The Late Late Show with James Corden is coming to an end, which had quite a line-up of celebrities. Among them was Mila Kunis, who has recently been the focus of various curious and even surprising rumors for the upcoming Marvel Cinematic Universe film, Fantastic Four. Of course, Corden used the chance to ask her about it and she reflected on when the first rumors started, a shot of her with director Matt Shakman.
We went out to a deli and had lunch together and the next day I was somehow in Fantastic Four.
Mila Kunis
She goes on to confirm that she is not playing anyone in Fantastic Four, but in a curious twist, she highlights that she knows “who is” in the project. Of course, she doesn’t go on to confirm anything
I am not in Fantastic Four, but I know who is. But I don’t want to get in trouble with The Mouse, so none of you will find out.
Mila Kunis
Of course, there have been quite a few times when Marvel actors denied any involvement with upcoming projects. So, there’s always that slight chance that Kunis might have a role after all, but it’s definitely interesting that she’d tease knowing who might be appearing. So, it further implies that they may have finally cast the characters that we’ve been waiting for quite some time. So, perhaps the wait isn’t that much longer.
After the red carpet premiere of Guardians of the Galaxy Vol. 3 in Los Angeles last night, the review embargo for the latest MCU installment has expired and the first reviews of the film have been shared. It’s still very early in the process but so far the film seems to be continuing the recent trend of Phase 4 and 5 films not living up to the expectations of critics.
While some critics are hailing the film as a fitting conclusion to the Guardians trilogy (including our own Michael T. Ford III), others are seeing the film through a very different lens. Flickering Myth’s EJ Moreno called the film “a tonal mess that relies on Disney-style emotional manipulation” while Vanity Fair’s Richard Lawson called Vol. 3 “an odd, lumbering patchwork of a film, occasionally fascinating but otherwise bloated and aimless” and an “awkward franchise finale.”
The very mixed and disparate reviews for the film are reminiscent of many of the studio’s post-Endgame films which have rarely been universally hailed as successes. Marvel Studios most recent theatrical release–and its first Phase 5 offereing–, Ant-Man and The Wasp: Quantumania compiled a franchise-worst 47% Rotten Tomatoes score and of the Phase 4 releases, only Spider-Man: No Way Home and Shang-Chi and the Legend of the Ten Rings resonated with critics in a way that the pre-Phase 4 releases did.
Black Panther: Wakanda Forever 84% Thor: Love and Thunder 63% Doctor Strange in the Multiverse of Madness 74% Spider-Man: No Way Home 93% Eternals 47% Shang-Chi and the Legend of the Ten Rings 91% Black Widow 79%
That said, it’s still very early in the game and Vol. 3’s score could still move quite a bit. While it’s unlikely to end up as high as 2014’s Guardians of the Galaxy‘s 92%, it could end up comparing favorably to Guardians of the Galaxy Vol. 2‘s 85%.
With an Awesome Mix of humor, heart, action, drama, and off-the-wall imagination, James Gunn delivers the long-awaited conclusion to the cosmic trilogy that reminded us that We Are Groot. And like the familiar tree guy, this franchise has branched in unpredictable yet fascinating ways but has always remained rooted in themes of found family, redemption, and reinvention.
In this third film, Gunn feels particularly confident and audacious as a filmmaker, pushing forward with a propulsive plot that knows when to release the tension with comedy and quirky character beats, as well as when to shift gears from heart-wrenching drama to awesome action and sci-fi space opera. There are some really fun set pieces and sequences, and only a couple of instances where things get a little too messy and chaotic. But overall, it’s a thrill ride visually.
Much like he did in the first two entries, Gunn deftly employs his signature needle drops to guide us through the varying emotional beats and tonal shifts. In the center of the story is Rocket’s journey from raccoon to rogue, as we learn his origin, and that of his first found family of misfits, through a series of flashbacks. The film invites us to peer behind his tragic eyes, and from his perspective, we experience the longing, love, and loss that coalesces into regret, before finally coming to understand that Rocket’s emotional scars truly are as lasting as his physical ones. It is within these flashbacks that we also meet The High Evolutionary, a villain with the kind of god complex his name would suggest, and the capacity to make Rocket’s old wounds fresh.
