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  • Pom Klementieff Wrapped Filming on ‘Guardians of the Galaxy Vol. 3’

    Pom Klementieff Wrapped Filming on ‘Guardians of the Galaxy Vol. 3’

    It looks like principal photography is slowly coming to a close on Guardians of the Galaxy Vol. 3, as Pom Klementieff took to her Instagram account to share that she has finished her work on the project. Of course, the film won’t release until May 5th, 2023 and they might definitely plan some reshoots in the coming months. Still, Klementieff, who plays Mantis that became a permanent member of the Guardians after the second entry, shared a cake with the iconic “We are Groot” line as a way to celebrate finishing up her work on the threequel.

    Her saying “We are Groot Forever” continues to highlight that this film is very likely wrapping up the franchise or at least the version that we’ve been following since 2014. We don’t know how exactly it’ll warp up the storyline and what members might continue their journey across the galaxy afterward.

    Sadly, there have been hints that a good amount of members might end their time with the MCU in the upcoming project, but many things can get adapted throughout the production process. Yet, Gunn has envisioned this film for quite some time and is gladly returning to finish what he started. Still, it definitely feels like it’s going to leave us with an emotional gut-punch once the film ends up.

    Source: Instagram

  • ‘Zack Snyder’s Justice League’s Ray Porter on Why Darkseid Never Returned to Earth

    ‘Zack Snyder’s Justice League’s Ray Porter on Why Darkseid Never Returned to Earth

    2021 saw the release of Zack Snyder’s Justice League, a film that definitely caused some ruckus upon its initial release back in 2017. The theatrical cut of the film by Joss Whedon saw many crucial elements and character arcs cut in order to meet a two-hour studio-mandated runtime. One element, in particular, that was cut revolved around the Lord of Apokolips himself, Darkseid. Reduced to only a few mentions within the film the character was nowhere to be seen until Snyder got back to work.

    One thing that’s still causing a lot of folks to scratch their heads, even a year after the release of the film, was how Darkseid did not remember that the anti-life equation was on Earth. Following a brutal defeat by the tribes of man and their allies, the then-called Uxas and his army of Parademons were chased back to Apokolips, and simply never returned. Luckily, actor Ray Porter, who lent his voice to the character, recently sat down with FandomWire to chat where he gave his take on the subject.

    Consider the fact that he’s turned a hundred thousand worlds to dust; it was so long ago that he found this equation and then it was taken from him in battle and he always wanted to ‘re-find’ it. We are talking so many thousands of years, so many planets, universes, and possible Earths. Uxas, the person who became Darkseid has also changed so much in that long timespan. So, for someone whose knowledge spans so much, maybe the knowledge got lost in the vastness that it was on this Earth in particular. And then, Steppenwolf, of all people approaches him about this.

    Ray Porter

    One day we may see Darkseid return to DC Extended Universe but it looks like it could be a while before he makes his way back to earth. For now, all we get is his short appearance in Zack Snyder’s Justice League.

    Source: FandomWire

  • James Gunn Requested A Few Adjustments to the Guardians in ‘Thor: Love and Thunder’

    James Gunn Requested A Few Adjustments to the Guardians in ‘Thor: Love and Thunder’

    Guardians of the Galaxy Vol. 3 is still some time away, but that doesn’t mean we’ll have to wait too long for them to make their return to the Marvel Cinematic Universe. As the Thor: Love and Thunder trailer revealed, we got a glimpse at the team’s return alongside their latest addition, the God of Thunder. While it seems their paths won’t cross for too long, it does seem like this film will lead into the upcoming third entry of the film. As such, it would make sense for its director James Gunn to have some input.

    Luckily, Twitter user @NerfSolo asked the director if he might have had some say in how Taika Waititi tackled the team, and the director swiftly answered that he asked for them to make a few adjustments. As a lot of these projects are a collaborative effort, it seems that Waititi made the requested adjustments from James Gunn.

    https://twitter.com/JamesGunn/status/1517867561706266624

    Of course, we’ll likely never find out what exactly he requested to change, but it highlights that the directors still continue to exchange notes as they work on the various projects. Perhaps some of the adjustments were made to ease in viewers from that project into the third entry, but Vol. 3 might be mostly disconnected. Last time we saw the Guardians in Avengers: Endgame, they were making their way to find the displaced Gamora, who originated from a different timeline. Going by trailer, it seems they are still doing some work for hire, but it’s uncertain if that may still play into the film in any way.

