Welcome to the Tim Blake Nelsonaissance. The actor, who recently reentered the spotlight when Marvel Studios announced he’d be returning as The Leader for 2024’s Captain America: New World Order, has booked another starring film role. Nelson is attached to play the title character in the upcoming boxing flick Bang Bang, which is set to begin production at the end of October. The film revolves around Nelson‘s Bernard ‘Bang Bang’ Rozyski, a fictional former featherweight boxer who was once considered among the greatest punchers of his time. Bang Bang’s life escalates when his grandson comes to stay with him, and he sees the boy as a chance to relive his glory days and get back at his old boxing nemesis, Darnell Washington, played by Glenn Plummer.
Bang Bang will be directed by Vincent Grashaw, who is best known for his work on films like What Josiah Saw and Coldwater. The filmmaker will direct from a script by Will Janowitz, an actor-turned-writer who previously held a recurring role on HBO’s hit series The Sopranos. Executive producers include Jesse Ozeri and Dane Eckerle, with Ran Namerode, Angelia Adzic, and Cole Payne also on board in a producing capacity. Bang Bang is only the latest project added to Nelson‘s busy schedule. The popular character actor can next be seen in Guillermo del Toro‘s stop-motion Pinocchio adaptation, before going on to star in the aforementioned fourth Captain America and Dexter Fletcher‘s action pic Ghosted, alongside Chris Evans and Ana de Armas.
After finishing the seventh episode of She-Hulk: Attorney at Law, it is extremely natural to wonder—what is this show? For a series billed as a legal comedy, there certainly is no particular plethora of legal plotlines. In Episode 7, for example, there are none at all. For a “superhero show”, there can be a stunning lack of superheroics. So what is She-Hulk? That may not be an easy question to answer, but the series has a personality that connects everything at its core; that is not a given for most series. In any event, it is genuinely hard to care about picking apart every ounce of She-Hulk when Episode 7 was everything a reasonable person could want.
Some of the biggest, deepest laughs of She-Hulk come from this episode without a doubt. The level of comedy the series attained in some of its earlier, more legal-heavy episodes returns in a very different form. In a universe and franchise so focused on action, adventure, and high-concept stories, any person that has the capacity to feel joy can appreciate some D-list supervillains in group therapy helping out the protagonist get over a guy who did not text her back. That premise is absurd, and it can only work in a very specific context. Luckily, She-Hulk provides that context.
Nothing could be said about Episode 7 without emphasizing how amazing the supporting cast of characters is. Obviously, Tim Roth’s Emil Blonsky makes a welcome return after his last appearance in Episode 3 to continue the “Abomaste” gag. And while various legal cases brought out some interesting figures in the past, such as Donny Blaze, Mr. Immortal, or the shape-shifting light elf, Episode 7 absolutely knocks it out of the park. Man-Bull, El Águila, Porcupine, Saracen, Wrecker, and Blonksky all come through as colorful characters. The fact that such a group got to spend most of its time together and interacting with one another is simply a unique experience in the Marvel universe, which allows She-Hulk to bring out the inherent humor of corny comic book characters in a safe space both literally and figuratively.
A major theme running through She-Hulk is that Jen is constantly losing. Sure, she is a functional Hulk and landed a snazzy job, but episode after episode has emphasized that Jen the human is not enough. Her dating life is perhaps the prime example of that, and the episode’s focus on Josh building her up and then letting her down just hammered that theme more. The “twist” that Josh is actually a villain was perhaps one of the most obvious reveals, so it was smart that her emotions stemming from the rejection were in the spotlight while the dramatic reveal was only given a few seconds in the end. It was refreshing to see Jen get a personal “win” this episode when she has her emotional breakthrough at the Blonksy retreat with the friendly help of some memorable characters with their own identity struggles. In fact, self-identity seemed to be the core issue tying all of those people together in one way or another.
