It looks like the cast of Beverly Hills Cop: Axel Foley is continuing to grow. Now set to join the returning Eddie Murphy, Taylor Paige, and Joseph Gordon-Levitt is Kevin Bacon. They are also joined by original cast members Judge Reinhold, Paul Reiser, John Ashton, and Bronson Pinchot, who all appeared in the initial Beverly Hills Cop films. It’s unclear currently who Bacon will be playing though, as they remain under wraps.
The film will be the third sequel in the franchise and marks the fourth entry after Beverly Hills Cop III released in 1994. As of now, it’s unclear just how they will tackle this storyline and follow up on the original. They may pick up with Axel Foley looking back at his career with a new generation taking over, but with Eddie Murphy, you never know if he’ll go in a completely unexpected direction.
Jerry Bruckheimer and Chad Oman are set to produce the film alongside executive producers Charisse Hewitt-Webster and Ray Angelic.Mark Molloy, known for his work on Apple At Work – The Underdogs is taking over directing duties based on a script by Will Beall, who some might know as the writer of Aquaman and Zack Snyder’s Justice League.
It looks like Taika Waititi has found his time bandit in Lisa Kudrow, as the Friends star is set to lead his upcoming adaptation of the 1981 Terry Gilliam film. The series is currently in production for Apple TV+ and has also cast seven actors that include Charlyne Yi, Tadhg Murphy, Roger Jean Nsengiyumva, Rune Temte, Rachel House, Kiera Thompson, and Kal-El Tuck.
The series has been in development since 2019 and was given the description of “a comedic journey through time and space with a ragtag group of thieves and their newest recruit: an 11-year-old history nerd.” Tuck will take on the role of the young nerd by the name of Kevin.
Waititi is a co-writer and signed on to direct the first two episodes of the Apple TV+ series. He’s been quite busy with his TV ventures, as he’s seen quite the success with the FX series What We Do in the Shadows as well as Reservation Dogs. There’s also his HBO Max series Our Flag Means Death where he also plays the character of Blackbeard.
Kudrow has been quite busy, as she appeared in Disney+’s Better Nate Than Ever, Netflix’s Grace and Frankie, and more. While she’s still famously remembered for her role on Friends, she’s gone to have quite the extensive TV and film career. So, it’ll be interesting to see what she brings to this new series.
The news is out! Blade, the long-awaited cinematic reboot of Marvel’s resident vampire hunter, is now without a director. Bassam Tariq, who had been attached to the project since the summer of 2021, relieved himself of his duties after multiple delays in production forced the film past his range of availability. Marvel Studios is said to already be in search mode for a new filmmaker to take over Mahershala Ali‘s much-anticipated bloodsucking debut, but with relatively short notice and a tight schedule to work with, it might not be easy to lock a creative down. Luckily for Kevin Feige and the folks at Marvel, Murphy’s Multiverse has a few suggestions that just might do the trick.
When thinking of a potential new director, it’s important to keep in mind that Marvel will need somebody who can step in quickly and pick up the reigns of production with ease. It’s very likely the studio will reach out to talent they already know, and keep to names that likely won’t demand a total restart of the creative process once they’re on board. This narrows down the list considerably, but also provides an excellent list of helmers that would be sure to make the best Blade film possible.
Adil El Arbi and Bilall Fallah
Adil & Bilall
When one thinks of directors who’ve worked with Marvel Studios in the past and recently had their schedule pretty cleared up, one thinks of the duo Adil El Arbi and Bilall Fallah. The creative pairing have had a rollercoaster year, and essentially all of it has been within the realm of live-action superheroism. Adil and Bilall spent the last couple years directing the first and last episodes of the Disney+ series Ms. Marvel before moving on to make DC’s Batgirl film. As has been widely reported in recent months, only one of those two projects actually released. At one point, the team was supposed to take over Eddie Murphy‘s Beverly Hills Cop IV, but that job has also since fallen through.
