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  • ‘Ms. Marvel’ From Page to Screen: Episode 3

    ‘Ms. Marvel’ From Page to Screen: Episode 3

    As Marvel Studios’ series Ms. Marvel reaches its halfway point, it is clear that the show borrows quite a lot from Ms. Marvel comics. With Episode 1, we looked at how the series adapted from the comics the moment Kamala’s powers were activated; and for Episode 2 we delved into the comics’ and series’ introduction and handling so far of the character Kamran. This week, we take a different approach with Episode 3. While the episode incorporates many small references to the comics, arguably its most significant and intriguing inclusion lies far outside Ms. Marvel comics. Below, we look at how and why the Clandestines in Ms. Marvel were brought to life from ClanDestine comics.

    Ms. Marvel’s Clandestines

    Marvel Studios’ Ms. Marvel Episode 3
    Marvel Studios’ Ms. Marvel Episode 3

    The beginning of Episode 3, titled “Destined”, brought forth a lot of information supposedly explaining much of Kamala’s origin and background. Najma, Kamran’s mother and the woman Kamala had visions of, tells Kamala that she and Kamala’s great-grandmother Aishia were not human. Specifically, Najma claims that she and some others she appears to live with are actually Djinn, who were exiled from their home Noor dimension. She states that they are called many names, including Clandestines.

    The explanation of who Djinn are that we get in Episode 3 of Ms. Marvel is pretty sparing. Kamala’s dad reads Bruno’s research, which says that Djinn are mythological beings of pre-Islamic folklore, sometimes referred to as genies. We also know from references throughout the series that Djinn seem to be viewed as demons to the superstitious, including Kamala.

    Marvel Studios’ Ms. Marvel Episode 3
    Marvel Studios’ Ms. Marvel Episode 3

    There are still a lot of questions about the group, but they appear to be a patchwork group of loosely-related Djinn who live together. It is unclear if anyone is closely related other than Kamran and his mother, but there is a clear theme of family and belonging within the Clandestines which Najma uses to manipulate Kamala.

    ClanDestine in the Comics

    ClanDestine #1 (2008)

    The Clandestines of Ms. Marvel are clearly influenced by the ClanDestine comics, although ClanDestine seems to provide minimal inspiration rather than being directly adapted into live-action. In the comics, ClanDestine is a large, kind of odd family comprised of the progeny of Adam Destine and a being named Elayath. All of their children inherited superhuman abilities of some kind. Adam himself is immortal and many of the children are decades or centuries apart in age.

    The family primarily sought to operate in secret rather than identifying themselves as super-powered beings or superheroes, though certain members try to follow this path. ClanDestine stories in the comics are driven by family conflict, such as when Adam killed his son Victor because he believed he had become evil.

    ClanDestine #5 (1994)
    ClanDestine #5 (1994)
    ClanDestine #5 (1994)

    The clear connection that the makers of Ms. Marvel made to ClanDestine is that the matriarch, Elayath, is a Djinn. Adam freed her from a wizard that had trapped her in a jewel around 1200 A.D. In return, she granted him his immortality and invulnerability.

    Why Would Ms. Marvel Adapt ClanDestine?

    ClanDestine #12 (1995)

    The comics’ ClanDestines and Ms. Marvel’s Clandestines seem extremely different in history, nature, and group members. The connection between the two seems to boil down simply to the name and the Djinn aspect. Even so, how the two groups incorporate Djinn is entirely different, as ClanDestine is a family descended from a single Djinn, whereas the Clandestines in the show appear to all be a type of being, known as Djinn, from another dimension.

    Why would Marvel make this connection between an extremely obscure group from the comics and a very different group in live-action? It all likely comes down to the series attempting to give Kamala’s background and origin the same type of explanation as her Inhuman heritage in the comics. Everything in the series suggests that Marvel Studios wants to mimic Kamala’s comic story without invoking Inhumans. So, in Ms. Marvel, the Clandestines are a family-like group of super-powered, or at least mystical, beings that Kamala is related to in some way, similar to her relationship to Inhumans in the comics.

