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  • Latest ‘Wakanda Forever’ Merch Focuses Teases Namor’s Iconic Battle Cry

    Latest ‘Wakanda Forever’ Merch Focuses Teases Namor’s Iconic Battle Cry

    While a lot of discussions surrounding Marvel Studios’ upcoming Black panther sequel, Wakanda Forever, focused on how they’ll juggle whoever may take on the mantle, there’s one more big element they are making sure no one forgets. The sequel will act as the introduction of Namor the Submariner into the Marvel Cinematic Universe, and it seems he’s getting quite the spotlight in some of their latest merchandise reveals. Among them is the confirmation that he’ll also get to use his iconic battle cry “Imperius Rex.”

    As shared by @NamorNews, we get a bunch of new designs highlighting the three main members of the MCU’s take on Atlantis. We see some familiar artwork of Attuma, Namora, and Namor but the newest addition is the fact that his battle cry is added to some of the designs. It’s the first time we’ve seen it used and it may confirm that we’ll get the shout at least once during the upcoming film.

    It’s great to see the elements they are taking from the comics. Even while they changed the character’s cultural background, it opened up the concept to stand out while still pulling in elements from the character’s comic origin. Marvel and director Ryan Coogler managed to even get his iconic green pants as part of his design with the little feet wings hinted at in the first trailer. Here’s hoping that the next trailer potentially offers a bit more from the character and shows us how dangerous he’ll be when facing against the nation of Wakanda.

    Source: Twitter

  • ‘Smile’ Surprises With $22 Million Opening, ‘Bros’ Stumbles

    ‘Smile’ Surprises With $22 Million Opening, ‘Bros’ Stumbles

    Paramount’s latest offering put a smile on the faces of moviegoers this weekend. Smile, directed by newcomer Parker Finn, pulled in an impressive $22 million over the weekend. The movie earned $8.2 million on Friday, which includes the $2 million the movie pulled in from Thursday previews. Smile‘s performance is all the more impressive considering the film had a modest budget of $17 million.

    Smile, which stars Sosie Bacon, focuses on a therapist who meets a graduate student that has recently witnessed a gruesome suicide. Soon after, she begins experiencing frightening experiences she can’t explain. In order to survive, she’ll need to confront her past in order to escape her horrifying new reality. The film also stars Caitlin Stasey, Kyle Gallner, Robin Weigert and Kal Penn.

    The only other new release this weekend, Bros, failed to take off at the box office. The movie took in $4.8 million this weekend, well under expectations for the film. Smile managed to come in fourth place, beneath Don’t Worry Darling and The Woman King. The former, of course, took in $7.3 in its second weekend, bringing its 10-day domestic haul to $32.8 million. While the latter, The Woman King, came in third with $7 million from 3,504 cinemas, bringing its domestic haul to $47 million. Coming in fifth was the Avatar re-release which took in $4.7 million from 1,860 theaters for a 10-day domestic total of $18.1 million.

    Source: THR.

  • RUMOR: Marvel Studios Hoping to Start Production on ‘Blade’ in Early 2023

    RUMOR: Marvel Studios Hoping to Start Production on ‘Blade’ in Early 2023

    Just as many Marvel Cinematic Universe fans were on a high with the return of Hugh Jackman as Wolverine, it seemed like another production was facing some turbulent times. The long-awaited Blade film has been continuously pushed back and is now seemingly in limbo. The film lost its director Bassam Tariq and Moon knight writer Beau DeMayo is on board to rewrite the script. Still, it seems Marvel Studios is still hopeful about getting the project off the ground sooner than later.

    According to Big Screen Leaks, Marvel is hoping to start production in early 2023. Of course,e that depends strongly if they find a director by then and can also get the script together. Film productions start without a finished script, but they’ll likely try to finish an outline that will help solidify the project, especially with Mahershala Ali already attached to play the role.

    https://twitter.com/bigscreenleaks/status/1574973513743863808

    It’s not been an easy road for this project, but there’s also a lot of hope to give the character the right treatment. Early castings already hinted at the project moving away from the 1998 version as they try to embrace his comic roots. Early storyline teases hinted that the film might take a more Gothic direction and explore the character during the 1920s. Though, if they are rewriting the script it is unclear if they will still stick to this original pitch. Either way, it’s better they take their time until the project is ready rather than rush it out and we’ll see who they might find as the new director.

