Tag: Movies

  • Jeff Lovness Details the Challenges of Adapting Kang for Ant-Man and The Wasp: Quantumania (Exclusive)

    Jeff Lovness Details the Challenges of Adapting Kang for Ant-Man and The Wasp: Quantumania (Exclusive)

    Loki. Ultron. Thanos. These classic Avengers’ foes found their way into the MCU’s Infinity Saga and provided formidable and nearly unstoppable threats to Earth’s Mightiest Heroes. Despite their powers, their goals were fairly pedestrian and their means easily understandable. Marvel Studios certainly took a completely different path in selecting the big bad of their next saga, however. By choosing Kang, Marvel Studios took on the challenge of introducing a character that is inherently more difficult to adapt because…he’s not just one character. Moreover, he’s nearly as often at odds with himself as he is with the Avengers.

    Time travel, alternate universes and divergent selves make for great science fiction but can also be considered too high-concept to be embraced by mainstream audiences. Kang is all those things and more, yet he also belongs on Marvel’s Bad Guy Mount Rushmore with the trio of villains fro the Infinity Saga. So how do you adapt a character as complicated as Kang? That’s exactly the question I asked Jeff Loveness who joked that getting past “the thigh-high purple boots and the invisible bean bag chair he was always lounging on” were among the first obstacles he had to face.

    That was the huge challenge,” said Loveness of bringing such a complicated character to the masses, “cause Thanos is pretty single-minded and pretty monolithic and pretty easy to get and so the challenge and the kind of the beauty of Kang is that he is this almost post-modernist, limitless guy.” The contrast between Thanos and Kang, as Loveness saw it, was stark and certainly proved troublesome, especially when the idea of the Multiverse came into play.

    In a Multiverse story, you’ve always gotta be careful about pulling the rug out of people with stakes,” Lovesness explained, “cause if there’s a thousand Doctor Stranges, who cares? You know you run into that with Rick and Morty or Everything Everywhere All at Once touched on that too. Like what’s the point if it’s just limitless? How do you create stakes in that?” As much fun as it may seem to be for a writer to have a character who can do whatever he wants whenever he wants, Loveness understood that the audience will quickly lose interest in those types of shenanigans. So he took a much more grounded approach in creating the MCU’s Kang.

    So for me, a lot of it was like stripping Kang down because in an Avengers movie, even before I was the one writing it, I’m sure there’s going to be plenty of Kang stuff there’s going to be plenty of doing lasers and time travel and monologues. So I think the movie really started to take shape when I realized let’s just actually focus on him as a singular human being. He doesn’t have powers. He’s not a big purple space alien with motion capture. Let’s really focus on the vulnerability and humanity of this guy. And so that’s where the idea of him being almost like marooned in the Quantum Realm [came from].

    Jeff Loveness

    The idea of the exiled conqueror allowed fans to meet one of the most powerful villains in the history of Marvel Comics, as Loveness explained, as nothing more than a man. Of course, it’s not going to end there as the mid-credit scene revealed, but in order to really create a villain that would resonate with audiences, Loveness turned to history for examples of failed conquerors.

    And I’m just a big history guy so I thought about Julius Caeser. What if he got assassinated by 50 other Julius Caesars? Or like Napoleon in exile after he had gotten defeated in Europe, turned back from Russia…defeated in Waterloo. Kang is a non-linear character; he says “I don’t live in a straight line”, so let’s show that and let’s meet him almost after a major defeat and let’s meet him kind of in this lower, more vulnerable stripped down place because if we do that, we really get to know the guy…we don’t get lost in all the multiverse and the time travel stuff. You can fish food it a little bit, which we did, but I think the best parts of that movie are when you’re just on Jonathan Majors’ face.

    Jeff Loveness

    Majors, of course, has been at the center of the praise for the film and according to Loveness, the real key to adapting Kang and “beating Thanos” is really the incredible amount of talent possessed by the man behind the character. “In my head, the competitive part of me is ‘That’s how you beat Thanos,’” said Loveness of having Majors on board as Kang. “Thanos is fantastic he speaks for himself; an iconic villain. But, man, we have the best actor in the world and a camera that’s right on his face and so you get to really see the pain, passion and crusade in this guy’s voice.” And as Loveness said, there’s plenty of “Kang stuff” to come which means plenty more Jonathan Majors.