Since Jen now knows, apparently, that “Jen is great” alongside She-Hulk, perhaps that is the audience’s cue to prepare for less self-growth and more plot resolution going forward. Granted, there are only two episodes left in the season, so that may not be hard to guess. But it does potentially give away what kind of place Jen will be mentally when she has to eventually deal with the invisible HulkKing villain (to the extent She-Hulk itself will actually deal with a potential explosion of Hulks in the MCU), as well as when she inevitably comes across Charlie Cox’s Daredevil. Doubtless, many have suffered in agony for seven weeks with no Daredevil, but at least they can be grateful the show may combine them when Jen/She-Hulk is at her best.
Court is now in session and Jennifer Walters is here to reprsent the defendant in the matter of Superhuman law. She-Hulk: Attorney at Law has finally hit Disney+ as the next installment of the Marvel Cinematic Universe and seems to be one of the studios most unique projects yet. With it comes a whole slew of C-listers and D-Lister heroes and villains that have found themselves in legal trouble.
The Prosecution Calls To The Stand: The Porcupine!
First appearing in Tales To Astonish #48 in July of 1963, Alexander Gentry worked for the United States military as a weapons designer. Gentry began developing a porcupine-based battle suit, working long nights to make breakthroughs on his project. As he finally completed the suit he quickly became concerned that the US government would not properly compensate him for his hard work and believed he would be much better off using the suit himself as a means for monetary gain.
Gentry made his debut as the quilled criminal during the grand opening of a supposed “burglar-proof” bank where he went toe-to-toe with Giant-Man and The Wasp. Porcupine faced off against the two heroes a few more times but would eventually be defeated when he attempted to grow to Giant-Man’s size after stealing some of Hank Pym’s growth pills, realizing too late that he’d actually swallowed shrinking pills.
V
The Porcupine battlesuit allowed its wearer enhanced strength and durability as well as an array of trick quills. Some of the quills were just basic sharp projectiles that could be fired from the suit but others consisted of lasers, rockets, sleeping gas, smoke bombs, tear gas, torches, electricity blast, and concussion bombs.
The Porcupine made his live-action debut on She-Hulk: Attorney at Law, streaming every Wednesday on Disney+.
1993’s Hocus Pocus is a film that has unquestionably grown on people in the 29 years since its debut. Not well-received by critics at the time, audiences have come to embrace the film as an annual Halloween movie must-see. Whether its the over-the-top nature of Bette Midler’s performance, the quotability of it (“I smell children!), or simply the 90’s nostalgia dripping from the film, Millenials love it and have been pining for a sequel for the better part of three decades.
And after several starts and stops and rumors and failed attempts, Disney found the right time and the right place to unleash the Sanderson sisters once again in Hocus Pocus 2, a sequel that’s not only worth the wait but also a stronger film than the original. Directed by Anne Fletcher (27 Dresses, The Proposal) Hocus Pocus 2 smartly retains the loveable pieces of the first film’s DNA and upgrades it by telling a more coherent story that serves as both the heart of this film and retroactively makes the plot of Hocus Pocus a little more digestible.
Following in the footsteps of Hocus Pocus, the sequel opens in 17th-century Salem; however, in what turns out to be maybe the most important choice the creatives behind it made, the audience is introduced to Winifred, Sarah, and Mary as children, with Winifred acting as the guardian of her two sisters. And while the younger versions of the Sanderson sisters are already displaying their trademark traits, they’re not yet the monstrous, child-eating coven of witches they’ll turn out to be. Rather they are a group of young girls without parents who the town has grown to disapprove of, especially Winifred, whose family unit is threatened to be torn apart by the Reverend Traske. A distraction allows the young Sandersons to escape and leads them to the Forbidden Woods where they meet the Mother Witch who introduces them to Book and sets them on the path to becoming the witches hanged in Salem years later.
For all the laughs they gave audiences in the first film, the choice to go deeper into the past of the Sanderson sisters allows the audience to empathize with them, possibly for the first time and serves as an investment into an emotional arc that pays dividends in the film’s third act. The young Sanderson’s trip into the Forbidden Woods forges a bond between them and with the audience and interestingly deepens the mythology of what now looks like it might just be primed for a run as an expanding franchise.