    Source: Twitter

  • REVIEW: ‘The Rings of Power’ Finally Comes Together in Action-Packed ‘Udûn’

    REVIEW: ‘The Rings of Power’ Finally Comes Together in Action-Packed ‘Udûn’

    Pretty much from the very start, Amazon’s The Rings of Power has had a bit of a pacing issue. The show has been awe-inspiring in nearly every other facet of storytelling, but from episode to episode, it’s slowly become clear that this season of television was going to be a little slow. This feeling of creeping along has been due, in large in part, to multiple different plots occurring fairly separately from each other, with no immediate signs of coming together anytime soon. The lack of connectivity and variance in strength between arcs could often lead to difficulty with viewer engagement or cause the series to feel aloof despite the actual quality of the scripts being filmed. With this week’s ‘Udûn’, however, that problem vanished into thin air.

    Udûn is an incredibly satisfying payoff to two of the four concurrent storylines happening on The Rings of Power. Ismael Cruz Córdova’s Arondir and Nazanin Boniadi’s Bronwyn attempt to lead the people of the Southlands in combat against Joseph Mawle’s Adar and his dastardly army of orcs, while Morfydd Clark’s Galadriel sails toward Middle-earth with the forces of Numénor in tow. The ultimate culmination of these arcs leads to the show’s most epic, emotional, action-packed hour yet, gleefully pulling from weeks of build-up and suspense to craft an episode that feels like a season finale despite having multiple installments left to air. As per usual, the visuals are glorious, and the nearly episode-long battle between man, elf, and orc appeared to be pulled from a feature length film.

    The intensity of the action in Udûn was rather impressive, with stunts and fight choreography that should remind audiences they’re watching the most expensive show on television. A moment between Arondir and an especially large orc stands out for its immaculate camera work and character design. When The Walking Dead was at its peak, it seemed that anyone and everyone had dreams of putting on zombie makeup and wandering around the set. The Rings of Power, especially in this episode, is making a great case for changing that dream to raiding villages in full orc regalia. It’s amazing how much fun it can be to watch a show when its best moments happen in broad daylight, and there’s no darkness to mask the stupendous work of the costume department and set designers.

    Most of the action bits work as well as they do because the character moments in-between allow the chaos to feel earned. After a few weeks in which it sometimes seemed the show’s leads were just running in circles, most everyone in Udûn took leaps and bounds toward becoming as unique and interesting as the first few episodes had promised. The series’ villains, in particular, finally have a genuine motivation for viewers to understand, something that makes Adar and his vile crew even more entertaining to watch. Charlie Vickers‘ Lord Halbrand and Maxim Baldry‘s Isildur, along with Lloyd Owen‘s Elendil, also get some much-needed backstory and character progression that will hopefully make them more intriguing to follow going forward.

    The episode’s ending, which plays out in spectacular style, has also undoubtedly left fans craving more. It was the perfect ending to an episode that felt like all gas and no breaks from the word “go.” Obviously, a show can’t survive on pulse-pounding action alone, but hopefully The Rings of Power has spent enough time slowly constructing its plots that the rest of the season can be as exciting as Udûn. If it sticks that landing, there’s no telling what kind of joy the series will bring as it moves on to greater pastures.

  • ‘The Rings of Power’ Episode 6 and the Origins of Mordor

    ‘The Rings of Power’ Episode 6 and the Origins of Mordor

    Amazon Prime’s Lord of the Rings: The Rings of Power continues to deliver week to week and Episode 6, entitled “Udûn, may have been one of the series’ best to date. After Galadriel, Halbrand and the Númenóreans arrived just in time to help Bronwyn and Arondir hold off Adar and his army of orcs, things seemed to be trending up in Middle-Earth. However, just as Halbrand is hailed as King of the Southlands, the Southlands get a major remodeling.

    As it turns out, when Adar was captured he was not carrying the hilt that he and the orcs had been seeking out. Unseen, Adar gave the hilt, which works as a key, to Waldreg, one of his grimey human peons. Waldreg worked back to the tower where he inserted the hilt into a stone and truly unleashed hell on Middle-Earth. Waldreg turned free a dammed up water source that eventually found its way to an underground lake of lava. Upon arrival, the mixture caused a catastrophic eruption, blowing the top off of a mountain which will now become known as Mount Doom.

    The location where Sauron’s treachery finally ended as seen in Lord of the Rings: Return of the King when Gollum falls into the lava and destroys the One Ring is now the centerpiece of The Rings of Power. Adar’s plan to find his Uruk a home where they can be free of the sun came to fruition as the eruption of Mount Doom turned the once scenic valley into what will now become Mordor, the realm of Sauron. Showrunner Patrick McKay talked to the Hollywood Reporter about the decision to show the creation of such a major setting in the franchise.