  • ‘Quantumania’ Writer Reveals His Pitch for Kang and Ant-Man’s Connection

    ‘Quantumania’ Writer Reveals His Pitch for Kang and Ant-Man’s Connection

    Ant-Man and the Wasp: Quantumania does something quite interesting by taking what was seen as a “palate cleanser” franchise and forcing its small-time hero to take on the biggest villain they have yet to face in the Marvel Cinematic Universe. Jeff Loveness took on the daunting task to bring this new film to life alongside Marvel veteran director Peyton Reed.

    In an interview with The Hollywood Reporter, Loveness actually reveals how he may have gotten the job and that was his pitch that established the connection that would tie Ant-Man and Kang the Conqueror together, the loss of time.

    What probably helped me get the job was drawing the connection between Scott Lang and Kang the Conqueror. I’m a die-hard comics fan, but I don’t think they’ve ever had a conversation together in the comics. So, in the room, when I found out about Ant-Man 3 and that they were considering Kang as a villain, an idea just popped into my head of like, “Oh yeah, Kang the Conqueror is a time god. He’s this time pharaoh who’s lost more time than Scott Lang in the MCU.” And so that helped me put a very personal touch on it. 

    Jeff Loveness

    He goes on to highlight that he pretty much “had a blank canvas” going into the project, but did highlight that Peyton Reed did have some ideas that he could eventually build the entire plot around; especially the visit of the Quantum Realm and a “more epic scale.”

    That was pretty much it. When I walked in, I had no idea what to expect, but we basically had a blank canvas, so you just laid it out like it was. Peyton really wanted to do a tonal shift for this movie. He wanted it to be a more epic scale. He wanted it to be set primarily in the Quantum Realm, and Kang the Conqueror was on the table. So that was pretty much where I jumped off of, and it just seemed too good to pass up.

    Jeff Loveness

    He highlights the joy of tackling a big-budget “action-adventure movie” and the challenge of trying to balance the tones. With his comedy background, he saw it as a fun venture to tackle something this unique within a connected universe like the Marvel Cinematic Universe.

    Source: The Hollywood Reporter

  • Jeff Loveness on the Crazy Fantastic Four Villain That Didn’t Make the Cut in ‘Quantumania’ (Exclusive)

    Jeff Loveness on the Crazy Fantastic Four Villain That Didn’t Make the Cut in ‘Quantumania’ (Exclusive)

    Kang and M.O.D.O.K. made for a formidable one-two punch as the villains of Ant-Man and The Wasp: Quantumania. Jonathan Majors‘ tormented and desperate Kang paired deliciously with Corey Stoll‘s demented and deformed Darren Cross to stack the odds pretty heavily against the Ant-Family until a reformed Cross helped turn the tide against Kang. As crazy of a character as M.O.D.O.K. was, however, there was a time when another, potentially crazier villain was on the table for an appearance in the film.

    While explaining to Hank and Hope why they were never able to discover the Quantum Realm cities brimming with life, Janet mentions that interference from The Void and Sub-Atomica prevented them from being able to see things clearly. Though it’s never mentioned again, Sub-Atomica has an interesting history in the comics as it is its own star system and is home to a number of planets and interesting species all of whom are ruled over by Fantastic Four villain Psycho-Man.

    Psycho-Man from the pages of Fantastic Four #283

    Created by Stan Lee and Jack Kirby in 1967, Psycho-Man often clashed with Marvel Comics’ First Family over the years after deciding to conquer Earth. Using his Control-Box, a weapon that induces emotional responses in humans at his whims, Psycho-Man actually presented a pretty major threat to the Fantastic Four and the Marvel Universe on occasion. During my interview with Quantumania writer Jeff Loveness, I asked him if there was ever any conversation about including Psycho-Man in the madness especially given director Peyton Reed’s love for the Fantastic Four and admission that he turned to their stories for inspiration for his Ant-Man films.

