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  • The Last of Us: Apocalypse 101 – Rules #13-17, When You Kill Them Make Sure They’re Dead

    The Last of Us: Apocalypse 101 – Rules #13-17, When You Kill Them Make Sure They’re Dead

    If you missed Rule #1, Cuties Are Bad, read through it here.

    February 25, 2019

    -Iggy Bigby

    “Martial law” is such a funny phrase. At first glance, it definitely looks like “marital law”, but “marital law” and “martial law” are too very different ideas.

    “Marital law” is something I joke about with Alex* – if you make me a promise, you stick to it.

    “Martial law” is what happened to the country after Outbreak Day – a bunch of military assholes come steamrolling into town and take over, ranting about “maintaining order” and some other “here to keep peace” bullshit.

    Unfortunately, their version of “peace” is what my political science classes would have described as “militant oppression.” The Federal Disaster Response Agency – FEDRA, if you’re lazy – and what was left of the government set up military rule in every Quarantine Zone nationwide once it was clear the situation was out of hand. We’re still in Buffalo, at the “Canalside QZ”, but we’ve heard about similar set-ups in Atlanta, Pittsburgh, Salt Lake City, Seattle, Denver, and Boston. Some of them are worse than others, and not all of them are still standing.

    I’ve spent the better part of the last 6(!) years in QZ. Once the dust settled at UB, FEDRA raided the campus. I was huddled in that abandoned wing writing “Apocalypse 101”, the Great American Novel. According to the crumpled pages I just found at the bottom of an old bag, I made it to Rule #12 before I was forced into QZ and life regained a deranged sense of normalcy. I stopped thinking about “survival” and started thinking about keeping my head down. I watched FEDRA shoot innocents in the street. People I knew. For no real reason. All in the name of “civility.”

    Now, though, it seems like I should start writing again. There’s a palpable sense of unrest in the QZ. They’ve told us there’s a food shortage, and we should only expect to receive half-rations for the foreseeable future. Anyone without the proper ration cards is on their own. Those of us they consider “able-bodied” are drafted and forced to work details inside and outside of the city. I work the wall. Shoot infected on sight. It’s pretty miserable, but these days, what isn’t?

    Alex made friends with (smuggles alcohol to) one of the FEDRA agents, and when he drinks, he talks. QZ radio signals are dropping like flies. Recons say it’s hordes of infected and folks who’ve had enough. We’ve heard more and more about a rogue militia group attacking QZ’s, calling themselves “the Fireflies”. They want democracy back, and they want a cure for whatever the hell all of this is. Them and everyone else.

    Thing is, if something like that happens here, Alex and I won’t be able to rely on QZ walls to keep us alive anymore. As bad as this place is, at least it’s kept out the infected. Luckily, should we end up on our own, my time faithfully guarding our hollowed grounds has taught me a thing or two about what we’d be up against. I was thinking about jotting down a guide for Alex to have, keep him safe, and then I remembered this journal. So, without further ado, my latest additions to “Apocalypse 101.” For everyone to enjoy. Six years in the making.

    Types of Infected and How to Kill Them

    There are really only a couple ways to be infected. You get bit, or you breathe in a bunch of parasitic spores that make you hack up a lung and turn your brain into plant-powered, flesh-eating mush. Once you’re infected, there’s no going back. That’s why FEDRA agents normally just shoot suspected infectees where they stand. False positive or not.

    Runners

    If you’ve got that Cordyceps in your system, you’ve got two days left of being you. After that, you’re one of them. You’ll lose control of yourself. Irritable, violent, twitchy. Skin pale, covered in lesions. Eyes glossed over, hair falling out. We call infected in this early stage “Runners“, because, well, they’re still fast. Agile. Erratic.

    Runners are the easiest type of infected to kill, so long as you’re able to keep them separated. A horde of them will overrun you quick. It’s too much flailing at the same time. If you see more than a few Runners in any area, approach with caution and take them out silently.

    Silence and patience are the keys to everything outside the walls.

    All types of infected are triggered by loud noises; they make them go nuts. Most of them can’t see, but Runners can. Stay out of their line of sight unless you think you can take them on. Like I said, they’re pretty easy to bury. Aside from an insatiable need to eat every living thing they can find, they’re still mostly human. That means anything that could kill a person will kill a Runner. Gun to the torso, knife to the throat, baseball bat to the head. You name it.