If you’re familiar with the comics, then you have a pretty good idea of what The High Evolutionary’s goals are, what lengths he’s willing to go through to achieve them, and just how many people he’s willing to kill or make suffer along the way (Hint: It’s all of them). And Chukwudi Iwuji performs the role to a T, knowing when to strike the notes of cold calculation, when to soften, and when to unleash his wrath. He’s not really an antagonist you root for in any fashion, and the movie never lets him off the hook, so by the time the bill comes due, the catharsis is earned.
Accompanying this main Rocket-centric story is the Peter Quill story, where he can’t get over the fact that Gamora 2, pulled from the timeline in Avengers: Endgame, missed all of the Phase 3 films, and he just can’t bring her up to speed on what she missed. Both Chris Pratt and Zoe Saldaña do a great job here, Zoe in particular. In a lot of ways she represents the viewer who doesn’t “get” the Guardians and what makes them special, but like the viewer, despite herself, she too is eventually moved by the adventure and finds her own groove to jam to.
But all the Guardians have got moves. Mantis remains the most empathetic and intuitive, and Pom Klementieff‘s comedic chemistry with Dave Bautista‘s Drax remains as satisfying as it was in Guardians of the Galaxy Vol. 2 and the Guardians of the Galaxy Holiday Special. The juxtaposition between her emotional openness and Nebula’s cold precision and bluntness provides a different kind of energy, as their dramatic tension helps to balance the hijinks. Even newcomer Cosmo (voiced by Maria Bakalova) and the perennially underrated Kraglin (played by Sean Gunn) get their moments to shine. The family continues to grow, and though they may bicker, when it’s showtime, they find their harmony.
Another newcomer to the Guardians story is Adam Warlock, played with flourish by Will Poulter as an ultra-powerful yet childlike being, who wants to impress his Sovereign mother figure (the returning Elizabeth Debicki), but whose hot temper constantly gets the best of him. Hardcore comic fans might find him confounding when compared to the cosmic near deity from the page, but the story leaves him with more than enough room to evolve. Keeping with the theme, after all.
What sets this trilogy apart from the other Marvel Cinematic Universe trilogies is that across the three films, the stories really do come full circle. Our heroes acknowledge the painful pasts that forged them, but they each stop being defined by them, and their arcs conclude with them finally being able to define themselves. And their Guardians compatriots, that aforementioned found family, grow to love and accept them, regardless of their respective flaws and scars. It’s a feel-good tale with a hopeful message, and by the end, you’re rocking out, from Knowhere to wherever the Guardians story travels next.
Thus far, Phases 4 and 5 of the MCU have been polarizing, with very few projects leaving us with the “rah-rah” feeling that makes us want to sing its praises and go back for encores. But Guardians of the Galaxy Vol. 3 reminds us why we love these movies and reminds us of way back when, we were first Hooked On A Feeling.
For many Marvel Studios fans, there is nothing more important than the post-credit scenes that follow almost every project. For better or for worse, that is the culture that Marvel Studios has created and although the stingers often distract from a conversation about the events of the film it seems they are here to stay. When Guardians of the Galaxy Vol. 3 was screened in Paris, no post-credit scenes were shown, causing some fans to believe there wouldn’t be any; however, James Gunn has taken to social media to address that concern and indicated that fans of post-credit action would be satisfied.
Answering a question from papaj_419, Gunn indicated that the audience will want to stick around for not one but two post-credit scenes after Guardians of the Galaxy Vol. 3, which has been confirmed to be the longest film of the Guardians franchise clocking in at just under 2 hours and 30 minutes.
2014’s Guardians of the Galaxy featured 2 post-credit scenes as well while 2017’s Guardians of the Galaxy Vol. 2 boasted 5, the most of any MCU film to date. All but two of the films in the Multiverse Saga have featured two post-credit scenes with one running midway through the credits and the other after all the credits rolled.