The point being made here is that, despite an immense amount of talent between the both of them, Adil and Bilall are not currently tied down to any known movie or series. Following the loss of Batgirl, Marvel boss Feige sent the duo an apologetic email that implied he hoped to work with them again soon, and their previous directing credits (namely Bad Boys For Life) suggest they’d be a perfect fit for the action-packed world of Blade. The biggest setback in this plan would be if Feige prefers they return for a potential second season of Ms. Marvel instead, but since that project is merely a rumor and not officially in the cards, the betting man would be smarter to put it all on Blade and hope for the best.
Antoine Fuqua
Antoine Fuqua
Similarly to the previous entry on this list, filmmaking veteran Antoine Fuqua is currently without an immediate project. The director, known for his work on films like Training Day and The Equalizer, recently lead production on a Will Smith-starring movie titled Emancipation for Apple TV+. However, controversy surrounding the actor’s now-infamous Oscar’s slap and a handful of filming delays have caused Emancipation to be put on the back burner. Couple that with the fact Fuqua supposedly met with Marvel Studios about the potential of directing something back in 2018, and there may be cause to believe the filmmaker could be on the list of talent being sought out by Feige at this very moment. While it has been a long time since that widely-reported meeting took place, Marvel is well-known for their ability to circle back around to creatives and concepts that didn’t work out in the past. At the very least, Feige has Fuqua‘s phone number, and the latter’s notable filmography of gritty, action-based plots with plenty of real-world symbolism would mix perfectly with a take on Blade that has Mahershala in the titular role.
Gina Prince-Bythewood
Gina Prince-Bythewood
A name that’s currently hot in Hollywood, Gina Prince-Bythewood could be an incredible sleeper pick for Blade if her schedule allows it. The director has spent the last couple of years building an impressive resume in the action genre, adapting The Old Guard graphic novel to positive reviews in 2020 before releasing The Woman King to critical acclaim just this past month. Both projects were praised for their fight choreography and story elements, putting Prince-Bythewood at the top of the list of people who could likely handle what Blade requires.
Not only that, but the former Love & Basketball filmmaker has a history with Marvel projects, having worked on Freeform’s Cloak & Dagger in 2018 before developing the unmade Silver & Black for Sony’s Spider-Man universe. With Sony and Marvel Studios now so friendly, it seems plausible that Feige could have a standing relationship with Prince-Bythewood that leads to her taking over directorial duties for Blade. The creative already passed over directing The Old Guard 2, so the next few months might be open enough for her to slide in and make her mark on the Marvel Cinematic Universe.
F. Gary Gray
F. Gary Gray with Vin Diesel
Bringing it all the way back to 2015, when F. Gary Gray topped Marvel Studios’ shortlist of possible directors for the megahit Black Panther. Obviously, he didn’t take the gig, which ultimately went to Ryan Coogler with Gray helming Universal’s The Fate of the Furious instead. However, the fact Marvel was so high on the filmmaker at that point could mean he’s still on their radar nearly a decade later, with his only upcoming project being the undated Kevin Hart heist film Lift. The creative has a history of crafting movies with over-the-top action scenes, and has worked with major studios on summer blockbuster-style products on many occasions. All of this could make Gray the perfect veteran presence to step in and course-correct Blade in an efficient manner.
Regina King
Regina King
The least likely name on this list, but one that could be a lot of fun. Best known for her stellar acting career, Regina King has spent the last decade dabbling with work behind the scenes as well. She’s been directing episodes of television since 2013 and made her feature film debut with One Night in Miami… in 2020. According to showrunner Cheo Hodari Coker, the iconic creative almost directed an episode of Marvel’s Luke Cage during its two-season run, and although she’s since denied it, King was once listed as a name in contention for DC’s Superman reboot. Her busy schedule may not permit it, but if she could find the time to fit Blade in, it could make for one of the most exciting and original directing choices Marvel Studios has ever made.
