Production on Season 2 of Prime Video’s The Lord of the Rings series, The Rings of Power, is officially underway. Filming kicked off on Monday at Bray Studios just outside London. While the first season of The Rings of Power was filmed in New Zealand, Season 2 moved to the U.K. because it was deemed more economical. It’s also said that Amazon is seeking to build a multi-show hub in the United Kingdom, which helped to play a role in the decision.
News that Season 2 is in production comes after it was revealed The Rings of Power topped the streaming charts for its debut week with 1.3 billion collective minutes viewed. Those numbers came directly from Nielsen and were based on two episodes at the time. The first season will air the penultimate episode of its debut season this week. Along with the news that Season 2 is in production, it was revealed that Círdan, one of the oldest and wisest elves, will be joining the series, although the role has not yet been cast.
The Rings of Power currently stars Morfydd Clark as Galadriel, Ismael Cruz Cordova as Arondir, Nazanin Boniadi as Bronwyn, Charlie Vickers as Halbrand, Tyroe Muhafidin as Theo, and Markella Kavenagh as Nori Brandyfoot.
Anders Holm is the latest to join the cast of Apple TV+’s Godzilla & the Titans series. The news was revealed by Variety on Monday morning, with the outlet reporting that Holm has signed on for a major recurring role in the series. Further details regarding his role are currently unknown. He joins an impressive cast that includes Anna Sawai, Ren Watabe, Kiersey Clemons, Joe Tippett, Elisa Lasowski, Kurt Russell, Wyatt Russell and Mari Yamamoto.
The series, which does not yet have an official name, follows the thunderous battle between Godzilla and the Titans that managed to level San Francisco. Following the revelation that monsters are real, the series will explore one family’s journey to uncover “buried secrets and a legacy linking them to the secret organization known as Monarch.” The upcoming series hails from Legendary Television and is part of the ever-expanding Monsterverse franchise. Chris Black and Matt Fraction co-created the series and will serve as executive producers on the project, while Black will serve as the showrunner.
Holm is perhaps best known for his work on the Comedy Central series, Workaholics. He has also appeared in The Mindy Project and Netflix’s Inventing Anna. He can next be seen in The Muppets Mayhem on Disney+.
Matt Shakman, who helmed WandaVision for Marvel Studios, is on board to direct the first two episodes. As of right now, no planned release date has been announced.
After laying the groundwork for the MCU’s major multiversal event in Loki and Doctor Strange in the Multiverse of Madness, writer Michael Waldron has signed on the write the script for Avengers: Secret Wars. Waldron joins writer Jeff Loveness, who will pen Avengers:TheKang Dynasty, as writers of the tandem of Avengers films set to debut in 2025.
First officially revealed at SDCC ’22, Avengers: Secret Wars will serve as the capstone to Marvel Studios Multiverse Saga when it hits theaters on November 7th, 2025. According to a trade report, Waldron became the front runner for the job over the past month, in part because of the trust he’d built up with the studio over their past two collaborations.
As far back as Loki, Waldron teased the potentiality of a connection between that project and Secret Wars, which only lived in the minds of fans at the time. Now all that remains for the studio is to complete its search for a director to allow them time to work with Waldron on the script.
One of Marvel Comics’ oldest characters is making his MCU debut in Black Panther: WakandaForever. Namor, the Sub-Mariner first appeared in Marvel Comics in 1939 and has remained present as a hero, anti-hero and even outright villain over the years. From the footage seen over the course of two trailers, Namor certainly looks like the antagonist of the Black Panther sequel and while his origins have been greatly changed from the comics, director Ryan Coogler made sure that some of his trademark features remained.
In an interview with EW, Coogler explained that while developing Black Panther: WakandaForever, he wanted to “lean into” the character’s comic book origins even while creating a new take on Namor. Now the emperor of the hidden kingdom of Talocon-as opposed to Atlantis-the MCU’s Namor is steeped in new mythology while staying true to his iconic look from the comics.
I think with making these types of movies, you’ve got to lean into the weird stuff, or you risk missing what makes it fun. He’s got really unique features and things that don’t necessarily go together. He can breathe underwater, obviously, but he’s got these little wings on his ankles. He’s got pointy ears and walks around in his underwear. It’s all fun, man.
Ryan Coogler
The latest trailer for Black Panther: Wakanda Forever certainly leans into that weird stuff as it shows Namor taking to the air to attack the Queen’s location and to avoid projectiles from a Wakandan ship. Given the character’s comic book history with Wakanda and the looks of the trailer, it appears that Coogler has stayed true to the character’s nature as well, making him an incredible threat to the nation.