Vol. 3 is Gunn’s last hurrah with both the Guardians and Marvel Studios as he moves full-time into his new role as co-chair of DC Studios. Reactions from the Paris screening have said the film is heartbreaking and the best of the trilogy and with further press screenings scheduled to get underway on April 27th, there’s sure to be plenty more reactions on the way.
Guardians of the Galaxy Vol. 3 opens in theaters on May 5th.
It’s strange to think that Wonder Man has seemingly started production but Marvel has yet to give it an announcement or tease officially. We’ve heard it from various official outlets but Marvel is surprisingly silent about this new series that likely introduce a major player with Yahya Abdul-Mateen II as Simon Williams. Plus, it’s a series set in Hollywood, which makes it potentially the most meta entry in the franchise.
Marvel may not be saying anything just yet, but luckily some set photos give us a glimpse at the show in a familiar face. We first heard that Ben Kingsley would return as Trevor Slattery back in August. So, it’s crazy to see him back on set in the role rocking a rather familiar hairstyle. We last saw him in Shang-Chi and the Legend of the Ten Rings, which followed up on the short All Hail the King.
First look at Ben Kingsley as Trevor Slattery on the set of #Marvel’s ‘WONDER MAN’.
We still know very little about what the series will be about or how it’ll explore Wonder Man’s story from Hollywood star to unlikely superhero. There’s also the question of how Slattery ends up back in Hollywood, but perhaps the actor being abducted from prison after being arrested for portraying a terrorist would get any producer’s attention. So, perhaps he is there to pitch his life story as a film to one of Hollywood’s biggest actors, who is hiding his true abilities.
According to an official still released by Disney, Ashton is playing Dar-Benn who is described as a “revolutionary” in the official synopsis for the film. As explained in 2021, Dar-Benn was a co-conspirator of Ael-Dan’s when they deposed and murdered Clumsy Foulup, the Kree Emperor at the time. Neither Ael-Dan nor Dar-Benn’s stories continued on for long as they were both killed by the Shi’ar warrior Deathbird.
And that’s where Ashton’s character comes into play. I heard that Ashton’s character, described by the trades as the villain ofThe Marvels, is loosely based on an incredibly minor Kree comic character named Ael-Dan, who has appeared and/or is referenced in a total of 3 comics. In those appearances, General Ael-Dan works in tandem with a General Dar-Benn to assassinate the sitting emperor and then take his place. Their great reign ended during Operation Galactic Storm when they were killed by Deathbird of the Shi’ar. Ashton’s character in The Marvels is a gender-swapped take on this character which means that for all intents and purposes, she’s playing an original character. I’ve heard the character described as both the Kree Emperor and a Kree general. In the comics, both are true and I can’t confirm if Ashton’s character will be one or the other or both in the film.
The release also confirms the addition of Instinct and I Hate Suzie actor Daniel Ings to the cast. Ings will be portraying a Kree by the name of Ty-Rone who seems to be an original character.
Following the release of the first trailer for The Marvels, Marvel Studios unveiled the first official synopsis for the Captain Marvel sequel.
In Marvel Studios’ “The Marvels,” Carol Danvers aka Captain Marvel has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe as “The Marvels.”
A recent trend in how audiences have perceived the latest Marvel Studios films may have an impact on their next project. Though it did well at the box office, Thor: Love and Thunder was hardly a hit with fans and after a quick start at the box office, poor word of mouth stomped on Ant-Man and The Wasp: Quantumania. Next up for the studios is Guardians of the Galaxy Vol. 3 and according to a long-range box office forecast by Box Office Pro, James Gunn‘s threequel may bear the brunt of general audiences’ growing displeasure.
