Author: Charles Murphy

  • ‘Hawkeye’ Episode 3: The Clint Barton Convergence

    ‘Hawkeye’ Episode 3: The Clint Barton Convergence

    The latest episode of the Marvel Studios Disney Plus series Hawkeye picks up the pace and presents probably the most complete and best episode so far. Part of picking up the pace meant speeding through flashbacks to tell the origin story of one of the series’ main characters, Maya Lopez. Much like the flashbacks that told the tragedy of Kate Bishop’s early life, Maya’s flashbacks take up about 5 minutes of screen time and end in a similar tragedy. Through the use of these flashbacks, the episode draws some intriguing parallels between the two young women and gives them a common point from where their paths through life diverged.

    Paterfamilias

    In the cases of both Kate and Maya, Hawkeye establishes a loving relationship between father and daughter. Both Derek Bishop and Willie Lopez are shown to share special bonds with their daughters. In Kate’s case, it’s made clear that her childhood relationship with her father is stronger than that with her mother. When it’s noticed that she is eavesdropping on her parents’ argument, her mother indicates to her father that he’s the one who will have more success communicating with Kate while she’s upset. In Maya’s case, it’s implied that her father is a single parent but it is clear that the two share a special bond. When Willie is unable to send Maya to a deaf school, he teaches her to embrace her disability and assures her that she’ll be stronger for it. He’s portrayed as a father who teaches his daughter to refuse to use her disabilities as an excuse and one who wants the best for her, even if his station in life doesn’t make it possible for him to deliver.

    Essentially both girls look up to their fathers as heroes but the two fathers’ lives are very different. Derek is portrayed as an optimistic silver spooner while Willie is equally optimistic but seems to have to scrape for every penny and chooses to do so as part of a criminal organization. And make no mistake about it, the difference in the circumstances in which Kate and Maya were raised lead directly to the divergent paths they took in life.

    For both characters, the relationships with their fathers have truly made them who they are. Both are shown to be uniquely skilled and driven; both are shown to be determined and dynamic; both are also shown to have apply those characteristics in very different ways.

    Death of a Father

    In the case of any child, the death of a parent is traumatic. Hawkeye draws another parallel between the two characters by having them both experience the deaths of their fathers. However, the responses of the two character to the death’s of their fathers are entirely different. The death of Kate’s father (bit mysterious, don’t you think? I’m not convinced her mom didn’t kill him) during the Battle of New York set Kate on her journey to be a protector, a hero, like her father; the death of Maya’s father (much less mysterious) set her on a journey to become a violent, vengeful criminal.

    The New Father Figure

    After suffering the loss of their fathers, Kate and Maya have father figures step into the void. In Kate’s case, Jacques Duquesne tries to charm his way into her life, going so far as to brag about buying a book about being a stepdad. In Maya’s case, her not-so-mysterious “Uncle” is still looking after her and she find herself in his employ. On one hand, we see Kate rail against allowing someone as slimy as Jacques into her life; on the other hand, we see Maya, choose the life of a mob enforcer. Simply enough, one chose the light while the other chose the dark.

    The Clint Connection

    The two characters have walked divergent paths following the losses of their fathers but those divergent paths have now converged thanks to a common interest: Clint Barton. The ending of Episode 2 and beginning of Episode 3 really highlight the entirely opposite interests the characters have in Barton: Kate comes crashing into the abandoned KB Toy Store warehouse to save Clint just as Echo makes her way to interrogate him about the Ronin. Clint Barton is the intersection of these characters lives and the revelation of his secret, which he’s holding from both of them, will greatly impact how both of them view him.

    How will Kate look at her hero when she finds out he was Ronin? How will Maya deal with discovering the identity of her father’s murderer? While it was Clint that brought the two together, the answers to those questions could well set them on divergent paths once more in the aftermath of Hawkeye.

  • ‘Hawkeye’ Makes a Major Change to Echo’s Story

    ‘Hawkeye’ Makes a Major Change to Echo’s Story

    Episode 3 of Hawkeye, “Echoes”, delivered on last week’s tease and gave us a full introduction to Maya Lopez, aka Echo, played by newcomer Alaqua Cox. While the translation of the character to the MCU from the comics stays faithful to her Native American heritage, her deafness and her connection to Wilson Fisk, the series makes one major change to her origins that will have a huge impact on how the remainder of the series plays out.

