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  • ‘DISENCHANTED:’ Idina Menzel on Returning for the Sequel, Her Love of the Songs

    ‘DISENCHANTED:’ Idina Menzel on Returning for the Sequel, Her Love of the Songs

    Disenchanted, the long-awaited sequel to Enchanted, finally hits Disney+ later this week. To celebrate the film, Disney held a virtual conference with some of its stars including leading lady Amy Adams, leading man Patrick Dempsey and Idina Menzel. With such a long gap between films, one of the questions the cast was most asked was what it was like to return. Adams, of course, noted how they had to carefully consider where Giselle would be nearly a decade later. But for Menzel, it was pretty easy to slip back into the role of Nancy Tremaine.

    “Yeah, mine is a pretty drastic change,” she teased. “So, I go from this, you know, cynical New York chick, and then I jump down a portal or a manhole and then I come out like, and so it was so much fun for me. And the challenge for me, well, not even the challenge.”

    While Menzel joked that returning as Tremaine was pretty easy, she went on to explain that part of what she loved so much about Disenchanted – and its predecessor, Enchanted – is the fact that the songs are wonderfully written. The actress and singer credited composers Alan Menken and Stephen Schwartz for their ability to write soaring melodies perfectly for the actors.

    I mean, the thing is, when you have someone like Alan and Stephen just writing for you, because they’re so incredibly talented — Even for character, the way they write melodies and these soaring melodies — it’s just it kind of they’re little signs that tell you how to approach it. You know? You don’t even have to think that much. Because the way they write gives you everything that you need. And, to have somebody like them write for you, for all of us, it’s such a gift. You know? To have someone take you in. And, like, Alan was saying, it’s the characters. But also, they know our voices and they can write for our strengths. And then, we can really shine. And to have that kind of back- and-forth with composers like the two of them is just, yeah, it’s [indiscernible].

    Menzel

    Unlike its predecessor, Disenchanted will be skipping theaters when it releases later this week. The highly-anticipated sequel to Enchanted will instead stream exclusively on Disney+ beginning on Friday, Nov. 18th.

    Those unfamiliar with the first film can check it out now on Disney+.

  • ‘Blade’ Reportedly Adds ‘The Walking Dead’ Actor in Unknown Role

    ‘Blade’ Reportedly Adds ‘The Walking Dead’ Actor in Unknown Role

    As pre-production on Blade continues even without official word on a new director for the project, actor Joshua Mikel has reportedly joined the cast of the film according to insider Daniel RPK. Mikel, who played an obnoxious Savior named Jared in 11 episodes over 2 seasons of The Walking Dead, would be joining star Mahershala Ali, Delroy Lindo and Aaron Pierre on the project. The report did not indicate what role Mikel would be playing.

    First announced at SDCC ’19, Blade has been beset by several delays including having both the original writer, Stacy Osei-Kuffour, and original director, Bassam Tariq, leave the project. Beau DeMayo has assumed writing duties for the film while Marvel Studios continues the search for a new director.

    Originally slated for a Fall 2023 release, Blade is now tentatively slated for a September 6th, 2024 theatrical debut.

    Source: Daniel RPK

  • Amazon Studios Developing Indigenous Teen Comedy ‘Get It’ with ‘Undone’ Writer Kate Purdy (Exclusive)

    Amazon Studios Developing Indigenous Teen Comedy ‘Get It’ with ‘Undone’ Writer Kate Purdy (Exclusive)

    Amazon Studios has begun development on a project about a group of Indigenous teens entitled Get It. The series is being written and executive produced by Kate Purdy, who created the critically acclaimed series Undone for the streaming network.

    Casting for the project is underway now ahead of a potential 2023 start of production. Get It will follow an indigenous teenager as she moves away from her Reservation and into the city and a new school that’s home to a wide array of students from different Indigenous and diverse backgrounds.

    Purdy signed an overall deal with Amazon Studios following the success of the first season of Undone in 2019. Purdy has brought on a diverse staff of writers to work on the story including Oglala Lakota writer Aiko Little, Destiny Morgan, Zapoteca-Mixteca writer Salma Perez, Ansel Rodriguez, Addison Valdez, Sabastian Youngblood and Cal Poly Pomona Sociology Assistant Professor Alejandro Zermeno.