    A huge theme in Tolkien is the environmentalism and the way machines and industrializations destroys the land. We wanted that to be central and core all the time. It’s a thing that comes up again and again throughout the show. So in the writers room, we asked: What if Mordor was beautiful? All bucolic like Switzerland. And then what could happen that could transform it? We talked about the poisoning of the land — which starts in the first episode with the cow. Then you find out about the tunnels being dug and sulfur is going up into the air. It all builds toward this geologically realistic way of igniting the mountain, which now blacks out the sky for a very practical reason — Adar, our villain, sees the Orcs as his people and they deserve a home where the sun doesn’t torment them. We’re hoping it will take people by surprise.

    Patrick McKay

    Episode 6 moves the series that much closer to the creation of the Rings of Power and the One Ring. With Mordor and Mount Doom now on the map and the fates of many of the series’ main characters up in the air following the cliffhanger ending of Episode 6, it seems that the arrival of Sauron might not be too far off. Or perhaps, he’s been there all along…

    Lord of the Rings: The Rings of Power is now streaming on Amazon Prime.

  • Sony Obtains Movie Rights to ‘Tarzan’

    Sony Obtains Movie Rights to ‘Tarzan’

    It looks like Tarzan will swing his way back into theaters, as Sony Pictures has officially acquired the rights to Edgar Rice Burroughs’ iconic character. They seemingly seek a “total reinvention” of intellectual property and might bring the iconic character into the modern era, though details remain under warps. It should be noted that they have no writer, director, or even producer attached to any project, as they only have acquired the rights and have not yet set anything else into motion for the project.

    Tarzan is no stranger to the silver screen, as the most recent project featured Alexander Skarsgard and Margot Robbie back in 2016. While the character is quite beloved, especially for the 1999 animated film by Disney and Phil Collins‘ iconic score, the book has been scrutinized for some of the ideas it places into the world. It hasn’t aged gracefully and there have been challenges in bringing it into the modern age.

    The interesting aspect about Sony acquiring the rights is that Tarzan technically is in both the private and public domain. It seems that what they mainly acquired was the trademark for the character of Tarzan, though the exact details of the deal are uncertain as of now. Still, it looks like Sony is trying to get its hands on more IPs to keep up with other studios and quite interesting to see how they might bring this character into he 21st century.

    Source: The Hollywood Reporter

  • ‘Avatar 2’ Eyeing $650M Domestic Run, Unlikely to Dehtrone ‘Top Gun Maverick’

    ‘Avatar 2’ Eyeing $650M Domestic Run, Unlikely to Dehtrone ‘Top Gun Maverick’

    While there have been many discussions surrounding the slow recovery of the box office since the pandemic started back in 2020, there have been some massive successes even through these unpredictable times. Spider-Man: No Way Home and Top Gun: Maverick went on to break far past any expectations set on the projects, and there has been a lot of hope that Avatar: The Way of Water would do exactly the same later this year. It’s the first sequel to James Cameron‘s passion project from 2009. While the film is set to make a big splash in the box office, it may not surpass its predecessor.

    Variety’s early predictions based on Cinelytic believe that The Way of Water is likely to make around $650M but likely won’t come near the first Avatar‘s $772M. The reasonings are quite simple. A lot has happened since that film was released and we’ve seen quite a few CG-heavy worlds being created. So, it’s no longer as unique as it once was, as we’ve entered an era inspired by the technology that was established through that film’s release.

    If it does end up going below $700M, it’ll also remain in the second spot for 2022, as Top Gun: Maverick managed to pass the $700M mark not too long ago and still continues to have a strong staying power at the box office. Black Panther Wakanda Forever was predicted to not even make it past the $500M mark but early projections for the Top Gun sequel also had it set for a lower $300M box office run. At this rate, there are a lot of unpredictable elements at play and we’ll have to see how the rest of the year turns out with very little hitting the market moving forward.

    Source: Variety

  • ‘Black Adam’ May Not Make as Much as ‘The Batman’ at the Domestic Box Office

    ‘Black Adam’ May Not Make as Much as ‘The Batman’ at the Domestic Box Office

    Dwayne Johnson is about to change the power dynamic in the DC Extended Universe as Warner Bros. Discovery seemingly dismantles itself from within. Still, there’s a lot riding on the upcoming Black Adam project, as it’s the last major release for the studio this year. As they are facing financial troubles and Don’t Worry Darling isn’t doing as hoped either, there’s a lot of money riding on their next superhero project set to release in late October. Yet, it seems that current predictions don’t see it making as big of a splash as the March release, The Batman.