    It’s smart to clear your area of Runners because if you don’t, they’ll become something a lot worse. That being said, killing them has probably been the least enjoyable experience of my life. They’re still mostly human, which means a little bit of who they used to be is still in there somewhere. Runners cry, and they moan, and they screech. They know what they are now, but they can’t stop it. Some of them won’t even attack. They just stand there, hunched over, fighting themselves. It’s horrible. Like putting down a sick dog.

    Stalkers
    The Last of Us™ Part II_20200708100013

    Honestly, my least favorite infected type. Insanely creepy. This is what you become in the weeks and months after infection. Somewhere between human and monster. You’ll likely hear a “Stalker” before you see them, and by the time you see them, it may be too late.

    At this point in their infection, the Stalkers have begun growing a sort of fungal armor on their bodies. They’re stronger too, so you’re not gonna be able to kill them with your fists like a Runner, or sneak up behind them for a choke-out. In fact, stealth is probably not an option for you here at all. That’s their game, and they’re great at it.

    Stalkers still have a little eyesight and they’ve got their speed. They love dark rooms and places to hide. The Cordyceps has spread to their neck and faces, so they can’t make human noises anymore. It’s just croaking sounds, and they use them as a form of echolocation. Once they know you’re there, they’ll start up their modus operandi. They hide behind corners, in walls, and crouch where you can’t see them. That croaking is the only thing that gives them away. When you turn your back, they’ll sprint to the next hiding spot. Closer and closer.

    The best way to combat them is with a strategy of your own. Don’t charge them, or try to fight them head-on. You’ll lose. They travel better than you. Stay back, set traps, and plan every movement. If you can lure them out of hiding and into a pipe bomb, do that. If you can’t, strap up with the heaviest weapon you’ve got and wait until they jump at you. Follow the croaks and the one glowing eye until they’re near enough to fire a shotgun at. Just know what else might be in the room with you, and what the sudden sound of an explosive might do when it goes off.

    You can throw bricks and bottles around to confuse them if you’d like. Make them think you’re somewhere else. But that doesn’t always work.

    Clickers

    These are the famous ones. The way people talk about them in QZ’s, you’d think they were the only ones. They’re certainly the most annoying. “Clickers” are what you get after about a year of letting human DNA stew with Cordyceps fungus. Stronger than the average person and nastier than a toilet after Mardi Gras.

    Clickers get their name from the way they survive. With no eyes, they make clicking sounds to get around and hunt for prey. Echolocation, like the Stalkers. Only at this point, they’re more plants than humans. Shocking to look at. Usually very little clothing, on account of the fungal growths tearing through it all. No faces, just mushroom-like masses on top of wet cryptid bodies. They do have teeth, though. And they’re sharp.

    All those growths make for a pretty solid form of protection. You could shoot one point-blank in the head, and the shrapnel wouldn’t even puncture the skull. You either need a lot of ammo or incredible precision to bring a Clicker down. If you can move quietly and get close, you can slip a knife, or shiv, under their fungal plating for an instant kill. This also applies to immaculate arrow shots. With no vision, you don’t have to hide from them. You just might want to avoid making a peep if they’re turned in your direction. Typically, a Clicker will just stand there and claw at it’s own face until it thinks about dinner. If it knows food is nearby, it won’t leave until it’s full.

    Like any tree or garden before them, Clickers are very susceptible to fire. A well-tossed Molotov cocktail or fully-functional flamethrower will put an end to their misery if you can manage to get your hands on that sort of thing. Otherwise, it’s recommended you don’t engage unless well-equipped to blow through fungus. Especially if there’s more than one Clicker in the area. That’s just asking to die.

    Bloaters

    A “Bloater” is a Clicker left to rot for too long. Years of fungal build-up. Incredibly rare, and something you should hope never to see. Their name is well-earned. Massive, big-old turds. I’m talking bear-sized or bigger. Like, “you-stand-very-little-chance-of-walking-away” large.

    Most of the tactics that apply to Clickers also apply here, only on steroids. Nobody has the kind of ammo needed to shoot one of these things to death, so your best route of action is to turn tail and get your ass out of wherever you are. If that’s not in the cards, you better hope you have specific, armor-piercing bullets loaded (a hunting rifle is surprisingly effective) or another tank for that flamethrower. Don’t even think about going hand-to-hand with a Bloater. It will literally rip your jaw out of your face and start beating you with it. These guys are brutal, physical, and hungry.