    Episode 3 introduces not only Maya, but her father, Willie, and lays out that he works in “upper management” of the Tracksuit Mafia for the head of organized crime. This, too, is true to the comics were her father, Willie “Crazy Horse” Lincoln, works for the Kingpin. And in both the comics and the series, Maya is forced to watch her father’s life in crime catch up with him as he dies in her arms and places his blood-soaked hand on her face. However, Marvel Studios has chosen to make a major change to that event and the consequences of that change are already becoming obvious.

    In the 1998 Daredevil series, Maya’s father is killed by the Kingpin. While Kingpin called Willie his “good friend”, he ruthlessly shot him for an undefined mistake. Willie’s dying wish was for Kingpin to take care of his daughter, a promise he kept by raising her and affording her every luxury. Twenty years after her father’s death, Maya was told by Kingpin that it was Daredevil who murdered him, setting the two up for an epic clash. Eventually, Maya learns the truth about who murdered her father and takes her revenge my shooting the Kingpin in the face at point blank range.

    Hawkeye tells a very different version of Willie’s death, making Clint Barton the man responsible for it. In the series, Maya sees her father take the business end of Ronin’s blade and then holding him as he dies. The first two episodes of the series made it clear that the Clint and the Tracksuits had a history; this episode clarifies the extent of that history and now puts Clint not only in Maya’s crosshairs, but also potentially the Kingpin’s. In episode 3, Clint tap danced around the identity of Ronin both in conversation with Maya and Kate; it probably won’t be long before his secret comes out. How will the series choose to deal with the reveal? What will be the cost of Echo and Kingpin finding out? Hopefully Clint doesn’t meet the same fate as Fisk did in the comics, but it is clear that these changes will result in some very different takes on both Echo’s existing relationships and those she might forge along the way.

  • ‘Hawkeye’: Maya’s “Uncle” Explained

    ‘Hawkeye’: Maya’s “Uncle” Explained

    Today’s episode of Hawkeye, “Echoes”, jumped right into Maya Lopez’s backstory. The first 5 minutes of so of the episode gave us everything we need to know about the character and introduced the two most influential men in her life: her father, Willie Lopez, and her “Uncle.” We later find out that her “Uncle” is also the big boss of organized crime in New York City, a man, as Clint explains it, will “do anything to grow the operation” and is “someone you don’t want to mess with.” Who is this “Uncle” and what does his presence mean for the Hawkeyes and the future of the MCU? Read on, True Beleivers.

    In this case, the term “Uncle” is clearly not a strictly familial term but rather a way of recognizing the close relationship between Maya’s father and the man in black that we meet at about 5:18 into the episode right before Maya’s karate match. As the episode explains, Maya’s father worked for “Uncle” as upper management in the Tracksuits, meaning he was someone that the man trusted very much. His death, at the hands of Ronin, not only interrupted operations but also may have been a very personal loss for both Maya and her “Uncle.” In putting all the pieces together and digging into the comics for some support, it’s clear that Maya’s “Uncle” is Wilson Fisk, the Kingpin of New York City.

    While there are some pretty significant changes to the story and the relationship in Hawkeye, the Kingpin was a similarly significant figure in Maya’s life in the comics. In her origin arc, which was told beautifully over several issues of 1998’s Daredevil, we learn that Maya’s father worked for Fisk and was, in Fisk’s words “a good friend.” It’s that close friendship between the two men that’s being interpreted as Fisk being Maya’s “Uncle” in the series.

    Rumors of Kingpin appearing in Hawkeye, with Vincent D’Onofrio reprising his role from the Netflix Daredevil series, have swirled for months; today’s episode laid any doubts to rest. At the 5:18 mark when “Uncle” touches young Maya’s face and chuckles, the chuckle discernably belong to D’Onofrio. With such a blatant tease in Episode 3, it won’t be much longer before the series fully reveals the identity of Maya’s “Uncle.” The arrival of the Kingpin on the scene will mean that Kate and Clint will now be faced with a ruthless and powerful adversary, much more competent and deadly than his Tracksuit goons.