    Ms. Marvel #7 (2014)

    That connection is relatively obvious, but the series clearly wanted that familial theme to be tied to Kamala’s religious and cultural heritage. This leads, of course, to using beings of pre-Islamic folklore, Djinn, as an option to explain why Kamala is more than human. There is very little comic basis for this, but ClanDestine happens to already contain those essential elements of Kamala’s story in Ms. Marvel.

    Marvel Studios’ Ms. Marvel Episode 3

    To be fair, Najma’s explanation of the Clandestines should be taken with a grain of salt given the fact that she is a clear villain and there is not much evidence yet to back up her claims. Still, Ms. Marvel certainly made a bold creative choice in adapting ClanDestine from the comics to build Kamala’s Khan’s story.

    The first three episodes of Ms. Marvel are now streaming on Disney+.

  • The Morning After Huddle: June 27, 2022

    The Morning After Huddle: June 27, 2022

    It’s a brand new week and time for a brand new Morning After Huddle. Welcome to your Monday edition of all things NFL! As Deshaun Watson Turns is back with an update.

    Here’s what you need to know:

    • As you know, Deshaun Watson is facing potential discipline from the NFL and tomorrow he will begin his hearing with officer Sue Robinson. It’s expected that the NFL will argue for an indefinite suspension of at least a year. Right now, there is no timeline for when a ruling is expected.
    • Switching to the NFC North, Bears LB Matthew Adams was arrested over the weekend. Adams is charged with misdemeanor illegal gun possession and possessing a high-capacity magazine and metal-piercing bullets.
    • Finally, free agent DE Carl Nassib is announcing a partnership with The Trevor Project, who provided crisis support to LGBTQ+ youth. Nassib is agreeing to match donations up to $100,000.

    That is it for today! You know the drill. Join us for your Tuesday edition of the Morning After Huddle.

    ICYMI: Saturday -June 25, 2022 Edition

  • ‘Top Gun: Maverick’ Joins the Billion Club Worldwide

    ‘Top Gun: Maverick’ Joins the Billion Club Worldwide

    Top Gun Maverick was quite an impressive entry this year. While opening smaller, the film has refused to truly lost its momentum; ironic given its focus on jet-fueled action. It seemed like the perfect addition after the pandemic that just had an audience coming to theaters that were waiting for this kind of film. Tom Hanks is about to celebrate his 60th birthday and to truly kick it off, he has now nabbed his first $1 billion box office release with the new Top Gun film.

    The film pulled in $521.7M domestically and $484.7M internationally. As such, it is the first release in 2022 to pass that mark and the second from the pandemic era. It is now joining the nostalgia-filled Spider-Man: No Way Home in taking on this huge task and offering a sign that the box office is truly back to where it was in 2019. The pandemic has strongly influenced releases worldwide and no one expected for Top Gun to make that difference, but a pure adrenaline-pumping rollercoaster of a film like this might be just what audiences have been asking for.

    It’s overall been a good year for the box office. Earlier in the year, the Scream revival had a better than expected opening, The Batman took in $768M and left quite a mark for DC with an impressive opening. Doctor Strange in the Multiverse of Madness also surprised many as after a harsh drop, the film has been pulling in viewers and is inching its way to $950M before leaving theaters. While there have been some blunders like Morbius, the box office overall seems to be doing much better and it may get exciting with upcoming releases.

    Source: Deadline, The Numbers (The Batman), The Numbers (Doctor Strange)

  • ‘Elvis’ Opens to $30.5M as it Fights for Top Spot with ‘Top Gun: Maverick’

    ‘Elvis’ Opens to $30.5M as it Fights for Top Spot with ‘Top Gun: Maverick’

    The box office is certailny back and it’s been quite a rollercoaster ever since. What started off with a powerful bang back in December with Spider-Man: No Way Home, we’ve seen quite a few films pull in more and more viewers. Now, the top spot is being fought between the recent release of Elvis while Top Gun Maverick has not let go of its box office draw, as both are currently standing at $30.5M.

