevent leaks, several returning characters were given “secret names” in the script. “It was so confusing,” Cumming admitted. “Sometimes there were secret names because they didn’t want to reveal a certain character was returning.“
Cumming described the film’s ensemble as “superhero soup,” noting that there are so many characters he “just can’t keep up” with the roster.
In a classic “oops” moment, Cumming recently spoiled that his stunt training involved a fight sequence where he’s “hitting Pedro Pascal against the head.” This confirms a direct confrontation between the OG Fox X-Men and the Fantastic Four.
Despite the massive cast, Cumming revealed he filmed much of his part in “isolation” against green screens, acting in a “featureless void” to accommodate his schedule for The Traitors. However, Leaks and teaser art suggest Nightcrawler will finally sport his classic red-and-black circus-style suit from the comics, a major departure from the tactical leather of the 2003 film.
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