    Source: Twitter

  • Family and Indie Films Show Strong Performance Over the Weekend as ‘Fantastic Beasts’ Fumbles

    Family and Indie Films Show Strong Performance Over the Weekend as ‘Fantastic Beasts’ Fumbles

    The box office numbers are once again here, and it’s been quite an interesting weekend. Smaller programming has been on a raise as The Northman pulled in $12M and The Unbearable Weight of Massive Talent managed $7.1M. What is interesting is that the former had a worse audience score with a B but still had the stronger pull. Robert Eggers‘ film may get hit a bit in its second weekend with word-of-mouth but it still had a stronger pull and will secure its audience. As Deadline points out, these two films share a similar audience which ends up cannibalizing each other. In the era of Netflix losing its momentum, it may be a showcase of the importance of counter-programming to streaming offerings.

    The smaller pull and adding non-four-quadrant programming also add some momentum to the theater that may become an advantage for Doctor Strange in the Multiverse of Madness once it opens in just a few weeks. Speaking of Multiverse, Everything Everywhere All at Once has been continuing to expand and is climbing up the ladder to become one of A24’s most successful releases. So, it’s definitely an uplifting trend to see these titles gain more momentum once again, as smaller budget films pulling in an audience.

    The weekend’s top performer ended up being The Bad Guys, as the Universal and Dreamworks Animation’s film is overperforming. Initial expectations saw it at $15M but it ended up ending the weekend with $24M. Sonic the Hedgehog 2 had a stronghold as well, as it now is nearing $150M with a $15.2M weekend. So, the weekend has been quite strong for indie and family showings. The Sonic sequel is also currently further moving towards $300M worldwide as it holds strong as the best performing video game adaptation.

    Fantastic Beasts: The Secrets of Dumbledore has managed to hold on to the third spot, but it’s the worst second-weekend drop for any entry of the Fantastic Beasts franchise, but it’s the second-worst for the Harry Potter franchise which had a 72% drop. To be fair, it was also coming off of a $169M opening weekend. Yet, it must be highlighted that the film has been doing strong international, which is becoming its saving grace but might not be able to balance out its current standing as part of the Wizarding World franchise.

    Source: Deadline, Deadline (int.)

  • Taking a Closer Look at the Potential Origin of Ms. Marvel’s New Abilities

    Taking a Closer Look at the Potential Origin of Ms. Marvel’s New Abilities

    The Marvel Cinematic Universe has consistently looked to the comics for inspiration in its adaptations. We saw it with the Superhero Registration Act being turned into the Sokovia Accords or even recently having Marc Spector waking up in an institution. Some adaptations are straightforward, while others are altered slightly to fit an overarching story. Carol Danvers, to give an example didn’t get her powers from the Space Stone in the comics. With Phase 4 seemingly being all about legacy and the responsibility that God-like beings hold, it shouldn’t be a surprise then to see more connections bringing these themes together. Perhaps they are already planning the seeds with Kamala Khan’s new powers.

    In the first trailer for Ms. Marvel, we got to see how Kamala’s powers are being adapted for Disney+. It revealed that she was going to become a more cosmic-powered superhero similar to the two other “marvels” that now exist within the MCU rather than the traditional Embigenning abilities from the comics. Yet, it opens up the question of where exactly these newfound powers come from. As mentioned previously, Captain Marvel received her powers from the Space Stone. The other member of The Marvels, Monica Rambeau, also was given abilities indirectly through an Infinity Stone. Could we see the same with Kamala?

    The trailer may be the key to finding out just how she gains her abilities. We see her put on bracelets of some kind and are surrounded by a mysterious energy. Perhaps there’s a chance that what she is wearing is the MCU’s version of the Quantum Bands? In the comics, the cosmic entity and Eternal known as Eon would acquire these mysterious artifacts from Kronos, the father of Zeus, who was just recently teased in the first Thor: Love and Thunder trailer.

    In the comics, Eon was originally trying to find ways to counteract Thanos’ plans. He gave Mar-Vell the knowledge and weapons needed to attempt to stop the Mad Titans. Perhaps something similar happened in the MCU. At the time, we all wondered how Carol Danvers arrived back on Earth at precisely the right time in Avengers: Endgame, and this could easily be how. As we see more and more godly entities within the MCU, it wouldn’t be too out there that Eon also has found his place within the cinematic universe and through Carol Danvers’ travel to earth, she brought them with her.