    Oh man, yeah…I don’t think it made it too far. I certainly like Psycho-Man. I had–I can’t remember–it was so long ago. I mean MODOK was always in the cards and I was a big proponent of MODOK as well. Peyton and I from Day One…Peyton had the idea of making him Darren Cross, which was just incredible, I just jumped on that.

    Jeff Loveness

    Psycho-Man was indeed a possibility for the film but was ultimately left out as they developed M.O.D.O.K. That seems to have been for the best as M.O.D.O.K. is frequently mentioned in conversations about the best bits of Quantumania. Loveness went on to explain how he found inspiration for this version of M.O.D.O.K. in a classic episode of The Simpsons.

    Are you a Simpsons fan at all? Did you ever watch that episode “Homer’s Enemy” with Frank Grimes and all that? I just thought there’s such a Frank Grimes quality to M.O.D.O.K. in the way of if you had not seen Scott Lang in 10 years, he’s [M.O.D.O.K.] missed so much! There are more of those jokes in the movie but he didn’t even know Scott was an Avenger. He doesn’t know he time-traveled twice with Captain America. He’s in love with Hope. Hank Pym respects him. All this stuff has happened and Darren is just this big, fat floating head and to play the broken man quality of that I thought was really fun.

    Jeff Loveness

    Loveness then returned to the idea of Psycho-Man, revealing that discussions about his potential inclusion in the film went as far as crafting some jokes around his Control-Box. “Psycho-Man, I’m a fan of him, but that does seem maybe that’s someone for the Fantastic Four to deal with and that’s in their wheelhouse.,” said Loveness. “There were some jokes that there was a big button that said AFRAID, SAD, HORNY,” he added referring to the ridiculous-looking and deadly device the character uses to control the emotions of the humans he hopes to conquer.

    Though he didn’t make the cut for Quantumania, it’s fun to hear such a wild character was considered for the film. Given Marvel Studios’ penchant for revisiting ideas that didn’t make it into different projects, there may yet be hope that fans will see Psycho-Man realized on the big screen one day!

  • Warner Bros. Developing New ‘Lord of the Rings’ Films

    Warner Bros. Developing New ‘Lord of the Rings’ Films

    It looks like Embracer Group has found the home for their newly acquired Lord of the Rings rights, as they are moving forward with the development of new films with Warner Bros. and New Line. They have finalized a multi-year deal that allows them to develop films based on J.R.R. Tolkien‘s iconic books.

    The announcement comes from the investor call. CEO David Zaslav has already hinted at this potential move, as he looked back to the studio’s “glory days” in the early 200s with franchises like Lord of the Rings, Harry Potter, and The Dark Knight Trilogy. Though, Embracer Group holding the rights left a few questions if they could bring the franchise back.

    There’s no word on what exactly they hope to achieve with these rights, as they might simply rehash a story that was already done extremely well by Peter Jackosn, but studio heads Michael De Luca and Pamela Abdy highlighted they aren’t here to retread familiar ground.

    Twenty years ago, New Line took an unprecedented leap of faith to realize the incredible stories, characters and world of The Lord of the Rings on the big screen.  The result was a landmark series of films that have been embraced by generations of fans.  But for all the scope and detail lovingly packed into the two trilogies, the vast, complex and dazzling universe dreamed up by J.R.R. Tolkien remains largely unexplored on film.  The opportunity to invite fans deeper into the cinematic world of Middle-earth is an honor, and we are excited to partner with Middle-earth Enterprises and Embracer on this adventure.

    De Luca actually has a history with The Lord of the Rings, as he was the president of production for New Line when the first movie, Fellowship of the Ring, was in development but ended up being let go before it was released. We’ll see if he’ll still be around when they revive this franchise.

    .Source: The Hollywood Reporter

  • BREAKING: ‘Steven Yeun Joins MCU’s ‘Thunderbolts’ & Beyond

    BREAKING: ‘Steven Yeun Joins MCU’s ‘Thunderbolts’ & Beyond

    A big win for Marvel Studios, as they have seemingly cast Minari and Nope star Steven Yeun in a secret role for the upcoming Thunderbolts film. Not just that, but it seems he’s joined a major role that’ll make him a major player in the Marvel Cinematic Universe moving forward. There’s no word on who he might be playing, but there are enough rumors making the rounds that could hint at whoever he’ll be playing.