The same Salem woods that serve to tell the true tale of the Sandersons also work as the primary setting of the present-day part of the tale. With the events of 1993 so far in the past, the true nature of them has been forgotten and the Sanderson sisters are looked at as a fun part of the local lore, with a Sanderson cosplay contest part of Salem’s Halloween celebration and a spooky store, run by Sam Richardson’s Gilbert, all coming into play over the course of the plot. Anchoring the events of the present are a trio of friends, Becca (Whitney Peak), Izzy (Belissa Escobedo), and Cassie (Lilia Buckingham) whose transition to high school has put a strain on their status as lifelong besties. Their struggles to stay close come to a head on Becca’s birthday, which happens to fall during a full moon on All Hallow’s Eve. Gilbert’s birthday gift to Becca sets the Sandersons free in Salem where they definitely want to hunt down more virgins and eat more kids, of course. However, the sisters also seek revenge on the Traske family who set them on their path to becoming monsters over 300 years ago.
And so the stage is set for another Halloween adventure, much like the events of the original Hocus Pocus, but whether it’s because it’s shiny and new or because it’s a more well-developed script, Hocus Pocus 2 plays as a much more charming, magical, heartfelt and easier-to-watch film than the original. The best fun, of course, comes from seeing Bette Midler, Sarah Jessica Parker and Kathy Najimy return as the Sanderson sisters, but it doesn’t come across as cheap fun and doesn’t seem to wear off as the film moves on. If fact, an argument can be made that the trio, especially Midler, bring something extra to the trio this time around. Yes, they revisit old jokes (when there aren’t enough brooms to fly, a Swiffer and some Roombas will do) and bust out a couple of musical numbers, but nothing here FEELS old or unearned. They even find enough for Doug Jones to do as Billy Butcherson to make his appearance more than just nostalgia for nostalgia’s sake
And ultimately, “more than just nostalgia for nostalgia’s sake” is probably the best way to describe what’s so wonderful about Hocus Pocus 2. Much like Top Gun: Maverick (settle down, I’m not comparing the quality of the movies here), Hocus Pocus 2 brings back familiar characters to a familiar setting to tell a somewhat familiar story, but also breaks new ground by choosing to spend a little more time developing the characters and drawing out what, in this case, probably should have always been the core of the story of this coven of witches: they are all each of them has. It seems that in taking its sweet time to deliver on the sequel, Disney stumbled into a Goldilocks goldmine in terms of timing: after Top Gun: Maverick and ahead of Avatar: The Way of Water. And while Hocus Pocus 2 won’t have a box office total and won’t be talked about as one of the best films of all time, its rewatchability is going to be pretty high and bring it back into the conversation every Spooky Season, just like its predecessor.
Hocus Pocus 2 will stream on Disney Plus beginning September 30th.
Court is now in session and Jennifer Walters is here to represent the defendant in the matter of Superhuman law. She-Hulk: Attorney at Law has finally hit Disney+ as the next installment of the Marvel Cinematic Universe and seems to be one of the studio’s most unique projects yet. With it comes a whole slew of C-listers and D-Lister heroes and villains that have found themselves in legal trouble.
The Prosecution Calls To The Stand: El Aguila!
First appearing in Power Man and Iron Fist #58, Alejandro Montoya was a mutant born in Spain who kept his abilities a secret until he took up the identity of the vigilante El Aguila. Inspired by his childhood hero, Zorro, Montoya hit the streets of New York as a modern-day swashbuckling Robin Hood, fighting crime and taking down mob bosses to redistribute the money to the poor of the city. These late-night heroics eventually lead Aguila right to the Heroes for Hire, Power Man and Iron Fist. Ultimately, Montoya teamed up with the duo to save Jeryn Hogarth from would-be assassins.