Black Panther: Wakanda Forever hits theaters November 11th.
As is often the case with Marvel Studios, the second trailer for Black Panther: Wakanda Forever gave audiences a little more insight into the plot of the upcoming film. The new trailer featured quite a bit more dialogue, giving audiences an idea of what Wakanda is up against in the film as the hidden kingdom of Talocan, led by Namor, comes into conflict with them. One bit of dialogue spoken by M’Baku, however, stood out as particularly interesting as it opens the possibility of one of Marvel Comics’ most dangerous artifacts making its mark on the MCU.
Speaking to a group of Wakandans, M’Baku explains that the people of Talocan don’t refer to Namor as either king or general, but rather “K’uk’ulkan, the feather serpent god.” While Ryan Coogler went to great lengths to create a new origin for Namor, one that strayed away from the comic books’ Atlantean heritage, Namor’s title calls to mind an artifact that has ties to an Elder god and has caused quite a bit of chaos over the years.
Before the Great Cataclysm drove their kingdom below the sea, ancient Atlanteans created the Serpent Crown. The crown served as a vessel for the power of the Elder god, Set, who created an entire race of Serpent-Men to do his evil bidding in ancient times. The Serpent Crown has popped up in the comics on several occasions and, needless to say nothing good comes of it. It’s found its way back to Atlantis several times, including recently when Namor wore it in the event Atlantis Attacks.
Could the helmet seen on the MCU’s Namor be the Serpent Crown? And if so, is it just an Easter egg or could it become the same type of cursed artifact it’s become in the comics? It’s an interesting thought but one that we’ll have to wait to flesh out as Black Panther: Wakanda Forever doesn’t hit theaters for another 5 weeks.
The debut of AMC Studios Interview with the Vampire served not only as the first glimpse into the live-action adaptation of Anne Rice’s Vamprire Chronicles, but more boldly as the anchor to the larger Immortal Universe the studio hopes to create. An integral part of that universe will be the Mayfair witches, a group of characters based on a trio of novels written by Rice. AMC began development on Mayfair Witches in 2021 and Season 1 of the series, starring Alexandra Daddario is expected to debut in January 2023. However, it turns out fans didn’t have to wait long for some connectivity to be established between the two pillars of the Immortal Universe.
Early in Episode 1 of Interview with the Vampire, a family breakfast at the Du Lac household turns into a family bitch session as each of the members of the group take turns griping about something. As Paul adds his concerns about his sister marrying a Baptist and having to follow a tradition of jumping a broom, he quips that there are “plenty of brooms down the street at the Mayfair sisters’ home.” The remark gets a chuckle from Louis and a brief admonishment from his mother, who asks him to walk back his comment. No damage is permanently done, but with Paul’s words, the stage is set for the arrival of the Mayfair witches.
The Mayfair witches have a wonderfully rich established history in Rice’s novels. Their legacy began in Scotland in the 1600s when Suzanne Mayfair bound herself to a demon named Lasher. Over the centuries, the agreement made by Suzanne has ensured that each generation of her family would see one member born with the ability to connect with Lasher and serve as a witch. The Mayfairs moved to New Orleans in the 1700s and became a fixture there until modern times when Rowan, Daddario’s character and the thirteenth witch in the Mayfair line, inherited Lasher and the powers that came with him.
Given the timeline set in Interview with the Vampire, if any of the Mayfairs were to appear in an upcoming episode one might expect Julien, the only male heir to Lasher’s power, or Mary Beth, one of the most powerful witches ever in the Mayfair line, to be good bets. It’s unclear just how much crossover to expect between the two series, but given all the work AMC Studios has put into developing the Immortal Universe, whatever crossover they do decide on will certainly be more than fan service.
HBO’s hit series House of the Dragon returned this week to remind everyone that, in it’s heart of hearts, it’s really just a big budget soap opera. The episode begins with a funeral and ends with a wedding, both of which are lined with the messiest of family drama one could possibly imagine. Nanna Blondell‘s Lady Laena Velaryon has recently died by self-inflicted dragon immolation, a real thing, and now everyone from both sides of the Velaryon-Targaryon family tree must unite at Driftmark to say their goodbyes. Unfortunately, neither of these bloodlines can ever maintain niceties, and the gathering quickly devolves into drunken shenanigans and children beating the life out of each other in the middle of the night. Normal, typical reunion stuff.