    Keeping your distance won’t work against Bloaters either. It’s better than facing them up close, but they’ve got a special kind of growth that feels designed by Satan just to screw with us. A Bloater can grow bulbs of mycotoxin on its body, and if it knows you’re there, it will start whipping them across the room at you until you can’t breathe anymore. Rough.

    Their only real weaknesses are these: they’re dumb and slow. You can trick them into hurting themselves if you’re smart enough about it. Let them ram into walls or walk into pools of gasoline. Fun stuff if you’re sick in the head.

    Others

    We’ve covered the main four stages of infection, but I have heard tell of other variants roaming different parts of the country. “Shamblers” are essentially just soaked Bloaters, which apparently exist in coastal cities. They’re so full of liquid they just spray their mycotoxin directly from their torso, no bulbs required. They explode when they die, too. So stay clear after they hit the ground.

    The craziest rumor I’ve heard is that some infected can get all tangled up with each other, and grow into a single terrifying mass. Never seen it myself. No idea how you’d handle that predicament. Would probably have to take myself out if I ever came across it.

    Rules #13-17, When You Kill Them Make Sure They’re Dead

    Still reading? Good. All of that was wildly important. The infected are no joke, and knowing how to deal with them is one of the most important survival skills a person can have. In order to emphasize this, I’ve grouped the last four rules – each type of infected and how to kill them – under one umbrella. I’ve also named this section of “Apocalypse 101′ after something I make Alex promise every time he sneaks out of QZ. It’s part of our “marital law.”

    When you kill them, make sure they’re dead.

    *(I guess it’s been a while since I last wrote in here. I’ve got some life updates! Remember that shuffling I heard in the abandoned wing of UB? That was Alex. I wasn’t alone in there. He found himself a hiding spot and stuck to it, only leaving for supplies at night. He’s like a very handsome Stalker, who never once tried to kill me. We agreed to help each other survive, and found ourselves sharing a bed not long after. He’s been the one thing I’ve had since Outbreak Day. My only family. He hasn’t been drafted yet, but he keeps his days busy smuggling supplies in and out of the QZ. Big network of that growing underground. I hate it, but I trust him. We both know what we’re doing.

    Almost makes me think we’d be better off living with the Clickers than FEDRA…)

  • New Report Debunks ‘Wednesday’ Season 2 Potentially Leaving Netflix

    New Report Debunks ‘Wednesday’ Season 2 Potentially Leaving Netflix

    Netflix has already been in the news for canceling another one of their major releases, but a report indicated it might even lose its biggest new release yet. The Addams Family reinterpretation took Wednesday Addams out of her usual family dynamic and put her in the middle of a murder mystery storyline at a boarding school. It was a massive hit with viewers and ended up even competing with Stranger Things for who holds the crown of most viewed series in its premiere week.

    Yet, there was some uncertainty with Wednesday due to MGM being involved with the production. Metro-Goldwyn-Mayer’s recent purchase by Amazon had some wondering if they might want to bring this hit series to their own streaming service, Prime Video. A report by The Independent hinted at this being a grim possibility, but a new article by IndieWire seemingly debunks these claims.

    They highlight that the deal between Netflix and MGM was done long before the studio was purchased. While they acknowledge that it’s not unheard of that a series jump to a different streaming service, but that this may simply be reactionary to the lack of renewal for the hit series. The various cancelations simply add to that usual concern similar to how theories started to make the rounds when The Sandman’s renewal was dragged out by the streamer. For now, it seems like the series is safe on Netflix and we’ll just have to wait for

    Source: IndieWire

  • ‘The Flash’s Final Season to Feature Some Familiar Faces

    ‘The Flash’s Final Season to Feature Some Familiar Faces

    It’s still crazy to think that The Flash is coming to an end. After nine seasons filled with highs and lows, the CW series that continued the mantle started by Arrow. Yet, it seems the final season is going to include quite a few familiar faces to showcase the “finality” of the series.

    In a new piece by Deadline, it seems that Keiynan Lonsdale, who played Wally West and would eventually become Kid Flash, will return to reprise his role. David Ramsay is also set to once again play John Diggle in the season, who is also currently working on a new spinoff set in the Arrowverse.

