Having been cast as Rick Flag Sr. In the upcoming streaming series Creature Commandos, Frank Grillo is already a part of the all-new DCU. And as audiences wait for the animated Max series to debut, they can also look forward to Grillo’s first live-action appearance, too.
As revealed on Instagram by DC Studios’ co-chair James Gunn, Grillo has joined the cast of Peacemaker Season 2.
As is expected to be the case with the entire cast of voice actors on Creature Commandos, Grillo will portray the live-action iteration of Flag Sr. in the John Cena lead streaming series. Production on the second season of Peacemaker kicked off last month.
Gunn created the series and directed five of the first season’s eight episodes. While he will be unable to carry that load on Season 2 due to his commitment to Superman, Gunn will still direct some episodes. Though no release window has been set, Peacemaker Season 2 is expected to stream on Max in 2025.
Not since WandaVision has a Marvel Studios’ streaming project generated as much positive online hype as X-Men ’97. The animated revival has been overwhelmingly well-received and has fans clamoring for more projects set within a connected animated universe. With Season 1 nearing the end of its run, fans are already looking ahead to Season 2, which is deep in development. A third season of the series was recently given the green light but with a comic book history as deep and storied as that of the X-Men, it’s a series that could certainly make a long run. Just how long is unclear but it seems as though there was a clear plan in place at one point.
According to Beau DeMayo, who served as the showrunner for Season 1 and the yet-to-be-released Season 2 before being relieved of his duties, there was a 5-season plan in place for X-Men ’97.
Though he’s no longer officially associated with the series, DeMayo has been incredibly active on social media. Whether addressing fan questions and concerns, explaining creative decisions or supplying fans with weekly “homework assignments” to prepare them for the next episode, DeMayo has been a major part of the weekly water cooler discussion. When asked this week if the impending Season 1 finale would end of a cliffhanger, DeMayo skirted the question while also providing a very interesting bit of information.
Thank you. I’d like you to discover the answer to this on your own. But I will also say I had a five season plan.
While we’ll have to wait until next week to see how things will be left, it seems as though the studio, at one point in time, had big plans for the series. Whether or not the studio will go through with DeMayo’s original plan remains to be seen but with the amount of positive attention the show has received to date, it’s hard to imagine they won’t milk it for everything they can.
With Season 1 ending soon, fans are already looking ahead to what future seasons may hold. While the most recent episode has generated a lot of speculation about the Marvel Comics villain Onslaught making an appearance, another major X-Men villain has been the subject of most fan theories for quite some time: Apocalypse. When asked by a fan if adapting the villain’s most famous story, Age of Apocalypse, into a future season of X-Men ’97 was part of the plan, DeMayo made it pretty clear things are headed in that direction.
It is one of the greatest and most popular crossovers in X-Men history, which sees Magneto and Rogue married with a child named Charles…
Of course, there’s plenty left to wrap up in next week’s season finale and with the fast pace of the animated series, it’s not as though an adaptation of Age of Apocalypse–or any other revered comic book story–would last an entire season. However, given the success of the series, it’s good to know that even though he’s no longer part of the team, DeMayo may have left behind a very complete road map to success for future seasons.
It was inevitable, but the time has officially arrived. Netflix has long dominated the streaming market and to remain competitive, we’re going to see the first cross-company partnership in the streaming market as Disney and Warner Bros. announce a Disney+, Hulu, and Max package. There is no exact release date outside of plans to have it available by the summer, though it’ll support ad-free and ad-supported models.
There’s a lot of streaming services out there, which is going to continue reshape the way we view the offerings. While many still love comparing it to basic cable bundles, this was an inevitable development to push forward on their hopes to make these cost sinkers profitable. Plus, Netflix remains dominant in the market and the challenge is an open invitation to the major companies to do something to gain a higher churn rate and subscription growth.