When Warner Bros. Discovery pulled the plug on Batgirl back in August, fans rightfully wondered what this meant for other DC films, including Blue Beetle. Despite the studio seeking to revamp its DC line-up, Blue Beetle director Angel Manuel Soto has been adamant that his film is safe. While it is said the film had issues throughout production, Blue Beetle looks to be taking one step closer to being finished as it held a screening last night.
A new report, courtesy of Big Screen Leaks, suggests that Blue Beetle is currently clocking in at 165 minutes. This information is based on the cut that was screened last night. As always, things can and often do change closer to a film’s release date.
Should this runtime hold, that’ll put Blue Beetlearound the same length as Marvel Studios’ Black Panther: Wakanda Forever and right under fellow DC movie, The Batman. Of course, given that this is an early screening, it’s more than likely the film will be cut down further leading up to its release next year.
Blue Beetle is directed by Soto from a screenplay by Gareth Dunnet-Alcocer. It is set to hit theaters on Aug. 18th, 2023 and stars Xolo Maridueña in the titular role alongside Susan Sarandon, Harvey Guillén, Raoul Max Trujillo, George Lopez, Elpidia Carrillo, Belissa Escobedo, Adriana Barraza, and Damián Alcázar.
For over forty years, author Anne Rice created a rich world of characters, settings and mythology around Lestat de Lioncourt. Beginning with Interview with the Vampire in 1976 and concluding with Blood Communion: A Tale of Prince Lestat in 2018, jut three years before her death, Rice’s Vampire Chronicles were hugely popular, selling over 80 million copies. Interview with the Vampire was adapted into a feature film in 1994, but despite a couple of failed attempts to adapt The Vampire Chronicles into live-action projects, Rice’s books never materialized into finished products despite the growing desire by fans to immerse themselves in shared universes.
All that changed when AMC acquired the rights to Rice’s Vampire Chronicles, and The Lives of the Mayfair Witches, in May of 2020. AMC immediately began developing Interview withthe Vampire as a series and the project’s first season is set to debut on October 2nd, 2022. Apparently, the wait must have been worth it, as AMC has now ordered a second season of Interview with the Vampire ahead of the series’ debut. Dan McDermott, President of Original Programming for AMC shared the news in an official release.
The scope and breadth of this show, and what Mark and Rolin have delivered, is just stupendous. They have rendered the rich and vibrant world of Anne Rice’s Interview in a wonderful way, and we’re incredibly proud. From the set build, to production design, costumes and more — no detail was overlooked. This stellar cast deliver powerful performances that emotionally connect us to these characters and their humanity,. We look forward to sharing the final product of this extraordinary effort with audiences in just a few short days and are thrilled that this story will continue. This is only the beginning of an entire Universe featuring enthralling stories and characters that capture the spirit of Anne Rice’s amazing work.
Dan McDermott
Rice’s Vampire Chronicles provide AMC with an opportunity to find their next long-term hit series just as their current one, The Walking Dead, completes its 11th and final season. The wealth of source material accumulated in the 13 Vampire Chronicle novels could generate a decade or more worth of TV. AMC’s other series based on Rice’s novels, The Lives of the Mayfair Witches, is set to debut in January of 2023.
Episode 6 presented itself as a tricky one when it came to finding a strong enough connection to She-Hulk comics. Both Mr. Immortal and Intelligencia had a somewhat meaningful presence in it but were already the focus of a couple of features from the past week. It was then time for something different. And much like Jen herself stated, in the starting sequence, that episode 6 was a “self-contained wedding episode”, why not try and make this a self-contained P2S feature? If an engagement featured in a She-Hulk comic can also be referenced, then that’s enough to justify the option. Let’s go with that.