    That is not all, as one of the main villains is also set to return with Sendhil Ramamurthy, who played the series’ take on Bloodwork, is also set to reprise his role. All three are set to appear in the upcoming ninth episode of the final season. Executive producer Eric Wallace shared the following statement on Diggles’ return.

    As one of the legacy Arrowverse characters who helped start it all, John Diggle holds a special place in our hearts, as well as the fans. Plus, the commanding presence and commitment to excellence actor/director David Ramsey brings to the screen each-and every time is truly inspiring. So, of course, it was a no-brainer to have Diggle join Team Flash in our final season! So, get ready for a very emotional reunion as John Diggle aka Spartan helps protect Central City alongside Team Flash one, last time

    Eric Wallace

    He also goes on to highlight the excitement of having Kid Flash back once again; teasing the story they set up for his return.

    We’re so happy to reunite with the incredibly talented Keiynan Lonsdale as a part of The Flash’s final season. Because Kid Flash isn’t just another speedster—he’s a beloved part of our Team Flash family. So as soon as we knew he was coming back, we set out to create a special and heartfelt story for his return. The result is a brilliant performance from Keiynan that showcases a side of Wally West you’ve never seen before.

    Eric Wallace

    Lastly, they also highlighted Ramamruthy‘s return as Ramsey Rosso, highlighting that they always intended to return in the final confrontation for the Scarlet Speedster.

    Ever since Sendhil turned in such a brilliantly haunting and unforgettable performance as the tortured Ramsey Rosso in Season Six, we’ve been looking for a way to bring him back. We also knew we wanted to have Ramsey play a part in Flash’s final race. Fortunately, everything came together and now the villainous Bloodwork’s return will set into motion one of the Flash’s wildest and most emotional adventures yet.

    Eric Wallace

    It’s definitely looking like they are ramping up for a grand finale, and it’ll be a shame to say goodbye to Grant Gustin‘s tenure as the speedster, but it does open him up to chase other roles moving forward.

    Source: Deadline

  • 12 Days of X-Mas: Day 10, Forge

    12 Days of X-Mas: Day 10, Forge

    The X-Men are coming to the Marvel Cinematic Universe and Marvel Studios has no small task ahead of them in making sure that the iconic team can lead the franchise in Phase 7 and beyond. Marvel Studios is also sure to make every effort to separate their adaptation of the team(s) from what came before. To celebrate the 12 Days of Christmas, we’ve decided to put together a list of which characters might play a key role and how Marvel Studios can ensure nobody will confuse them with their Fox counterparts or, in this case, an X-Men fixture that Fox left on the bench.

    The Genius

    The Cheyenne Indian known as Forge never appeared in Fox’s X-films and that’s probably a blessing in disguise. Every super team needs an idea guy and Forge is an idea guy on a  level that would rival the greats like Tony Stark and Reed Richards. The kind of work Forge would do was either completely absent from the X-films or relegated to Hank McCoy who while also a genius in the comics, wasn’t the intuitive engineering genius that Forge was.

    Described best in his own words, Forge’s true mutant gift was “to make the impossible real” something he often did without possessing a true understanding of the process he was working through. Thanks to his mutation, Forge sees what others cannot and what Forge can see, Forge can create. As you can imagine, this gift can be both beautiful and terrifying and Forge has made more than his fair share of terrifying devices, including one that neutralized mutant powers. Forge has recently played a major role in the X-Men’s resurrection protocols and has found a new outlet for his talents in creating bio-organic weapons with the help of Krakoa.

    Adding Forge to the mix of X-Men in the MCU shouldn’t be a problem. His status as a member of the Cheyenne Tribe works well with Marvel Studios’ ongoing efforts to add diverse characters to the MCU, something very in line with Stan Lee’s original work with the X-Men. His past as a wounded soldier who experienced severe trauma also adds a layer of depth to the character and one not much different from current MCU fan favorite Bucky Barnes. Like Barnes, Forge sustained some gruesome war injuries; unlike Barnes, Forge is essentially part cyborg now but that mixture of man and machine fits so well with his mutant power that it must be part of his story. Beyond that, he’s a must-have character whose brilliance as an inventor will allow the X-Men to stay sharp and develop weapons to take on the alien races they’re sure to encounter (and that Fox decided to ignore). Including Forge also provides the opportunity for one of his inventions to fall into the wrong hands and endanger mutants everywhere. Forge has been a member of the core team, X-Force and X-Factor and has a pretty underrated relationship with Wolverine. It’s truly hard to believe that he hasn’t somehow been brought to live-action yet, but Marvel Studios should definitely change that in the very near future.