Disney and Warner Bros. is also quite an interesting combination given there are quite a few challenges for whatever they plan growing outside of the United States. Max isn’t available in many countries and it’s shows are available through services like Sky in some European countries. So, it’s uncertain if perhaps there are plans on how they want to grow their worldwide growth or rather this is a pure US-centric move like with Hulu.
Though it had long been clear that Marvel Studios was dialing back on the number of projects to be released each year, Disney big wig Bob Iger quantified what fans should expect in a recent investor call. According to Iger, the plan moving forward is for Marvel Studios to slowly get to a point where they release 2 streaming series and 2-3 movies each year. Given the most recent updated slate from the studio still had 4 films set to release in 2025 and 4 more in 2026, it’s easy to see how that might be a problem. While it’s possible Disney will roll out a new Marvel Studios slate at this year’s D23 in August, all we can do for now is speculate as to what the future may hold…and so we will, operating under the assumption that Iger was referring to live-action series given Marvel Animation has several series that could easily be released in 2024, 2025 and 2026.
2025
During the investor conference call, Iger only mentioned two 2025 releases by name: Captain America: Brave New World and Thunderbolts*. Both of those films will definitely be ready to roll out in 2025, though there has been some doubt expressed that Brave New World will be ready for its February 14, 2025 date as it has some significant work to do via reshoots. However, both The Fantastic Four and Blade are also on the 2025 theatrical slate and if Iger sticks to his plan, only one of those would hit theaters next year and that’s only IF the studio decides to go with a third film. Of those, The Fantastic Four is the best bet as it will begin production soon enough to make it out before the end of 2025.
Cracking the potential lineup for the streaming projects is actually quite a bit simpler. After recently completing filming, Season 1 or Part 1 of Daredevil: Born Again will almost certainly hit sometime in 2025. It’s most likely to be joined next year by Ironheart, which has more or less been in the can for nearly two years.
Captain America: Brave New World Thunderbolts The Fantastic Four
Streaming
Daredevil: Born Again Ironheart
2026
Since the project should begin production in 2025, it becomes easy to slide Blade into 2026. After that, projects such as Armor Wars, Spider-Man 4, Shang-Chi 2 and Avengers 5 are all rumored to be headed into production at various points in 2025. While Marvel Studios will produce the new Spidey film, they have no control over its release date so we won’t waste time and energy thinking about that one for now. Iger also sounded very eager to get to another Avengers film so if we had to pick 3 for 2026, we’d go with Blade, Armor Wars and Avengers 5.
Again, the streaming slate seems far easier to work with simply because there are far fewer projects to think about. Wonder Man seems like a sure bet for 2026. And while the second season/second part of Daredevil: Born Again used to seem like a good fit, it’s possible Vision Quest might beat it to the punch should its rumored October start date hold.
Films
Blade Armor Wars Avengers 5
Streaming
Wonder Man Vision Quest
2027
Breaking the pattern here for a beat, by 2027 the number of known live-action projects in development is reduced to Daredevil: Born Again. Sure, there are a number of rumored projects but given Iger’s comments, how many of those can truly be counted on to make it to the screen?
Theatrically, 2027–which as of now only has a date set aside for Avengers: Secret Wars–could include Shang-Chi 2, Doctor Strange 3–which has not been confirmed to be in development by the studio or any trades. Our best guess is that by the time 2027 rolls around, we’ll only get two films and Secret Wars will get pushed down the road a bit.
Films
Shang-Chi 2 Doctor Strange 3
Streaming
Daredevil: Born Again Part 2/Season 2
As we wait for the studio to officially address the slate (or for a trade to break some news), it’s best not to take any of this too seriously and to understand we are in a time of ever-increasing uncertainty. Iger did say they would slowly change things around which might mean fans can look forward to 4 films a year in 2025 and 2026 before things slow down in 2027 and beyond. Either way, Iger’s comments point to fans having 4-5 Marvel Studios projects a year to enjoy which is great any way you slice it.