Aguila’s mutant abilities give him the power to generate electrostatic charges and discharge up to 100,000 volts. He harnessed this power through his rapier as the vigilante was a skilled swordsman as well as an acrobat and master of hand-to-hand combat. Currently, the character remains depowered as a direct result of the M-Day event, losing his abilities due to Scarlet Witch’s altering of reality.
El Aguila made his live-action debut in She-Hulk: Attorney at Law, now streaming every Wednesday on Disney+.
Of all the Marvel shows produced by Netflix, Iron Fist stands out as the one least loved by fans. The series was noted for its many departures from the source material, with viewers and critics both agreeing the project was far too light on the magic that made the comics so much fun. After a few behind-the-scenes changes, Iron Fist’s second season improved the show by leaps and bounds, but the alterations came too late and weren’t enough to save the series from an early cancellation. This meant that several plotlines, including a massive cliffhanger hinting at a major comic book story for the show’s third season, were left unfinished and untold by showrunner Raven Metzner and his creative team.
Speaking exclusively with Comic Book, series star Finn Jones discussed the potential surrounding Iron Fist Season 3 and the conscious efforts made to fix the show after its poorly received debut outing:
The second season was really all about course correction. Y’know, it’s like, how do we just change the course and the conversation around the show and just bring it up to a place that we can feel proud of, and then we can take the show in the direction that we really want to take it.
Finn Jones
The direction they wanted to take Iron Fist, it seems, was toward writers Ed Brubaker and Matt Fraction’s acclaimed run from the late 2000s. That series featured Danny Rand learning more about the former owners of the Iron Fist mantle, and teaming up with his immediate predecessor, Orson Randall. Iron Fist Season 2 ended with Jones’ take on Rand traveling to Asia with his new pal Ward, channeling his chi into two pistols and bringing himself closer to Randall than ever. Meanwhile, in New York, Jessica Henwick’s Colleen Wing took over as the next official Iron Fist.
When asked directly if this meant Metzner and Jones planned on adapting The Immortal Iron Fist and using Orson Randall in the third season, the British actor confirmed this was the case:
Oh, yeah, we definitely were. I love Danny Rand. I love Danny Rand. I love that character, I love everything about him. I think he’s such a joy. And so did Raven, as well. And we really would just vibe out and geek out together about the prospects of what we could create with that character.
Finn Jones
He elaborated, breaking down the unmade season’s potential structure:
Raven, especially, wanted to see Danny and Ward off in distant lands, like, fighting crime and having the guns and stuff. And Orson Randall, like taking on that kind of persona. And then Colleen would be in New York with the Iron Fist, kind of coming to terms with that responsibility. Then eventually, over the course of that season, they would find each other again and become whole. Yeah, there were a lot of interesting ways we could have moved forward with that show.
Finn Jones
While Metzner was never able to make this plot a reality, it’s not impossible that fans see it play out on screen in the future. Marvel Studios has been steadily returning its Netflix characters to the Marvel Cinematic Universe, and it may be only a matter of time before Danny Rand makes his second grand debut. Whether or not Jones is still in the role when that happens remains to be seen.
Disney is developing a movie based on the character Figment. The news comes courtesy of Deadline, with the outlet noting that Seth Rogen will produce the project through his Point Grey banner. Pokémon: Detective Pikachu writers Dan Hernandez and Benji Samit are on board to pen the screenplay for the movie. As of now, no director is attached to the project.
Created in 1983 by Walt Disney Imagineers Tony Baxter and Steve Kirk, and other collaborators, Figment has long been a fan favorite thanks to the character’s Epcot ride, Journey Into Imagination. The character, while not as popular as others, has quite the devoted fanbase – not only have Figment fans prevented the ride from being removed, but they’ve willingly stood in line for hours to sell out merchandise featuring the character at theme parks. (Back in January, a limited-release Figment popcorn bucket was released and quickly sold out at Walt Disney Parks.) Disney has previously included the character as an easter egg in 2015’s Inside Out and 2019’s Toy Story 4.