    Either way, he’ll have a major role in Thunderbolts opposite Florence Pugh, Sebastian Stan, David Harbour, Wyatt Russell, Olga Kurylenko, Hannah John-Kamen, and Julia Louis-Dreyfus. While it’s not quite an Avengers movie, it is still set as their first major crossover film that could become their next Guardians of the Galaxy-like team film that continues opposite of the main Avengers line-up.

    There are already going to be quite a few theories on who the actor might be playing, ranging from Amadeus Cho to the rumored Sentry. The actor has been on quite the career-high since leaving The Walking Dead with starring roles in A24’s Minari, Jordan Peele‘s sci-fi thriller Nope, and even voicing Invincible in the Amazon series. He also has a Netflix series on the way with Beef and also is working on Bong Joon Ho‘s Mickey 17. So, the actor is at the perfect point to also add a major blockbuster tentpole franchise to his filmography.

    Source: Deadline

  • ‘Shazam 2’ Projected for a Soft $40M Domestic Opening Weekend

    ‘Shazam 2’ Projected for a Soft $40M Domestic Opening Weekend

    Warner Bros. Discovery’s overall strategy for their upcoming release slate has been a bit confusing. While they are showing a lot of trust in The Flash with an early release at CinemaCon, it doesn’t seem like they are giving the same attention to their other theatrical releases like March’s Shazam! Fury of the Gods. With barely any real marketing push, the film’s first box office projections are looking quite soft.

    As it stands, projections believe the film will open anywhere between $35M to $40M. Projections have been tough during the pandemic as very few truly managed to shoot past even the most optimistic projections, but it’s a rough look for the Shazam! sequel if this film won’t even pull in the opening box office from the previous entry, which stood at $53M. Smaller budget productions like this don’t have to break any massive opening weekend records but it’s definitely a showcase that with three weeks to go, it’s not looking to be a strong addition.

    There could be quite a few factors that add to the uncertainty about the film’s box office. Warner Bros. is generally trying to save money to make up for its loss, which was the main reason for the many questionable decisions we saw last year after the Discovery merger was finalized. Dwayne Johnson’s refusal to create synergy with Black Adam is also seemingly hurting the film’s chances of using that momentum and might not even come close to that film’s $67M opening weekend.

    We also can’t forget that DC Studios is about to re-invent the entire DC Cinematic Universe line-up, which will likely further have visitors wonder if there’s much point to keep up with the recent releases. If they are going to reboot the projects, there’s no real point to rush to see the latest entry but with a good ranking, it could get some good legs to at least become profitable by the end of its run.

    Source: The Hollywood Reporter, The Numbers (Shazam), The Numbers (Black Adam)

  • A New Rumor Reveals a Trio of New Avengers in ‘Avengers: The Kang Dynasty’

    A New Rumor Reveals a Trio of New Avengers in ‘Avengers: The Kang Dynasty’

    Though it is now clear that Marvel Studios has pulled back significantly on the number of projects it will release–and thus put into production– each year, they company is still in the middle of its new multiphase saga and is still pushing ahead with that saga’s shared narrative. While the entire slate of the Multiverse Saga hasn’t been shared yet, two big event films are on it. Avengers: The Kang Dynasty and Avengers: Secret Wars are both currently in development with the latter currently set to be the final installment of the Multiverse Saga.

    That doesn’t mean the former won’t have an important role; in fact, it looks like it will be the first time fans see the new iteration of Earth’s Mightiest Heroes as they assemble to take on a Kang or two…or three. Several rumors have emerged about just which heroes might make up the New Avengers, including one that suggested Sam Wilson, Shuri and Shang-Chi were set to lead the team. Recently, Tom Holland‘s Spider-Man was unsurprisingly rumored to play a key role in the film. Now a new rumor has emerged on YouTube that might reveal some other members of the team.

    The new rumor indicates that Avengers: The Kang Dynasty director Destin Daniel Cretton has been keen on having Hulk, She-Hulk and Moon Knight as part of the lineup of the New Avengers. Additionally, Marvel Studios One Above All, Kevin Feige, would like Charlie Cox‘s Daredevil to join the lineup, though he may be willing to wait until Avengers: Secret Wars to have him earn his spot.