For the first time since returning to Disney, Bob Iger has provided details on his vision to scale back on Marvel Studios’ content. Via Variety, Iger’s plan is to dial back on streaming series (2 per year) and films (2 or 3 per year) in the near future. Iger said the company-wide decision to reduce output and increase the quality of what is produced is “particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” said Iger during the company’s quarterly earnings call Tuesday. “And we’re working hard on what that path is.”
Though four films are currently slated to release in 2025, Iger stated that has a “couple of good films in ’25,” before mentioning Captain America: Brave New World and Thunderbolts*. However, The Fantastic Four and Blade are all currently listed on Disney’s most updated slate as 2025 releases, but many questions have been raised about the latter two being ready for release next year.
“Overall, I feel great about the slate,” said Iger, who also added that following the 2025 films the studio would be “heading to more Avengers.” Iger added, “It’s something that I’ve committed to spending more and more time on. The team is one that I have tremendous confidence in and the IP that we’re mining, including all the sequels that we’re doing, is second to none.“
Of note on the streaming side, Iger referred to the “WandaVision spinoff Agatha” as “a vestige of basically a desire in the past to increase volume.” Though the series has already generated positive buzz, a streaming series being referred to as vestigial doesn’t seem like a vote of confidence for many of the other TV series rumored to be in development.
As part of the annual Star Wars Day celebration, the second installment in Lucafilm’s Tales anthology, Tales of the Empire, debuted on Disney Plus on May 4th. Like the first installment, 2022’s Tales of the Jedi, Tales of the Empire was well received by critics and fans, with former Jedi Barriss Offee’s three-episode arc stealing the spotlight. Dave Filoni, who has created both seasons of the anthology, has made it clear he’s having a lot of fun with these animated shorts which means a third season of Tales has a good chance of coming together. While we await official confirmation from Lucasfilm, we put together a list of characters who might be worth exploring further.
Tales of the Jedi: Plo Koon and Baylan Skoll
Obviously, there’s a story there. We’re in a wait-and-see pattern [about the rest of Skoll’s story] at this point.
Dave Filoni on Baylan Skoll’s future in Star Wars media
In the first two seasons of Tales, the two key figures of the series have been juxtaposed against one another, helping to shine a brighter spotlight on some central themes. Should Lucasfilm be interested in producing a true sequel to Tales of the Jedi, two characters who could make the cut are Jedi Master Plo Koon and former Jedi Baylan Skoll. It’s fairly well-known that Koon is a favorite of Filoni’s and while his age is undefined in canon, he lived quite a long time and helped the Jedi Council navigate many major crises before being killed following Order 66 being given. If Koon were chosen, Skoll, who was played by the late Ray Stevenson in Ahsoka, would be a fascinating character against which to juxtapose him. Disillusioned with the Order, Skoll lost his faith before Order 66 and after surviving the Jedi purge, moved on in search of power. Given the very divergent paths the characters took, there’s plenty of fertile storytelling ground to craft some intriguing 3-episode series.
Tales of the Sith: Asajj Ventress and Darth Maul
Though the two have had plenty of screen time already, the best parts of the stories of Asajj Ventress and Darth Maul may have yet to be told. The excitement around the return of Ventress in Season 3 of The Bad Batch should be all Filoni needs to give the audience a three-episode arc focused on the Nightsister who has truly walked one of the most interesting and complicated paths of any character in the Star Wars universe. The series could pull from the novel Dark Disciple to fill in the gaps between The Clone Wars and The Bad Batch and give a glimpse of what the former Jedi padawan is up to following her brief appearance in The Bad Batch. As for Maul, given his cameo in Solo: A Star Wars Story, the studio clearly had plans to tell more of his story on screen. If Maul’s arc were to flesh out the “Son of Dathomir” story that was never used in The Clone Wars and follow up on his Solo appearance, fans would eat it up.