    It may change once the final numbers are in, but we’ve seen the best opening on a weekend since Thanksgiving 2018, as four films managed to open beyond $20M. Top Gun Maverick is also now at $521M nationally, which puts it as one of the best-holding films of quite a while. Similar to Jurassic World and Star Wars: The Force Awakens, there’s something really interesting about legacy sequels that draw in an audience over many repeat viewings.

    Elvis’ performance is also a sign for more music biopics in the future as not only did it make more than the hit Rocketman but it also has been quite a favorite with viewers. So, perhaps this year’s box office is all about the legacy of the red white, and blue even with public news dragging people down quite a bit.

    The big release of this weekend is also Black Phone starring Ethan Hawke as The Grabber. the latest horror release has pulled in an impressive $23M which is already great with its $18M budget. The classic horror B+ CinemaScore is also going to translate into legs that we’ve seen with other horror films like Get Out, Happy Death Day, and recently Doctor Strange in the Multiverse of Madness.

    Source: Twitter, Variety

  • The Morning After Huddle: June 25, 2022

    The Morning After Huddle: June 25, 2022

    We break down the biggest NFL News from Friday in our latest Morning After Huddle

    Welcome to your Saturday edition of The Morning After Huddle! Hope your coffee is hot…we’ve got some news.

    Here’s what you need to know:

    • Apparently, it’s not nice to allegedly break a man’s eye socket and it’s likely that Alvin Kamara will be suspended. Kamara is currently facing felony battery charges from an incident during Pro Bowl weekend and sources around the league say that a six game suspension is expected. News also broke this morning that a civil lawsuit will be filed.
    • For the third straight year, the NFL will forgo the Supplemental Draft. The event is meant to be an exhibition for college players to have one last chance to enter the NFL. However, it’s become increasingly apparent that teams have rarely use this draft to add talent.
    • The Key Signings Roundup looks a bit different today:
      • DirecTV is ending its 30 year run of hosting Sunday Ticket. Three companies have emerged with competing bids: Disney, Amazon, and Apple. it’s been reported that the league is looking for at least $2 billion for the rights to the content and a possible stake in NFL Media.

    Thanks for sticking around with us this week, catching up on all things NFL! We will see you on Monday for the next Huddle, where we break down all news you want to know.

    ICYMI: Friday – June 24,2022 Edition

  • ‘Doctor Strange 2’ Director Offers Details on 616 Mordo’s Grisly Fate

    ‘Doctor Strange 2’ Director Offers Details on 616 Mordo’s Grisly Fate

    There has long been a rumored sequence teased where Mordo would take on Wanda Maximoff in an earlier draft of Doctor Strange in the Multiverse of Madness. During the commentary track from the latest digital release, as shared by Insider, director Sam Raimi reveals just how that sequence was going to end up. It looks like he was going to face a terrible fate and already hint at the brutal takedowns Wanda was going to execute upon the Illuminati.

    Michael had written an early scene with Chiwetel where we saw him in our universe, 616, where he was the Mordo that we knew from ‘Doctor Strange 1.’ Only he had been through many battles since that. He had a limp, and he was coming after the Scarlet Witch to take her power because he knew she was dark and terribly corrupted by the Darkhold. She killed him and cut off his head. Presented it to Strange in a later scene.

    Sam Raimi

    While praising the work by writer Michael Waldron, he does reveal that it slowed down the beginning and it was the reason it was dropped from the script. It also would’ve given away her dark turn quite early on and the mystery did add a little something special early on.

    What seemed like a sequence that would be dragged out throughout the film was swiftly pushed to the side and we got some creative creature designs. Plus, it kept us on edge when the actual takedown happens during the meeting with the Illuminati. Plus, it also keeps Mordo’s fate open and not just kill him off before truly exploring his rivalry with Strange more.