  • Prime Video Unveils First Look at Emma Roberts in ‘Space Cadet’

    Prime Video Unveils First Look at Emma Roberts in ‘Space Cadet’

    Prime Video has unveiled the first official look of Emma Roberts in the new movie, Space Cadet. The film, which is written and directed by Liz W. Garcia (Purple Hearts), follows a Florida party girl named Rex (Roberts), who “turns out to be the only hope for the NASA space program after a fluke puts her in training with other candidates who may have better resumes, but don’t have her smarts, heart, and nerve. “

    Along with releasing the first look at Roberts’ Rex, Prime Video also confirmed the supporting cast. Joining Roberts are Poppy Liu (Hacks), Gabrielle Union (L.A.’s Finest), Tom Hopper (The Umbrella Academy), Colombian pop star Sebastián Yatra, David Foley (The Kids in the Hall), and Desi Lydic (Awkward). Also appearing in the film are Kuhoo Verma (Plan B), Yasha Jackson (The Flight Attendant), Troy Iwata (Dash & Lily), Andrew Call (Z: The Beginning of Everything), and Josephine Huang.

    Space Cadet is being produced by Stampede Ventures, Greg Silverman, and Jon Berg. Executive producing the project are Gideon Yu, Chris Bosco, Emma Roberts, Liz W. Garcia, and Michael Tadross. Set to launch on Prime Video in over 240 countries sometime next year, Space Cadet does not yet have a release date.

  • REVIEW: ‘The English’ Tells a Bleak Story on a Beautiful Canvas

    REVIEW: ‘The English’ Tells a Bleak Story on a Beautiful Canvas

    There’s always something about the Wild West that has been turned into a more “heroic” showcase of the good Sherrif taking down the bad. Even when people are being shown at their worst, there’s generally a very specific view that is offered with these kinds of stories to not lose the audience in the depravity reflected of a time we barely can imagine the way it was lived. The English doesn’t hold back in that regard to offer the bleak view you’d expect from that time. At its center, it keeps two hopeful souls to center the story’s most bleak moments.

    There is something honest about the portrayal of that time and the people that lived through it. In this story, there’s no true right or wrong but people simply trying to find a way to survive. At its center, we have the simple story of Emily Blunt‘s Cornelia Locke and Chaske Spencer‘s Sgt. Eli Whipp. Two strangers meet at a crossroads of fate which ends up intertwining in unlikely ways throughout their journey. There’s a tough balance this story has to handle to not fall into rather questionable territory, but it manages to keep that sturdy line throughout.

    The series is on the slower side of pacing, which is surprising given the six episodes given to explore a rather simple story. At many points in time, a story is being spun beyond our leading two which works at times but also leaves you wanting more from the dynamic that was set up. A lot of time is spent in this time period with an unflinching eye that does evoke a “who do you trust” mentality in the viewer throughout. It’s the series’ most effective weapon to establish a believable world these characters live in and the challenges set given their own unique backgrounds.

    Spencer‘s performance is strong throughout, as Whipp is put into positions that ostracize him from either side of the conflict in this world. Once the safety belt is off early on, the series doesn’t waste time to showcase just how brutal this world is and it adds to the bleak outlook of this time period. He’s put to the test often, and there’s a subtlety in how he handles the character; fitting for the world he’s living through. We see how these challenges try to push him in one direction, while he tries to stay true to his own path.

    On the other side, Emily Blunt gives us the look at a person changing as a result of events unfolding around her. She starts off innocent in a world ready to devour her. It almost does if it weren’t for surprising help that would push her further down a path of change. It’s refreshing to see a character that starts off on the meeker side and see her adapt to this dangerous place. She still shows her softer side throughout and it’s not that consequences don’t affect her; she simply has to live with it for as long as possible.

    There are some moments where the story tends to take its time before suddenly rushing. Given its mostly slow pace, it feels like a suprrising rush through plotlines that seemingly are relevant before completely left behind. It also seems to set up a mystery with additional characters that sometimes get sidelined and creates this uncertainty about how exactly it’ll tie together. At times the story feels like it could’ve been told with fewer episodes, but in others, it feels just right.

    It should be highlighted that this bleak story is punctuated by the irony of its beautiful shots. Some of the beautiful shots act as a contrast to the dark world they live in. The cinematography is worth highlighting at times even if it does seem to rely mainly on dialogue. It doesn’t reinvent the wheel, but there’s no necessity to do so. Director Hugo Blick makes great use of shot composition to build up tension, which is highlighted by a great score by Federico Jusid.