Tales of the Bounty Hunters: Embo and Bossk
From Cad Bane to Zuckuss and everyone in between, bounty hunters have been a staple of Star Wars storytelling since A New Hope. It seems like a near certainty that Filoni–who has given plenty of screen time to Bane, Boba Fett, Fennec Shand and other hunters–will eventually get around to putting the focus on a pair of the galaxy’s most dangerous hunters. One solid bet to make the cut if such a Tales series does go into development is Embo. Voiced by Filoni in The Clone Wars, Embo lived a long and interesting life that lasted beyond the time of The New Republic. Another favorite of Filoni’s from his time on The Clone Wars, Bossk was revered as one of the galaxy’s finest bounty hunters and, like Embo, survived well into the New Republic era.
Of course, dozens upon dozens of other characters may deserve the spotlight of the animated shorts more than these characters; however, given previous rumors that some future seasons of the Tales anthology may focus on Sith and bounty hunters and the uncertainty of how to move forward with Skoll’s story in live-action, these are some characters that merit some consideration.
Tales of the Empire is now streaming on Disney Plus.
As part of their Star Wars Day celebration on May 4th, Lucasfilm released a second trailer for the upcoming Disney Plus streaming series, The Acolyte. While much of the buzz around the new look at the project centered around the reveal of an apparent Sith Lord–likely the series’ big bad–it also gave the audience its first look at Margarita Levieva, though you’d be forgiven if you didn’t catch her right away.
According to a pair of stills published after the Star Wars Day trailer for the series, Levieva is playing a female Zabrak named Koril. Her cranial horns would seem to establish her as an Iridonian Zabrak rather than being from the segment of the population that relocated to Dathomir. Koril is seen to be part of the mysterious coven of witches led by Jodie Turner-Smith’s Mother Aniseya who “value their independence and the preservation of their beliefs and powers.”
Levieva was cast in the project in December 2022 in what was reported by Deadline to be a guest role.
About Star Wars: The Acolyte
In Star Wars: The Acolyte, an investigation into a shocking crime spree pits a respected Jedi Master against a dangerous warrior from his past. As more clues emerge, they travel down a dark path where sinister forces reveal all is not what it seems….
The series stars Amandla Stenberg, Lee Jung-jae, Manny Jacinto, Dafne Keen, Charlie Barnett, Jodie TurnerSmith, Rebecca Henderson, Dean-Charles Chapman, Joonas Suotamo, and Carrie-Anne Moss.
Leslye Headland created the series, based on Star Wars by George Lucas, and serves as an executive producer along with Kathleen Kennedy, Simon Emanuel, Jeff F. King and Jason Micallef. Charmaine DeGraté and Kor Adana are the co-executive producers. Rayne Roberts, Damian Anderson, Eileen Shim and Rob Bredow are the producers.
Headland also directed the premiere episodes (Eps. 101 & 102). Directors Kogonada (Eps. 103 & 107), Alex Garcia Lopez (Eps. 104 & 105) and Hanelle Culpepper (Eps. 106 & 108) round out the directing duties on the series.
Award-winning composer Michael Abels, known for his work on Get Out and Us, scored Star Wars: The Acolyte.
The thrilling, suspenseful live-action series launches on Tuesday, June 4, with the first two episodes, exclusively on Disney+.
While her 3-episide arc in Tales of the Empire begins with her heading further down a dark path, Offee finds herself redeemed and at peace with herself by the final episode. In that episode, Offee references an old friend who is neither named nor seen and it’s hard not to imagine she wasn’t talking about Ahsoka. Given the exact time period in which the final episode was set is unknown (only that Offee had certainly aged significantly) there are certainly some storytelling gaps yet left to fill. Additionally, despite having been stabbed by the Fourth Sister, Offee’s fate was left uncertain as the episode wrapped. With so many things left unknown, could an reunion between Offee and Tano happen?
While she wasn’t giving away any secrets, actress Meredith Salenger, who voiced Offee in Tales of the Empire, addressed the possibility.