Citing low interest in pre-sales and a lack of social media buzz that typically accompanies Marvel Studios’ releases, Box Office Pro is currently projecting Vol. 3 to open between $120-$155M from May 4th’s Thursday previews through showings on Sunday, May 7th. While that’s the kind of opening weekend most studios would covet, it would be considered a disappointing opening for what’s expected to be Marvel Studios’ biggest film of 2023. An opening on the low end of that range would mean Vol. 3’s take would come in below Guardians of the Galaxy Vol. 2‘s $145M from 2017 which would certainly cause an uproar online and possibly behind the scenes at the studio.
There’s plenty of hope, however, that those numbers will climb–potentially significantly–however. Pre-sales aren’t a bulletproof predictor and the Guardians franchise is one of the MCU’s most beloved and well-received. The characters have grown from a group that not even casual comic readers recognized to some of Marvel’s most popular heroes and with there being little competition at the box office, Guardians of the Galaxy Vol. 3 could draw huge walkup-numbers. It will also be worth watching how reviews from the premiere and early screenings influence audiences, some of whom might be waiting to hear what critics have to say before dropping their dollars on pre-sale tickets.
The next installment in Marvel Studios Multiverse Saga, Guardians of the Galaxy Vol. 3, hits theaters on May 5, 2023. The Guardians’ story started in 2014 and unexpectedly captured the hearts of audiences across the globe. Those same hearts are set to break as JamesGunn closes out the Guardians trilogy with an emotional finale that is sure to see at least one member of the team meet their ultimate fate.
More than just an emotional roller coaster, Vol. 3 looks to be jam-packed and will be the longest film of the trilogy. The threequel will make good on one of Guardians of the Galaxy Vol. 2‘s stingers by introducing Will Poulter‘s Adam Warlock as a weapon pointed directly at the team. As if Warlock won’t be enough to handle, the team will ultimately make their way to Counter-Earth where they’ll meet the man responsible for the pain and suffering that has defined Rocket: the High Evolutionary, played by Chukwudi Iwuji. And they’ll be doing all that while their leader, Chris Pratt‘s Peter Quill, continues to deal with the loss of the love of his life, Gamora, while a Variant version of her ends up working with the team out of their brand-new base in the severed head of a Celestial known as Knowhere. Vol. 3 has a lot in store for audiences but to appreciate what’s happening and where things are going in that film, there’s plenty of homework to be done which is why you’re here for the latest installment of…The Ultimate List of Things to Watch Before!
Tier One
These projects are non-negotiable. If you want to know what’s going on right when Guardians of the Galaxy Vol. 3 kicks off, you’ll have to find time to get these in before hitting the theater.
Guardians of the Galaxy
It all started with 2014’s surprise summer hit and any rewatch or first watch should start with the original Guardians of the Galaxy. The core team has grown quite a bit since they first came together in the space prison known as the Kyln in the first film but their origin story is one of the most rewatchable films in the Marvel Studios catalog, even if it does have one of the MCU’s worst villains. Rocket’s tragic origin, which is set to be explored in Guardians of the Galaxy Vol. 3, is hinted at here making it worth the watch for that alone. It’s also the start of the romantic relationship between Peter and Gamora which ultimately results in the emotional state Peter is in when Vol. 3 begins.
Guardians of the Galaxy Vol. 2
While James Gunn will undoubtedly include something with the Sovereign in Vol. 3 to help newbies catch up, if you didn’t watch Vol. 2 you might not fully understand why Will Poulter‘s golden godman, Adam Warlock, is after the Guardians…but that’s hardly the only reason to check out Vol. 2. The 2017 sequel is all about relationships, some of which will be key to how you feel walking into and out of Vol. 3. Peter and Gamora’s romance grows; Drax and Mantis begin forming their wonderful friendship; Gamora and Nebula begin the process of repairing their sisterly bond. The core team also expands its roster during the film, adding Mantis and Kraglin. It’s certainly worth a watch to see how hard the next projects hit.
Avengers: Infinity War
Outside of Guardians of the Galaxy, Avengers: Infinity War is arguably the most important project to take in ahead of Guardians of the Galaxy Vol. 3. Not only does the team play a key role in attempting to stop Thanos’ efforts to cut the population of the universe in half but it’s also the final appearance of “Prime” Gamora. Her death, at the hands of her father, changed Peter forever, something that’s center stage in Vol. 3.