    Source: Insider

  • ‘Doctor Strange 2’ Producer on Making the Mr. Fantastic Fan Cast a Reality

    ‘Doctor Strange 2’ Producer on Making the Mr. Fantastic Fan Cast a Reality

    John Krasinski joined the Marvel Cinematic Universe as the role he’s been fan-cast ever since an image made the rounds of him looking like Mr. Fantastic from the comics. Many years later, he would arrive in Doctor Strange in the Multiverse of Madness as part of the Illuminati. Many wondered if this opens up the potential of him taking on the role in the mainline MCU, but while it’s not confirmed, producer Richie Palmer revealed why he was cast in the commentary track (as quoted by The Direct).

    It’s so funny that Kevin [Feige] cast John [Krasinski] because the fans had a dream of who the perfect Reed Richards would be. And because this is an alternate universe, I think Kevin said, ‘Let’s make that dream come true.’ I’ve always really enjoyed all of his performances.’

    Richie Palmer

    It’s something that once again highlights just how much Marvel Studios listens to fans and it’s incredible that they were able to make it a reality. Krasinski and Marvel Studios have not given away if there’s a future for him with the franchise, but it definitely was a cameo alongside Anson Mount‘s return as Black Bolt that had many excited for the future of these characters.

    They also confirmed that Mr. Fantastic uses Doctor Doom’s Time Platform to appear in the sequences, which many theorized due to the visual design that is also not too different from the TVA’s transportation device. So, we may see more of it moving forward, and here’s hoping we ‘ll get more teases of the Fantastic Four joining the MCU at one point.

    Source: The Direct

  • ‘Ms. Marvel’s Sound Mixer Teases a “Dynamic” New Direction in the Final Episodes

    ‘Ms. Marvel’s Sound Mixer Teases a “Dynamic” New Direction in the Final Episodes

    Ms. Marvel has been quite the standout in the Marvel Cinematic Universe. Not only does it offer a window into the life of Muslim-Americans with the touch that many have wanted from these kinds of stories, but also one of the visual standouts in the franchise. While the series may be the most down-to-earth for the franchise, Ms. Marvel‘s sound mixer Chris Giles teases the final episodes as “dynamic” in an interview with The Direct.

    In the interview, he especially highlights how the later episodes will be “touching on things that a lot of Westerners may not even be aware” of and it may offer a culturally relevant backstory that we haven’t seen yet in the MCU.

    The standout ones will be, somewhere in my mind, for me, will be later in the series. Because we start touching on things that a lot of Westerners may not even be aware of existing. Maybe if you follow the canon of Ms. Marvel and a few other things, you might be able to kind of piece it together and figure some of this out. But I’m fascinated that there are some stories that are going to be told through this medium. And it’s kind of to me, it’s backstories, it’s sort of things that help develop these characters.

    Chris Giles

    He also goes on to highlight how this new series format offers a way to further explore the origin stories of the characters and continues to tease that “some really, really cool things coming” our way in the Disney+ series.

    Because, you know, Marvel gets critiqued a lot for, oh, there’s no character development, oh, it’s just flashing and banging and blowing things up, and this and that. Especially these episodic streaming projects, they’re able to flesh out a lot of backstories. So, whenever you do greet them on the big screen, you’re like, oh, I was able to read up on such and so, this is why they are at, you know, an adversary to this other person that I thought was a good person or bad guy, or whatever the case is. No, there are some really, really cool things coming.

    Chris Giles

    What stood out in the interview is that he also teases a “dynamic differently” direction as the backstory is further explored. The last episode already offered us a glimpse into a very surprising new direction with Ms. Marvel’s origin and we may get a better look as more puzzle pieces fall into place moving foward.

    I can’t say. When they start building more of the backstory, it gets more dynamic differently than I think a lot of MCU things have typically. So, if nothing else, because it’s different. It stands out in my mind. I hope it translates to the audience because we can perceive it one way, because we’ve read the scripts we’ve been through the process. And we can applaud our ways all the way to release. But, until the audience sees it, you have no idea if it registers, or if it speaks to people. Mostly because the demographics that it serves are what speak to me the most. If nothing else, the more youthful audience.