    As their name implies, they pull their energy from the Quantum Zone, which we were introduced to in the Ant-Man franchise as the Quantum Realm. So, there are already enough elements within the MCU to build up the connection of her abilities being based on the Quantum Bands. They might change the origin, as even the Tesseract was originally the Cosmic Cube and had no relation to the Infinity Stones in the comics. So, they could even have a connection to an Infinity Stone similar to keep the connective tissue between Marvel’s abilities. Perhaps upcoming trailers might help solidify that very connection as we near its June release.

  • EXCLUSIVE: Every ‘Moon Knight’ Easter Egg is Intentional Says Production Designer

    EXCLUSIVE: Every ‘Moon Knight’ Easter Egg is Intentional Says Production Designer

    Easter eggs can oftentimes be a double-edged sword for fans. In the case of Wandavision, the rabid hunting of easter eggs from fans proved to be a source of weekly disappointment. And because Moon Knight is a similar mystery box, fans are debating heavily whether an object onscreen is an easter egg or just a coincidence to avoid disappointment. For example, the Kang logo on one of the bad guys’ shirts.

    In our interview with the show’s production designer Stefania Cella, she revealed that every easter egg fans see on screen is intentional and not a happy coincidence.

    All deliberate. There are no accidents. Marvel is very cautious and very aware of what are the [easter eggs]. That was an educating curve for me; what [easter eggs] can be involved and what are the things to leave out. There are the usual easter eggs for comic lovers. I put them in there personally.

    Whether those easter eggs are purely aesthetic or a teaser of what’s to come, it’s nice to see the amount of detail put into the show. Compared to Wandavision where the people making it admitted that some of them weren’t intentional (the aerospace engineer, for example), the people making Moon Knight seemed to have learned from Marvel Studios’ previous mistakes.

  • EXCLUSIVE: ‘Polar Bear’ Director Discusses Difficulty of Making the Documentary

    EXCLUSIVE: ‘Polar Bear’ Director Discusses Difficulty of Making the Documentary

    Disneynature’s upcoming documentary Polar Bear is the latest installment in the film studio’s collection after 2020’s Elephant. Helmed by directors Alastair Fothergill and Jeff Wilson, the directing team behind Disneynature’s 2019’s Penguins, the documentary tells the story of a particular polar bear over a 15-year time period.

    Given the immense time period and the unforgiving Arctic environment in which Polar Bear was filmed, making the documentary unsurprisingly came with extreme challenges. In an exclusive interview with Murphy’s Multiverse, director Jeff Wilson described some of these challenges, including why a 15-year time period was necessary:

    We also wanted to tell this amazingly important environmental story. And to tell that over a three-year period would be dishonest and impossible. But to tell it over a fifteen-year period was absolutely the right time scale in order to kind of capture the change that would happen within a bear’s life.

    Jeff Wilson

    Polar Bear also specifically follows one bear, making the process that much more arduous. Wilson went on to explain why they needed a female bear to film:

    [B]ear behavior is all learned from a mother bear. And so it was crucial for us to tell a story from a mother’s perspective and the story about the mother bear, because that’s where all the interesting behavior happened. That’s where the cubs learn from their mother. So we knew that we had to have a female bear.

    Jeff Wilson

    But finding the bear for Polar Bear—and filming in general—came with enormous environmental difficulties as well. WIlson continued:

    [We] have to spend as much time in that there’s presence as we can possibly stand. And bear in mind that we’re working at the temperatures down to minus 45 degrees. And there’s only so long that you can actually, you know, physically survive in that environment before you have to go back and get a hot meal and have some sleep. And so on any given day, you will have to start from scratch and try and find that bear again and go out and try and find that mother and her cubs again. So it’s a very, very difficult process.

    Jeff Wilson

    The work put into to the documentary will pay off when audiences get to enjoy the film soon. Disneynature’s Polar Bear launches exclusively on Disney+ on Earth Day—April 22, 2022.

  • EXCLUSIVE: How The Ennead Was Brought To Life In ‘Moon Knight’

    EXCLUSIVE: How The Ennead Was Brought To Life In ‘Moon Knight’

    2022 seems to be the year where the true deities of the MCU get introduced. While the early Thor films established the Norse gods as pseudo-space aliens, Moon Knight wastes no time in treating these beings like the divine pantheons they are. And in Episode 3 of Moon Knight, the Ennead, the cabal of Egyptian gods living among us through their avatars, was revealed in their full glory.

    We spoke to production designer Stefania Cella about the process of bringing these characters to life and the lengths they had to go through to keep it as respectful as possible.

    I went to Egypt to educate myself about Egyptian culture. We had an Egyptologist with us helping us translate hieroglyphs. It’s a long process of research.