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
In 1989 Marvel published a two-part story entitled She-Hulk: Ceremony, that focused on Jen and Wyatt Wingfoot getting engaged. In the midst of it all both also had to help stop a madman attempting a mystical world conquest. Much as She-Hulk: Attorney at Law tries to focus on the comedic side of the character, this was a story that was initially intended to be a romantic comedy. But what began with the best of intentions turned out to be one of Marvel’s most clumsy attempts at giving feminism a much-needed spotlight.
She-Hulk: Ceremony #2 (1990)
The basic plot goes a little something like this:
While watching a TV soap opera, She-Hulk feels the need to become a mother. She decides to look for something to fill that “void she has discovered in her life” because she “feels empty.” In a baffling decision, she somehow sees her ex-boyfriend Wyatt Wingfoot (who she briefly dated when She-Hulk was a member of the Fantastic Four) as the only one who can help her. Wingfoot, a native American, is just beginning his legal education while still residing in the Baxter Building and is utterly shocked by being approached by Jen and being asked to father her children out of the blue.
By trying to appease the usual rom-com structure and conflicts, the story also ended up following the same clichés the genre usually features. She-Hulk thus ended up being portrayed as extremely bashful and uneasy about sharing her thoughts, very much unlike her usual honest, straightforward, and forthright character when it comes to her emotions. Another characterization that seems incredibly outdated is how the comic shows Jen as being very ambivalent regarding the right to choose to have an abortion or not, something she clearly states following a bomb threat at a local abortion clinic. This sort of tactlessness when it came to her character perhaps only came second to the disrespect towards native American culture with it being depicted in the most stereotypical fashion, filled with mystical nonsense, reducing it to a caricature.
In the end, and after finally defeating the big bad, Carlton Beatrice, Jen and Wyatt realize that they weren’t really in love with each other. They become aware that their engagement was (at least primarily) a result of a mystical basket (the story’s McGuffin) connecting them. They choose to separate with Jen making use of her legal expertise to assist in recovering Wyatt’s Keewazi Reservation which had been affected by the entire ordeal.
What does this have to do with She-Hulk: Attorney at Law? Not much. There’s Jen, there’s She-Hulk, there’s the idea of a wedding, there are fights and lots of nonsense (both the good and the wrong kind). But what ultimately sticks when revisiting such a story is just how much She-Hulk eventually evolved into a proper Marvel feminist icon, and how the Marvel Studios’ show manages to address several of the same issues in a much more respectful and gracious manner. With the show having such a strong sense of self-awareness, explicitly criticizing the misogynistic trends that, particularly on social media, surround female superheroes and female-led initiatives, She-Hulk has indeed come a long way in what it can add, as a character, to not to what comics and TV are concerned, but more importantly to the general discourse.
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
Marvel Studios’ She-Hulk: Attorney at Law Episode 6
The first six episodes of She-Hulk: Attorney at Law are now streaming on Disney+.
In what has been one of the largest blindsides of major Marvel Studios news, it’s been revealed that Hugh Jackman is returning as Wolverine for the upcoming Deadpool threequel. Naturally, fans are incredibly curious about what this may mean for the upcoming film and with Secret Wars looming, potentially beyond. Arguably the most notable talking point will be what this means for the character of Wolverine as a whole between the Hugh Jackman variant and the hypothetical future version in the Marvel Cinematic Universe. While the surface-level take would be to assume they’ll bring in a new actor down the road to portray some version of the character, the case can be made for Marvel Studios to actually keep Hugh Jackman in the role for a specific purpose. Let’s take a look at the cases for why and why wouldn’t Jackman become the Earth-616 version of Wolverine.