Along with penning 2019’s Pokémon: Detective Pikachu, Hernandez and Samit also wrote The Addams Family 2 and helped to create the forthcoming Hulu series, Koala Man. The duo also worked on the TV series One Day at a Time, as well as the Apple TV+ series, Central Park.
There have been many theories on what the future has in store for the Netflix Marvel characters. Not only did Charlie Cox and Vincent D’Onofrio returned to play their iconic characters from Daredevil, but they also got their very own series heading to Disney+ in 2024. With theories abound about others returning, it seems former Danny Rand, Finn Jones, is also down to return.
In an interview with ComicBook.com, the actor revealed that he’s definitely down to play the character from Iron Fist again. He even has an idea how he’d like to see him return and that would be in a TV series based around the Heroes for Hire, especially to get another chance to work alongside Mike Colter.
I would love to continue playing that character. I think there’s a lot of room for growth. Personally, where I would like to see the reintroduction of the character would be something like a Heroes for Hire TV series. I think that would be the most dynamic and fun way to reintroduce those characters. I loved working with Mike and I loved the on-screen chemistry between Danny and Luke. I think it’s a really interesting creative place that show can be taken in. I’d love to pick up that mantle again and keep moving this character forward and make the best possible Iron Fist there could be.
Finn Jones
Of all the Netflix series, it’s easy to say that Iron Fist was definitely the most controversial. Outside of the initial reactions to the casting, there were also a lot of discussions surrounding its quality, at least in its first season. Scott Buck infamously has a bad track record and concerns grew when he was set to showrun the first season; which he’d continue to prove with Inhumans.
It wasn’t until Raven Metzner took over in its second season that the project was given any momentum. It wasn’t able to give us a shot at more due to Netflix ending its deal with Marvel but it did leave the character in an interesting direction.
D23 gave us quite the surprise showcase of its roster for its first villain-focused team-up film, Thunderbolts. While it is surprisingly dominated by Black Widow characters and super soldiers, there still was something interesting about what direction they might be taking in this project. There also was the question of why this team assembled, and it seems Variety thought they’d use the chance to see if perhaps Anthony Mackie has a role in the film.
He doesn’t outright deny anything but mostly because he has “no idea” and jokingly states that they could call him at any time to join the production. It looks like planning around these projects isn’t as simple as one might think but he’s likely also going to be quite busy on Captain America: New World Order soon as well.
I have no idea. You know how it works. They call you the week before and are like, “We own your ass. Come get in the movie.”
Anthony Mackie
In some ways, his potential inclusion would mostly be due to Bucky. They had a close relationship in Falcon and the Winter Soldier, and it highlighted just how well they work off of each other. So, it would be a shame not to continue that dynamic but it does make sense if they are trying to move away and give each their own story before they are forced to work together again. There’s no confirmation yet if Bucky will join the Captain America sequel. So, we’ll have to wait and see once more information becomes clear.
It looks like the cast of Beverly Hills Cop: Axel Foley is continuing to grow. Now set to join the returning Eddie Murphy, Taylor Paige, and Joseph Gordon-Levitt is Kevin Bacon. They are also joined by original cast members Judge Reinhold, Paul Reiser, John Ashton, and Bronson Pinchot, who all appeared in the initial Beverly Hills Cop films. It’s unclear currently who Bacon will be playing though, as they remain under wraps.
The film will be the third sequel in the franchise and marks the fourth entry after Beverly Hills Cop III released in 1994. As of now, it’s unclear just how they will tackle this storyline and follow up on the original. They may pick up with Axel Foley looking back at his career with a new generation taking over, but with Eddie Murphy, you never know if he’ll go in a completely unexpected direction.
Jerry Bruckheimer and Chad Oman are set to produce the film alongside executive producers Charisse Hewitt-Webster and Ray Angelic.Mark Molloy, known for his work on Apple At Work – The Underdogs is taking over directing duties based on a script by Will Beall, who some might know as the writer of Aquaman and Zack Snyder’s Justice League.
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