    Balancing the elevated fantasy from the comic books with the historical accuracy of Egyptology is not easy feat but Cella and Marvel Studios managed to bring it all together cohesively.

    All the references to the literature on Egyptian worship, that was through proper research. We are very historically correct in the way we approach hieroglyphs and we try to be respectful because it was a religion. The way we made everything fantastic is based on the idea that there was this room inside the Pyramid where the gods meet. We married both fantastic and historic by being very proper on research but also taking creative liberties by imagining a fantastic chamber inside the Pyramid.

  • THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    Sony is now three movies into is shared universe of Marvel Characters, and for the most part, they’ve all been pretty much the same thing. In Venom, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. In Venom: Let There Be Carnage, the title character once again learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. Finally, in Morbius, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. After spending several full minutes studying this pattern and dissecting what may come to be known as “The Sony Formula,” only a single conclusion could be truly reached. In Kraven the Hunter, the title character will likely learn to control his abilities and accept his destiny while doing battle with a more sinister version of himself.

    The real question surrounding the next big Marvel-Sony project is who that “more sinister version” of the anti-hero Kraven will be to fight the titular character. Aside from the Venom sequel’s inevitable use of Carnage, the SonyVerse has had to make a couple deep pulls to materialize antagonists for its solo Spider-Villain movies. The symbiote-heavy stories at least have a handful of “Venom but worse” baddies to choose from, but Morbius literally had to create it’s own original character in order to satisfy the “Sony Formula” developed in the studio’s screenplay labs. As if further proof is needed of the plot recipe’s existence, Matt Smith was originally announced as playing the very minor comic malefactor Hunger before his role was morphed into something that more closely resembled Jared Leto‘s protagonist. So, if one were to try a guess at who the currently-unrevealed villain of Kraven is, they would probably be best off looking for an obscure Spider-Man criminal with a power that reflects the lead’s own skill set. Enter: Grim Hunter.

    In the comics, Sergei Kravinoff is somewhat of a family man. He spawned four children with his lover Sasha, all of whom grew up to be problems for either Spider-Man or Kraven himself. The oldest son and firstborn child, Vladimir, aspired to be as good of a hunter as his renowned father, and eventually dabbled with an experimental elixir enough to make it almost all the way there. Once at full power, he named himself the “Grim Hunter” after a legendary warrior he was told stories about as a boy, and went after Spider-Man. He would ultimately be killed in battle by Peter Parker’s clone Kaine, revived decades later by his mother in the form of a humanoid lion-like creature, and then be killed again by his father for not living up to the family name. It’s a lot to take in, but it’s probably just enough for Sony to use as the basis for a solo Kraven film.

    The problem is that story doesn’t make Sony’s “bad guy who’s also sort of good” come off in the best light, and Aaron Taylor-Johnson seems a little young to be a guy with a fully grown son. This is where Russell Crowe comes in. Back in February, the famed actor was cast in a mystery role for Kraven the Hunter that The Illuminerdi claimed would be Nikolai Kravinoff. Though whether or not this is true remains to be seen, having Crowe as the father of the eponymous Hunter would help to fill in a few blanks where the movie’s antagonist is concerned. While he was never a major player in any specific comic book stories, Nikolai was instrumental in shaping who Sergei would become. He was an abusive dad, who tormented Sergei and his half-brother Dmitri (a.k.a. Chameleon, set to be played by Fred Hechinger in the movie) before dying and leaving the boys orphaned. This life aspect seems like an easy inclusion for the writers trying to make their hero sympathetic, and the recent casting of Levi Miller, who looks an awful lot like a young Taylor-Johnson, suggests that fans might be treated to some flashbacks over the course of the film.

    Of course, Sony wouldn’t get someone as talented as Crowe for a few simple flashbacks, which indicates Nikolai could potentially have a bigger role in the plot than comic book history implies. In fact, it seems likely that Sony could take the comic relationship between Sergei and Vladimir and flip it on its head, casting Nikolai as the legendary “Grim Hunter” and Sergei as the firstborn son trying to live up to his father’s legacy. Doing this would give Taylor-Johnson‘s Kraven a reasonable motive to become the world’s greatest hunter, and the unavoidable climax in which Kraven defeats his crazed poppa and vows to be a Hunter with more honor than him would do wonders in portraying the titular character as more anti-hero than a straight villain.