    The English is a recommendation for those that enjoy something with a slower pace and more personal storytelling. It’s not quite your typical Western but doesn’t shy away from elements that are familiar to fans of the genre. What makes it stand out is how it tells a bleak story on a beautiful canvas, not shying away from the darker sides of a world long forgotten while still trying to keep that glimmer of hope alive. We all face our personal demons, but sometimes the question is if the world around us makes us confront them.

  • New ‘She-Hulk’ Concept Art Reveals a Scrapped Comic-Accurate Skaar Design

    New ‘She-Hulk’ Concept Art Reveals a Scrapped Comic-Accurate Skaar Design

    She-Hulk, Attorney at Law did a lot as a series, as it not only gave us Marvel Studios’ first venture into sitcom territory but also added some interesting new elements to the Marvel Cinematic Universe. of course, all eyes have been on the addition of Daredevil finally making his return to the franchise, it also gave us some heartfelt moments with Jennifer Walters’ cousin, the Hulk himself.

    The biggest reveal came at the very end of the series when Hulk introduced everyone to his son, Skaar. His design has left many scratching their head, as it was quite a departure from the original that many spent time reading in the comics. Surprisingly, it seems that they had one version as revealed by concept artist and illustrator Constantine Sekeris on his ArtStation. It’s definitely closer to what we know from the comics, especially the long hair and sword.

    His design in the series is definitely a departure from the comics and sadly it seems we might have to wait a bit longer before we get him to look a bit more like his comic counterpart. Still, there’s some excitement to see what they may have planned for a character like Skaar in the MCU. The franchise is expanding in new and curious ways, which adds to the potential of what he may look like once the character returns to a project later down the line.

    Source: Art Station

  • ‘Wakanda Forever’s Angela Bassett Initially “Objected” the Decision to [SPOILER]

    ‘Wakanda Forever’s Angela Bassett Initially “Objected” the Decision to [SPOILER]

    If you haven’t seen Black Panther: Wakanda Forever yet, only continue at your own risk. The following article contains spoilers on major plot points of the sequel.

    Black Panther: Wakanda Forever ended Phase 4 by further exploring the concept of grief, but with some real-world thrown into the mix. Director Ryan Coogler and his crew used the film to work through their own challenges after the loss of Chadwick Boseman, which leads to a powerful film reflecting back on the legacy he leaves. In the middle of it all, Angela Bassett offered a powerful performance as Queen Ramonda. In an interview with IndieWire, she highlighted what it was like taking on the role and returning as the character and how Coogler supported the cast throughout production.

    He’s extremely clear on the story and what he’s doing, but the way he carries himself around the cast and the crew. It’s so collaborative. He’s so self-effacing. That impostor syndrome that we’re feeling or whatever, he will just say it out loud. ‘I don’t know about these words. Are you OK with them?’ And he really invites you to have your say, be a part, which is wonderful. He doesn’t straightjacket you.

    Angela Bassett

    Of course, the big move in this film was her death at the hands of Tenoch Huerta‘s Namor. A powerplay to showcase his power before Wakanda and especially Letitia Wright‘s Shuri. In a story already fighting through the loss of a character, it seemed harsh to add one more to the list, but Bassett shared how the Black Panther director convinced her of taking the story down this route.

    I objected. Yeah, I was like, ‘Ryan, what are you doing? Why? You will rue the day! You will rue the demise of [Ramonda]. People are gonna be so upset. He was like, ‘Angela, I know, I know, but look, to die is not really to die in this world. It doesn’t really have to mean that.’

    Angela Bassett

    It definitely was shocking and added to the emotional gut punch that was Wakanda Forever. Shuri’s character has gone through a lot in this film. So, it just added even more weight to the events that transpired. Still, it almost seems like we could expect Bassett to potentially return in the MCU’s future if that is how Coogler sold her on the story decision.

    Source: IndieWire

  • David Harbour Calls the Thunderbolts “Losers” and Promises “A Lot of Drama”

    David Harbour Calls the Thunderbolts “Losers” and Promises “A Lot of Drama”

    Marvel Studios has just left Phase 4 behind and is getting ready for the next phase of the Marvel Cinematic Universe. After going through its grief phase, it’s time to see what a new kind of super team may bring to the table. While the Avengers‘ next two entries aren’t set for 2025 and 2026, we’ll get a very different kind of team-up to wrap up Phase 5, the Thunderbolts.