Hugh Jackman in X-Men: Days of Future Past
Why Hugh Jackman Wouldn’t be the Marvel Cinematic Universe’s Wolverine
There are ample reasons why Hugh Jackman wouldn’t work as the Marvel Cinematic Universe’s main timeline Wolverine. While the star has been synonymous with the character for over two decades, Marvel Studios would likely want to make room for a new interpretation of Wolverine. From the get-go, it would create the opportunity for the character of Wolverine to go in a different direction from the “Logan” moniker into predominately James Howlett. It’s certainly not the most important element but is emblematic of Kevin Feige’s potential desire to bring a more comic-inspired version of Wolverine to the big screen. In a world where the X-Men universe of characters will need to be distinct to stand apart from the original film adaptation, removing Wolverine’s “leading man” energy would be an easy place to start. Having Wolverine be the shortest and hairiest version possible would be a welcome change to a number of fans.
With that in mind, having a new actor in the role would provide significantly more creative freedom. Wolverine is someone with a rich history that hasn’t been fully told yet (even with Jackman’s many portrayals of the character) and going with a younger actor would ultimately bring more narrative opportunities for the Marvel Cinematic Universe. Wolverine is one of the most popular characters in the Marvel pantheon and having longevity for the role could be something paramount for Kevin Feige to consider.
In addition, having Hugh Jackman as the mainline version of Wolverine might take away from what could be a compelling multiversal story with his character. Having an actor with the cache of Jackman returning would presumably necessitate a compelling story arc for his character. Returning for at least Deadpool III could open the door for this version of Wolverine to have a new satisfying concluding arc to him that would maybe be muddled by staying in the Marvel Cinematic Universe afterward.
Hugh Jackman in Logan
Why Hugh Jackman Would Work at the Marvel Cinematic Universe’s Wolverine
Alternativly, Hugh Jackman’s portrayal of Wolverine could really work within the framework of the main Marvel Cinematic Universe. The main crux of this though would be the notion that the Logan version of the character is more of a supporting character to a different primary Wolverine: Laura Kinney. She has been distinctly popular with fans for a considerable amount of time, especially since Dafne Keen’s portrayal in Logan. In recent years has been seen as a marquee character in X-Men comics as an official Wolverine. Marvel Studios would be smart to at least consider striking while the iron is hot and bring in the currently-17-year-old actress to reprise her role for the long-term future of the Marvel Cinematic Universe.
It would be a massive creative gamble by Marvel Studios to have Laura Kinney be the primary Wolverine of the Marvel Cinematic Universe (perhaps their largest creative risk), but it doesn’t feel like it would be completely out of the realm of possibility. It certainly guarantees an entirely new vibe from the X-Men that would be massively different from the original film adaptations by Fox. Jackman’s version of the character loomed large over essentially every project and moving him to a distinctly supporting role would allow different characters to shine on the silver screen. And if there remains a desire to see Logan in his prime, de-aging technology in film continues to advance and seeing what would appear to be a younger Hugh Jackman in action via CGI grows more possible, if it isn’t already.
A second option for bringing in Hugh Jackman is a bit more niche, but would still drum up excitement with fans. A World War Hulk film adaptation has long been rumored to be in the offing, and it’s a film that would feel like a logical endpoint for the character of Bruce Banner in the Marvel Cinematic Universe. With that in mind, some of the most seminal stories for both Hulk and Wolverine that haven’t been adapted is their epic showdown in the comics. And unless there is a surprise casting of a new Wolverine in the relatively new future, Jackman would in theory be the best chance at seeing Mark Ruffalo’s Hulk fight against a Wolverine on the big screen.
Conclusions
With every point and counterpoint to consider, it would be very likely that Hugh Jackman wouldn’t return as Wolverine for any other projects besides Deadpool III (and potentially a cameo role in Avengers: Secret Wars). Jackman is currently 53 years old and presumably wouldn’t want to make that sort of long-term commitment, even if it was for more of a supporting role. In addition, Kevin Feige and company would likely be interested in creating their own take on the character that is distinct from what came before. Even still, it would not be entirely shocking if Marvel Studios decided to make other types of radical and unexpected differences to make their version of the X-Men stand out from the original cinematic versions.