    Chris Giles

    It definitely sounds like Ms. Marvel may continue to evolve and if it hits the landing, could find its place among the top of the Marvel Studios’ offerings on Disney+ so far. It has the most “weekly” feeling, unlike some of the other dramas that have a more “six-hour film” approach. So, it’s going to be exciting to see how the story comes together.

    Source: The Direct

  • ‘Doctor Strange 2’ Producer Highlights Wanda and Strange’s Importance to the MCU’s Phase 4

    ‘Doctor Strange 2’ Producer Highlights Wanda and Strange’s Importance to the MCU’s Phase 4

    Phase 4 of the Marvel Cinematic Universe has been an interesting experience for many. Each project has been a bit more self-contained without a clear build-up, outside of Loki‘s set-up of what is very likely the final conflict of this new saga, and has led to some confusion about what the future has in store. Without an Avengers film on the horizon, many wondered when these newly introduced heroes would truly unite and who will take on the key roles that Steve Rogers and Tony Stark had in the Infinity Saga.

    Well, producer Richie Palmer has highlighted that “Doctor Strange is the anchor of Phase 4” and “Wanda Maximoff is the jewel in the crown.” Especially Elisabeth Olsen‘s time as Wanda has gone through a major shift with her tale in WandaVision and turn to villainy in the Doctor Strange sequel (transcript provided by The Direct). He highlights them as follows:

    Yeah, it’s crazy to see Wanda act like this for the first time, it’s so exciting. And for fans of the comics, we were so excited to bring this to screen and finally deliver on the promise. Once you introduce the character of the Scarlet Witch, even before she was the Scarlet Witch, we introduced her in Age of Ultron, there was always the hope that we can bring her to this place of her doing things like [infiltrating Kamar Taj]. And it’s really exciting, and she is the best. If Doctor Strange is the anchor of the MCU of Phase 4, then Wanda Maximoff is the jewel in the crown.

    Richie Palmer

    While he doesn’t point to their role in the new saga, which Kevin Feige has teased may become clearer in the coming months. They are seemingly building up towards a Secret Wars crossover which would require some of the strongest universe-defying characters to bring some logic to it. So, who knows if perhaps the remnants of the Dakrhold are the incursion that was just waiting to unleash them unto Battleworld.

    Source: The Direct

  • Taika Waititi Struggled Balancing ‘Our Flag Means Death’ and Editing ‘Thor: Love and Thunder’

    Taika Waititi Struggled Balancing ‘Our Flag Means Death’ and Editing ‘Thor: Love and Thunder’

    Taika Waititi has been quite busy as of late. Besides producing various projects, he’s also been trying to get some projects going that sadly wouldn’t move forward, like a live-action Akira but ended up focusing on directing Thor: Love and Thunder. Yet, he was also involved in playing Blackbeard in the HBO Max series Our Flag Means Death. Turns out, he may have overestimated the projects after all and ended up editing while still in costume.

    In an interview with SlashFilm, the Love and Thunder director talked about it being the first project where he was asked to take on the role. It seems that David Jenkins had him in mind when creating the seris’ take on Blackbeard, and somehow they made it work out that he was able to take on the role.

    This is one of the rare occasions where I didn’t put myself in my own thing; someone else asked me to do it. David Jenkins wrote Blackbeard with me in mind and, at first, I was just too busy to do it. But with some shuffling of schedules, we were able to do it, which was great because I really wanted to play the role. I would have been really bummed out if I had missed out on it.

    Taika Waititi

    He highlights how he would end up editing the project at night after playing Blackbeard

    I was Blackbeard by day and then was editing ‘Thor’ by night and doing various other things. I was trying to work from set with the shaggy hair and the beard. It was a management nightmare, but we pulled it off and it was probably one of my favorite roles that I’ve played because it’s something I didn’t have to write so I could bring a lot of myself to it.

    Taika Waititi

    The irony of two unique love stories overlapping production is a curious fate, but it may have helped develop them. While he does call it a “management nightmare” it seems that he certainly is passionate about both projects. So, we’re the lucky ones to get to see him bring Blackbeard to life and Love and Thunder.

    Source: SlashFilm