“All I’m gonna say is, this was three episodes, so we don’t know what happens,” said Salenger. “I hope things happen, I believe she would like to have a reunion with her to hash things out and, perhaps, apologize, I don’t know. That’s my personal thought but it’s all up to Dave [Filoni] and I would love to see Bariss chatting with Ahsoka again. I think they’d have a lot to talk about.“
Both Offee and Tano had their issues with the Order and found themselves on divergent and sometimes dark paths before returning fully to embrace the light. Despite their differences and Offee’s betrayal, it’s certain the two adult characters would have quite a bit in common. Whether in a second season of Ahsoka or another project down the road, it’s a reunion fans of Star Wars: The Clone Wars would love to see.
Tales of the Empire is now streaming on Disney Plus.
After originally being planned as a 2023 release, Lucasfilm’s Star wars steaming series Skeleton Crew found itself bumped into 2024 as Disney reshuffled their D+ slate following Bob Iger’s return and the Hollywood strikes. With so much Star Wars content ahead of it in line, it was clear the Jon Watts‘ project was destined for the second half of the year. Now, thanks to Watts, fans can narrow down the release window even more.
While taking part in a panel at CCXP, Watts shared that Skeleton Crew was slated to hit Disney Plus around Christmas.
Barring any surprises, Skeleton Crew will be Lucasfilm’s fourth streaming series of 2024 following the recently wrapped final season of The Bad Batch, the six-episode anthology series, Tales of the Empire, and The Acolyte. Set in the same New Republic era as The Mandalorian and Ahsoka, Skeleton Crew stars Jude Law and Kerry Condon and features an impressive list of directors including The Daniels, Jake Schrier, Bryce Dallas Howard and, of course, Watts.
With Watts sharing the news, it’s worth watching social media tomorrow, May 4th, to see if Disney follows up with some official news on Skeleton Crew as part of their Star Wars Day celebration.
After a very well recieved debut in 2022’s Tales of the Jedi, the second installment of Lucasfilm’s Star Wars Tales anthology, Tales of the Empire, hits Disney Plus on May 4th as part of the celebration of Star Wars Day. Like its predecessor, Tales of the Empire is a six-episode entry into the already voluminous story of the galaxy far, far away. Created, once again, by Dave Filoni, the new series of shorts (each episode’s story is told in 15 minutes or less) is divided into two wide-ranging three-episode arcs that flesh out the stories of a pair of characters who have, at various times, been key players in other Star Wars projects. The first three episodes recount Morgan Elsbeth’s history before her appearance in The Mandalorian while the final three episodes reveal what became of Barriss Offee following her betrayal of Ahsoka Tano in Star Wars: The Clone Wars. Expertly crafted, beautifully animated and action-packed, Tales of the Empire is must-see non-essential TV.
The paradoxical nature of an anthology that doesn’t need to be seen to fully enjoy other projects set within in the Star Wars universe may be a direct reflection of the true nature of the Tales series. It also may be one of the more perfect examples of how Disney’s major studios could and should use Disney Plus. Like the stories of Count Dooku and Ahsoka told in Tales of the Jedi, none of what plays out in Tales of the Empire could be taken as required reading for a casual fan to understand and enjoy any current Star Wars project; in fact, most of what takes place on screen throughout the three episodes dedicated to Morgan Elsbeth was already known. However, viewers are highly unlikely to come away feeling as though they’ve wasted 45 minutes or so per character. The careful direction behind each arc, the tasteful and effective uses of other characters and the emotional current that runs throughout create two expertly crafted stories of tragic characters. Thematically, Star Wars has always dipped into the fall and the redemption of its characters and Tales of the Empire follows suit, following two characters whose choices have put them a crossroads where their next choices will ultimately define their legacy in the galaxy.
Fear Leads to Anger. Anger Leads to Hate. Hate Leads to Suffering.