  • First Look at Keira Knightley in 20th Century’s ‘Boston Strangler’, Heading to Hulu in March

    First Look at Keira Knightley in 20th Century’s ‘Boston Strangler’, Heading to Hulu in March

    The next 20th Century Studios production is making its way to Hulu, as the upcoming true-crime thriller from director Matt Ruskin is heading to Hulu on March 17, 2023. Boston Strangler explores the story of reporter Loretta McLaughlin (Keira Knightley), who is hot on the heels of the Boston Strangler murders. With the help of her colleague Jean Cole, played by Carrie Coon, they fight their way through the sexism of the era to stop a killer at their own personal risk.

    The film is set to premiere on Hulu in the United States with Disney+ and Star+ in international territories as part of the Star banner. The film has a star-studded cast as joining Knightley and Coon is Bill Camp, David Dastmalchian, Alessandro Nivola, Morgen Spector, and Chris Cooper. In the producing chair are Ridley Scott, Kevin J. Walsh, Josey McNamara, Michael Pruss, and Tom Ackerley.

    Hulu has slowly been becoming the home for many of Disney’s 20th Century Studios productions. It’s a shame it’s not getting a theatrical release as it is set as a streaming exclusive, but that has proven successful for Disney throughout the pandemic and in 2022 with projects like Prey, Hellraiser, and more. It’ll be interesting to see what Boston Strangler brings to the table, especially in a desperate need for more crime-thriller films. So, it’ll be worth keeping a close eye on the upcoming first trailer for the film set for its March 17th release.

  • Marvel Studios’ Phase 4 Gamble in a Post-‘Endgame’ World

    Marvel Studios’ Phase 4 Gamble in a Post-‘Endgame’ World

    In 2022, Marvel Studios’ Phase 4 ended after a volume of projects were released in theaters and on Disney+. It wasn’t going to be easy moving beyond the Infinity Saga, as it would always be in the shadow of Avengers: Endgame wrapping up what some may have felt was the franchise’s true end and the weight of expectation that erupted from it. Going by the Internet’s usual reactionary tale, there have been some mixed emotions at times in regard to how exactly Phase 4 has wrapped up. There have been highs and lows, but there’s something curious about the way the franchise has been developing for over ten years in.

    Lightning in a Bottle

    Cinema has been dominated by superhero films; there’s no denying that fact. Not just by Marvel Studios but any other studio trying to replicate the style and base concept that led them to what they are today. The Cinematic Universe remains a distant dream for some studios even as others built their own take that allowed them to at least attempt a similar style of world-building to make use of that glimmer of replication they’d been searching for.

    Even Sony struggled to somehow get the Marvel license to work in their favor with various strange choices in characters to headline their own Spider-Man spinoff. After the DC Extended Universe failed to truly get going, they now are simply wiping the slate clean with Peter Safran and James Gunn spearheading the entire cinematic universe. As of now, they are Warner Bros. Discovery CEO David Zaslav‘s only hope to create what Kevin Feige kickstarted back in 2008.

    Going by how desperate the attempts have been throughout the years, it’s easy to just forget how insane it’s been that Marvel Studios’ held up a cinematic franchise for over ten years. It even ends in a grand finale that wraps up so many stories in a way that almost seemed impossible to accomplish a few years ago. Avengers: Infinity War and Endgame were game-changers for this approach and only Marvel could pull it off.

    Limitations of a Studio

    Imagine you’re in the same shoes as a production study that already managed to do the impossible. They build a cinematic universe and managed to wrap up its initial storylines in a way that had many come together in joy. What do you do next? They pretty much have to set up a sequel that not only welcomes a new era of heroes with some legacy actors leaving their respective roles behind while also paying tribute to what came before. It’s not an easy task for any studio to just whip up while still trying to leave one legacy behind.