Following director Bassam Tariq’s departure from the project, it now seems that production on Marvel Studios’ Blade is unsurprisingly going to be delayed. Tariq’s departure leaves the project, which has already faced several delays, without either of the members of the original creative team now that Beau DeMayo has taken over script duties from Stacy Osei-Kuffour. With so many major shifts occurring in such a short span of time, Marvel Studios has made the wise choice to delay the start of the project but will continue pre-production work on the script.
Just when principal photography on Blade may get underway is still in question and will likely remain that way for some time until Marvel can lock down a director. Following news of Tariq’s exit, several outlets and individuals, including Big Screen Leaks, shared news of the expected delay with a target date of early 2023.
Later, Angela Boehm Casting in Ohio, an agency that had been working to find extra for Blade’s shoot in Cleveland, announced that the agency was halting its search for actors until the Spring.
While these reports certainly don’t conflict with one another, they both indicate that the reality is nobody knows exactly when Blade will begin filming. It’s already very likely that the film will be moved from its November 3rd, 2023 slot. Now the focus becomes how soon it will be ready for theaters. With the studio recently moving its February 2024 film, which was just announced yesterday to be Deadpool 3, to September of 2024, a spot has opened up for Blade to land somewhere in the first quarter of 2024. Certainly, none of these things are linked together and are all just a series of unrelated, happy coincidences.
Mon Mothma is one of the iconic Star Wars characters making their return in Andor. Played by Genevieve O’Reilly, the show explores Mon Mothma’s early days in the Rebellion, giving insight into how she navigated the Empire’s political landscape.
This week’s episode, in particular, reveals the life she had at home away from all the politics. It is revealed that her husband is in cahoots with some of the Empire’s most questionable personnel, much to her frustration. We spoke with O’Reilly, and asked what she thought of this brand new examination of such an important Star Wars character:
Isn’t it interesting that we usually see Mon Mothma surrounding by rebels in a bunker? Where we meet her now is so polar opposite to any position we’ve seen her in before. She’s living and working within the imperial senate but not only that, her husband is clearly a card-carrying paid-up member of that Empire. We know that she’s been a senator since she was 16 years old. That comes with some serious constructs. We know her has a woman with a voice and an advocate for democracy. But really, how much of a voice did you have at 16? What is the structure of the life you stepped into as a senator at 16? What choices did she have? What’s interesting in Tony’s version when we meet her in her home life is you go, “What choices has this woman ever had?”
It’ll be interesting to see just how Mon Mothma’s home life plays out given how she eventually rises to lead the Rebellion a couple of years from Andor. Her husband’s fate will be one to watch out for when he realizes his wife is working for the Empire’s enemy. Will he rat Mon out? How will he find out? One of Andor’s biggest strengths is its willingness to ask these questions and that makes for incredible Star Wars storytelling.
The Hollywood Reporter has announced that director Bassam Tariq has left the project. Marvel Studios confirmed the news, revealing that the director will remain an executive producer on the project. While Tariq’s exit is unfortunate, it does seem to be genuinely due to the film’s repeated delays, as the director also released his own statement on the matter.
“Due to continued shifts in our production schedule, Bassam is no longer moving forward as director of Blade but will remain an executive producer on the film. We appreciate Bassam’s talent and all the work he’s done getting Blade to where it is.”
Marvel Studios
“Its been an honor working with the wonderful folks at Marvel. We were able to put together a killer cast and crew. Eager to see where the next director takes the film.”
Tariq
Marvel Studios is already on the hunt for a new director. It’s likely we’ll hear news on that front in the coming weeks, although no names have been mentioned as being in contention just yet. THR was also able to confirm our report that Beau DeMayo was, in fact, brought on to rework the script.
Blade is set to star Mahershala Ali in the title role, with the cast also including Delroy Lindo and Aaron Pierre. Also part of the cast is Milan Ray. The first draft of the screenplay was penned by Watchmen’s Stacy Osei-Kuffour. The film was set to hit theaters on Nov. 3rd, 2023.
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