    A lineup of Captain America, Black Panther, Shang-Chi, Moon Knight, Spider-Man and not one but two Hulks would certainly provide a team with quite a wide range of experiences and abilities. Hulk’s time travel expertise may prove valuable in the fight against Kang(s) but it’s likely that whatever team goes up against Jonathan Majors‘ team of villains won’t come away unscathed.

    Source: YouTube

  • DC’s ‘The Flash’ First Screening to Take Place at CinemaCon

    DC’s ‘The Flash’ First Screening to Take Place at CinemaCon

    We’ve known for a while that DC Studios and Warner Bros. Discovery have put a lot of hope into the new multiverse-based film The Flash. It’ll see the return of Michael Keaton in the role of Batman and offer a unique take on the original Flashpoint comic storyline. It seems that Warner Bros. believes they have a gem at their hands as they will give the first debut screening at the upcoming CinemaCon in Las Vegas.

    What makes this worth its own announcement is the fact that it’ll premiere on April 25th, quite some time ahead of its actual premiere in theaters. That commonly is a sign that they believe in the film similar to what we saw last year with Top Gun: Maverick; though it might not have the same box office performance as that film. Still, Warner Bros. is putting a lot of hope into this film even with the controversies surrounding its main star, Ezra Miller.

    So far, they managed to keep the actor out of any new headlines that could hinder the film’s release and they also have two additional stars they are putting a lot of focus on. The early advertising has a strong focus on Keaton’s return as Batman and it’s almost a bit too much given that it’s supposed to be a film about the Flash. There’s also the premiere appearance of Sasha Calle as Supergirl, but her own future is in doubt given James Gunn and Peter Safran‘s new vision. Here’s hoping positive buzz can overshadow any real confusion moving forward.

    Source: Deadline

  • Marvel Studios Prioritized ‘Black Panther 2’s CG Over ‘Ant-Man 3’

    Marvel Studios Prioritized ‘Black Panther 2’s CG Over ‘Ant-Man 3’

    CG is always a hot discussion point online, especially when it comes to Marvel Studios’ productions. There’s an “it’s not the same” mentality since Avengers: Endgame wrapped and everything since Phase 4 has received quite further analysis in how exactly it looks. Interestingly enough, CG was praised for the work on Black Panther: Wakanda Forever, especially on the work bringing Talokan to life. Yet, the criticism returned with the CG-heavy Ant-Man and the Wasp: Quantumania; though some reactions even praised the CG.

    Vulture has released another article from anonymous VFX workers sharing their experiences, where they unveiled that a lot of resources went towards Wakanda Forever. That isn’t too surprising given the film had an earlier release and there was a lot of pressure on a film that had the highest potential to be a big earner. Yes, Quantumania had a good box office opening but still is part of one of their smallest box office earners.

    Wakanda Forever took precedence. It felt like the higher-up and supervisor roles were shifted around to put that on their plates and there was a smaller team working on Ant-Man. It was on the back burner — less of a pressing thing.

    The biggest issue seems that there were some uncertainties from the director Peyton Reed, whose vision might have been changing during production and led to a point they could not return. It seems also the VFX artists were disappointed they didn’t have a chance to really bring the world to life and take shortcuts to keep the work at a certain quality. The biggest issue is when they had to take over other artists already started work which they highlight is “not how things usually go when you are working for other studios.”

    I haven’t seen the finished movie yet. There were some cool sequences we were putting together that seemed promising. But there could have been more people involved on the project. Maybe more money spent. With a lot of these projects being worked on simultaneously, resources become thinner. The quality starts lacking. You can’t expect all of the VFX companies to give the highest-quality work, especially if you’re going to do it on a lower budget.

    Thought another actually had a more surprising outlook, as he had less of an issue with the Quantumania work which highlights something commonly overshadowed when covering these issues: no one is affected equally. Marvel Studios is a client that works with production companies and from experience, if you are in an agency of any kind: you’ll always face last-minute changes and potential overtime trying to keep that alive. Yet, it doesn’t always affect everyone’s equality.