    Wherever one feels about Phase 4, Marvel Studios took on way more risks going into the latest generation. Not only did they have Disney+ but also had the opportunity to reshape the way we view what makes a Marvel film what it is. The Marvel formula trope has been around since the first Phase of the MCU, and just doing the same thing over and over again would not always yield results.

    Don’t forget: Marvel Studios only has Marvel. The Internet may complain about the number of projects they put out and have the IP Marvel brand slapped onto it, it’s all this one production studio can use. They aren’t Lucasfilm that developed other projects based on various IPs besides their anchor of Star Wars. They aren’t Warner Bros. that can publish Don’t Worry Darling and Black Adam in the same year as distinct projects. Marvel is in their name and it’s all they can use.

    Disney’s Plus on Pressure

    Plus, the expectation of any project being part of the MCU adds to that pressure. Disney+ is a Disney-owned streaming service that needs to become competitive fast. It would’ve been dumb not to make use of your biggest brand to ensure its growth can compete with the likes of Netflix, Amazon, and more. So, Marvel Studios now stands at the challenging crossroad to help Disney grow its streaming service while remaining bound to its MCU structure.

    Marvel Studios didn’t just up their production without any forethought; no matter how some tried to paint that very picture. They absorbed Marvel TV, who had barely any projects moving forward and facing challenges long before they entered the streaming game, to make use of their experience. They had long-time employees that were involved since the early days take on producing roles to help these developments.

    Now, they wanted to offer something unique while former Disney CEO Bob Chapek tried to shape the streaming service with his own unique team; something Bob Iger‘s return swiftly wiped out. There’s a lot that happened behind the scenes throughout the years that definitely made Phase 4 way more challenging than it truly needed to be. We don’t know all the details but somehow Marvel Studios still managed to produce some high-quality productions as they adapted to a new format under very challenging circumstances.

    A Pandemic of Issues

    Speaking of, we can’t forget that there’s another elephant in the room that is still showing its fangs to this day. COVID-19 changed everything we know and hampered many productions throughout the years. It forced the newly developed Volume technology, made popular through The Mandalorian, to take on a much bigger role for projects like The Batman, Thor: Love and Thunder, and more. VFX artists are forced to work from home trying to keep up the usual pace we saw before the pandemic.

    Productions like Black Adam pushed back its release to work on its VFX longer, but this still led to the similar issues anyone has accused Marvel of throughout the year. There’s a bigger issue at play with how VFX artists and the industry’s general abuse of its systems, but it’s not a singular problem even if the most popular franchise became a quasi-popular choice to point it out. Productions like Moon Knight or Falcon and the Winter Soldier couldn’t film in locations due to travel restrictions, forcing them to adapt as quickly as possible.

    All these small issues add up and can be seen in some productions. Not just that, Marvel Studios even with its TV merger was still new to this game. They not only had to adapt their usual structure to a format they weren’t adjusted to but during times when you’re not given many choices in how you adapt. Most productions that have released up to this point were all still filmed during the high point of the pandemic. There’s an interesting irony in how two of the only productions to beat box office expectations in 2022, Minions: Rise of Gru and Top Gun: Maverick, are holdovers from 2020.

    Phase 4’s Gamble

    Under all these circumstances, there’s something fascinating about how Phase 4 felt the most creatively free of any phases. Fittingly, it felt like a callback to the early days when Marvel Studios was still learning the ropes during Phase 1. The studio took a gamble with Phase 4 by simply diversifying rather than relying too much on what worked in the past. In a way, they may have worried that the superhero fatigue would set in eventually; even if it has been mentioned since Avengers: Age of Ultron all the way back in 2015.

    So, they seemingly took more chances with their projects. She-Hulk had a very specific audience in mind that opens up their portfolio to new viewers. Moon Knight was an actor-driven project while Secret Presentations introduced a more open concept for further exploration of the MCU in short film form. Even the films had some rather strong director-driven elements like Chloé Zhao introducing indie filmmaking elements with Eternals, Sam Raimi doing his thing in Doctor Strange in the Multiverse of Madness, and Taika Waititi going full comedy in Thor: Love and Thunder.

    Playing the Long Game

    As much as people want to focus on the now, this gamble is something more for the long term. If they diversify and try out new things now, they’ll benefit from it further down the line as the new Saga, confirmed to be the Multiverse Saga, finds its legs. Still, they haven’t lost all their momentum and power at the box office, especially after a harsh year like 2021.