Tier Two
If you can’t get to the Tier Two projects before you head to the theaters for Vol. 3, you’ll probably be caught up on the important events in them early on in the threequel. It’s not to say that they aren’t important because to have a complete understanding of each of the characters, every second of time they spend on screen is ultimately important. However, these two projects don’t add to the overall story as much as the others.
Avengers: Endgame
Gamora is back! Except it’s not really Gamora. Nebula’s redemption is complete. The Guardians take off with Thor on some new adventures.
The Guardians of the Galaxy Holiday Special
While the Holiday Special is incredibly entertaining, for a project whose entire focus is on the Guardians, it’s hardly essential viewing. It established that the team has made Knowhere its base of operations and reintroduced and more fully developed Cosmo. It feels more like a Drax and Mantis comedy project and while the pair offer some great laughs, their relationship with each other doesn’t really change much. The Holiday Special’s effort to treat the audience to a shocking reveal falls pretty flat as most everyone who watched Vol. 2 already figured out that Mantis and Peter were siblings. It would seem that everything important about this project could be summed up in 3-5 seconds of screen time in Vol. 3.
Tier Three
Thor: Love and Thunder
Other than showing that Nebula has officially joined the team, the Guaridans’ time in Thor: Love and Thunder was entirely uneventful and, other than for continuity reasons, entirely unnecessary. Of course, the same might be able to be said about Thor: Love and Thunder itself, so it’s hardly the Guardians’ fault. However, if the film is entertaining at all, it is during the scenes on Indigarr when Thor and the Guardians help King Yakan take on the Booskan army led by Habooska the Horrible. Don’t go out of your way to watch it, but if you’re a completist, fast forward to this battle and then turn the TV off immediately.
While it’s not as extensive as other Ultimate Lists have been in the past, it’s still enough to keep you busy in the coming weeks as you prepare for the release of Guardians of the Galaxy Vol. 3 on May 5th!
Ant-Man and The Wasp: Quantumania‘s theatrical run had a less than stellar theatrical run as it ran out of steam pretty quickly after a big opening weekend in mid-February. Much of the dropoff has been attributed to the generally poor word of mouth around the film, which was essentially an offbeat sci-fi B movie dressed up as an MCU flick. Writer Jeff Loveness has been the target of significant ire from fans who have consistently criticized some odd edits and lack of stakes in the film’s third act. Interestingly enough, in an exclusive interview with Murphy’s Multiverse, Loveness confirmed that one part of the film’s ending was significantly altered from his original drafts; now, in a new interview, he’s revealed further changes to the film.
In an interview with Backstory Magazine, Loveness confirmed that he had written the death of a member of the Ant-Family into an early draft of Quantumania. “We were going to kill Hank at one point,” said Loveness, “and I was going to have him be, like, reanimated.” Loveness is a huge comic book fans and has written books for Marvel Comics. When he was hired for Quantumania, I was told that his understanding of the source material was key to Marvel Studios being brought on board, so it’s not too surprising that he was going to “reanimate” Hank Pym in a very comic book-y way. “His consciousness was going to live on through the ants, and he was going to be like mentally controlling them,” he explained before adding, “yeah, he was going to be almost like this hive mind of the ants, and I like that… that didn’t go too far.“
Given Loveness‘ admission that he liked his own idea, it’s hard to believe he was the one who cut the idea from the script and that it was likely done by the studio somewhere during the editing process. The revelation by Loveness continues to call into question just what went on between early drafts and even early screenings of the film and the final product. Reliable plot leaks suggest a much different cut of Quantumania existed at one point and set photos confirm that the final scenes of the movie were reshot roughly 6 weeks before release. While this news won’t stop the “bad writing” bandwagon from rolling, it’ll hopefully at least give some fans a reason to stop and think about who’s responsible for what when they see a film. Writers write. Editors edit. And someone else makes all the final decisions.
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