    My experience on Quantumania was comparable to the majority of productions we [VFX specialists] work on and, therefore, not especially bad or difficult. I wouldn’t say other projects necessarily took priority or that morale was particularly bad (although one of my co-workers actually became unhappy because of the lack of work he was given on that movie — he spent days on standby only to end up doing nothing, and this went on for months). Our working conditions are often less than ideal, and Quantumania was just another in a long line.

    One more artist did have some harsher words while also highlighting the stronger focus on Black Panther: Wakanda Forever. They wished they would have pushed back the film, which we did see with The Marvels but likely due to it already being in the marketing cycle Marvel Studios could no longer really pull back as they otherwise would’ve just added more costs and less investment for the CG work.

    A lot of us are sitting here thinking, The money is there. Why is it not coming down? Marvel spending a bit more money to pay more VFX people wouldn’t make that much of a difference for the executives all the way at the top. But if it comes down to them not being comfortable with their bank numbers and us working until burnout, we lose out every time. Honestly, I equate it to human greed.

    At the end of the day, we don’t understand this CG model fully and the Internet’s overall reaction will remain the same even if these reports never saw the light of day. The CG work these artists accomplish is great and a lot of the criticism also mentioned by Vulture is fewer effects work-oriented but rather just the design choices that are done before it lands in the laps of these CG workers. Marvel Studios’ biggest issue is the freedom they want to give their directors which ends up leading to constant decision-making that adds changes throughout production.

    There is a good chance this might not become a thing moving forward. More time does not always equate to better quality, as it also means more potential for changes and adaptations. Marvel Studios’ original production cycle was much shorter as Quantumania, The Marvels, and even Guardians of the Galaxy Vol. 3 were all filmed back in 2021. There weren’t any film productions that started in 2022, very likely that they to take away any lessons they could and reshuffle how they will start moving forward.

    While I’ll be on the side of “the effects were 99% of the time pretty damn good,” there’s always potential to get better. The Internet has a strong focus on singular effects that they deem “not great” while ignoring other effects issues you commonly see with any production. No film’s CG is perfect, as not everything is Avatar: Way of Water as that has a ridiculous production budget. Expecting every film to echo it will just add to the bloated budget issue already becoming apparent in Hollywood’s need to create big blockbuster success.

    Ever since COVID, the market is flooded and people are overworked, not just in the CG department. Given time, things will change and we’ll likely see production studios like Marvel learn to make a change for the better. We’re just still seeing the post-COVID productions and the aftermath of that time. Plus, CG workers also need a union to protect themselves from this and create new standards in the industry. Marvel Studios is not innocent and that is evident, but we’re hopefully seeing a general positive direction after the chaos that was the pandemic’s effect on Hollywood.

    Source: Vulture

  • ‘Eternals 2’ Reportedly a Go at Marvel Studios; ‘Shang-Chi 2’ Set for Production

    ‘Eternals 2’ Reportedly a Go at Marvel Studios; ‘Shang-Chi 2’ Set for Production

    As Ant-Man and The Wasp: Quantumania join it as the most harshly reviewed film in Marvel Studios’ history, a new report indicates that 2021’s Eternals will have a sequel. Though the critical response to the film was poor and audience scores didn’t indicate it was a big hit with fans in theaters, it has found a new life on Disney Plus becoming the streaming service’s biggest film debut. It now seems possible that the streaming success of Eternals may have given the franchise new life.

    According to insider KC Walsh, an Eternals sequel has been given the green light at Marvel Studios and has recently been added to the production schedule alongside the previously announced sequel to Shang-Chi and The Legend of the Ten Rings.

    https://twitter.com/TheComixKid/status/1628442736943824896?s=20

    Though no further details were provided about when the films might go into production, a quick peek at Marvel Studios’ existing slate would indicate that fans should not expect Eternals 2 or Shang-Chi 2 until 2025 at the earliest. As it stands, there are 2 untitled Marvel Studios films scheduled to release in 2025 and 3 in 2026. With news breaking now about these two projects, it’d would be reasonable to assume under normal circumstances that they’d be ready in time for 2025 but times they are a changing.