    2022 was the first year of recovery for the box office since the pandemic hit and Marvel Studios still stands strong at the box office with most of its entries pulling in strong numbers. People tend to point to them not passing a billion with any of the projects as one warning sign, but it’s not too surprising given China’s exclusion, two key markets currently at war, still adjustments post-pandemic, and a generally dead year for releases.

    Avatar: The Way of Water and Top Gun Maverick are the only films this year showcasing any strong legs; ironically both being the same type of nostalgia-driven entry building upon a long absence combined with good word-of-mouth. Marvel is still going strong and all that in a post-Endgame blues phase that would require some reshaping and reorganizing to keep going.

    Phase 5 and Beyond

    We’re about to enter Phase 5 of the Marvel Cinematic Universe and it’s got a lot of interesting projects that seem like they continue this trend of what we saw before. The projects may continue to get more interconnected moving forward as Ant-Man and the Wasp: Quantumania builds upon the main antagonist of the saga, who may also appear in the second season of Loki. Secret Invasion and The Marvels may build upon each other reshaping our understanding of the world; perhaps even past projects. Daredevil: Born Again and Echo act as a pair further exploring more grounded elements of this world with Captain America: New World Order and Thunderbolts‘ rumors hinting at the MCU continuing to expand in creative but exciting ways.

    The MCU is not going to end anytime soon and we may slowly see a shift back to those elements that people fell in love with. Marvel Studios may also adapt its pacing with the shows and films; especially after taking some lessons from what they learned. Bob Iger is back in charge at Disney and he may give some more freedom back to the studios that were lost during Chapek‘s reign and the needs built around Disney+. We may also see some lessons learned from the pandemic on how to best optimize and further develop their projects.

    Change isn’t something immediate, just like how the Phase 4 gamble may not pay off for everyone right now. While the outcry machine that is the internet remains the way it is, there’s more to what is currently happening. Fatigue may be building up for some but others may have just found themselves joining a world they only heard about from friends. Maybe everyone is just waiting for that one project to catch their attention like the franchise used to; especially with our nostalgia for what once was many years ago. Like any long-running franchise, we sometimes remember “what once was” with different glasses than when it was released especially after the emotional rollercoaster that was Avengers: Endgame. Perhaps there’s a good reason why there hasn’t been another Avengers film since and won’t be until 2025.

  • ‘Knives Out’ Director Talks Challenge of Benoit Blanc Meeting the Muppets

    ‘Knives Out’ Director Talks Challenge of Benoit Blanc Meeting the Muppets

    Glass Onion has just been released on Netflix, but all the talk surrounding the film has slowly evolved into a recurring gag of Daniel Craig‘s Benoit Blanc meeting the Muppets. The Disney-owned, Jim Henson-created group of colorful characters hasn’t had a true project in a while and they are no stranger to being added to various projects for the delight of the Internet. After recently sharing his joy on the project, director Rian Johnson has now offered some insight into the challenge of bringing this joke to life.

    I think those two things have very different rules. You can either have a Benoit Blanc mystery that has Muppets in it, but they’ll feel out of place. Or you can have a Muppet movie that Benoit Blanc is in, but it’ll feel like a Muppet movie.

    Rian Johnson

    He goes on to highlight that the challenge is then to pick a route on how this project comes together, highlighting that he doesn’t “want to compromise either” type of film that it could potentially be.

    I wouldn’t want to compromise either of them. And I feel like in order to make it well and make it work, you’d have to make a choice and compromise one or the other. If I ever make a Muppet movie, I just want to make a great Muppet movie.

    Rian Johnson

    He does jokingly end the piece by Tudum that he still wouldn’t want to reveal who’d be the murderer just in case he ever does find a way to balance the stories to bring this type of concept to life. He doesn’t say it’s impossible but it definitely isn’t what we should expect as the next entry after Glass Onion.

    Source: Netflix

  • REPORT: Aaron Taylor-Johnson in Talks for James Bond Role

    REPORT: Aaron Taylor-Johnson in Talks for James Bond Role

    There has been one discussion that has been on everyone’s radar: who will be the next James Bond? Daniel Craig offered a memorable tenure as the character since 2006’s Casino Royale before wrapping up his time in the role with 2021’s No Time to Die. Now, the future of the franchise remains uncertain, especially with who might take on the mantle and when we can expect the next entry.