    According to Variety and an analysis by Cinelytics, Black Adam is likely to pull in around $328M domestically. While Johnson is quite the box office draw, he still is playing a rather obscure character in the DC universe that is also hoping to bank on some familiarity with the legacy characters of the Justice Society of America. The property is untested and with the hope to build a bunch of spinoffs from this one film, there’s some concern on just how well it’ll perform. If these projection turns out to be true, the film is likely to make less than The Batman and Thor: Love and Thunder.

    It should not be downplayed as it’s a strong turn-in for a new property to pass $300M domestically. Plus, it’s being compared to one of the most well-established characters in pop culture and the first fourth entry of a Marvel Cinematic Universe film. If it makes its budget back and gains a profit, it’ll be a win for Warner Bros. either way but the question remains just how profitable do they expect this film to be. If it doesn’t make a “big enough” splash for the execs, they may also not be too happy with its results. Luckily, there’s still some time and who knows how things turn out once marketing starts pushing harder ahead of its release.

    Source: Variety

  • Early Projections Predict ‘Wakanda Forever’ to Outgross ‘Doctor Strange 2’ Domestically

    Early Projections Predict ‘Wakanda Forever’ to Outgross ‘Doctor Strange 2’ Domestically

    There’s still some time until Black Panther: Wakanda Forever releases in theaters later in November. Yet, that isn’t stopping form early projections from hitting the web. The sequel has some heavy weight upon its back, as it not only has to compensate for the loss of its main star Chadwick Boseman but also faced quite a few production troubles along the way. After a powerful first trailer though, it definitely seemed safe to say that Wakanda Forever will still leave its mark in theaters while paying tribute to the actor that made T’Challa a household name.

    According to Variety’s early projections based on Cinelytics, the film is likely to make around $423M domestically. Many will look at these numbers and point out that it’s a far cry from the first entry’s massive $700M domestic release. It’s still very early to say how it will truly perform as the marketing has yet to kick into high gear but there is some concern about the passing of Boseman negatively affecting the film’s main draw. Plus, the first entry was quite the cultural release that went way past expectations.

    While many like to callback to Tom Cruise‘s star power for the box office success of Top Gun: Maverick, it’s just as much lightning in the bottle scenario that it had the staying power it did. It became Cruise’s highest-grossing film ever by a wide margin. Sometimes elements just come together at the right time to give films a massive boost, which we saw in the past with Avatar, Spider-Man: No Way Home, and The Force Awakens. The question is rather if people’s curiosity about the sequel and how it pays tribute to the actor.

    It could just as well end up surprising many. Plus, Marvel Studios’ main goal is for it to cover the production costs and pull in a profit. If it manages to accomplish that, it’s still a success in their eyes even if it wouldn’t really break any massive records or come near the first release. For now, it still looks like it could likely become 2022’s highest-grossing Marvel Studios release and that might be enough to push the project forward. Who knows if we have another No Way Home scenario on our hands and we won’t know until November.

    Source: Variety, The Numbers

  • Robert Egger’s ‘Nosferatu’ Picks Up Steam as it Finds New Cast

    Robert Egger’s ‘Nosferatu’ Picks Up Steam as it Finds New Cast

    There were a lot of theories hitting the web when Robert EggersNorthman didn’t quite become the massive box office success that many expected it to be. It still went on to make its money back through its physical and digital releases, which also seemingly boosted the chances of the director to realize his passion project, a new take on the iconic 1922 film Nosferatu. Deadline has revealed that not only is it gaining momentum, it even found a brand new cast to take on the leading roles.

    It seems that Bill Skarsgard and Lily-Rose Depp are now set to star in the film for Focus Features. They are replacing original stars Harry Styles and Anya Taylor-Joy when it was set to film in 2019 for Studio 8. The project was originally going to be tackled before he took his turn at telling a Viking-based story but due to budget calculations, it was put on hold. It seems he wasn’t always going to return to the project as he looked at others but still wanted to explore the gothic tale.

    It seems that Focus joining was the reason he settled on bringing his passion project to life. It seems he started meeting with talent right after and Skarsgard would take on the role of the 19th-century monster even when his previous cast was already attached. It seems he swiftly ensured he’d get time to join the project but Taylor-Joy was too busy to find time in her schedule, which led to Depp getting the role.

    Source: Deadline