    With Wilson Fisk operating in the MCU, it’s only a matter of time before he crosses paths with Daredevil and, potentially Spider-Man; in fact, D’Onofrio, who took to Twitter to share his excitement for the upcoming series, mentioned in a recent interview that if he were to reprise the role of Fisk, he’d love to square off against Spidey. Now it seems that’s not only possible, but maybe even inevitable.

  • ‘Iron Fist’ Star Jessica Henwick Turned Down a Role in ‘Shang-Chi’

    ‘Iron Fist’ Star Jessica Henwick Turned Down a Role in ‘Shang-Chi’

    Jessica Henwick’s star has been on the rise over the last couple of years. Beginning with her turn as Nymeria Sand in Game of Thrones, Henwick began stealing the show more and more frequently. Such was the case in Marvel’s Netflix series Iron Fist, where Henwick’s performance captivated audiences and lead to fans clamoring for a spinoff. Henwick’s next big thing is a role in next month’s The Matrix Resurrections and, as it turns out, it came at the expense of another Marvel role.

    In an interview with EW, Henwick revealed that she was up for a role in Marvel Studios Shang-Chi and The Legend of the Ten Rings at the same time she was auditioning for WB the role of Bug in the fourth Matrix film. According to Henwick, both studios knew about the other roles and forced Henwick to make a choice, which Henwick cleverly referred to as a “red-pill/blue-pill moment” as she was not guaranteed either role at that time.

    Henwick didn’t share what role she was up for in Shang-Chi, but given her age, it would seem the roles played by Meng’er Zhang and Fala Chen would be appropriate and, likely in that order. It’s interesting that Marvel Studios was open to working with Henwick once again given that she ended the second season of Iron Fist in a position of prominence. One could argue that this would be furhter evidence that Marvel Studios does not consider the events of Iron Fist, and by association any of the Defenders projects, to be canonical in the Sacred Timeline. While Marvel Studios has worked with Gemma Chan on multiple projects, her minor role in Captain Marvel saw her face painted blue and gave her relatively few lines making it easier for her to move into Eternals in a main role. It’s hard to make the same argument for Henwick and Blade star Mahershala Ali, who had major supporting roles in their respective Netflix series.

    The Matrix Resurrections will debut in theaters and on HBO Max on December 22nd.

    Source: EW

  • ‘Spider-Man: No Way Home’ Turns in Senses-Shattering 24 Hour Pre-Sales

    ‘Spider-Man: No Way Home’ Turns in Senses-Shattering 24 Hour Pre-Sales

    The most anticipated film of 2021 had a pretty intense first day of presales. According to Fandango, Spider-Man: No Way Home’s first 24 hours of presales eclipsed presales for Black Widow in just 2 hours and then went on to pass Avengers: Endgame, a film that had the largest domestic opening weekend on record. These numbers are quite impressive, as the last Avengers entry went on to premiere at $357.1M in its opening weekend.

    Reports suggest that the threequel sold over 3 million tickets on presale for more than $35M in sales. If those numbers are accurate, No Way Home will have sold 20 times the amount of tickets either Black Widow or Eternals sold within the same timespan. It managed to beat out Black Widow‘s numbers in just two hours. As such, there are already theories out there that this may be our first film to pass the billion mark since the pandemic started.

    It looks like Sony’s strategy has paid off, as they’ve been still keeping a lid on all leaked or rumored stories surrounding the threequel. What is noteworthy is that the nostalgia factor of the returning villains and the potential appearance of former Spider-Men might be quite the draw for audiences. It’ll be interesting to see how it keeps up that momentum once reviews hit the internet.

    Source: A Trade

  • Kate Bishop and Pizza Dog ‘Hawkeye’ Funko Pop! Up for Pre-Order

    Kate Bishop and Pizza Dog ‘Hawkeye’ Funko Pop! Up for Pre-Order

    If you’re watching the Marvel Studios streaming series Hawkeye, chances are you’ve already fallen in love with the Pizza Dog…and Funko new you would. Available for pre-order now is a Funko Pop! and Buddy set including Kate Bishop and the loveable Pizza Dog!