    Of course, fans have their own personal choices on who would be fitting for the 007 franchise. Idris Elba has been one of the most popular choices, which even made the rounds that the producers, Barbara Broccoli and Michael G. Wilson, openly discussed its inclusion. To kick off the new year, it seems that there’s one frontrunner who has already had talks to take on the role: Aaron Taylor-Johnson.

    In a new report by Puck, it seems that Taylor-Johnson has sat down with the producers on potentially taking the role. While it doesn’t mean he’ll definitely be our next bond, the fact that the meetings went well would give him a good chance. He does make for a good choice in the role, though it would be a shame if they don’t venture out more to find their next James Bond.

    We still have to wait a bit longer before they start working on the next entry of the 007 era, but we do have a reality TV series in development at Amazon to tie us over. If talks do continue this year, we may know who is the next Bond by the time we inch closer to 2024.

    Source: Puck

  • REPORT: Casting Still Underway for Marvel Studios ‘Fantastic Four’

    REPORT: Casting Still Underway for Marvel Studios ‘Fantastic Four’

    2023 has been filled with casting rumors and theories on who might become the next members of the Fantastic Four in Marvel Studios’ reboot of the franchise. As we were nearing San Diego Comic-Con, there were many rumors floating about hinting at who may have already nabbed the role of Mr. Fantastic, Invisible Woman, Human Torch, or the Thing before they would fizzle out again. The same thing happened shortly after as D23 was around the corner.

    In a new report by Puck, it seems that there still is no one set in the various roles, but they are still actively casting for the 2025 release. Fantastic Four is a dream project for Marvel Studios CEO Kevin Feige, and past reports have hinted at him being heavily invested in getting them right after the mixed reception of the more comedic take in 2005 and the poorly received 2015 entry.

    Matt Shakman is set to bring this franchise to life after his successful work on WandaVision. Originally, the director of the MCU Spider-Man films, Jon Watts was attached to direct but passed on the project to focus on another franchise, his upcoming Disney+ Star Wars series, Skeleton Crew.

    We still have to wait quite a bit before we find out what Marvel Studios has planned for Marvel’s first family, but it definitely has the potential to be one of their most ambitious projects yet. There’s also the possibility of how it introduces one of Marvel’s most iconic villains, Victor van Doom, who was initially rumored to appear in Black Panther: Wakanda Forever. For now, we’ll have to wait a bit longer for an actual update.

    Source: Puck

  • ‘Black Panther: Wakanda Forever’ Won’t Release on Disney+ in January After All

    ‘Black Panther: Wakanda Forever’ Won’t Release on Disney+ in January After All

    James Cameron‘s Avatar: The Way Of Water continues to dominate the box office over the holiday weekend, but that doesn’t mean other films aren’t holding on as well. Disney’s other massive release of the year, Black Panther: Wakanda Forever, has still been going strong as it now stands at $820M worldwide. Many worried that heading to Disney+ too early could drag its box office down, but it seems that it’s being given quite a lot of time to breathe.

    After several weeks of listing the movie as “Coming Soon to Disney+”, the platform has finally updated the page, which is now listed as “Coming to Disney+ February 1, 2023.” Not too long ago, Disney+’s support team apparently confirmed the movie to be released on January 20th on the streaming service, which now has been seemingly debunked. It’s unclear if they may have pushed back the release date, or perhaps the Support Team jumped the gun on sharing the information.

    Wakanda Forever
    Black Panther: Wakanda Forever on Disney+.

    The time duration between the end of the theatrical window and the Disney+ release has varied quite a lot, from Black Widow‘s 0 days (with Disney+ premier access) to Shang Chi And The Legend Of The Ten Rings‘ 81 days. Most recent projects have commonly released around the 45-day mark, which has led to some fear of its influence on a film’s box office performance. Luckily, it seems Disney is moving away from exactly that.

    February 1st also marks the start of Black History Month in the United States and Canada, which might be part of the decision as to why this date was chosen. Just like all the other MCU movies streaming on Disney+, this will be available to watch in IMAX enhanced, which allows viewers to have an immersive experience and enjoy the beauty of Wakanda and Talokan in the comfort of their homes.

    Black Panther: Wakanda Forever is now playing in theaters.

    Source: Disney+