    The one broken cog in this theory is Christopher Abbott‘s The Foreigner. Recently announced as a villain in the film, the character fits the bill of “wildly obscure Spider-Man villain with abilities similar to the protagonist.” He’s a master assassin in peak physical condition and an expert martial artist. And unless that character is also dramatically altered, there isn’t much there in the way of emotional conflict between him and Sergei. Perhaps they are both after the same target, but even that seems like a weak central conflict. Imagine instead that Crowe‘s Nikolai is pulling the strings in the background, using Foreigner as a test of his son’s might before using the elixir Vladimir used in the comics and taking the stage himself for a grand final duel. Maybe Foreigner is even reimagined as another child of Nikolai, alongside Sergei and Dmitri, dramatically revealed to the audience just before the Grim Hunter coldly kills him for failing to outdo Sergei.

    Obviously, absolutely none of this is confirmed and is almost entirely fun conjecture. It’s a theory that’s been stewing in my brain for a while that I thought would be fun to get out there. It’s very possible none of this comes to fruition, but it would be very entertaining if even an ounce of it turns out to be true. In the spirit of this article, I’ll leave off on one more little theory nugget, throwing out what seems like an entirely plausible post-credits scene based on what we’ve seen Sony do in the past. Chameleon is already confirmed for the movie, and in the comics, is the one who tells Sergei about Spider-Man’s existence in the first place. It feels like this would be something Sony might want to capitalize on. Probably.

    Sources: Marvel, Comic Book, Variety, CBR

  • ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    Much of the conversation surrounding Moon Knight Episode 4 is no doubt focused on that twist ending. But the moments before Marc Spector wakes up in what looks like a psych ward may have been inspired by the events of Marc Spector: Moon Knight #27 and #28, which have surprising parallels to Marc’s death by Arthur Harrow in the live-action series. There is a chance Moon Knight could show a resurrection of Marc Spector that involves a new understanding and acceptance of his role as the Fist of Khonshu. In essence, even though we have not witnessed the actual origin of the character in the series, Episode 4 could have just set up Moon Knight’s “true” origin in the MCU.

    ‘Marc Spector: Moon Knight’

    Towards the end of Episode 4, Arthur Harrow shoots and presumably kills Marc Spector, who floats down through water in the tomb for quite some time. Eventually, we see a light ahead of him and he wakes up in the psych ward. While the mental hospital aspect shows a lot of similarities to the Lemire-Smallwood run in the comics, the moments before are suspiciously reminiscent of the Scarlet Redemption arc in Marc Spector: Moon Knight. In it, Moon Knight is fatally stabbed, and he falls into some water. His body spends virtually the entirety of the next issue sinking deeper into the water in a visual that has undeniable comparisons to Episode 4.

    Marvel Studios’ ‘Moon Knight’
    ‘Marc Spector: Moon Knight’

    In Marc Spector: Moon Knight #28, an explicitly-dead Marc Spector sinks down through waters while passing through memories that seem to haunt him, including his past as a murdering mercenary. That’s not all, as also present are visions of his father. He was a rabbi, and Marc thinks through his relationship to the values of his youth and how he strayed from them. He ultimately realizes that his father’s teaching of goodness, love, and redemption were things he should not have completely turned against.

    By the end of the issue, Moon Knight comes to “understand” that Khonshu wanted him as his Fist of Vengeance for more than just his violent skills from his life as a mercenary. He believes that he also chose him for the influence his father had on him and what mental lessons he took away from being the son of a rabbi.

    It is one of the first major moments in Moon Knight’s comic history that emphasizes and explores Marc Spector’s heritage, as well as his connection to Judaism. Whether Moon Knight goes into this more in the next few episodes is yet to be seen, but Marc Spector’s personal epiphany in this issue of the comics may be absolutely crucial to understanding what comes next in the live-action series.

    Marc Spector, of course, was first resurrected by Khonshu in a tomb when Marc was killed by Bushman—his traditional origin story. In Marc Spector: Moon Knight #28, Khonshu resurrects Marc Spector a second time, and Moon Knight is very much reborn. He emerges from the water sure of his newly realized role as more than a fist of vengeance—he is also a beacon of hope.

    ‘Marc Spector: Moon Knight’

    While the psych ward arc in Moon Knight will surely play out in its own unique way, it is very possible it could include a look back on Marc or Steven’s lives before they took on the mantle. It might end up with all personalities embracing, accepting, and redefining the Moon Knight mantle. In that way, the Disney+ series could be seen as a traditional origin story in and of itself. While the first “origin” may have been in the past, the series may have built itself around this second resurrection which could serve—for all intents and purposes—as the origin of the Moon Knight we come to know in the MCU.