    The duo is available for $11.99 at Entertainment Earth with an estimated ship date of February 2022. If you’re so inclined, you can also pick up the Clint Barton Pop to complete the Hawkeye hero set! Hawkeye is now streaming on Disney Plus.

    Click here for Kate and Lucky

    Click here for Clint

    Murphy’s Multiverse is an Entertainment Earth affiliate.

  • Exclusive Luke Skywalker Mando Funko Pop! Now Available for Pre-Order

    Exclusive Luke Skywalker Mando Funko Pop! Now Available for Pre-Order

    Entertainment Earth has made its exclusive Luke Skywalker Glow-in-the-Dark Funko available for pre-order. The figure, based on the stunning appearance of Skywalker in the final episode of Season 2 of The Mandalorian, will ship in February and is listed at $14.99.

    Pop! Vinyl Figure - EE Exclusive

    Entertainment Earth Exclusive! Dark Troopers stand no chance against this Jedi Master! Inspired by Season 2, Episode 8 of the Disney+ Star Wars: The Mandalorian TV series, the one-and-only Luke Skywalker will make a showstopping entrance into your Pop! Vinyl collection. Don’t miss him! This exclusive figure stands about 3 3/4-inches tall and features a hooded version of the beloved Jedi, complete with a glow-in-the-dark lightsaber. The Star Wars: The Mandalorian Luke Glow-in-the-Dark Pop! Vinyl Figure – Entertainment Earth Exclusive comes in window-box packaging. Quantities are limited, so order yours today!

    You can pre-order the great looking Pop! here.

    Murphy’s Multiverse is an Entertainment Earth affiliate.

  • Deep Thoughts: One Hypothetical Timeline for the Second Spider-Man Trilogy

    Deep Thoughts: One Hypothetical Timeline for the Second Spider-Man Trilogy

    In just over 2 weeks, Marvel Studios and Sony’s Spider-Man trilogy will conclude in Spider-Man: No Way Home. By the time it’s all said and done, Tom Holland’s iteration of Spider-Man/Peter Parker will have appeared in 6 MCU films stretching all the way back to 2016’s Captain America: Civil War; however, thanks to Amy Pascal, we now know this isn’t the end of the road for Holland as the Web-Slinger’s time in the MCU as Sony and Marvel Studios have extended their deal to collaborate on the character’s solo films. With Pascal indicating the two studios will now be working on another trilogy, its seems like a good time to look ahead and think about when we might see those new solo Spidey films in theaters.

    Spider-Man 4: Fall/Winter 2023

    Awesome Venom 3 Fan Art Gives Spider-Man His Symbiote Suit | Cinemablend

    Part of the original deal with Marvel Studios and Sony revolved around a solo Spidey film being in theaters every 2 years. This meant that Holland spent a whole lot of time in spandex from 2015 through 2020, but that’s the life of an actor! Sony is scheduled to kick of the 2023 superhero slate with Kraven the Hunter in January and Marvel Studios currently has The Marvels, Guardians of the Galaxy Vol. 3 and Ant-Man and the Wasp: Quantumania spread out from February through late-July with an as yet unannounced film on the slate for November 3rd. That won’t be Spidey 4 because Sony picks those dates, but December of 2023 is currently unclaimed by Marvel Studios, Star Wars or DC. A December 2023 date would mean Spidey 4 wouldn’t need to start filming until late 2022, giving the studio plenty of time to get a script together (if they haven’t already started) and give Holland some time to do some other work as well.

    Spider-Man 5: Summer 2025

    Spider-Man: 10 Things You Didn't Know About Gwen Stacy & Peter Parker's  Relationship (In The Comics)

    The first two MCU Spidey films hit theaters in July and 2025 provides the opportunity to do just that, assuming they keep the 2 year gap between films. Marvel Studios hasn’t announced any plans for 2025 as yet, but Lucasfilm currently has a Star Wars film on the books for December of 2025. So, back to summer it goes for Spidey 5.