Emma D’Arcy‘s Princess Rhaenyra Targaryan clings to what she has, ultimately wedding her Uncle Daemon (played by Matt Smith) after faking the death of her husband Ser Laenor (played by John Macmillan). The Queen Regent, Olivia Cooke‘s Alicent Hightower, can’t handle the situation and tries to cut a person’s eye out after her own son is attacked, but everything turns out alright when young Aemond (played by Ewan Mitchell) bonds with a dragon well beyond his own years. It’s quite a bit to pick through, but here at Murphy’s Multiverse, that’s never been a problem. So, without further ado, here are the best and worst moments from this week’s episode – Driftmark.
BEST – The Funeral
There’s a lot of good in Driftmark. In fact, it was actually kind of difficult to select a specific part of the episode as the very best it had to offer. However, one would be remiss if they didn’t single out the opening funeral sequence as the epitome of what the entire series has been over the last several weeks. It’s one of those rare television moments when every major player left on the board is in one place at the same time, and they all act exactly the way viewers would hope. Tom Glynn-Carney‘s Prince Aegon immediately gets drunk, Laenor stands forlorn in the water, Daemon laughs at the most inappropriate time, Rhaenyra and Alicent are at each other’s necks, Harry Collett‘s Prince Jacaerys is thinking about his illegitimate father, Paddy Considine‘s King Viserys goes to bed way too early, and Matthew Needham‘s Lord Larys Strong stares unabashedly at the Queen for far too long. It’s a chaotic masterpiece.
Every minute of the funeral that passes is more entertaining than the last. It’s the show at its very best, with high-stakes politics and poor familial relations clashing to create the kind of drama tornado fans and critics both live for. The rest of Driftmark is also incredibly well-done, but the first chunk sets the tone so beautifully it simply must be recognized. More of this in the future, please.
WORST – It’s Still The Incest
Truthfully, it’s insane how many times this website has had to state that incest is bad. True to its source material, it seems House of the Dragon will continue to double down on incestual romance for the long haul. While it might have been more fun if the series kept examining the false marriage between Rhaenyra and Laenor, it will instead pivot to showing a lot of an uncle making love to his niece in a super uncomfortable manner. Strap in, because it appears this whole family-that-hates-each-other-but-also-really-loves-each-other vibe is part of the show’s package deal. With any luck, the creatives will at least include less graphic visuals in the last few episodes of the season. Until then, viewers can only hope Rhaenyra one day sees the light and moves on to another Ser Harwin Strong.
Upcoming Marvel Studios feature Captain America: New World Order will mark Anthony Mackie’s first time leading an MCU film as the Star-Spangled Avenger. Sam Wilson takes over the mantle from Chris Evans’ Steve Rogers in the wake of their last team-up effort in Avengers: Endgame and the events of The Falcon and the Winter Soldier. By all accounts, Evans, who also said goodbye to the MCU, has been unlikely to bring back his original Captain America character anytime soon.
Following Marvel Studios’ recent D23 presentation, Mackie joked that Sebastian Stan gets Wyatt Russell’s U.S. Agent in the upcoming Thunderbolts and expressed his desire to see Evans return in some manner. However, in a recent interview, Mackie had a more sobering take on the potential return, expressing Evans’ own views on where his future with Captain America rests.
Mackie discussed the possibility of Evans reprising his role as Steve Rogers in an interview with E! News, and he made a joke about how little Evans is focused on the MCU now:
Chris is so far gone from Marvel. Like, Marvel is not even in his radius. He’s so far gone. He’s enjoying life. He’s like an old retired dude.
Anthony Mackie
While a return in New World Order seems unlikely, an eventual Evans return is still unknown, especially with major cross-over films like Avengers: Secret Wars in the works. But, for the time being, Sam Wilson will shine as Captain America in the post-Infinity Saga MCU.
Captain America: New World Order will be released in theaters on May 3, 2024.
Nearly 30 years after Tom Cruise, Brad Pitt and Kirsten Dunst brought novelist Anne Rice’s incredible world of beautiful and terrifying vampires to the screen in 1994’s Interview with the Vampire, AMC, which gained the rights to adapt Rice’s works in 2020, has chosen to retell the story to launch their Immortal Universe. Despite several starts and stops, Rice’s rich universe of characters and stories was never able to live on in serial format beyond her novels. AMC seems to think they can remedy that problem, however, having ordered both a second series, Mayfair Witches, and a second season of Interview with the Vampire ahead of the latter’s series debut. If Episode 1 of Interview with the Vampire, “In Throes of Increasing Wonder…”, is any indication of what to expect from AMC’s adaptation of Rice’s works, it would seem that they have indeed found a way to bring the characters, settings and themes of those works together and lay the foundations of a shared universe as steeped in lore as the novels.