Morgan Elsbeth’s legacy is a known quantity. Introduced as an antagonist in The Madalorian, Elsbeth became a truly central villain in Ahsoka. One of the last surviving Nightsisters of Dathomir, Elsbeth was a known ally of Grand Admiral Thrawn and was willing to give her life in order to allow him and the Great Mothers to escape Peridea. Though details were certainly scarce, the bullet points of her life before the events of The Mandalorian were shared with Din Djarin and the audience by Ahsoka Tano.
During the Clone Wars, her people were massacred. She survived, and let her anger fuel an industry which helped build the Imperial Starfleet. She plundered worlds, destroying them in the process
Ahsoka Tano to Din Djarin on Morgan Elsbeth in The Mandalorian
The first three episodes of Tales of the Empire chronicle nearly 30 years of Elsbeth’s life from the slaughter of her family on Dathomir, to her first meeting with Thrawn to the New Republic era just ahead of her first encounter with Ahsoka. Driven by vengeance and emboldened by anger, Morgan’s descent into villainy doesn’t need to be seen to root against her in The Mandalorian or Ahsoka. However, Morgan’s true motivations, including why she’s so willing to give her life in exchange for the safe return of the Great Mothers to their home galaxy, are fully developed. Bearing witness to the trauma endured by a young Morgan Elsbeth at the hands of General Grievous doesn’t necessarily make her a sympathetic character but it does place her firmly on a path of vengeance and establishes why she became entrenched in the Empire while maintaining a myopic focus of restoring her culture as the last of her kind.
There Are Some Things Far More Frightening Than Death
Juxtaposed against the story of how Morgan Elsbeth became who she was is a three-episode story that reveals who Barriss Offee becomes. A key character in later seasons of Star Wars: The Clone Wars, Offee’s final fate following her imprisonment for crimes against the Republic had yet to be explored in any Star Wars project. The winds certainly shifted shortly after Offee was imprisoned and that’s right where the next chapters in Offee’s life begin.
I did it. Because I’ve come to realize what many people in the Republic have come to realize. That the Jedi are the ones responsible for this war. That we’ve so lost our way that we have become villains in this conflict. That we are the ones that should be put on trial. All of us! And my attack on the Temple was an attack on what the Jedi have become. An army fighting for the dark side. Fallen from the light that we once held so dear. This Republic is failing! It’s only a matter of time.
Barriss Offee’s confession as heard in Star Wars: The Clone Wars-The Wrong Jedi
Offee’s three-episode arc, as revealed in the trailer for Tales of the Empire, involves her recruitment into the Inquisitorious by Lyn, the Fourth Sister of the Inquisitorious, who was introduced in Obi-Wan Kenobi. Present throughout Offee’s entire arc, which extends until at least roughly 1 BBY, the Fourth Sister works as a steadfast foil for the former Padawan of Luminara Unduli. Like Elsbeth’s story, Offee’s is not particularly necessary to any greater understanding of the Star Wars galaxy; however, in the larger setting of modern Star Wars storytelling, it offers yet another perspective of what becomes of former Jedi. While superficially similar to characters such as her old friend Ahsoka Tano, Count Dooku and Baylan Skoll, Offee finds a different resolution to her philosophical difference with the Jedi. Losing faith in what the Order became does not necessarily dictate the abandonment of its principles nor cast one eternally into the shadow of the Dark Side. Ironically enough, Offee’s path may more closely follow the one taken by Asajj Ventress, whom she once impersonated in her efforts to take down Ahsoka and the Jedi. Offee’s story is another example of Filoni’s interest in exploring a far wider view of the Force and the overall saga’s examination of redemption.
As was the case with Tales of the Jedi, Tales of the Empire works as a fascinating character study that illuminates the psychology and internal struggles that define its central figures. Set against the ever-present themes of destiny, fate and free will, Tales of the Empire stands alone as a strong entry into the Star Wars franchise and given the quality of the storytelling contained within, stands as an exemplar of how Lucasfilm can use Disney’s streaming service to its advantage. While fans will never need to see it, they’ll not only be glad they did but also find themselves hoping the Tales anthology series continues.
Cookie Consent
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.