    Spider-Man 6: Summer 2027

    The Death of Ultimate Spider-Man: Revealed - Mandatory

    It’s hard to fathom talking about a film that could take place in 2027, but here we are. Again, assuming a 2-year gap, we’re looking at Spidey 6 concluding the second trilogy in the Summer of 2027.

    Of course, at this point we don’t know much at all about how this will ACTUALLY play out. According to a trade report, the deal Pascal talked about isn’t even finalized yet and as we’ve seen in the past, there’s many a slip ‘twixt the cup and the lip when it comes to these things. However, it’s sure fun to think about.

  • BREAKING: Sony and Marvel Studios Have Officially Extended Their Spider-Man Deal

    BREAKING: Sony and Marvel Studios Have Officially Extended Their Spider-Man Deal

    It looks like Tom Holland may just be stuck playing Spider-Man until he’s 30 after all. In an interview with Fandango, Sony Pictures producer Amy Pascal revealed that Sony and Marvel Studios have plans to continue to work together on a new trilogy of Spider-Man films, saying “Marvel and Sony are going to keep going together as partners.

    Tickets for Spider-Man: No Way Home went on sale last night and caused chaos. With press screenings for the film set for this week, the press cycle has officially kicked off and Pascal told Fandango that not only is No Way Home not the end of the road for the unprecedented deal, but that the two studios are planning another trilogy:

    This is not the last movie that we are going to make with Marvel – [this is not] the last Spider-Man movie. We are getting ready to make the next Spider-Man movie with Tom Holland and Marvel. We’re thinking of this as three films, and now we’re going to go onto the next three. This is not the last of our MCU movies.

    It’s unknown what further collaboration between the two studios will look like, but with Tom Hardy’s Venom crossing over into the MCU it’s possible that future could include Holland’s Spidey coming face-to-face with the symbiote.

    We’ll continue to cover this story as it develops.

    Source: Fandango

  • Murphy’s Team-Up, Volume 8: Favorite Movies to Get Us in the Christmas Spirit

    Murphy’s Team-Up, Volume 8: Favorite Movies to Get Us in the Christmas Spirit

    Mary Maerz: Iron Man 3(2013) Kiss Kiss, Bang Bang (2005)

    Kevin Feige Reiterates That 'Iron Man 3' Is Definitely a Christmas Movie -  We Got This Covered

    I actually hate Christmas movies, so I’m going to go with two movies set at Christmas time (with little to no other Christmas connection) and hopefully combining the two says “Christmas”. But I’m a big fan of both Iron Man 3 and Kiss Kiss, Bang Bang. Clearly, the combination of Shane Black and Robert Downey Jr. speaks to me somehow, and the dry, quippy humor in both is what makes these films for me. Kiss Kiss \, Bang Bang is, to be fair, a comedy, but the similar style of humor in Iron Man 3 completely defines that movie for me. Because of that, combined with action and/or thriller components, these two films are extremely comforting for me and have high rewatch value. Nothing says Christmas more than Val Kilmer’s ‘Gay Perry’: “Merry Christmas, sorry I fucked you over.”

    Joao Pinto: Gremlins (1984)

    Gremlins-Gizmo-in-Santa-Hat - Stout Heart


    I only got to see Gremlins a few years after its initial release (what are you gonna do, things took their time crossing the Atlantic back in the 90s!), but even though, by then, the puppeteering might have seemed a bit outdated given the advances the industry had gone through in terms of visual/special effects, the movie still managed to win me over by its heart. And by heart I mean Gizmo.


    A bit like Baby Yoda a.k.a. Grogu captured the hearts of so many in late 2019, Gizmo was that for me back then. But instead of using the Force to save people he cared about, Gizmo inadvertently managed to put everyone who cared about him in jeopardy, before rising to the occasion and saving the day, the entire town of Kingston Falls, the country, and the world! I still remember the song Gizmo hummed by heart and in my mind it’s one of the most beautiful things ever. Just not quite as much as his final line: “Bye Billy”.
    Just don’t remind me that was Howie Mandel’s voice.

    On a side note, there’s a Scottish post-rock band called Mogwai after Gizmo’s species. A remix of their song Tracy was a faithful companion of mine on many all-nighters throughout college. Check it out, it’s pretty chill. 