    Outside of a look at the roster, there’s still a lot we don’t know about the project. Perhaps Black Panther: Wakanda Forever is setting up some story points, we don’t know what will force the hands of Valentina Allegra de Fontaine to form such a ragtag team. David Harbour agrees and gets a chance to sit down with ComicBook.com’s Phase Zero podcast while promoting Violent Night, where he got an opportunity to tease the newly formed group of “losers” of the MCU.

    We’re… like, losers, which I like. We’re like, you know, the losers. And I think it’s fun to watch us just mess everything up. I think that’s the spectrum. I think it’s very funny, but there’s also a lot of pathos in that. There’s a lot of drama in a bunch of people that just keep getting their lives wrong and, because of character flaws, keep messing things up. And nobody gives them the respect that they do to Captain America and Iron Man, very capable people. So there’s a lot to draw on there. There’s a lot of movie there that’ll be fun.

    David Harbour

    It’s definitely a fun way to introduce the team, but it’s not the first time that Marvel took this approach. James Gunn introduced the world to the Guardians of the Galaxy as a bunch of “a-holes” that don’t usually belong together. Now that we have a group of anti-heroes working together, it does seem like their personalities are going to clash quite a bit throughout the film’s runtime.

    Source: YouTube via The Direct

  • ‘Disenchanted:’ Amy Adams on Returning for the Sequel

    ‘Disenchanted:’ Amy Adams on Returning for the Sequel

    In 2008, Disney released Enchanted starring Amy Adams. The film, which stars Adams as Giselle, a young maiden sent away to New York by Queen Narissa, proved to be a massive success for the studio. It earned $340 million at the worldwide box office on a reported $85 million budget. And yet, despite the film’s success, a sequel to the film wasn’t officially announced until Dec. 2020. During a virtual press conference for the film, Adams was asked what it was like to return for the sequel.

    Adams explained that there was a lot to consider when returning for Disenchanted. It was important for them to really think about where Giselle’s story ended off with Enchanted, a film that sees her undergo so much growth, and where she would be over a decade later.

    “For me, it was interesting ’cause we were looking at where Giselle would be now. And, you know, when we leave her in the last movie, there’s been an evolution from the beginning of the movie of Enchanted to who Giselle is at the end of the movie,” she explained. “So sort of taking that evolution of who she might be after spending 10 years, but also making sure we keep her grounded in sort of the truth of her feelings, but without losing that joy and that naiveite and innocence and purity that makes Giselle so special.”

    Adams continued, noting that she wanted to expand on what she loved about the character from the original film. She also enjoyed getting to work with the returning cast, as well as some of the film’s newest additions. “So that’s sort of where my launching place was, was taking everything that I loved about Giselle in the first movie, and then just getting this opportunity to spin it throughout this one,” she said. “It was really just such a pleasure, and getting the returning cast together. It was so fun to get to see everybody just step back into it, and that we were lucky enough to have everybody come join us. And I can’t thank them enough, and I’m very appreciative. And then for our new cast members, I was just so, so, so pleased to get everybody we have.”

    Unlike its predecessor, Disenchanted will be skipping theaters when it releases later this week. The highly-anticipated sequel to Enchanted will instead stream exclusively on Disney+ beginning on Friday, Nov. 18th.

  • ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    ‘Andor’ to Air on Hulu, ABC, and More For Thanksgiving

    Disney is giving Andor a nearly unprecedented cross-platform push. The critically acclaimed Star Wars series, which is now most of the way through its 12-episode first season, will reportedly be available to stream on Hulu over Thanksgiving weekend. The service will only carry the show’s first two episodes, which will also air on ABC, FX, and Freeform throughout the holiday week. The special broadcasts will occur on back-to-back-to-back nights, with each channel taking a turn in the spotlight. ABC will air the premiere episodes on Wednesday, FX on Thursday, and Freeform on Friday.

    While Andor, created by Rogue One: A Star Wars Story writer Tony Gilroy, has been the most critically well-received series from Lucasfilm since it began putting projects on Disney+, it’s struggled to find a sizable audience in the same way Obi-Wan Kenobi and The Mandalorian have before it. Starring Diego Luna in the title role, the series acts as a prequel to Rogue One, telling the story of Cassian Andor in the years before his fateful Rebel mission to steal the Death Star plans. It has thus far been praised for its character work and storytelling, with many fans labeling it as the best Star Wars has been in a long time. Hopefully, the decision to temporarily make the series available elsewhere, other than exclusively on Disney+, helps garner the project a larger audience before its second season arrives in the coming years.

    Source: Twitter