Any effort to adapt Rice’s works has to begin with capturing the essence of the two main characters: Louis de Pointe du Lac and Lestat de Lioncourt. And to this end, AMC seems to have made preternaturally acute choices in casting Jacob Anderson and Sam Reid as Louis and Lestat, respectively. Audiences will likely find themselves as captivated by Anderson’s Louis as Lestat was himself. Whether it’s the smooth delivery of his accent in early-20th century Nawlins or the ennui of an immortal man in the present day who has seen all the world has to offer, Anderson’s performance is as effortlessly brilliant as he is beautiful. Reid’s Lestat, Rice’s chosen protagonist of the bulk of her Vampire Chronicles, shows off the petulance and power that earned the character the moniker of the Brat Prince in the novels and lures Louis deeper into his game until he bestows the Dark Gift upon him. Equal parts charming and infuriating, Lestat only gives glimpses of his true nature in the pilot episode but Reid’s performance leaves the audience both wanting more and knowing there’s more there, much as Louis knows the same about his new lover.
As much as Louis and Lestat might feel like they are ripped right from the pages of the novels, creator Rolin Jones hit the sweet spot of reinventing the characters (likely in part to keep them from being carbon copies of Brad Pitt and Tom Cruise’s versions) while capturing the essentials. From cleverly making this Louis’ second go-round with journalist Daniel Malloy, played brilliantly by Eric Bogosian, to Louis’ new profession and boldly changing the location of Louis’ transformation, Jones put his stamp on this adaptation. Though the sample size is small, it looks as though those choices, as well as Jones’ willingness to embrace and explore the nuances of the nature of Louis and Lestat’s relationship, something the 1994 film avoided, have not only set it apart from the film but, so far, make it a superior effort.
While the series would never get off the ground without proper characterization of Louis and Lestat, Jones, director Alan Taylor and executive producer Christopher Rice, Anne’s son, also captured another of the elements that made the novels so powerful: Rice’s sense of the importance of history, both real and imagined. A read-through of any of Rice’s Vampire Chronicles would serve as a fascinating lesson in grounding a fictional mythology in some of history’s most interesting eras. The episode works as much as a love letter to the New Orleans of the early-20th century as it does an introduction-and a very brief introduction at that-to the incredible world of vampires and supernatural creatures that AMC is setting out to create. AMC’s burgeoning Immortal Universe won’t just be inhabited by vampires, after all, so the subtle nod to New Orleans family of witches might seem like a throwaway line, but the audience might rather think of it as equivalent to Nick Fury’s drop-in following the events of Iron Man.
Taken as a single, standalone episode, “In Throes of Increasing Wonder…” tells a compelling story of a man who deserves to be more than what he’s allowed to be; taken as the first episode of streaming series that’s already been green-lit for a second season, the pilot introduces intriguing characters, plotlines and promises in both its past and present settings; taken as the first look at AMC’s shot at developing a shared universe with a staggering number of stories to be told over the known history of humanity, the first episode of Interview with the Vampire is the adaptation fans of Rice’s novels have dreamt of for decades and one that Rice, who passed away nearly a year ago, would have proudly endorsed as capturing her love of history…and of Louis and Lestat.
While all eyes are on Marvel Studios, there are still quite a few projects over at Sony hoping to capture that same light. Morbius couldn’t quite keep the same momentum that Venom and its sequel did; leading to some uncertainty if they might shift their plans to Sony’s Spider-Man Universe. Still, they have projects in some form of production like Kraven the Hunter and Madame Web.
The latter actually is currently filming and has many rumors surrounding what direction it might potentially take. While nothing has been confirmed, it definitely has a lot of hopes to tell a unique tale within the Spider-Verse but there has been a lack of updates. While nothing major, it seems that a new photo from Madame Web’s crew has found its way online featuring them wearing some crew merch with a new logo. The image has been shared by u/Parking-Balance111 on Reddit.
It should be noted that crew merchandise isn’t something officially licensed by the studio. Commonly, it’s used as a thank you gift using elements from the Internet highlighting elements from the project. There’s some likelihood that this new logo is based on something someone found online. It’s unclear though if this is something used for the production crew while they are filming, or if it’s already a present as they slowly wrap up.
Still, it’s great to see that filming is coming along. We’ll hopefully get some kind of hint at what exactly Sony is going for with Madame Web, especially with them giving a minor supporting character their entire film. It still feels uncertain what Sony is going for, as they still never confirmed which Spider-Man is part of their universe and what they hope to accomplish besides a potential Sinister Six team-up, as hinted in Morbius‘ post-credit sequence.
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