    Nathan Miller: The Muppet Christmas Carol (1992)

    The Muppet Christmas Carol - Plugged In

    The definitive Christmas film is The Muppet Christmas Carol. It is also the best adaptation of Charles Dickens’ source material. Michael Caine embodies Scrooge the miser and the sincerity of the lessons he learns with a touch of cockney charm. The cast of Muppets are brilliant in their chosen roles. Kermit is a brilliant Bob Cratchit. Miss Piggy’s headstrong attitude turns into a fury, matched by the viewer, for Scrooge’s miserly ways. Statler and Waldorf are the definitive portrayal of Marley’s ghosts. Gonzo as the Narrator and Rizzo as the chorus imbue the audience with the spirit of the holidays. The songs are enough to wilt the most cynical of hearts, and the lovable Muppet humour saves any cringe. It’s not only a childhood classic but it holds up incredibly well decades later as the best Christmas film.

    Joseph Aberl: The Nightmare Before Christmas (1993)

    Is 'The Nightmare Before Christmas' a Halloween or Christmas movie?  Director settles debate once and for all | HelloGiggles

    To this day, I keep finding myself rewatching The Nightmare Before Christmas almost every year. While it’s a mish-mash of Halloween and Christmas, there’s something about it that just makes it a perfect Holiday film for me personally. Perhaps it’s the music that I can’t stop listening to throughout the year (especially when Oogie-Boogie makes fun of Santa that always makes me crack a smile) or just the loveable characters in general. The 1993 classic is always the film I fall back on if I don’t know what to watch during the holidays and I don’t see that tradition ending anytime soon.

    Dalbin Osorio: The Night Before (2015)

    Vudu - The Night Before Jonathan Levine, Joseph Gordon-Levitt, Seth Rogen,  Anthony Mackie, Watch Movies & TV Online

    For me, it’s The Night Before. I’m a sucker for ugly sweaters, so the poster takes the cake out the gate. As a person who has friends spanning decades, I love how it captures that aspect of brotherhood. I love how it mirrors the things most dudes go through, where the person you used to be when you first became friends isn’t who you are as you’re getting older. Seth Rogan is hilarious, Anthony Mackie is the truth, and Joseph Gordon-Levitt delivers an understated performance. Lizzy Caplan is always a gem, but it’s Michael Shannon as Mr. Green that really takes the cake. It’s hilarious and makes me miss the friends I chose as family, and I always watch it during the Christmas season.

    Charles Murphy: Scrooged (1988)

    Christmas: Scrooged (1988) — 3 Brothers Film

    About a dozen Christmas movies are in the annual Murphy family rotation. The Santa Clause films, Elf, Jim Carrey’s How the Grinch Stole Christmas, Gremlins and Die Hard (yes, we’re those people) all get a yearly rewatch. And then, there’s National Lampoon’s Christmas Vacation, which gets watched about once a week during December. However, as much as I enjoy revisiting all those films, the one that really gets me year after year is Scrooged. Released near the end of Bill Murray’s decade-long run of incredibly rewatchable films, Scrooged gives us a very different Murray. This is probably one of the more nuanced performances of his career. Yes, his Frank Cross is funny, but he’s also angry and sad and an asshole while also being sweet and loveable. Modernizing Dickens’ A Christmas Carol is nothing new, but this one really worked. The ghosts were equal parts terrifying and hilarious-with David Johansen’s cabbie being particularly traumatic- and the way it shined a light on the tragedy of the working class (through Alfre Woodard’s Grace and Bobcat Goldthwait’s Eliot) makes it tough to watch at times. And that’s why the movie is so good: as the audience experiences these things through Frank’s perspective, Murray and legendary director Richard Donner (yes, the director of Superman made this film) make the audience feel them, too. Every scare, laugh, cringe and hug comes through the screen, right up until that amazing ending when Frank leads the crew of his TV show in singing “Put a Little Love in Your Heart.” A great film, a great Christmas film and a great Bill Murray film.

    Also, bonus points for Lee Major’s film-within-a-film, The Night the Reindeer Died. Someone should make that, like they did with Machete.